10-42 BCS Questions English
10-42 BCS Questions English
10-42 BCS Questions English
10g †_‡K 42Zg wewmGm wcÖwjwgbvwi cixÿvi e¨vL¨vmn wbf©yj cÖkœ mgvavb
10th BCS Preliminary Test
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15th BCS Preliminary Test
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ü`q Avgvi, wSwg‡q co‡Q Amvo ‡e`bvq, fvwe ‡hb PygyK w`‡qwQ
‡ngj‡Ki ‡cqvjvq|)
To George and ➢ “Nothing ever becomes real ‘till it is experienced,”
Georgiana Keats (bv AvuPv‡j wek¦vm nq bv|)
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Explanation: Bs‡iwR mvwn‡Z¨i Victorian Period kyiæ nq 1832 mv‡j| cy‡iv 1800 mvj‡K Ebwesk kZvãx
wn‡m‡e wPwýZ Kiv n‡q _v‡K| ZvB Victorian period (1832-1901) hv 19th century Gi AšÍM©Z| Queen
Victoria Gi bvgvbymv‡i G hy‡Mi bvgKiY Kiv nq Victorian period|
5. Which of the following is a correct proverb?
a. Fools rush in where angels fear to tread.
b. Fools rush in where an angel fears to tread.
c. A fool rushes in where an angel fears to tread.
d. Fools rush in where the angels fear to tread. Ans- c
Explanation: GLv‡b DwjøwLZ proverb wU n‡jv Neo-classical hy‡Mi weL¨vZ Alexander Pope Gi|
Dw³wU cÖ_g wZwb K‡iwQ‡jb Zuvi weL¨vZ KweZv An Essay on Criticism (1711) G| cÖev`wUi A_© n‡jvt
“Inexperienced or rash people attempting things that more experienced people avoid. Gi
cieZ©x mgq †_‡K k㸔QwU Bs‡iwR Awfav‡b cÖev` evK¨ wn‡m‡e ¯’vb cvq|
Fools rush in where angels fear to tread- cÖev`wUi evsjv A_© - ÔnvwZ ‡Nvov †Mj Zj, wcucov e‡j KZ
Rj ev Ávbx †h_v fq cvq g~L© †m_v Av‡M avq|
‡f‡½ †f‡½ A_© we‡kølYt
Fools rush in = ‡evKv †jv‡Kiv `ªæZ GwM‡q hvq; where angels fear to tread = †hLv‡b AwfÁ †jv‡Kiv
†h‡Z fq cvq, (tread = nuvUv; cv ivLv) A_©vr cy‡iv cÖev`wU nj: Ávbx †h_v fq cvq g~L© †m_v Av‡M avq|
Zuvi weL¨vZ Av‡iv wKQz Dw³i g‡a¨ Ab¨Zg n‡jv-
i. To err is human, to forgive is divine. (gvbyl gvÎB fz‡ji Aaxb; Avi ¶gv ¯^M©xq|)
ii. A little learning is a dangerous thing. (Aíwe`¨v fqsKix)
iii.Charms strike the sight but merit strikes the heart. (‡mŠ›`h© †PvL Ryovq, Ávb AvZ¥v‡K)
1. “If winter comes, can spring be far behind?” These lines were written by-
a. Keats b. Frost
c. Eliot d. Shelley Ans-d
Explanation: cÖ‡kœ DwjøwLZ jvBbwU n‡jv P. B. Shelley Gi weL¨vZ Dw³| Dw³wU Zvi weL¨vZ KweZv Ode
to the West Wind †_‡K †bqv n‡q‡Q| GwUi A_©:
“If winter comes, can spring be far behind ?” (‡gN ‡`‡L ‡KD Kwim‡b fq Avov‡j Zvi
m~h© nv‡m| fvev_© : AÜKvi †K‡U wM‡q Av‡jvi c„w_ex f‡i DV‡eB )| Zuvi Ab¨vb¨ weL¨vZ Dw³¸‡jv n‡jvt
P.B. Shelley Gi weL¨vZ Dw³
Source (Drm) Quotation (Dw³)
Ode to the West Wind ➢ “Oh! Lift me as wave, a leaf, a cloud!
I fall upon the thorns of life” (In! Avgv‡K Zi½, GKwU cvZv,
GKwU †gN wn‡m‡e D‡Ëvjb Kiæb)
Ode To A Skylark ➢ “Our sweetest songs are those that tell of the saddest
thought.”(‡gv‡`i gayi m½xZ¸‡jvB Zv, hv †e`bvi K_v e‡j / wei‡ni
MvbB n‡jv gayi Mvb|
A Defence of Poetry ➢ “Poets are the unacknowledged legislators of the world”
(KweMY n‡jb we‡k^i A¯^xK…Z AvBb cª‡YZv)
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➢ “Poetry is a mirror which makes beautiful that which is
distorted.” (Kve¨ n‡jv †mB `c©Y hv Amy›`i wRwbm‡K my›`ifv‡e Dc¯’vcb
K‡i)
2. Who did write first English Dictionary?
a. Boswell b. Ben Jonson
c. Samuel Johnson d. Milton Ans-c
Explanation: 15 Zg wewmG‡mi 2 bs Explanation ‡`Lyb|
3. ‘Animal Farm’ was written by-
a. George Orwell b. Stevenson
c. Swift d. Mark Twain Ans-a
Explanation: 10 Zg wewmG‡mi 1 bs Explanation ‡`Lyb|
Ballad Ballad is a narrative poem that tells a grave story through dialogue and action.
(Ballad n‡jv †QvU eY©bvg~jK KweZv hv Mí I bvUKxqZvi gva¨‡g M¤¢xi M‡íi eY©bv K‡i|)
1. ‘One day women will have what has so long been denied them — leisure, money and
room to themselves.’
a. Space b. Liberty
c. Office d. Capability Ans-b
Explanation: cÖ‡kœ DwjøwLZ Dw³wU wf‡±vwiqvb hy‡Mi weL¨vZ †jwLKv Virginia Woolf (1882- 1941) Gi
cªeÜ “A Room of One’s Own” (1929) Gi AšÍM©Z| Dw³wU†Z room kãwU Øviv bvixi Liberty
(¯^vaxbZv) ‡K †evSv‡bv n‡q‡Q|
2. A formal composition or speech expressing high praise of somebody —
a. elegy b. eulogy
c. caricature d. exaggeration Ans-b
Explanation:
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kã (word ) Bs‡iwR †Wwdwbkbmn evsjv A_©
elegy A song or poem expressing sorrow or lamentation especially for one who
is dead. (g„Z e¨w³ ev †kvKven NUbvi ¯§i‡Y Kwei e¨w³MZ wejvcB Elegy wn‡m‡e
cwiwPZ|)
eulogy A formal composition or speech expressing high praise of somebody.
(e³…Zvq ev wjwLZfv‡e KviI D”P cÖksmv Kiv‡K eulogy e‡j|)
caricature A description of someone or something that is only partly true and makes
them seem silly. (e¨½wPÎ )
exaggeration A statement that represents something as better or worse than it really is.
(AwZiÄb )
1. The sentence “Who would have thought Shylock was so unkind” expresses - .
a. hyperbole b. interrogation
c. command d. wonder Ans-d
Explanation: “Who would have thought Shylock was so unkind” ( ‡K †f‡ewQj †h Shylock
GZ wb`©q n‡e ) Dw³wU Øviv wonder ev we¯§q cÖKvk †c‡q‡Q| Shylock n‡jv William Shakespeare Gi
The Merchant of Venice bvU‡Ki g~j PwiÎ|
kã evsjv A_©
Hyperbole AwZiÄb
Interrogation cÖkœ
Command Av‡`k
Wonder we¯§q
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bvUKmg~n Dcb¨vmmg~n
Man and Superman (1902) Pygmalion (1912) Immaturity (1879 )
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Arms and the Man (1894) You Never Can Tell (1887) The Unsocial socialist (1987)
Caesar and Cleopatra The man of Destiny (1897) Love among the Artist (1900)
(1998)
The Devil’s Disciple The Doctor’s The Irrational Knot (1905)
(1897) Dilemma(1906)
Candida ( 1898) The Apple Cart (1929) Saint Joan (1923 )
4.
The ‘climax’ of a plot is what happens —.
a. in the beginning b. at the end
c. at the height d. in the confrontation Ans-c
Explanation: Climax k‡ãi A_© P~ov ev †kl cÖvšÍ| ‡Kvb M‡íi m‡e©v”P Ae¯’v (at the height) ev M‡íi
turning point ‡K The Climax (msKU ev Avb‡›`i kxl©we›`y) ejv nq| A_©vr mvwn‡Z¨ ‡Kvb Mí, bvUK ev NUbvi
m‡ev©”P ¸iæZ¡c~Y© Ask‡KB ev gyn~Z©‡KB Climax e‡j| GB ch©v‡q M‡íi A¨vKkb (Action) †kl/Pig cwiYwZ‡Z
†cŠuQvq Ges Gi ciciB cZb (Fall) ïiæ nq|
5. Othello is a Shakespeare’s play about — .
a. A Jew b. A Roman
c. A Turk d. A Moor Ans-d
Explanation:William Shakespeare Gi tragedy bvUK Othello Gi cÖavb PwiÎ wQ‡jb I‡_‡jv| wZwb
wQ‡jb GKRb gyi (North African) Ges †fwb‡mi GKRb Moorish Captain|
bvqK Othello, bvwqKv Desdemona| Othello Desdemona †K Lye fvjevm‡Zv| GB fvjevmvi wb`k©b ev
Token of Love wn‡m‡e GKLvbv iægvj ev Handkerchief w`‡qwQj| wKš‘ villain Bqv‡Mv (Iago) GB AK…wÎg
fvjevmvi kÎæ n‡q `uvovj| NUbvµ‡g iægvjLvbv G‡m c‡o Bqv‡Mvi nv‡Z| GB my‡hv‡M †m Othello Gi Kv‡Q
Desdemona Gi weiæ‡× ciKxqvi Awf‡hvM Av‡b| AwZwi³ fvjevm‡Zv e‡j Othello GB Kó mn¨ Ki‡Z bv †c‡i
†m Zvi wcÖqZgv ¯¿x Desdemona †K nZ¨v K‡i| wKš‘ c‡i mZ¨ Rvb‡Z †c‡i ‡m wb‡RI AvZ¥nZ¨v K‡i|
6. The poem “Isle of Innisfree” is written by —
a. Dylan Thomas b. Ezra Pound
c. W. H. Auden d. W. B. Yeats Ans-d
Explanation: cÖ‡kœ DwjøwLZ “Isle of Innisfree” KweZvwUi iPwqZv n‡jb W. B. Yeats| GB KweZvwUi g~j
bvg n‡jv- ‘The Lake Isle of Innisfree’| Zvi D‡jøL‡hvM¨ KweZv I Kve¨¸‡jv n‡jv-
KweZvmg~n Kve¨mg~n
The Second Coming No Second Troy Responsibilities
Easter The Tower In the Seven Woods
A Prayer for my Daughter A full Moon on March The Resurrection
The Lake Isle of Innisfree The Cat and the Moon The Wanderings of Oisin
7. Riders to the Sea is —
a. an epic poem b. a theatrical adaptation of a poem
c. a one-act play d. a novella Ans-c
Explanation: ‘Riders to the Sea’ n‡jv AvBwik †jLK John Millington Synge Gi One-act play
(GK A¼wewkó we‡qvMvšÍK bvUK)| bvUKwU‡Z A¨vivb Øxcevmx †gŠwiqv cÖavb PwiÎ|
8. Which of the following writers belong to the Elizabethan period?
a. Christopher Marlowe b. Alexander Pope
c. John Dryden d. Samuel Beckett Ans-a
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Explanation: (1558-1603) mgqKvj‡K Bs‡iwR mvwn‡Z¨i Elizabethan period ejv nq| Christopher
Marlowe (1564-1693) wQ‡jb Elizabethan period Ges GKB m‡½ University Wits Gi GKRb weL¨vZ
†jLK| GQvov cÖ‡kœ DwjøwLZ Ab¨vb¨ ‡jLKMY wQ‡jb-
‡jL‡Ki bvg mgqKvj
John Dryden (1631-1700) Restoration Age
Alexander Pope (1688-1744) Augustian Age
Samuel Beckett (1911-1994) Post-modern Age
9. “To be, or not be, that is the question” –is a famous dialogue from —
a. Othello b. Romeo and Juliet
c. Hamlet d. Macbeth Ans-c
Explanation: “To be, or not be, that is the question” Dw³wU William Shakespeare Gi revenge
tragedy ‘Hamlet’ ‡_‡K †bIqv| GwU GKwU weL¨vZ Soliloquy hv Hamlet e‡jwQj| Hamlet bvU‡K †gvU 7
wU Soliloquy i‡q‡Q| bvUKwU‡Z Hamlet wb‡RB bvqK| fvjevmvi g‡ZvB ü`qevb bvqK wQ‡jb wZwb| bvwqKv
Ophelia-i cÖwZ fvjevmv Kg wQ‡jv bv| †Wbgv‡K©i hyeivR Hamlet wKš‘ wQj wcZ…nviv †Q‡j (Zvi PvPv Claudius
Zvi evev‡K nZ¨v K‡i ivR¨ `Lj K‡i Ges Zvi gv‡K we‡q K‡i †d‡j|) wK Avi PvB‡jI Z¨vMx †cÖwgK n‡Z cv‡i?
gv‡qi cÖwZ wei³ n‡q e‡jwQj " Frailty (noun), thy name is woman." me‡k‡l Ophelia cvwb‡Z Wz‡e,
Hamlet Gi gv Gertrude wel cv‡b, Claudius (PvPv) Hamlet Gi nv‡Z Ges Zvi wcÖqZgv Ophelia-i fvB
Laertes Gi nv‡Z wbnZ nb| ivRvi kVZvi Kvi‡Y Hamlet-Gi iwÿZ welcv‡b ivbx gviv hvq| Hamlet nZ¨v K‡i
ivRv Claudius ‡K| Gfv‡eB we‡qvMvšÍK cwiYwZ †b‡g Av‡m `ywU AwfRvZ cwiev‡i| GB KiæY Kvwnbx wek^‡K Rvbv‡Z
†eu‡P wQj ïay Horatio| “To be, or not be, that is the question” Dw³wU Øviv Hamlet- Gi wm×všÍnxbZvi
ewntcÖKvk N‡U‡Q|
Name of Famous Dialogue with Bengali Meaning
Tragedy
Othello She loved me for the dangers I had passed.” (‡m fv‡jv‡e‡m‡Q Avgvi
wec`msKzj w`b¸‡jv hv Avwg AwZµg K‡iwQjvg)
Romeo and Juliet “If love be blind, It best agrees with night.” (hw` fvjevmv nq AÜ, Z‡e
ivwÎi mv‡_ wgZvwjB me‡P‡q fvj)
Macbeth “Fair is foul, and Foul is Fair.” (me fv‡jv fv‡jv bq,Avevi Lvivc ‡_‡KI fv‡jv
wKQy nq|)
10. Class relations and societal conflict is the key understanding of —
a. Feminism b. Formalism
c. Structuralism d. Marxism Ans-d
Explanation: mgv‡R †kªwY wefvRb I mvgvwRK m¤úK© wb‡q Av‡jvPbv Kiv n‡q‡Q Marxism -G|
Feminism bvix cyiæ‡li mgvbvwaKvi Av‡›`vjb|
Formalism GwU n‡jv Ggb GKwU ‰kwíK /mvwnZ¨ welqK c×wZ hv A_© cÖKv‡ki †P‡q Gi AšÍM©Z wewfbœ
Dcv`v‡bi web¨¯ÍKi‡Y †ewk †Rvi w`‡q _v‡K|
Structuralism MVbev`| GwU n‡jv Ggb GKwU ZË¡ hv wµqvi †P‡q MVb‡K †ewk ¸iæZ¡c~Y© g‡b K‡i|
Marxism gvK©mev`| †kÖYxmsMÖvg wel‡q Kvj© gvK©‡mi ivR‰bwZK I A_©‰bwZK gZev`|
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c. Joseph Conrad d. James Joyce Ans-a
Explanation: cÖ‡kœ D‡jøwLZ Ackbmg~‡ni g‡a¨ GKgvÎ George Eliot-B wQ‡jb wfbœ hy‡Mi ‡jLK wQ‡jb| wb‡¤œi
wPÎwU jÿ¨ Zz‡j aiv n‡jv-
‡jL‡Ki bvg mgqKvj
George Eliot (1819-1880) Victorian Age
Thomas Hardy (1840-1928) Modern Age
Joseph Conrad (1857-1924) Modern Age
James Joyce (1882-1941) Modern Age
12. Find the odd-man-out —
a. The Bluest Eye b. Sula
c. As I lay Dying d. A Mercy Ans-c
Explanation: cÖ‡kœ D‡jøwLZ Ackbmg~‡ni g‡a¨ As I lay Dying Ab¨ Ackbmg~n †_‡K wfbœ| wb‡¤œ MÖ‡š’i bvg
I aibmn †jL‡Ki bvg Zz‡j aiv n‡jv-
MÖ‡š’i bvg I aib †jL‡Ki bvg
The Bluest Eye (Novel) Toni Morrison
Sula (Novel) Toni Morrison
A Mercy (Novel) Toni Morrison
As I lay Dying (Novel) William Faulkner
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a. Christopher Marlowe b. John Webstar
c. W. Shakespeare d. T. S. Eliot Ans-c
Explanation: ‘Frailty, the name is woman’ Dw³wU William Shakespeare KZ©„K iwPZ tragedy
‘Hamlet’ Gi AšÍM©Z| gv‡qi cÖwZ wei³ n‡q bvU‡Ki bvqK Hamlet e‡jwQj ‘Frailty (noun), thy name is
woman’ (PvZyiZv, †Zvgvi Av‡iK bvg bvix|)
3. The Poem ‘The Solitary Reaper’ is written by —
a. W. H. Auden b. W. Wordsworth
c. W. B. Yeats d. Ezra Pound Ans-b
Explanation: ‘The Solitary Reaper’ (1815) n‡jv weL¨vZ Bs‡iR mvwnwZ¨K William Wordsworth
(1770-1850) Gi †jLv GKwU Ballad (Mv_v )| William Wordsworth Gi †jLbxi g~j welqe¯‘ wQj cÖK„wZ
ZvB Zvu‡K Bs‡iwR mvwn‡Z¨i cÖK…wZi Kwe (Poet of nature) ejv nq| G KweZvwU‡Z wZwb GK wbmtm½ cvnvwo †g‡qi
dmj KvUv I Mvb MvIqvi K_v AZ¨šÍ mvejxjfv‡e Dc¯’vcb K‡i‡Qb|
4. ‘The Merchant of Venice’ is a Shakespearean play about —
a. a Jew b. a Moor
c. a Roman d. a Turk Ans-a
Explanation: ‘The Merchant of Venice’ n‡jv William Shakespeare Gi weL¨vZ K‡gwW bvUK|
GwU‡K UªvwR-K‡gwW (tragi-comedy) I ejv nq| bvU‡Ki cÖavb Pwi‡Îi bvg wQj Shylock, whwb wQ‡jb GKRb
Jewish (Bny`x) I my` e¨emvwq, whwb D”P my‡` UvKv avi w`‡Zb|
bvU‡Ki Ab¨vb¨ Pwiθ‡jv n‡jv-
Pwi‡Îi bvg Pwi‡Îi fzwgKv
Shylock (mvBjK) bvU‡Ki cÖavb PwiÎ
Portia (‡cvwk©qv) bvU‡Ki bvwqKv
Antonio (A¨v›UwbI) Ab¨Zg PwiÎ Ges †cvwk©qvi †cÖwgK
Bassanio (evmvwbI) A¨v›UwbIi wcÖq eÜz
Jessica (‡RwmKv) mvBj‡Ki ‡g‡q
5. The play ‘Candida’ is by —
a. James Joyce b. Shakespeare
c. G. B. Shaw d. Arthur Miller Ans-c
Explanation: Candida (1898) n‡jv AvBwik weL¨vZ bvU¨Kvi George Barnard Shaw Gi GKwU
comedy bvUK| George Barnard Shaw ‡K Bs‡iwR mvwn‡Z¨i/bvU‡Ki RbK ejv nq| bvU‡Ki cÖavb PwiÎ
James Morell wQ‡jb GKRb cvw`ª, Zuvi ¯¿x Candida, Ges Kwe Eugene Marchbanks| bvU‡K ZiæY Kwe
BD‡Rb Candida Gi fvjevmv Rq Kivi †Póv K‡ib|
Zvui Ab¨vb¨ mvwnZ¨Kg©¸‡jv n‡jv:
