1424 SP
1424 SP
1424 SP
The largest item on the fiction menu is easily recognizable by most. Novels are book-length fictional prose
narratives, usually having a plot that unfolds by actions, dialogue and thoughts of varied characters. Most
publishers consider novel length to be a minimum of 40,000 words, but again, it’s relative to taste. Some might
consider a book like Kate Chopin’s The Awakening to be a novella in length but a novel by other standards,
such as due to the involved plot, which shows a major change in the consciousness of the protagonist.
Classification should not matter to an author until he or she comes to sell the book. My advice to authors is to
try not to worry about it too much while doing the actual writing. The publishers, marketers, booksellers, and
libraries will work on classifying it for you. You need only concentrate on your craft to make it the best it can
be, no matter the final word count.
Commercial fiction is divided into many genres, or categories. This kind of classification helps readers find the
types of novels they like to read. For example, readers who are mainly interested in love stories can go straight
to "Romance" section of the bookstore. