1.1 History of Architecture
1.1 History of Architecture
1 History of Architecture
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A house built of strips of sod, laid like brickwork, A large, usually rectangular house of timber planks,
and used esp. By settlers on the Great Plains when built and used by Indians and, less frequently, by
timber was scarce. Eskimos.
Lotus capital
93. Lotus capital
Palm capital
96. Palm capital An ancient Egyptian capital shaped like the
crown of a palm tree.
97. Column A rigid, relatively slender structural member
designated primarily to support axial,
compressive loads applied at the members
ends.
98. Pillar
Batter wall
Rectangular flat-topped funerary mound, with
110. Batter
battered side, covering a burial chamber below
wall
ground, 2 doors: one for the rituals and a false
door for the spirits, offering chapel-serdab
(contains statue of deceased), offering room
with stele (stone with name of deceased
inscribed), and offering table.
132. Mortuary An ancient Egyptian temple for offerings and 139. Pycnostyle Having an intercolumniation of 1 1/2 diameter
temple worship of a deceased person, usually a deified 140. Systyle Having an intercolumniation of 2 diameters
King. In the new kingdom, cult and funerary
141. Eustyle Having an intercolumniation of 2 1/4 diameters
temples had many features in common: an
avenue of sphinxes leading to a tall portal 142. Diastyle Having an intercolumniation of 3 diameters
guarded by a towering pylon, an axial plan with
143. Araeostyle Having an intercolumniation of 4 diameters
a colonnaded forecourt and a hypostyle hall set
before a dark, narrow sanctuary in which stood 144. Cavetto
a statue of the deity, and walls lavishly
decorated with pictographic carvings in low or
sunken relief. Many of the major temples grew
by accretion due to the pious ambitions of
successive pharaohs, who believed in the
afterlife and were determined to create an
enduring reputation through their buildings.
133. New The period in the ancient Egypt, c1550-1200 BC.,
Kingdom comprising the 18th to 20th dynasties:
characterized by the dominance of its capital at
Thebes.
A concave molding having an outline that
134. Obelisk A tall, four-sided shaft of stone that tapers as it approximates a quarter circle
rises to a pyramidal point, originating in ancient
Egypt as a sacred symbol of the sun -God Ra
and usually standing in pairs astride temple
entrances.
135. Pylon A monumental gateway to an ancient Egyptian
temple, consisting either of a pair of tall
truncated pyramids and doorway between them
or of one such masonry mass pierced with a
doorway, often decorated with painted reliefs.
145. Cavetto 152. Lamassu
cornice
220. Boutant Type of support. A flying buttress, serves to 232. Cincture Ring, list, or fillet at the top and bottom of a
sustain a vault, and is self-sustained by some column, which divides the shaft from the
strong wall or massive work. Also a large capital and base.
chain or jamb of stone, made to support a
wall, terrace, or vault. The word is French, and
comes from the verb bouter, "to butt" or "abut".
221. Bracket Weight-bearing member made of wood, stone,
or metal that overhangs a wall.
233. Cinque Style which became prevalent in Italy in the 243. Hephaestus the Greek god of blacksmiths, craftsmen,
cento century following 1500, now usually called 16th- artisans, sculptors, metals, metallurgy,
century work. It was the result of the revival of fire and volcanoes. Hephaestus' Roman
classic architecture known as Renaissance, but the equivalent is Vulcan.
change had commenced already a century
244. Vulcan the Roman god of fire including the fire
earlier, in the works of Ghiberti and Donatello in
of volcanoes, metalworking, and the
sculpture, and of Brunelleschi and Alberti in
forge in ancient Roman religion and
architecture.
myth.
234. Cippus A low, round or rectangular pedestal set up by
245. Zeus The Greek god of sky and thunder who
the Romans for military purposes such as a
ruled as the king of gods in mount
milestone or a boundary post. The inscriptions on
Olympus. Zeus' Roman equivalent is
some cippi in the British Museum show that they
Jupiter
were occasionally used as funeral memorials.
246. Jupiter The Roman god of sky and thunder and
235. Cleithral Term applied to a covered Greek temple, in
king of the gods in Ancient Roman
contradistinction to hypaethral, which designates
religion and mythology.
one that is uncovered; the roof of a cleithral
temple completely covers it. 247. Chresmographion Chamber between the pronaos and the
cella in Greek temples where oracles
236. Coffer In architecture, is a sunken panel in the shape of a
were delivered.
square, rectangle, or octagon that serves as a
decorative device, usually in a ceiling or vault. 248. Tarpeian Rock The place of execution for Rome's most
Also called caissons, or lacunar.[ notorious traitors.
237. Cloaca one of the world's earliest sewage systems. 249. Capitoline hill A citadel of the early romans between
maxima Constructed in Ancient Rome in order to drain the Forum and the Campus Martius, it is
local marshes and remove the waste of one of also one of the Seven Hills of Rome.
the world's most populous cities, it carried 250. Campus Martius Also known as "The Field of Mars" is a
effluent to the River Tiber, which ran beside the culturally significant place and was the
city. most populous area in Rome where the
238. Roman is a rectangular plaza surrounded by the ruins of pantheon and Ara Martis or the altar of
forum several important ancient government buildings Mars was situated
at the center of the city of Rome. Citizens of the 251. Accouplement The placement of two columns or
ancient city referred to this space, originally a pilasters very close together.
marketplace,
252. Order Any of five styles of classical
239. Regia originally served as the residence or one of the architecture characterized by the type
main headquarters of kings of Rome and later as and arrangement of columns and
the office of the rex sacrorum and Pontifex entablature employed, as the Doric,
Maximus, the high priest of Roman state religion. ionic, Corinthian, Tuscan, and composite
240. Temple An early Greek Corinthian temple which became orders
of vesta the storehouse for the legal wills and documents 253. Entablature The horizontal section of a classical
of Roman Senators and cult objects such as the order that rests on the columns usually
Palladium. composed of a cornice, frieze and
241. Circus An ancient roman chariot racing stadium and the architrave
Maximus first and largest stadium in ancient Rome and its 254. Cornice The uppermost member of a classical
later Empire. It measured 621 m (2,037 ft) in entablature consisting typically of
length and 118 m (387 ft) in width and could cymatium, corona, and bed molding
accommodate over 150,000 spectators.
255. Cymatium The crowning member of a classical
242. Domus It is the dwelling place of the pontifex Maximus cornice, usually a cyma recta
publicae or the high priest of the college of pontiffs also
256. Corona The projecting, slablike member of a
known as the greatest bridge-builder
classical cornice, supported by the bed
molding and crowned by the cymatium
257. Bed molding The molding or group of moldings 268. Doric order The oldest and simplest of the 5 classical
immediately beneath the corona of a orders, developed in Greece in the 7th
cornice century B.C. And later imitated by the
Romans, characterized by a fluted column
258. Columniation The use or arrangement of columns in a
having no base, a plain cushion-shaped
structure
capital supporting a square abacus , and an
259. Frieze The horizontal part of a classical entablature consisting of a plain architrave, a
entablature between the cornice and frieze of triglyphs and metopes, and a
architrave, often decorated with cornice, the corona of which has Mutules on
sculpture in low relief its soffit.
260. Architrave The lowermost division of a classical 269. Doric order In Roman order, the columns are more
entablature rating directly on the slender and usually have bases, the
columns capitals and supporting the channeling is sometimes altered or omitted,
frieze and the capital consists of a band like
261. Column A cylindrical support in classical necking, an echinus, and a molded abacus
architecture consisting of a capital, shaft 270. Dado The part of a pedestal between the base and
and usually a base either monolithic or the cornice or cap. Also called die
built up of drums the full diameter of
271. Plinth The usually square slab beneath the base of
the shaft.