Arms and the Man The Doctor’s Dilemma
Man and the Superman You Never Can Tell
Caesar and Cleopatra Joan of Arc
6. Which of the following writers belongs to the romantic period in English literature?
a. A. Tennyson b. Alexander Pope
c. John Dryden d. S. T. Coleridge Ans-d
Explanation:D‡jøwLZ Ackb¸‡jvi g‡a¨ S. T. Coleridge wQ‡jb Romantic Period Gi GKRb weL¨vZ
Kwe| Bs‡iwR mvwn‡Z¨ 1798-1832 mvj†K Romantic Period ejv nq|
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As You Like it Love’s Labour’s Lost
The Taming of the Shrew All’s Well That Ends well
The Merchant of Venice Twelfth Night
The Two Gentlemen of Verona The Winter’s Tale
Pericles, Prince of Tyre The Tempest
The Comedy of Errors Much Ado About Nothing
12. The Romantic age in English Literature began with the publication of —
a. Preface of Shakespeare b. Preface to Lyrical Ballads
c. Preface to Ancient Mariners d. Preface to Dr. Johnson Ans-b
Explanation: 1798 mv‡j William Wordsworth Gi Preface to Lyrical Ballads cÖKv‡ki gva¨‡g
Bs‡iwR mvwn‡Z¨i Romantic hy‡Mi ïiæ nq| D‡jøL¨, Rvg©vb mvwnwZ¨K Friedrich Schlegal (1772-1829)
me©cÖ_g Romantic kãwU e¨envi K‡ib|
13. Who is known as ‘The poet of nature’ in English literature?
a. Lord Tennyson b. John Milton
c. William Wordsworth d. John Keats Ans-c
Explanation: Bs‡iwR mvwn‡Z¨ William Wordsworth (1770-1850) ‡K The poet of nature ev cÖK…wZi
Kwe ejv nq| wZwb wQ‡jb Bs‡iwR mvwn‡Z¨i GKRb Ab¨Zg Romantic Kwe| GQvov cÖ‡kœ DwjøwLZ Ab¨vb¨ Kwe‡`i
Dcvwa wb‡¤œ †`Iqv n‡jv t
Name of poet Title of the poet
Lord Tennyson Mock-heroic poet / Representative Poet
John Milton Epic Poet / Great Master of verse / Blind poet
John Keats Poet of beauty
14. ‘A Passage to India’ is written by — .
a. E.M. Forster b. Rudyard Kipling
c. Galls Worthy d. A. H. Auden Ans-a
Explanation: ‘A Passage to India’ (1924) Bs‡iR †jLK Edward Morgan Forster iwPZ GKwU weL¨vZ
Dcb¨vm| G Mªš’wU weªwUk ivR cwievi Ges 1920 mv‡j fviZxq ¯^vaxbZv Av‡›`vjb G Dci wfwË K‡i iwPZ|
Zvui Ab¨vb¨ weL¨vZ mvwnZ¨Kg©:
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Novels Where Angels Fear to Tread (1905)
The Longest Journey (1907)
A Room with a View (1908)
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c. Matthew Arnold d. Robert Browning Ans-a
Explanation: Gerontion weL¨vZ KweZvwU wj‡L‡Qb T.S.Eliot (Thomas Stearns Eliot, 1888-1965).
T.S.Eliot Av‡gwiKvb es‡kv™¢~Z GKRb Ab¨Zg AvaywbK Kwe| wZwb GKvav‡i Poet, Playwright, Literary
Critic, Essayist, Publisher wQ‡jb| Zvui †kªô iPbv ÒThe Waste Land Ó Gi Rb¨ wZwb 1948 mv‡j mvwn‡Z¨
†bv‡ej cyi¯‹vi jvf K‡ib| Zuvi D‡jøL‡qvM¨ KweZv¸‡jv n‡jv-
The Love Song of J.Alfred Prufrock (1915) Ash Wednesday
Journey of the Magi (wek^Kwe iex›`ªbv_ VvK†ii Four Quartets
ÒZx_©hvÎxÓKweZvwUi Av`‡j GwUi evsjv Abyev` K‡ib )
The Hollow Man The Sacred Wood
2. Who was written the poem “Elegy Written in a Country Churchyard”?
a. Thomas Gray b. P. B. Shelley
c. Robert Frost d. W. B. Yeats Ans-a
Explanation: cÖwm× Bs‡iR Kwe Thomas Gray Gi Agi †kvKMv_v ‘Elegy written in a country
churchyard’.
3. Who has written the play ‘Volpone’?
a. John Webster b. Ben Jonson
c. Christopher Marlowe d. William Shakespeare Ans-b
Explanation: Ben Jonson (1572-1637) Zvui e¨½ imvZ¥K bvU‡Ki Rb¨ Bs‡iwR mvwn‡Z¨ weL¨vZ n‡q Av‡Qb|
‘Volpone or the Fox ’K‡gwW bvUKwU Ben Jonson iPbv K‡i‡Qb| Zuvi D‡jøL‡hvM¨ mvwnZ¨Kg©:
Plays
A Tale of the Tub (1640) **
The Alchemist (1610)
Everyman out of His Humor (1600) **
Everyman in His Humor (1598)
The Saint Women (also known as Epicoene)
‡R‡b ivLv fv‡jv: 1704 mv‡j ‘A Tale of a Tub’ bv‡g we`ªycvZ¥K Dcb¨vm cÖKvk K‡ib Jonathan Swift.
4. Fill in the Blank. ‘ — ’ is Shakespeare last play.
a. As you Like It b. Macbeth
c. Tempest d. Othello Ans-c
Explanation: Bs‡iwR bvU‡Ki RbK Shakespeare me©‡gvU 37 wU bvUK iPbv K‡ib| D‡jøwLZ Ackb¸‡jvi
g‡a¨ me¸‡jvB Zuvi iwPZ| Gi g‡a¨ wZwb me©‡kl iPbv The Tempest (1610-1611) hv Swansong (bvU¨Kv‡ii
†kl Kg©) |
5. Shakespeare composed much of his plays in what sort of verse?
a. Alliterative verse b. Sonnet form
c. Iambic pentameter d. Maetylic Haxameter Ans-c
Explanation: William Shakespeare Zuvi AwaKvsk bvUK Iambic pentameter (cuvP gvÎvi jvBb ev
`kgvwÎK PiYwewkó KweZv) AvKv‡i iPbv K‡ib|
6. The repetition of beginning consonant sound is known as —
a. personification b. onomatopoeia
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c. alliteration d. rhyme Ans-c
Explanation: k‡ãi g‡a¨ A_ev `yB ev Z‡ZvwaK k‡ãi ïiæ‡Z e¨Äbe‡Y©i cybive„wˇK alliteration ev AbycÖvm
e‡j| (The Repetition of a consonant sound especially at the beginning of two or more words
or within words. The words can be adjacent or can be separated by one or more words.) †hgb
1. Ruins seize thee, ruthless King! ( Gray)
2. World wide web ('W' is repeated at the beginning of three successive words)
3. Alone, alone,all,all alone,
Alone on a wide, wide sea! ( Coleridge)
