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Nutcracker Suite VIII. Waltz of The Flowers Bassoon

The document is a musical score for Tchaikovsky's "Waltz of the Flowers" from The Nutcracker Suite. It contains notation for the bassoon part over multiple pages, including markings for tempo, notes, dynamics, and other performance instructions. The score directs the bassoon player on how to perform their part in the piece as it progresses through different sections and variations.

Uploaded by

Moisés Leopoldino Musicalização
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
155 views3 pages

Nutcracker Suite VIII. Waltz of The Flowers Bassoon

The document is a musical score for Tchaikovsky's "Waltz of the Flowers" from The Nutcracker Suite. It contains notation for the bassoon part over multiple pages, including markings for tempo, notes, dynamics, and other performance instructions. The score directs the bassoon player on how to perform their part in the piece as it progresses through different sections and variations.

Uploaded by

Moisés Leopoldino Musicalização
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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Bassoon

Nutcracker Suite
VIII. Waltz of the Flowers

  
Tchaikovsky

    
                      
 = 128

          

  
   

    
 = 140

     
13

          

  

              
A


B


45

 

                                   
74 1

           
                    
   
85


2

           
   
    

           
C D


97

 

                                   
125 1

                                
   
136

  
2

                              
  
E

 
149

           
               
164


   
               
2

 
  
177

           
                      
188 F

                                   

G

   
199

 
       
 

       
             
  
210

 
     
 

     
                
H

 
222

    
     I
              

 

        
232

  
                       
 

 

     
245

   

                                   
258

     

 
                                
  
269


1 2

                     
    

       
280 J

              
 

         
291


poco a poco
                       
3

         

301

 

             
                     
K

   
 = 160

 
311

3  3 

                                   
  
322

 3 

                   
 = 176 
    
   
      
L  = 170


333

3  

                       
                            
345

    
  
353

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