PROPOSED SYLLABOUS-2010-11 B.A.

PART -I DRAWING AND PAINTING Ist Paper- Theory

Fundamentals of Visual Art & Indian folk Art. Unit-I Simple study : Definition and Meaning of Art Elements of Painting
1. 2. 3. 4. 5. 6. Line Form Colour Tone Texture Space

Unit-II

Principles of Composition
1. 2. 3. 4. 5. 6. Proportion Rhythm Dominance Harmony Unity Balance

Unit-III

Medium and Techniques Medium

1. Dry Medium Powder Colour Pastel Colour 2. Wet Medium Water Oil Acrylic

Techniques

Pastel Colour Water Colour Tempera Colour Acrylic Colour Unit-IV Indian Folk Art
1. 2. 3. Origin Definition Types - Rangoli, Mandna, Alpna, Sanjhi, Apna, Leela Gudwana, Ahpan

Suggested Readings:
1. Roopankan: 2. Chitrakala Ke Anga: 3. Chitran Vidhan: 2. Kala Ki Parakh: 3. Kala ka Darshan: 4. Kala Vivechana: G.K. Agarwal C.L. Jha Sharma and Kshetriya K.K. Jaiswal Ramchandra Shukla Kumar Vimal

1. Roopprada kala ke Mool Aadhar: Sharma & Agarwal

B.A. PART -I DRAWING AND PAINTING

IInd PAPER- PRACTICAL M.M.:30 This Practical paper should be divided in two units.

Unit-I

Creative Designing (Ornamental/ Geometrical/ folk/computer)

with minimum one human figure is compulsory.
1. 2. 3. 4. Size: Duration of Time: Medium : Submission of Sessional work: 9" 9" Maximum 4 Hours Water colour 5 Plates 5 Sketches

Division of Marks
Examination 5 Plates and 5 Sketches for submission = 20 = 5+5=10 Total= 30

Unit-II

Still Life Painting

1. 2. 3. 4. Size : Duration of Time: Medium : Submission of Sessional work: Quarter Imperial 6 Hours

M.M. 30

Oil/Water/Acrylic/Pastel 5 Plates 5 Sketches

Division of Marks
Examination 5 Plates and 5 Sketches for submission Total Practical Marks = 20 = 5+5= 10 Total= 30

= 60

INSTRUCTIONS 1. Above mentioned second paper practical's in two units should be treated in two courses and two individual period should be allotted for every batch. One batch should be consituted of maximum 30 students. 2. 3. 4. 5. Ist paper theory should be allotted another individual period. Art material should be provided from the college for the demonstration for the class to the teacher. Drawing Boards should be provided for each student from the college. The objects of still life should be purchased by the college for conducting Art classes.

PROPOSED SYLLABOUS-2010-11 B.A. PART -II DRAWING AND PAINTING Ist Paper- Theory
History of Indian Painting (Primitive Art and Ist Century to 17th Century A.D.)

Unit-I

Primitive art with reference to Indian Painting

1. 2. 3. Pre-historic Painting Indus Valley Jogimara

Unit-II

Buddhist Art:
1. 2. 3. 4. 5. 6. Ajanta Bagh Sittanvasal Badami Elephanta Ellora

(Buddha Period)

Unit-III

Medieval Art
1. 2. Pal School

(Medieval Period)

Apbhransha/ Jain School

Unit-IV

Rajasthani Style
1. 2. 3. 4. Mewar Jaipur Kishan Garh Kota- Bundi

Mughal School
1. 2. 3. Akbar Jahanghir Shahjahan

Pahari School
1. 2. 3. Basholi Kangra Garhwal

Suggested Readings:
1. Bharat Ki Chitrakala: 2. Bhartiya Chtrakala ka Itihaas : 3. Bhartiya Chitrakala ka Itihasic Sandarbh: 4. Bhartiya Chitrakala ka Sankshipta Parichaya: 5. Kala Aur Kalam : 6. Bhartiya Chitrakala ka Itihaas : 7. Bhartiya Chitrakala ka Itihaas : 8. Indian Paintings :
Raikrishna Das C.L. Jha Gopal Madhukar Chaturvedi Vachaspati Gairola G.K. Agarwal R.A. Agrawal Avinash Bahadur Verma Percy Brown

B.A. PART -II DRAWING AND PAINTING

IInd PAPER- PRACTICAL
M.M.:30

This Practical paper consists be divided in two units.