4. iex›`ªbv†_i Ôel©g½jÕ KweZvq Av‡Q-
‡KZKx †Kk‡i †Kkcvk K‡iv myifx
ÿwY KwUZ‡U Muvw_ j‡q c‡iv Kiex|
Avevi,
I‡i wen½, I‡i wen½ †gvi,
GLb AÜ, eÜ K‡iv bv cvLv|
Personification mvwn‡Z¨ ‡Kvb wKQz†K gvbyl ev e¨w³iƒc `vb Kiv|
Onomatopoeia AbyKvi kã ev †Kvb wKQzi k‡ãi AbyKi‡Y kãMVb|
Rhyme k‡ãi ev KweZvi Pi‡Yi wgj|
Sixtet Sixtet e‡j †Kvb kã ‡bB| Z‡e n‡jv Sestet (lU&K) m‡b‡Ui wØZxq fvM|
Haiku Rvcvwb wZb jvB‡bi GKwU KweZv, hv‡Z m‡ZiwU Aÿi _v‡K|
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Love and Hope
Dejection: An Ode
10. Robert Browning was a — poet. Fill in the gap with appropriate word.
a. Romantic b. Victorian
c. Modern d. Elizabethan Ans-b
Explanation: Robert Browning wQ‡jb Victorian Age (1832-1901) Gi GKRb ¸iæZ¡c~Y© mvwnwZ¨K|
cÖ‡kœ D‡jøwLZ Bs‡iwR mvwn‡Z¨i Ab¨vb¨ hy‡Mi mgqKvj wb‡¤œ †`Iqv n‡jv t
hy‡Mi bvg mgqKvj
Romantic Age 1798-1832
Modern Age 1901-1939
Elizabethan Age 1558-1603
11. P. B. Shelley’s ‘Adonais’ is and elegy on the death of —
a. John Milton b. S. T. Coleridge
c. John Keats d. Lord Byron Ans-c
Explanation:P. B. Shelley Gi †jLv weL¨vZ †kvK KweZv Adonais wZwb Zuvi wcÖq eÜz John Keats Gi
AKvj g„Zy¨‡Z e¨w_Z n‡q 1821 mv‡j iPbv K‡ib|
weL¨vZ GwjwR/‡kvKMv_v
Writers Elegy (‡kvKMv_v ) On the death of whom
Alfred Tennyson In Memoriam Arthur Henry Hallam
Edmund Spenser Astrophel Sir Philip Sydney (Bswjk Kwe)
John Milton Lycidas (Pastoral Elegy) Milton’s Friend Edward King
Mathew Arnold Thyrsis Friend Arthur Hugh Clough
Mathew Arnold Memorial Verses Wordsworth, Byron, Goethe
Thomas Gray Elegy Written in a Country Fore Fathers
(Graveyard Poet) Churchyard (1751)
P.B. Shelley Adonais John Keats
W.H. Auden In memory of W.B. Yeats W.B. Yeats
John Dryden Heroic Stanzas on the Death of Oliver Cromwell
Cromwell
12. The comparison of unlike things using the words like or as is known to be —
a. metaphor b. simile
c. alliteration d. personification Ans-b
Explanation: ‰ewkó¨ D†jøL K†i hLb †Kvb ev†K¨ `ywU wfbœ / ‰emv`…k¨ wRwb†mi gv†S mivmwi (Direct) Zyjbv
Kiv nq ZLb Zv‡K wmwgwj (simile) e‡j|
Simile- Gi c«avb ‰ewkó¨vewj:
1. `ywU wfbœ / weRvZxq wRwb‡mi gv‡S mivmwi (‰ewkó¨ D‡jøL K‡i) Zyjbv|
2. me©`vB as, as like as, as--as, as if, like, resemble, such. †hgb-
➢ My love is like a red rose.
➢ Youth like summer morn.
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➢ I wandered lonely as a cloud
13. ‘Restoration period’ in English literature refers to —
a. 1560 b. 1660
c. 1760 d. 1866 Ans-b
Explanation: Bs‡iwR mvwn‡Z¨i BwZnv‡m Restoration period ïiæ nq 1660 mvj †_‡K| Restoration
period g~jZ Neo-Classical Period (1660-1798) ev Pseudo-classical Age Gi AšÍf‚©³| Neo-
Classical k‡ãi A_© be¨aªæc`x| G hyM‡K Avevi wZbwU †QvU hy‡M fvM Kiv n‡q‡Q-
1. The Restoration Period (1660-1700)
2. The Augustan Period (1700-1745)
3. The Age of Sensibility (1745-1798)
14. ‘The Sun Also Rises’ is a novel written by —
a. Charles Dickens b. Hermanne Melville
c. Ernest Hemingway d. Thomas Hardy Ans-c
Explanation: Av‡gwiKvi weL¨vZ Jcb¨vwmK I bvU¨Kvi Ernest Hemingway 1926 mv‡j ‘The Sun
Also Rises’ Dcb¨vmwU iPbv K‡ib| GB Dcb¨vmwU†Z cÖ_g wek^hy× cieZx© mvgvwRK Aeÿ‡qi wPÎ Zz‡j aiv
n‡q‡Q| Dcb¨vmwUi cÖavb PwiÎ wQ‡jb Jake Barnes|
15. Which of the following is not a poetic tradition?
a. The Epic b. The Comic
c. The Occult d. The Tragic Ans-c
Explanation: cÖ‡kœ D‡jøwLZ Ackb¸‡jvi g‡a¨ Epic A_©- gnvKve¨| Comic n‡jv GK ai‡Yi imvZ¥K mvwnZ¨
| Tragic n‡jv welv`gq mvwnZ¨| ‡MÖU wMÖK `vk©wbK Aristotle KweZv‡K 3 wU fv‡M fvM K‡i‡Qb| h_v - Comedy,
tragedy Ges epic. myZivs, The Occult A_©- AwZcÖvK…Z ev Supernaturalism hv poetic tradition Gi
AšÍf©y³ bq|
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a. Gayatri Chakravorty Spivak b. R. K. Narayan
c. Nissim Ezekiel d. Kamala Das Ans-b
Explanation: D‡jøwLZ KweM‡Yi g‡a¨ R. K. Narayan wQ‡jb Bs‡iwR fvlvq fviZxq Ab¨Zg Jcb¨vwmK|
Zuvi c~Y© bvgt Rasipuram Krishnaswami Iyer Narayanaswami (1906 –2001), commonly
known as R. K. Narayan . Zuvi D‡jøL‡hvM¨ mvwnZ¨Kg©¸‡jv n‡jv-
Swami and Friends (1935)
The Bachelor of Arts (1937)
Malgudi Days ( 19430
The Financial Expert (1952)
Waiting for the Mahatma (1955 )
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c. misogyny d. benevolence Ans-b
Explanation:
Given word Definition
Misanthropy A person who hates all mankind (gvbewe‡Ølx, bi‡Ølx)
philanthropy A person who loves mankind (wek^‡cÖwgK, ‡jvKwn‰Zlx e¨w³)
misogyny Misogyny is the hatred of women (bvixwe‡Øl)
benevolence The quality of being kind and helpful (`vbkxjZv, e`vb¨Zv )
5. When we want to mean a government by the richest class we use the term —
a. Oligarchy b. Plutocracy
c. Cryptocracy d. Aristocracy Ans-b
Explanation:
Oligarchy (‡Mvôxkvmb) A small group of people having control of a country.
Plutocracy (awbKZš¿) A government by the richest class.
Cryptocracy (¸ßkvmK), A government where the real leaders are hidden.
Aristocracy (AwfRvZZš¿) A Goverbnment by the royal blood / nobles.
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Shakespeare wZb mšÍv‡bi RbK wQ‡jb| Zuvi `yB †g‡qi bvg Susana Ges Judith. Zuvi †Q‡j mšÍv‡bi bvg
n¨vg‡jU| wZwb Bsj¨v‡Ûi RvZxq Kwe (National Poet).
4. Tennyson’s ‘In Memoriam’ is an elegy on the death of —
a. John Milton b. John Keats
c. Arthur Henry Hallam d. Sydney Smith Ans-c
Explanation: Alfred Tennyson (1809-1892) wQ‡jb Victorian hy‡Mi GKRb Ab¨Zg Kwe| wZwb 1949
mv‡j Zuvi wcÖq eÜz Arthur Henry Hallam- Gi g„Zy¨‡Z ‘In Memoriam’(1850) elegy (†kvKMv_v) wU
wj‡Lb| ‘In Memoriam’ KweZvwUi c~Y© bvg n‡jv- ‘In Memoriam A.H.H’. GLv‡b A.H.H (Gi c~Y© iyc
n‡jv Ñ Arthur Henry Hallam.
GB KweZvwUi cÖK…Z wk‡ivbvg (Title) wQj: “The Way of the Soul”.
5. ‘Sweet Helen’ make me immortal with a kiss’ The sentence has been taken from the
play—
a. Romeo and Juliet b. Caesar and Cleopatra
c. Doctor Faustus c. Antony and Cleopatra Ans-c
Explanation: ‘Sweet Helen’ make me immortal with a kiss’ (my›`ix †n‡jb, Zzwg GK Pz¤^‡bi gva¨‡g
Avgv‡K AgiZ¡ `vb Ki|) Bs‡iwR Uªv‡RwWi RbK (Father of English Tragedy)
Christopher Marlowe Gi iwPZ weL¨vZ bvUK Doctor Faustus ‡_‡K Dw³wU ‡bIqv n‡q‡Q|Doctor
Faustus Uª¨vwRwWi c~Y© bvg n‡jv-The Tragical History of the Life and Death of Doctor Faustus.
GwU AwgÎvÿi Q‡›` (Blank verse) †jLv| Christopher Marlowe wQ‡jb ‡k·wcq‡ii c~e©m~ix
(Predecessor). Zvu‡K Father of English Tragedy ejv n‡q _v‡K | bvU‡K wZwb (d÷vm) hv`ywe`¨v wkL‡Z
‡P‡q‡Qb Ges hv`ywe`¨v wk‡L wZwb we‡k^i †kÖô my›`ix Helen Gi †`Lv cvb Ges Helen Zv‡K Kiss K‡i GUv †m
†`L‡Z cvq| ZLb wZwb Dw³wU K‡ib, ‘Sweet Helen’ make me immortal with a kiss.’
6. ‘What’s in a name? That which we call a rose by and other name Would smell as
sweet’- Who said this?
a. Juliet b. Romeo
c. Portia d. Rosalind Ans-a
Explanation: me©Kv‡ji †kÖô bvU¨Kvi William Shakespeare Gi weL¨vZ we‡qvMvšÍK (Love tragedy) bvUK
“Romeo and Juliet” Gi Act 2, Scene 2 †Z Juliet D×…Z Soliloquy K‡i‡Qb| cÖ‡kœ D‡jøwLZ ev‡K¨i
gva¨‡g Romeo Zuvi bvwqKv Juliet Gi iƒ‡ci cÖksmv K‡ib| GLv‡b ejv n‡q‡Q bv‡g Kx Av‡m hvq, †Mvjvc‡K Ab¨
bv‡g WvK‡jI †mwU myiwf Qov‡e|
7. “Man’s love is of man’s life a thing apart, ‘This woman’s whole existence.’’ – This is
taken from the poem of —
a. P. B. Shelley b. Lord Byron
c. John Keats d. Edmund Spenser Ans-b
Explanation: “Man’s love is of man’s life a thing apart, ‘This woman’s whole existence.’’
(‡cÖg cyiy‡li Kv‡Q Rxe‡bi GKwU Ask we‡kl Avi bvixi Kv‡Q mgMÖ Aw¯ÍZ¡ ) jvBbwU Bs‡iwR mvwn‡Z¨i we‡`ªvnx Kwe
(Rebel Poet) Lord Byron Gi iwPZ Don Juan KweZv †_‡K †bqv n‡q‡Q| GB KweZvi g~j Kvwnbx nj Elicit
love affair.
8. Who translated the ‘Rubaiyat of Omar Khyam’ into English?
a. Thomas Carlyle b. Edward Fitzgerald
c. D. G. Rossetti d. William Thackeray Ans-b
Explanation: cvi‡m¨i Rxebev`x Kwe (1048-1131) Igi ˆLqvg iPbv K‡ib KweZv Ô iæevBÕ| wZwb GKvav‡i
MwYZwe`, †R¨vwZ©we`, `vk©wbK Ges Kwe| 1859 mv‡j Bs‡iR Kwe Edward Fitzgerald dviwm fvlv †_‡K
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Bs‡iwR‡Z ‘Rubaiyat of Omar Khyam’ wk‡ivbv‡g Abyev` K‡ib| cieZ©x‡Z 1959 mv‡j evsjv‡`‡ki RvZxq
Kwe KvRx bRiæj Bmjvg dviwm †_‡K evsjvq ÒiæevBqvZ-B Igi ‰LBqvg Ó bv‡g Abyev` K‡ib| ˆmq` gyRZev Avjx
Gi f~wgKv wj‡Lb|
9. ‘Ulysses’ is a novel written by-
a. Joseph Conrad b. Thomas Hardy
c. Charles Dickens d. James Joyce Ans-d
Explanation: ‘Ulysses’ novel wj‡L‡Qb James Joyce Avi Ab¨ w`‡K GKB bv‡g ‘Ulysses’ poem
wj‡L‡Qb Alfred Tennyson|
10. The Short story ‘The Diamond Necklace’ was written by –
a. Guy de Maupassant b. O Henry
c. Somerset Maugham d. George Orwell Ans-a
Explanation: Guy de Maupassant (wM `¨v †guvcvm 1850-1893 wLªt) GKRb divwm mvwnwZ¨K| wZwb
GKvav‡i †QvU MíKvi, Jcb¨vwmK Ges Kwe|
Zuvi D‡jøL‡hvM¨ mvwnZ¨Kg©:
The Diamond Necklace (1884), – Short Story, Suicides (1880), Useless Beauty ( 1890)
11. ‘All the perfumes of Arabia will not sweeten this little hand’ – who said this?
a. Macbeth b. Lady Macbeth
c. Lady Macduff d. Macduff Ans-b
Explanation: cÖ‡kœ D‡jøwLZ jvBbwU William Shakespeare Gi iwPZ weL¨vZ Tragedy bvUK Macbeth
†_‡K †bIqv| Scottland Gi ivRv Duncan Gi Ab¨Zg †mbvcwZ wQ‡jv Macbeth| Zvi ¯¿x Lady Macbeth
hv‡K PZz_© WvBbx ejv nq| ivRv WvbKvb GKevi wbR B”Qvq AvwZ_¨ MÖnY K‡ib Macbeth Gi cÖvmv‡`| ‡mUv wQ‡jv
cÖPÛ `~‡h©v‡Mi ivZ| Gw`‡K wZb WvBbx Rvbvq †h, Macbeth B n‡e K‡Wv iv‡R¨i ivRv| WvBbx‡`i GB fwel¨r evbx
Lady Macbeth Gi g‡a¨ D”PvKv•Lvi Rb¥ †bq| Macbeth Zuvi ¯¿xi cÖ‡ivPbvq gnvb ivRv WvbKvb‡K nZ¨v K‡i|
G Lei †c‡q WvbKv‡bi `yB cyÎ Malcon I Donal Bain cvwj‡q hvq †m iv‡ZB| Macbeth wmsnvm‡b Avmxb
n‡jb| Gfv‡e WvBwb‡`i 2q fwel¨r evYxI mwZ¨ nq| wKšÍy Lady Macbeth Zvi K…ZK‡g©i Aby‡kvPbv Ki‡Z Ki‡Z
gvbwmK fvimg¨ nvwi‡q ‡d‡j Ges memgq †`L‡Z cvq Zvi nvZ i‡³ jvj n‡q Av‡Q| ZvB g„Zz¨ mh¨vq Ny‡gi ‡gv‡n
e‡j D‡Vb- “Here is still the smell of blood. All the perfume of Arabia will not sweeten this
little hand”. (Avgvi nvZ GL‡bv i‡³ iwÄZ n‡q Av‡Q| Avi‡ei mg¯Í myMwÜI Avgvi †QvU nvZ‡K cweÎ Ki‡Z
cvi‡ebv|) GiB gv‡S cjvZK cyÎØq (Malcon & Donal Bain) wd‡i Av‡m Ges wdwdi AwacwZi mv‡_ wgwjZ
n‡q Macbeth ‡K Avµgb K‡i| Macduff Macbeth-‡K nZ¨v K‡i| Ae‡k‡l Malcon Zvi wcZvi wmsnvm‡b
AwawôZ nq| Avi Gfv‡eB Macbeth Gi D”PvKv•Lvi Rb¨ Macbeth wb‡Ri aŸsm e‡q Av‡b Ges UªvwRK wn‡iv‡Z
cwiYZ nq|
12. ‘Where are the songs of Spring? Ay, where are they? Think not of them, thou hast thy
music too.’- who wrote this?
a. William Wordsworth b. Robert Browning
c. John Keats d. Samuel Coleridge Ans-c
Explanation: D³ jvBbwU John Keats (1795-1821 ) Gi ‘To Autumn’KweZv †_‡K †bIqv n‡q‡Q| Zuv‡K
ejv nq Ò Poet of Beauty ” I “Poet of Sensuousness”.
Zvui D‡jøL¨‡hvM¨ Ab¨vb¨ mvwnZ¨Kg©:
Ode to a Nightingale Ode on Melancholy
Ode to Autumn Endymion
Ode on a Gracian Urn Hyperion
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13. Who is the central character of ‘Wuthering Heights’ by Emily Bronte?
a. Mr. Earnshaw b. Catherine
c. Heathcliff d. Hindley Earnshaw Ans-c
Explanation: Emily Bronte (Gwgwj eªw›U, 1818-1848 wLªt) wQ‡jb GKRb Bs‡iR Jcb¨vwmK| wZwb Zuvi
iwPZ †kÖô Dcb¨vm Wuthering Heights (1847) Gi Rb¨ mgwaK cwiwPZ| Dcb¨vmwU wZwb Ellis Bell QÙbv‡g
wj‡LwQ‡jb | Dcb¨vmwU BqK©kvqvi A‡ji ce©Z Avi Rjvf~wgi cUf~wgKvq iwPZ| Dcb¨vmwUi †K›`ªxq (central
character) Heathcliff. Ab¨vb¨ Pwi‡Îi g‡a¨ i‡q‡Q- Catherine, Edger Linton Hareton
Earnshaw & Nelly Deam.
14. ‘The old order changeth, yielding place to new.’ – This line is extracted from
Tennyson’s poem –
a. The Lotos-Eaters b. Tithonus
c. Locksley Hall d. Morte d’ Arhtur Ans-d
Explanation: “The old order changeth, yielding place to new.” (G‡m‡Q bZzb wkï, Zv‡K †Q‡o
w`‡Z n‡e ¯’vb) jvBbwU Victorian hy‡Mi cÖavb Kwe Alfred Tennyson Gi KweZv ‘Morte d’Arhtur’ ‡_‡K
†bIqv n‡q‡Q|
15. Who wrote the poem ‘The Good-Morrow’?
a. George Herbert b. Andrew Marvell
c. John Donne d. Henry Vaughan Ans-c
Explanation: John Donne ‡K ejv nq Father of Metaphysical Poet. ‘The Good-Morrow’ Zuvi
GKwU weL¨vZ Metaphysical Poem. Zuv‡K “The Greatest Love Poet / Poet of Love” wn‡m‡eI AwfwnZ
Kiv nq| Zuvi Ab¨vb¨ D‡jøL‡hvM¨ mvwnZ¨K‡g©i g‡a¨ i‡q‡Q-
The Sun Rising, The Canonization, Twicknam Garden BZ¨vw`|
41st BCS Preliminary Test
1. Why, then, ‘tis none to you, for there is nothing either good or bad, but thinking
makes it so.’ This extract is taken from the drama---
a) King Lear b) Macbeth
c) As You Like It d) Hamlet Ans- d
Explanation: cª`Ë Dw³wU Shakespeare-Gi weL¨vZ bvUK Hamlet ‡_‡K ‡bIqv n‡q‡Q| wcÖÝ n¨vg‡jU
Zvi ˆkk‡ei `yB eÜz Rosencrantz (‡ivRµ¨v›UR) Ges Guildenstern (wMj‡Wb÷vib) Gi mv‡_ K‡_vcK_‡bi
mgq Zv‡`i D‡Ïk¨ K‡i e‡jb hv‡`i ivRv †Mv‡q›`v wn‡m‡e cvwV‡qwQ‡jb| ZLb n¨vg‡jU Zv‡`i ivRv‡K ej‡Z e‡jb,
Zuvi Rxeb †_‡K mKj Avb›` nvwi‡q †M‡Q Ges GB c„w_exi †Kvb wKQz‡ZB (bvix wKsev cyiæl) Zvi AvMÖn †bB| wZwb
Awf‡hvM K‡i‡Qb ‡h wZwb Zuvi wb‡Ri ‡`k ‡WbgvK©‡K KvivMvi wn‡m‡e we‡ePbv Ki‡Qb| Zvi eÜyiv G‡Z GKgZ bb
Ges ZLb kvixwiK I gvbwmKfv‡e wech©¯Í n¨vg‡jU Gi cÖwZwµqvq Rvbvb “ Why, then, ‘tis none to you, for
there is nothing good or bad but thinking makes it so.”(‡WbgvK©, †m‡Zv †Zvgv‡`i Kv‡Q wKQz g‡b bvI
n‡Z cv‡i,KviY fv‡jv ev g›` ej‡Z c„w_ex‡Z wKQzB †bB, wPšÍvB †Kvb wKQz‡K fv‡jv ev g›` evbvq|)
2. “Made weak by time and date, but strong in will to strive, to seek, to find, and not to
yield” is taken form the poem written by ---
a) Robert Browning b) Matthew Arnold
c) Alfred Tennyson d) Lord Byron Ans- c
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Explanation: cª`Ë Dw³wU weL¨vZ wf‡±vwiqvb Kwe Alfred Tennyson Gi Ulysses bvgK KweZv ‡_‡K ‡bIqv
n‡q‡Q| ÒMade weak by time and fate, but strong in will To strive, to seek, to find, and not to
yield.”