a column, pier or pedestal
262. Capital The distinctively treated upper end of a
272. Distyle Having two columns on one or each front
column, pillar or pier, crowning the
shaft and taking the weight of the 273. Tristyle Having three columns on one or each front
entablature or architrave
274. Tetrastyle Having four columns on one or each front
263. Shaft The central part of the column or pier
275. Pentastyle Having five columns on one or each front
between the capital and the base
276. Hexastyle Having six columns on one or each front
264. Base The lowermost portion of a wall
column, pier or other structure usually 277. Heptastyle Having seven columns on one or each front
distinctively treated and considered as 278. Octastyle Having eight columns on one or either front
an architectural unit
279. Enneastyle Having nine columns on one or each feont
265. Pedestal A construction upon which a column,
280. Decastyle Having ten columns on one or each front
statue, memorial shaft or the like is
elevated usually consisting of a cornice 281. Dodecastyle Having twelve columns on one or either
or a cap, a dado and a base front
266. Intercolumniation The space between two adjacent 282. Dodecastylar Having twelve columns on one or either
columns, usually the clear space front
between the lower parts of he shafts, 283. Triglyph One of the vertical blocks separating the
measured in diameters metopes in a Doric frieze, typically having
267. Intercolumniation A system for spacing columns in a two vertical grooves or glyphs on its face,
colonnade base on this measurement; and two chamfers or hemiglyphs at the
Pycnostyle(1 1/2), Systyle(2), Eustyle(2 sides
1/4), Diastyle(3), Araeostyle(4) 284. Metope Any of the panels, either plain or decorated,
between triglyphs in the Doric frieze, also
called intertriglyph
285. Taenia/tenia A raised band or fillet separating the frieze
from the architrave on a Doric entablature
286. Regula A fillet beneath the taenia in a Doric
entablature, corresponding to a Triglyph
above and from which a guttae are
suspended. Also called a glutae band
287. Abacus The flat slab forming the top of a 302. Drum Any of several cylindrical stones laid one above
column capital, plain in Doric style the other to form a column or pier
but molded or enriched in other
303. Tuscan A classical order of Roman origin, basically a
styles
order simplified Roman Doric characterized by an
288. Echinus The prominent circular molding influted column and a plain base, capital, and
supporting the abacus of a Doric or entablature having no decoration other than
Tuscan capital moldings
289. Necking The upper part of a column, just 304. Ionic A classical order that developed in the Greek
above the shaft and below the order colonies of Asia Minor in the 6th century B.C.
projecting part of the capital, when Characterized esp. By the spiral volutes of its
differentiated by a molding, groove capital. The fluted columns typically had
or the omission of the fluting molded bases and supported an entablature
consisting of an architrave of 3 fascias, a richly
290. Annulet An encircling band, molding, or fillet,
ornamented frieze, and a cornice corbeled out
on a capital or shaft of a column
on egg-and-dart and dentil moldings.
291. Fluting A decorative motif consisting of a
305. Ionic Roman and Renaissance of this order examples
series of long, rounded, parallel
order are often more elaborate, and usually set the
grooves, as on the shaft of a
volutes of the capitals 45deg. To the architrave
classical column
306. Egg and An ornamental motif for enriching an ovolo or
292. Flute A rounded channel or groove. Also
dart / echinus, consisting of a closely set, alternating
called stria
Egg and series of oval and pointed forms.
293. Stria A rounded channel or groove tongue
294. Soffit The underside of an architectural 307. Dentil Any of a series of closely spaced, small
element, as an arch, beam, cornice or rectangular blocks forming a molding or
staircase projecting beneath the coronas of ionic,
295. Gutta One of a series of small, drop like Corinthian and composite cornices
ornaments, attached to the 308. Fascia One of the three horizontal bands making up the
undersides of the Mutules and architrave in the ionic order
regulae of a Doric entablature. Also
309. Attic A base to a classical column, consisting of an
called drop
base upper and a lower torus separated by a scotia
296. Drop One of a series of small, drop like between to fillets
ornaments, attached to the
310. Scotia A deep concave molding between two fillets.
undersides of the Mutules and
Also called trochilus
regulae of a Doric entablature.
311. Trochilus A deep concave molding between two fillets.
297. Mutule A projecting flat block under the
corona of a Doric cornice, 312. Torus A large convex, semicircular molding,
corresponding to the modillion of commonly found directly above the plinth of the
other orthers. base of a classical column
298. Zophorus/zoophorus A frieze bearing carved figures of 313. Volute A spiral, scroll-like ornament, as on the capitals
people or animals of the ionic, Corinthian and composite orders
299. Trachelium That part of the necking between the 314. Cathetus The vertical guideline through the eye of a
hypotrachelium and the capital of a Volute in an ionic capital, from which the spiral
classical column form is determined
300. Hypotrachelium Any member between the capital and 315. Echinus The circular molding under the cushion of an
the shaft of a classical column ionic capital between the volutes usually carved
with an egg-and-dart pattern. Also called
301. Entasis A slight convexity given to a column
cymatium
to correct an optical illusion of
concavity of the sides were straight 316. Cymatium The circular molding under the cushion of an
ionic capital between the volutes usually carved
with an egg-and-dart pattern.