Unit-I

Copy from Old Masters (One figure composition)

1. 2. 3. 4. Size: Duration of time: Medium : Submission of Sessional work: Quarter Imperial 6 Hours Water colour 5 Plates 5 Sketches

Division of Marks
Examination 5 Plates and 5 Sketches for submission = 20 = 5+5 =10 Total= 30

Unit-II

Cast Study Bust/Antique/Life

1. 2. 3. 4. Size : Duration of time: Medium : Submission of Sessional work: Quarter Imperial 6 Hours

M.M. 30

Pencil/Charcoal/ Crayon 5 Plates 5 Sketches

Division of Marks
Examination 5 Plates and 5 Sketches for submission Total Practical Marks = 20 = 5+5 = 10 Total= 30 = 60

PROPOSED SYLLABOUS-2010-11 B.A. PART -III DRAWING AND PAINTING Ist Paper- Theory M.M.: 50
Philosophy of Art and Modern Indian Painting (18th Century AD upto Present Age)
Unit-I Simple Study
1. 2. Definition and Meaning of Art Six Limbs of Indian paintings (Shadang)

Unit-II

Philosophy of Art
1. 2. 3. 4. Concept of beauty according to Indian Philosophers and Western Philosophers Art and Symbolism Art and Society Art and Modernity

Unit-III A Modern Art in Indian Painting (from 18th Century upto present age)
1. Patna/Company School: Life and style of Raja Ravi Verma 2. Bengal School/Rennainssacen period Life and style Abanindranath Tagore, Asitkumar Haldar, Nandlal Bose, Kshitindranath Mazumdar

B New Trends in Modern Indian paintings

1. Life and Style of Jamini Roy, Ravindranath Tagore, Gagandranath Tagore, Amrita Shre Gill

Unit-IV

Contemporary Indian Painting after Independence upto present age.

1. Life and Style of Satish Gujral, M.F. Husain, K.S. Kulkarni, K.K. Habbar, N.S. Bendre, B. Prabha, Sailoz Mukharjee, B.C. Sanyal, Ram Kumar.

Suggested Readings: 1. Bharat Ki Chitrakala: 2. Bhartiya Chtrakala ka Itihaas : 3. Bhartiya Chitrakala ka Itihasic Sandarbh: 4. Bhartiya Chitrakala ka Sankshipta Parichaya: 5. Abanindranath Tagore and the Art of His Times: 1. Kala Aur Kalam : 2. Bhartiya Chitrakala ka Itihaas : 3. Bhartiya Chitrakala ka Itihaas : 4. Indian Paintings : 5. Kala Vilas : Raikrishna Das C.L. Jha Gopal Madhukar Chaturvedi Vachaspati Gairola Jaya Appaswamy. G.K. Agarwal R.A. Agrawal Avinash Bahadur Verma Percy Brown R.A. Agarwal

B.A. PART -III DRAWING AND PAINTING

IInd PAPER- PRACTICAL M.M.:50

Unit-I

Pictorial composition (with minimum two human figures are compulsory)

1. 2. 3. 4. Size: Duration of Time: Medium : Submission of Sessional work: Quarter Imperial 6 Hours Water colour 5 Plates, 5 Sketches

Division of Marks
Examination 5 Plates and 5 Sketches for submission = 30 = 10+10 = 20 Total= 50

Unit-II

Portrait Study (Coloured)

1. 2. 3. 4. Size : Duration of time: Medium : Submission of Sessional work: Quarter Imperial 6 Hours Water/ oil 5 Plates, 10 Sketches

M.M. 30

Division of Marks
Examination 5 Plates and 10 Sketches for Submission = 30 = 10+10 = 20 Total= 50

Or
Life Study Sketching
1. 2. 3. 4. Size : Medium : Submission of Work: Sketches (Book) A3 Size Drawing Sheet Pencil, Charcoal Ink 10 Plates (Sketching) 25 Sketches

10

Division of Marks
Examination 10 Plates and 25 Sketches for submission Total Practical Marks = 30 = 10+10 = 20 Total= 50 100

INSTRUCTIONS
1. 2. Drawing Boards should be provided to the students of B.A. Part I, II and III from the college. Art materials such as colours, paper canvas should be provided from the college to the teachers for their demonstration of different art classes. Still life objects, Cast of human body's parts, Cast Bust, antiques should be purchased by the college for conducting the art classes of graduate level. In B.A. Part I and B.A. II Second paper practical, consisting of Two different groups- the entry of marks should be consolidated. In B.A. III, II Paper Practical-should be treated separately Practicals of B.A. I, B.A. II and B.A. III and its groups should be allotted period individually in the time table. In each class B.A. Part I, II, III separate examiners should be appointed for practical examinations.

3.

4. 5.

6.

Presented By Dr. Renu Dhawan Convener Drawing and Painting Department C.S.J.M. University (D.G. P.G.) College Kanpur

11