(n‡q cwo `ye©j mgq Avi fv‡M¨i Kv‡Q, wKš‘ B”Qvkw³ Av‡Q cÖej,
msMÖvg Kivi, AbymÜvb Kivi, Avwe®‹vi Kivi wKš‘ gv_v †bvqvevi bq|) (Ulysses: Alfred Tennyson).
GwU Ulysses KweZvi †kl `ywU PiY| ARvbv‡K Rvbvi AvKzjZv, cÖwZK‚jZvi weiæ‡× Rxeb msMÖv‡g †kl w`b ch©šÍ, ‡kl
Aa¨vq †`Lv Aewa GwM‡q qvIhvi `„p cÖZ¨q e¨³ n‡q‡Q Ulysses KweZvq|
wet `ªt GwU GKwU climax Gi D`vniY|
3. Who is not a romantic poet?
a) P. B. Shelley b) S.T Coleridge
c) John Keats d) T.S. Eliot Ans -d
Explanation: Bs‡iwR mvwn‡Z¨ Romantic period Gi mgqKvj n‡jv (1798-1832). Romantic period
Bs‡iwR mvwn‡Z¨i LyeB ¸iæZ¡c~Y© K‡qKwU hyM| G hyM‡K ‘The Golden Period of lyric’ I ejv n‡q _v‡K| cÖ‡kœ
D‡jøwLZ Kwe‡`i Rb¥ I g„Z¨yi mvj D‡jøL Kiv n‡jv t
Kwei bvg RxebKvj
P. B. Shelley (1792-1834)
S.T Coleridge (1772-1834)
John Keats (1795-1821)
T.S. Eliot (1888 -1965)
Ackb¸‡jvi gv‡S T. S. Eliot Qvov mevB ‡ivgvw›UK hy‡Mi Kwe wZwb n‡jb Georgian period (1910 -1936)
Gi Kwe| myZivs mwVK DËi T. S. Eliot.
4. In Shakespeare's play, Hamlet was prince of ----
a) Norway b) Britain
c) Denmark d) France Ans- c
Explanation: Shakespeare Gi weL¨vZ U«v‡RwW ÔHamlet’. Hamlet Uªv‡RwWi c~Y© bvg t The Tragedy
of Hamlet, Prince of Denmark hv ms‡¶‡c n¨vg‡jU bv‡g eûj cwiwPZ| GwU Shakespeare iwPZ me‡P‡q
RbwcÖq I KvjRqx Uªv‡RwW¸‡jvi g‡a¨ Ab¨Zg| Hamlet Gi bvqK ev ‡Kw›`«q PwiÎ Hamlet wQ‡jb ‡Wbgv‡Ki©
ivRKygvi Ges King Hamlet Gi cyG| wZwb (Protagonist -bvqK) Rvg©vwbi D‡UbevM© wek^we`¨vj‡qi QvÎ wQ‡jb|
myZivs, Hamlet was prince of Denmark. GB Uªv‡RwW hv 1599 Ges 1601 mv‡ji gv‡S ‡Kvb GKmgq iwPZ
n‡qwQj| GwU 29,551 wU kã wb‡q ‡k·wcqi iwPZ me‡P‡q `xN©Zg bvUK| ‡WbgvK© mvgªv‡R¨i cUf~wg‡Z iwPZ GB
bvUK hyeivR n¨vg‡jU I Zvi PvPv K¬wWqv‡mi weiæ‡× cªwZ‡kva ¯ú„nv‡K ‡K›`ª K‡i AvewZ©Z n‡q‡Q| whwb wmsnvmb
`L‡ji Rb¨ n¨vg‡j‡Ui wcZv‡K nZ¨v K‡iwQ‡jb Ges n¨vg‡j‡Ui Rb¥`vÎx gv‡K we‡q K‡iwQ‡jb|
Hamlet → Protagonist (bvqK) Rvg©vwbi D‡UbevM© wek^we`¨vj‡qi QvÎ wQ‡jb|
Ab¨vb¨ PwiÎt
Claudius → Hamlet- Gi PvPv| Claudius n‡jb G Uªv‡RwWi Antagonist.
Gertrude → Hamlet- Gi gv|
Ophelia → Ophelia n‡jv Hamlet-Gi †cÖwgKv|
Polonius → Claudius Gi Dc‡`óv Ges Ophelia I Laertes Gi evev |
5. Adela Quested and Mrs. Moore are characters from the novel ---
a) David Copperfield b) The Return of the Native
c) A Passage to India d) Adam Bede Ans-c
A documentary book on Engish Literature for BCS & other competitive Exams
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Explanation: A passage to India (1924) Bs‡iR ‡jLK E. M. Forster (Edward Morgan
Forster) KZ©…K wjwLZ GKwU Dcb¨vm ‡hwU weªwUk ivR Ges 1920 mv‡ji fviZxq ¯^vaxbZv Av‡›`vj‡bi
‡cª¶vc‡U iwPZ| Dcb¨vmwU‡Z weªwUk I fviZxq‡`i g‡a¨ m¤ú‡K©i Uvbv‡cv‡ob I weªwUk‡`i asmvZ¥K kvmb-
†kvl‡Yi wPÎ ewY©Z n‡q‡Q| di÷vi Zvi GB Dcb¨v‡mi wk‡ivbvg wb‡q‡Qb Iqvë ûBUg¨v‡bi Leaves of
Grass Kve¨Mª‡š’i Passage to India bv‡gi GKwU KweZv ‡_‡K Dcb¨v‡mi MíwU PviwU Pwi‡Îi gva¨‡g
AvewZ©Z nq t Wvt AvwRR, Zvi weªwUk eÜy wmwij wdwìs, wg‡mm gyi Ges wgm A¨v‡Wjv ‡Kv‡q‡÷W| Wvt
AvwRR G Dcb¨v‡mi cÖavb PwiÎ Ges GKRb ZiæY BwÛqvb wPwKrmK, whwb P›`ªcy‡i weªwUk nvmcvZv‡j KvR
K‡ib| wgm A¨v‡Wjv ‡Kv‡q‡÷W GKRb ZiæY weªwUk ¯‹yj wkw¶Kv| wg‡mm gyi eq¯‹v Ges wPšÍvkxj gwnjv| myZivs
Adela Quested and Mrs. Moore are characters from the novel A passage to India.