317. Fillet A narrow part of the surface of a 329. Graffito An ancient drawing or writing scratched on
column left between adjoining flutes stone, plaster or other hard surface
318. Apophyge A small, concave curve joining the 330. Graffiti Inscriptions or drawings spray-painted or
shaft of a classical column to its base. sketched on a public surface, as a
Also called apophysis sidewalk or wall of a building
319. Apophysis A small, concave curve joining the 331. Sgraffito Decoration produced by cutting or
shaft of a classical column to its base. scratching through a surface layer of paint
or plaster to reveal a ground of
320. Composite order One of the five classical orders,
contrasting color
popular esp. Since the beginning of
the Renaissance but invented by the 332. Mosaic A picture or decorative pattern made by
ancient Romans. In which the Inlaying small, usually colored pieces of
Corinthian order is modified by tile, enamel or glass in mortar
superimposing 4 diagonally set ionic
333. Smalto Colored glass or enamel, esp. In the form
volutes on a bell of a Corinthian
of minute squares, used in mosaic work
acanthus leaves.
334. Tessera One of the small pieces of colored marble
321. Bell The underlying part of a foliated
glass, or tile used in mosaic work
capital, between the abacus and the
neck molding 335. Relief The projection of a figure or form from the
flat background on which it is formed
322. Acanthus An ornament, as on the Corinthian
capital, patterned after the large, 336. Cavo-relievo Sculptural relief in which the highest points
toothed leaves of a Mediterranean of the modeled form are below or level
plant of the same name with the original surface. Also called a
sunk relief
323. Modillion An ornamental bracket, usually in the
form of a scroll with acanthus, used in 337. Sunk relief Sculptural relief in which the highest points
series beneath the corona of a of the modeled form are below or level
Corinthian composite, or Roman ionic with the original surface.
cornice 338. Alto-relievo Sculptural relief in which the modeled
324. Helix A spiral ornament, as any of the forms project from the background by at
volutes issuing from a cauliculus in a least half their depth. Also called high
Corinthian capital relief
325. Cauliculus/caulcole Any of the ornamental stalks rising 339. High relief Sculptural relief in which the modeled
between the acanthus leaves of a forms project from the background by at
Corinthian capital, from which the least half their depth.
Volutes spring 340. Mezzo-relievo Sculptural relief in intermediate between
326. Corinthian order The most ornate of the five classical high relief and Bas-relief. Also called
orders developed by the Greeks in the demirelief, half relief
4th century B.C. But used more 341. Demirelief/half Sculptural relief in intermediate between
extensively in Roman architecture, relief high relief and Bas-relief.
similar in most respects to the ionic
342. Bas-relief Sculptural relief that projects very slightly
but usually of slenderer proportions
from the background. Also called basso-
and characterized esp. By a deep bell-
relievo, low relief
shaped capital decorated with
acanthus leaves and an abacus with 343. Basso- Sculptural relief that projects very slightly
concave sides. relievo/low from the background.
relief
327. Ornament An accessory, article, or detail that
lends grace or beauty to something to 344. Anaglyph An ornament carved or embossed in low
which it is added or of which it is an relief
integral part. 345. Mural A large picture painted on or applied
328. Pictograph A pictorial sign or symbol directly to wall or ceiling surface
346. Fresco The art of technique of painting on a 362. Hexagram A six-pointed starlike figure, forms by
freshly spread, moist plaster surface with extending each of the sides of a
pigments ground up in water or a regular hexagon into equilateral
limewater mixture. Also a picture or triangles
design so painted
363. Glory A ring, circle or surrounding radiance
347. Opus sectile Any mosaic of regularly cut material of light, as a halo, nimbus or aureole
348. Opus A form of opus sectile having a 364. Halo A disk of ring of radiant light around
Alexandrium geometric pattern formed with few or above the head, traditionally
colors, as black and white, or dark green symbolizing the sanctity of a divine or
and red sacred personage in religious
paintings and sculptures. Also nimbus
349. Opus A massacre of tessera arranged in waving
vermiculatum lines or resembling the form or tracks of 365. Aureole A circle of light or radiance
a worm surrounding the head or body in the
representation of a sacred personage
350. Florentine A mosaic made by Inlaying fine,
mosaic delicately colored stones into a white or 366. Vesica piscis An elliptical, pointed figure used esp.
black marble surface In early christian art as an emblem of
Christ. Also called mandoria
351. Applique A decoration or ornament made by
cutting out a design and fastening it to a 367. Mandoria An elliptical, pointed figure used esp.
larger piece of material In early christian art as an emblem of
Christ.
352. Inlay To decorated by setting pieces of wood,
ivory or the like into surface, usually at 368. Chi-Rho A christian monogram and symbol
the same level formed by superimposing the first two
letters of the Greek word for Christ.
353. Emboss To raise, mold or carve a surface design
Also called chrismon
in relief
369. Chrismon A christian monogram and symbol
354. Engrave To carve, cut, or etch designs on hard
formed by superimposing the first two
surface, as of metal, stone or the end
letters of the Greek word for Christ.
grain of wood
370. Table A raised or sunken rectangular panel
355. Intaglio A figure or design incited into the surface
on a wall, distinctively treated or
of a stone or metal plate so hat an
ornamented with inscriptions, painting
impression yields a figure in relief
or sculpture
356. Openwork Ornamental or structural work having a
371. Tablet A flat slab or plaque having a surface
latticelike nature or showing openings
suitable for or bearing an inscription,
through its substance
carving or he like
357. Filigree/filagree Ornamental openwork of delicate or
372. Medallion A usually oval or circular tablet, often
intricate design
bearing a figure or ornament on the
358. Pastiche An artistic composition consisting of relief
forms or motifs borrowed from different
373. Cartouche/cartouch An oval or oblong, slightly convex
sources
surface, usually surrounded with
359. Postiche Artificial, counterfeit, or false, as an ornamental scrollwork, for receiving
architectural ornament that is added in painted or low relief decoration
superfluously or inappropriately
374. Grotesque A decorative style characterized by
360. Star A conventional figure usually having five the fantastic shaping and combining
or more points radiating from a center, of incongruous human and animal
often used as an ornament and symbol forms with foliage or similar figures,
361. Star of A hexagram used as a symbol of Judaism often distorting the natural into
David/Mogen caricature or absurdity
David/Magen 375. Mask/mascaron An often grotesque representation of a
David head or face, used as an architectural
ornament.
376. Griffin/griffon/gryphon A mythological animal typically 390. Diaper A pattern of small, repeated figures connecting
having the head and wings of an or growing out of one another, originally used
eagle and the body and tail of a in the Middle Ages in weaving silk and gold
lion
391. Arris A sharp edge or ridge formed by two surfaces
377. Griffe An ornament projecting from the meeting at an exterior angle. Also called piend
round base of a column toward a
392. Piend A sharp edge or ridge formed by two surfaces
corner of a square or polygonal
meeting at an exterior angle.
plinth. Also called spur.
393. Bullnose A rounded or obtuse exterior angle
378. Spur An ornament projecting from the
round base of a column toward a 394. Splay A surface that makes an oblique angle with
corner of a square or polygonal another
plinth. 395. Fillet A narrow flat molding or area, raised or sunk
379. Ballflower A Medieval English ornament to separate larger moldings or areas. Also
suggesting a flower of three of called a list
four petals enclosing and partially 396. List A narrow flat molding or area, raised or sunk
concealing a ball to separate larger moldings or areas
380. Cross An object or figure consisting 397. Billet Any of series of closely spaced cylindrical
essentially of an upright and a forms ornamenting a hollow molding or
transverse piece at right angles to cornice
each another: often used as a
398. Cove A concave surface or molding esp. at the
symbol of Christianity
transition from wall to ceiling
381. Latin cross A cross having an upright or
399. Cavetto A concave molding having an outline that
vertical shaft crossed near the top
approximates a quarter circle
by a shorter horizontal bar
400. Conge A concave molding having the form of a
382. Celtic cross A cross shaped like a Latin cross
quadrant curving away from a given surface
and having a ring about the
and terminating perpendicular to a fillet
intersection of the shaft and
parallel to that surface
crossbar
401. Ogee A molding having a profile curve in the shape
383. Greek cross A cross consisting of an upright
of an elongated S. Also called gula
crossed in the middle by a
horizontal of the same length 402. Gula A molding having a profile curve in the shape
of an elongated S.