Dcb¨vmwUi D‡jøL‡hvM¨ Ab¨vb¨ PwiÎ- Cyril Fielding, Ronny Heaslop, Professor Godbole,
Hamidullah, Mahmoud Ali, Stella Moore cÖf…wZ|
6. ‘Shylock’ is a character in the play ---
a) Twelfth Night b) The Merchant of Venice
c) Romeo and Juliet d) Measure for Measure Ans -b
Explanation: `¨ gv‡P©›U Ae ‡fwbm (The Merchant of Venice) n‡jv ‡lvpk kZvãx‡Z DBwjqvg ‡k·wcqi
iwPZ GKwU Rbwcªq Uª¨vwR-K‡gwW bvUK| kvBjK bvU‡Ki GKRb Lj PwiÎ (Antagonist / Villain)| ‡m RvwZ‡Z
GKRb Bûw` (A Jew) Ges ‡ckvq my` e¨emvqx| Zvi Kb¨v ‡RwmKv j‡i‡‡Äv| A¨v‡›UvwbI wQ‡jb AZ¨šÍ mr I
eÜzermj| †m Zuvi eÜz‡`i wec‡` mvnvh¨ KiZ| kvBjK A¨v‡›UvwbIi nv‡Z AmsL¨ evi AcgvwbZ nevi cªwZ‡kva ‡bevi
my‡hvM cvq hLb evmvwbI‡K mvnvh¨ Ki‡Z A¨v‡›UvwbI Zvi Kv‡Q UvKv avi Ki‡Z Av‡m| wKš‘ ‡cvwk©qvi eyw× A¨‡›UvwbI‡K
i¶v K‡i| wePv‡i kvBjK civwRZ nq Ges Zvi A‡a©K m¤úwË ev‡Rqvß Kiv nq| kvBj‡Ki PwiÎ we‡kølY Ki‡j ‡`Lv
hvq ‡m Cl©vcivhY I KyUeyw× m¤úbœ| kvBjK PwiÎwU bvUKwUi eûgvwÎKZv Zy‡j a‡i‡Q|
7. ‘Vanity Fair’ is a novel written by ---
a) D.H. Lawrence b) William Makepeace Thackeray
c) Joseph Conrad d) Virginia Woolf Ans- b
Explanation: DBwjqvg g¨vKwcm _¨vKvwi (William Makepeace Thackeray ; 18 RyjvB 1811 - 24
wW‡m¤^i 1863) wQ‡jb GKRb weªwUk Jcb¨vwmK, mvwnwZ¨K I wPÎKi| wZwb fvi‡Z Rb¥MªnY K‡iwQ‡jb| Vanity
Fair n‡jv William Makepeace Thackeray Gi GKwU Dcb¨vm| wZwb Zuvi e¨½ag©x Kg©, we‡kl K‡i f¨vwbwU
‡dqvi (1848) Ges `¨ jvK Ae e¨vwi wjÛb (1844) Dcb¨v‡mi Rb¨ cªwm×| Zv‡K Pvj©m wW‡K‡Ýi ci wf‡±vixq
hy‡Mi wØZxq ‡miv cªwZfvai I eyw×`xß ‡jLK e‡j MY¨ Kiv nq| Vanity Fair Dcb¨vmwU‡Z †Kvb bvqK bvB|
Dcb¨vmwU‡Z ‡bcjxq hy× cieZ©x mg‡qi eÜy I cwiev‡ii gv‡S ‡ewK kvc© I A¨v‡gwjqv ‡mWwji Rxebhvc‡bi Mí wee„Z
n‡q‡Q| Dcb¨vmwU‡Z wfbœg‡Zi bvix ewK kvc© I A¨v‡gwjqv ‡mWwji fvM¨cwiµgv Z_v Zv‡`i Rxebhvc‡bi M‡íi
gva¨‡g Bsj¨vÛ mgv‡Ri ga¨weË †kÖwYi mgvRe¨e¯’v‡K Zz‡j aiv n‡q‡Q|
8. ‘Pip’ is the protagonist in Charles Dickens' novel----
a) A Christmas Carol b) A Tale of Two Cities
c) Oliver Twist d) Great Expectations Ans-d
Explanation: Charles Dickens (1812-1870 ) Gi Dcb¨vm Great Expectations Gi ‡Kw›`ªq PwiÎ ev
bvqK Ges eY©bvKvix n‡jv Pip. wf‡±vwiqvb hy‡M BD‡iv‡ci mvwn‡Z¨ GK bZyb w`Kcv‡ji bvg Pvj©m wW‡KÝ| wZwb
GKvav‡i Jcb¨vwmK, mvsevw`K, m¤úv`K, mwPÎ cªwZ‡e`K Ges mgv‡jvPK wQ‡jb| Z‡e Pvj©m wW‡K݇K BwZnvm g‡b
ivL‡e Zvi AmvaviY ‡jLbxi Rb¨| ÔAwjfvi UyB÷Õ, ÔA¨v wµ÷gvm K¨vijÕ, Ôwb‡Kvjvm wbKjweÕ, Ô‡WwfW KcviwdìÕ,
ÔA¨v ‡Uj Ad Uy wmwUmÕ Ges Ô‡MªU G·‡cK‡UkbÕ- Gi g‡Zv KvjRqx Dcb¨v‡mi iPwqZv wW‡K݇K Ebwesk kZvãxi
me‡P‡q Rbwcªq ‡jLK wn‡m‡e ¯^xK…wZ ‡`qv nq| wdwjc wcwic , WvKbvg wcc GKRb Abv_ Ges `y`©všÍ cªZ¨vkvi bvqK
I eY©bvKvix| GKgvÎ †evb Qvov GB c„w_ex‡Z Zvi Avi †KD †bB| ‰kkeKv‡j, wcc Zvi mr fvB-‡evb, ‡Rv MviRvwii
A documentary book on Engish Literature for BCS & other competitive Exams
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g‡Zv Kvgvi nIqvi ¯^cœ ‡`‡LwQ‡jb| cieZ©x‡Z wc‡ci wbR¯^ cvwievwiK mËv I mgvR‡K Z¨vM K‡i eo‡jvK nIqvi †h
D”PvKv•Lv cÖKvk †c‡q‡Q , †mUv‡K †jLK e¨½ K‡i Ô‡MªU G·‡cK‡UkbÕ e‡j AwfwnZ K‡i‡Qb| GKw`b Jagger
bv‡gi GKRb AvBbRxex Pip Gi Rb¨ jÛ‡b fvM¨ Movi myLei wb‡q Avm‡jb Ges Rvbvb Pip Gi GKRb ïfvKv•Lx
Zv‡K mn‡hvwMZv Ki‡Z GwM‡q G‡m‡Qb| Pip †f‡ewQ‡jv Miss Havisham †mB ïfvKv•Lx| wKš‘ cieZ©x‡Z cÖKvwkZ
nq †mB cjvZK Avmvgx Magwitch B †mB ïfvKv•Lx †h Pip Gi mn‡hvwMZvi cÖwZ K…ZÁZv cÖKvk Ki‡Z †P‡qwQ‡jv|
bvU‡Ki †kl `„‡k¨ †`Lv hvq ¯^vgx Øviv wbh©vwZZ Estella ¯^vgxi g„Zz¨i ci Av‡iv bgbxq n‡q c‡owQ‡jv| †m mgq Zvi
Rxe‡b Pip Gi Dcw¯’wZ Zv‡`i m¤ú‡K©i ¯’vwq‡Z¡i w`‡K GwM‡q †h‡Z _v‡K|
9. Lady Chatterley's Lover ' written by the author of ----
a) Lord Jim b) The rainbow
c) Ulysses d) A Passage of India Ans- b
Explanation: D. H Lawrence wQ‡jb AvaywbK hy‡Mi GKRb weL¨vZ mvwnwZ¨K, Kwe I wPÎwkíx| Lady
Chatterley's Lover n‡jv D. H Lawrence Gi GKwU Dcb¨vm| D. H Lawrence Gi Av‡iv GKwU weL¨vZ
mvwnZ¨Kg© n‡jv The Rainbow. myZivs, Lady Chatterley’s Lover Gi ‡jLK D H Lawrence KZ©„K
The Rainbow iwPZ nq|
Zvui weL¨vZ mvwnZ¨Kg©:
A documentary book on Engish Literature for BCS & other competitive Exams
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11. ‘Time held me green and dying
Though I sang in my chains like the sea.’ Those lines have been quoted from Dylan
Thomas' poem
a) The Flower b) Fern Hill
c) By Fire d) After the Funeral Ans- b
Explanation: Time held me green and dying
Though I sang in my chains like the sea.
(A_©-ÔÔmgqB †gv‡i K‡iwQj hyev †di Kwij `v`v
c‡owQ Zvi euva‡b †hgb K‡i mvMi Avi Pvu` evav|)
DcwiD³ cO&w³wU Fern Hill Gi Dylan Thomas bvgK KweZv †_‡K D×…Z Kiv n‡q‡Q| Fern Hill wWjvb
Ugv‡mi (Dylan Thomas) GKwU m¥„wZPviYg~jK KweZv| KweZvwU‡Z Kwe ‰kke I ‰K‡kv‡ii bvbv m¥„wZ I Avb‡›`I
K_v Zz‡j a‡i‡Qb|
GLv‡b Kwe Zuvi evj¨Kv‡ji AwfÁZv I gwngvwš^Z mg‡qi K_v e¨³ K‡i‡Qb| KweZvwU‡Z DBwjqvg ‡eø‡Ki (William
Blake) Innocence and Experience Gi cªfve j¶ Kiv hvq Avi DBwjqvg IqvW©mIqv_© (William
Wordsworth) Gi Double Consciousness bvgK wPšÍvKí Av‡ivc Kiv n‡q‡Q| ‰kke I ‰K‡kvi ¯§„wZ Kwe
wWjb Ugvm‡K e¨vKyjfv‡e ¯§„wZ ZvwoZ Ki‡Q| KweZvwU‡Z Kwe Zvui ‰kk‡ei w`MšÍ we¯Íi ‡Ljvi gvV, L‡oi Mv`v, Miæ-
evQy‡ii wcQy ‡QvUv, Loevnx Mvwo‡Z ‡P‡c emv, Gme welq‡K wbR ¯§„wZi i‡O ivwO‡q ¯^wcœj K‡i cwi‡ekb K‡i‡Qb|
dv‡g©i me MvQ, cïcvwL, Miæ- QvMj meB wQj Zvi †Ljvi mvw_| Kwe e‡j‡Qb mgq †hb `ªæZ P‡j †M‡Q ˆkke‡K †d‡j
†i‡L| Av‡Rv i‡q‡Q †mB dvg© ïay †bB †mB gvqvfiv ¯^M©xq mgq|
12. Was this the face that launch’d a thousand ships, and burnt the topless towers of
llium? -Who speaks the famous lines?
a) Caesar b) Antony
c) Faustus d) Romeo Ans- c
Explanation: D³ jvBb¸‡jv Elizabethan Period- Gi Kwe, bvU¨Kvi I Abyev`K Christopher
Marlowe- Gi ‘Doctor Faustus’ bvUK ‡_‡K †bIqv n‡q‡Q| Avi weL¨vZ jvBb¸‡jv e¨³ K‡i‡Qb †K›`xq PwiÎ
Faustus. Faustus GKRb Rvg©vb cwÛZ| ‡m Rvg©vwbi DB‡UbevM© BDfvwm©wU‡Z covïbv K‡i| ‡m †i‡bmuvi †PZbvq
AbycÖvwYZ e¨w³| Faustus Zuvi mxgvnxb ÿgZv jv‡fi Avkvq 24 eQ‡ii Rb¨ †m jywmdvi Gi mv‡_ wb‡Ri i³ w`‡q
Pzw³ K‡i| ‡m AvZ¥xq¯^Rb‡`i mnvqZv wb‡q ag©Z‡Ë¡ wc.GBP.wW AR©b K‡i| wKšÍy HwZn¨MZ Áv‡b wZwb mšÍó bq| ZvB
AwZ gvbexq ÿgZv AR©‡bi gva¨‡g ‡m cÖfvekvjx n‡q DV‡e| Faustus Zvi åg‡Yi mgq my›`ix †n‡j‡bi mvÿvr cvq|
Faustus Zvi †mŠ›`‡h©I w`‡K Aev&K `„wó‡Z ZvwK‡q †_‡K e‡jwQ‡jb eyS‡Z cvijvg †Kb jÿ jÿ gvbyl Zvi Rb¨
Uªqhy‡× wM‡qwQj| †m Zvi Dww³i 2q As‡k e‡jwQj Ò GB Kx †bB P›`ªe`b (†n‡jb) , hv Rb¨ Bwjqvg ( Uªq) bMix
hy‡× cy‡o QvB n‡q wM‡qwQj?Ó Awb›`¨ my›`ix Helen ‡K Av‡iv e‡j “Sweet Helen, make me immortal with
a kiss”.