384. Jerusalem cross A cross whose four arms each
terminate in a crossbar, often with 403. Cyma A projecting molding having the profile of of a
a small Greek cross centered in double curve formed by the Union of a convex
each quadrant and concave line
385. Maltese cross A cross formee having the outer 404. Cyma A cyma having the concave part projecting
face of each arm indented in a V. Recta beyond the convex part. Also called. Doric
Cyma
386. Cross fermee A cross having arms equal length,
each expanding outward from the 405. Doric A cyma having the concave part projecting
center Cyma beyond the convex part. Also called
387. Motif A distinctive and recurring shape, 406. Cyma A Cyma having the convex part projecting
form or color in a design Reversa beyond the concave part. Also called Lesbian
Cyma
388. Checker To mark or decorate with a
squared pattern 407. Lesbian A Cyma having the convex part projecting
Cyma beyond the concave part.
389. Reticulate Resembling or covered with a
network of regularly intersecting 408. Beak/Bird's A small pendent molding forming a drip and
lines beak casting a deep shadow, as on the soffit of a
cornice
409. Brace molding A projecting molding having a profile 426. Paternoster A molding having the form of a row of
formed by 2 ogees symmetrically pearls or beads.
disposed about an arris or a fillet. Also
427. Reeding A parallel set of small convex moldings for
called a keel
ornamenting a plane or curved surface
410. Keel A projecting molding having a profile
428. Anthemion A ornament of honeysuckle or palm leaves
formed by 2 ogees symmetrically
in radiating cluster. Also called honey-
disposed about an arris or a fillet.
suckle ornament
411. Profile An outline of an object formed on a
429. Honey- An ornament of palm leaves in radiating
vertical plane passed through the object
suckle cluster
at right angles to one of its principal
ornament
horizontal dimensions (section)
430. Fortification A defensive military work constructed for
412. Molding Any of various long, narrow, ornamental
the purpose of strengthening a position
surfaces w/ uniform cross sections & a
profile shaped to produce modulations 431. Bastion A projecting part of a rampart or other
of light, shade & shadow. The term now fortification, typically forming an irregular
refers to a slender strip of wood or pentagon attached at the base of the main
other mtrl having such a surface & used work
for ornamenting & finishing 432. Ravelin A V-shaped outwork outside the main ditch
413. Half round A molding having a semi-circular cross of a fortress, covering the works between
section the bastions
414. Quarter Round A convex molding whose section is a 433. Outwork A minor defensive position established
quarter circle beyond a main fortified area
415. Ovolo A convex molding having s profile 434. Glacis A slope extending downward in front of a
approximating a quarter section of a fortification in such a way that it brings
circle or elipse advancing enemy soldiers into the most
direct line of fire
416. Boltel/bowtel A convex, rounded molding
435. Escarp/Scarp The inner slope or wall of a ditch
417. Gadroon A convex molding molding elaborately
surrounding a rampart
carved with reeding or intended with
notches 436. Counterscarp The exterior slope or wall of the ditch
surrounding a rampart
418. Aaron's Rod A convex molding having pointed leaves
or scrollwork emerging at regular 437. Circumvallate Surrounded by or as if by a rampart
intervals 438. Sally port A gateway in a fortification permitting a
419. Cable molding A convex molding having a form of a large number of troops to move rapidly
rope from the besieged position and attack the
besiegers
420. Bead A small convex molding usually having
a continuous cylindrical surface 439. Casemate A vault or chamber in a rampart, having
embrasures for artillery
421. Astragal A small convex molding usually semi-
circle in section 440. Curtain An enclosing wall connecting 2 bastions of
a tower
422. Baguette/baguet A small convex molding of semi-circular
section, smaller than an astragal 441. Gorge The rear passageway into a bastion or
similar outwork
423. Bead and reel A convex molding having the form of a
disks alternating with spherical or 442. Terreplein The top platform or horizontal surface of a
elongated beads rampart where guns are mounted
424. Pearl molding A molding having the form of a row of 443. Flank The part of a bastion that extends from the
pearls or beads. Also called bead curtain to the face
molding, Paternoster 444. Shoulder The angle between the face and the flank of
425. Bead molding A molding having the form of a row of a bastion
pearls or beads.