13. The character ‘Alfred Doolittle’ is taken from Shaw's play titled ---
a) Pygmalion b) Man and Superman
c) The Doctors Dilemma d) Mrs. Warrens Profession Ans- a
Explanation: weL¨vZ AvBwik bvU¨Kvi I mgv‡jvPK George Bernard Shaw Gi GKwU bvUK
‘Pygmalion’. Avi G bvU‡Ki GKwU PwiÎ n‡jv Alfred Doolittle. G bvUKwUi Av‡iv D‡jøL‡hvM¨ wKQz
PwiÎ n‡jv: Eliza Doolittle, Henry Higgins, Clara Eynsford Hill, Freddy Eynsford Hill,
Colonel Hugh Pickering BZ¨vw`| ‘Pygmalion’ bvUKwUi Rb¨ 1939 mv‡j wZwb A¯‹vi cyi®‹vi jvf
K‡ib|
14. The poem 'The Love Song of J . Alfred Prufrock is written by---
a) W. B Yeats b) T. S. Eliot
A documentary book on Engish Literature for BCS & other competitive Exams
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c) Walter Scott d) Robert Browning Ans- b
Explanation: Av‡gwiKvb es‡kv™¢‚Z weªwUk Kwe T. S. Eliot Gi cÖ_g D‡jøL‡hvM¨ KweZv The Love Song of
J. Alfred Prufrock. GwU GKwU Dramatic Monologue (bvUKxq ¯^M‡Zvw³i) Gi Abb¨ D`vniY hv wU. Gm.
Gwj‡qU‡K wek^L¨vwZ G‡b †`q| 1948 mv‡j The Waste Land KweZvi Rb¨ †bv‡ej cyi¯‹v‡i f~wlZ nb|
Zvui weL¨vZ mvwnZ¨Kg©:
Poetry Gerontion (1920)
The Waste Land (1922)
The Hollow Men (1925)
Poems (1909-1925)
Ash Wednesday (1930)
Four Quartets (1944)
Poems The Dry Salvages (1941)
Plays Murder in the Cathedral (‡kÖô bvUK)
The Family Reunion (1939)
The Cocktail Party (1949)
15. Who is the author of the first scientific romance ‘The Time Machine’?
a) H.G Wells b) Samuel Butler
c) Henry James d) George Moorse Ans- a
Explanation: H. G. Wells wQ‡jb cÖvYx we`¨vq BSC wWMÖx AR©bKvix GKRb Jcb¨vwmK| Zuvi c~Y©bvgt
Herbert George Wells. The Time Machine n‡jv H. G. Wells (1895) iwPZ GKwU mvBÝ wdKkb|
eBwU‡Z UvBg †gwkb ej‡Z Ggb GK h‡š¿i K_v ejv n‡q‡Q hvi mvnv‡h¨ AZxZ I fwel¨‡Z B‡”Qg‡Zv Ny‡i Avmv hvq|
Zuvi weL¨vZ mvwnZ¨K‡g©i g‡a¨ i‡q‡Q Ñ The War of the World, The Invisible Man, The Island of
Doctor Moreau, A Modern Utopia, Outline of History, The First Man in the Moon BZ¨vw`|
Walt Whitman ( 1819- 1892): Walt Whitman GKRb cÖL¨vZ gvwK©b Kwe, cÖvewÜK I mvsevw`K| Walt
Whitman me©vwaK cªfvekvjx gvwK©b Kwe‡`i Ab¨Zg| Walt Whitman n‡jb Bs‡iwR mvwn‡Z¨ gy³K Q‡›`i (Free Verse)
RbK| Walt Whitman, Robert Frost Ges Emily Dickinson- G wZbRb‡K Amrrican RvZxq Kwe wn‡m‡e MY¨ Kiv
nq| Zuv‡K MYZ‡š¿i KweI ejv nq| gvbeZvev`x Kwe Walt Whitman gvbeZvev`x Zuvi iPbvq Zzixqev` I ev¯ÍeZvev‡`i mw¤§jb
NwU‡qwQ‡jb| Zuvi iPbv ‡m hy‡M h‡_ó weZ‡K©i m„wó K‡i| we‡klZ K‡i Zuvi Kve¨msKjb Ô wjfm Ad Mªvm- Leaves of Grass
gvÎvwZwi³ AkøxjZvi `v‡q Awfhy³ nq|
Zuvi weL¨vZ mvwnZ¨Kg©:
Maxim Gorky (1868-1936): Maxim Gorky Gi c~Y© bvg: Alexei Maximovich Peshkov
(Av‡jw· g¨vw·‡gvwfm †ckKf)| Zvi QÙbvg Gorkey. Zuv‡K ejv n‡q _v‡K The Father of Socialist Realism
(mgvRZvwš¿K e¯Íyev‡`i RbK)|
Zvui weL¨vZ mvwnZ¨Kg©:
Mother (1906 mv‡j cÖKvwkZ wecøex kÖwgK Av‡›`vj‡bi cUf~wg‡Z iwPZ| cÖavb PwiÎ: cv‡fj I Zvi gv|)
My Childhood
Fyodor Dostoevsky (1821-1881): Fyodor Dostoevsky wQ‡jb ivwkqvi weL¨vZ mvwnwZ¨K,
`vk©wbK I mvsevw`K| Zuvi c~Y© bvg: Fyodor Mikhailovich Dostoevsky (wdqWi wgLvBjwfP& Wóqfw¯‹)|
Zvui weL¨vZ mvwnZ¨Kg©:
Novel Crime and Punishment (1866)
Demons (1872)
The Idiot (1869)
The Brothers Karamazov (1880)
Leo Tolsoty ( (1828-1910): Leo Tolsoty wQ‡jb GKRb ivwkqvb Jcb¨vwmK, bvU¨Kvi I ivR‰bwZK
wPšÍvwe`|
Zvui weL¨vZ mvwnZ¨Kg©:
Novels War and Peace: G MÖš’wUi †cÖÿvcU n‡jv †b‡cvwjqb †evbvcv‡U©i iæk
Awfhvb|
Anna Karenina: Gi g~j welq n‡jv- Adultery (ciKxqv) †cÖ‡gi
Kiæb cwiYwZ|
Childhood (1st Novel)
Resurrection (last Novel)
The Kingdom of God is Within you
The Devil
A documentary book on Engish Literature for BCS & other competitive Exams
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4. ‘For God's sake hold your tongue and let me love’ occurs in a novel by-
(a)Jane austen (b)Syed Waliullah
(c)Somerset maugham (d)Robindronath tagore Ans- b
Explanation: GwU g~jZ weL¨vZ metaphysical poet John Donne Gi weL¨vZ KweZv "The
Canonization " Gi cª_g jvBb| 1929 mv‡j cÖKvwkZ iex›`ªbv_ VvKyi iwPZ `kg Dcb¨vm †k‡li KweZvq Gi
jvBbwUi D‡jøL Av‡Q|
"‡`vnvB †Zv‡`i, GKUyKy Pyc Ki,
fvjevwmev‡i †` †gv‡i Aemi"
Ô‡k‡li KweZvÕ co‡Z wM‡q mvwnZ¨‡cªgx‡`i g‡b evievi ‡XD Zyj‡eB GB jvBb `yÕwU| †k‡li KweZv Dcb¨v‡mi bvqK
AwgZ bvwqKv jveY¨‡K D‡Ïk¨ K‡i Dw³wU K‡iwQ‡jv|
bv›`wbK GB csw³wU iwe VvKyi Abyev` K‡iwQ‡jb GK ‡gvnbxq, AšÍ‡f©`x Bs‡iwR KweZv 'The Canonization'
‡_‡K| g~j jvBbwU n‡jv-
ÒFor GodÕs sake hold your tongue and let me love...Ó (The canonization, John Donne)
Ô‡k‡li KweZvÕq iex›`«bv_ GKvwaKevi Zvi bvg wb‡q‡Qb| ‡h K'Rb we‡`kx Kwe Øviv Kwe¸iæ cªfvweZ wQ‡jb, Zv‡`i
g‡a¨ G‡Kev‡i cª_gw`‡K _vK‡e Rb Wv‡bi bvg| ejvi A‡c¶v iv‡L bv, Rb Wvb Bs‡iwR mvwn‡Z¨i AwZ ¸iæZ¡c~Y©
GKRb Kwe| Bs‡iwR mvwn‡Z¨ Avwawe`¨vg~jK KweZv Z_v ÔMetaphysical PoemÕ Gi RbK ejv nq Zv‡K|
avivwUi bvg KwVb n‡jI e¯‘wU eoB gayi| Avi Wv‡bi gay‡Z ‡h GKevi g‡R‡Q, Zvi ‡bkv AvRxeb KvUv‡bv Am¤¢e|
A documentary book on Engish Literature for BCS & other competitive Exams