445. Face Either of the 2 outer sides that form the 465. Chemin-de-ronde A continuous gangway
salient angle of a bastion providing a means of
communication behind the
446. Parapet A defensive wall or elevation of earth or
rampart of a fortified wall
stone protecting soldiers from enemy fire
466. Chapel A subordinate or private place
447. Cordon A projecting course of stones below the
of worship or prayer within s
parapet of a rampart
larger complex
448. Berm/Berme A ledge between the exterior slope of a
467. Castle A fortified group of buildings
rampart and the moat of a fortification
usually dominating the
449. Rampart A board embankment of earth raised as a surrounding country and held
fortification around a place and usually by a prince or noble in feudal
surmounted by a parapet times
450. Motte A steep mound of earth surrounded by a 468. Citadel A fortress in a commanding
ditch and surmounted by a timber stockade position in or near a city, used
and tower in the control of the inhabitants
451. Motte and A Norman castle of the 10th through 12th and in defense during attack or
Bailey centuries, consisting of a motte placed within siege
a bailey 469. Ward An open space within or
452. Bailey The outer wall of a castle or the courtyard between the walls of a castle
enclosed by it 470. Barbican/Barbacan An outwork on the approach to
453. Palisade A fence of pales set firmly in the ground for a castle or town, esp. a
enclosure or defense watchtower at the gate or
drawbridge
454. Pale A pointed stick or stake
471. Enciente A fortified wall encircling a
455. Keep The innermost and strongest structure or
castle or town, or the place so
tower of a medieval castle, used as a place
enclosed
of residence, esp. In times of siege. Also
called donjon 472. Battlement/Embattlement A parapet having a regular
alternation of merlons and
456. Donjon The innermost and strongest structure or
crenels, originally for defense
tower of a medieval castle, used as a place
but later used as a decorative
of residence, esp. in time of siege
motif
457. Turret A small tower forming part of a larger
473. Merlon One of the solid parts between
structure, frequently beginning some distance
the crenels of a battlement
above the ground. Also called tourelle
474. Crenel Any of the open spaces
458. Tourelle A small tower forming part of a larger
alternating with the merlons of
structure, frequently beginning some distance
a battlement
above the ground
475. Crenelated Having battlements
459. Bartizan A small overhung turret on a wall or tower,
often at a corner or near a gateway 476. Embrasure An opening, as a loophole or
Crenel, through which missiles
460. Bower A lady's private chamber in medieval castle
may be discharged
461. Postern A small rear door or gate to a fort or castle
477. Loophole A small or narrow opening in a
462. Necessarium The privy of a medieval castle or monastery. wall of a fortification for the
Also called garderobe discharge of missiles
463. Garderobe The privy of a medieval castle or monastery. 478. Eyelet/Oillet/Oyelete A small aperture in the wall of
464. Brattice A temporary wooden fortification in medieval a medieval castle used as a
architecture, erected at the top of a wall window or loophole
during a siege
479. Drawbridge A bridge that can be raised, let down, or drawn aside to prevent access or to permit passage beneath it
480. Machicolation A projecting gallery or parapet at the top of a castle wall, supported by corbel arches and having openings in the
floor through which stones, molten lead or boiling oil could be cast upon an enemy beneath
481. Great hall A large hall serving as the main or central gathering space of a castle
482. Dungeon A dark, often underground prison or cell, as in medieval castle
483. Oubliette A secret dungeon having an opening only in the ceiling, through which prisoners were dropped
484. Portcullis A strong grating of iron or timber hung over the gateway of a fortified place in such a way that it could be lowered
quickly to prevent passage
485. Moat A broad, deep ditch, usually filled with water, surrounding the rampart of a fortified town, fortress or castle as
protection against assault
486. Fernando Architect of admiral apartments (Roxas Blvd)
Ocampo
487. Carlos Architect of Aglipayan church
Arguellas
488. Gabriel P. Architect of Alabang golf & country clubs
Formoso
489. William Architect of Alabang 400
Coscolluela
490. William Architect of atrium
Coscolluela
491. Felipe Architect of assumption college (Antipolo)
Mendoza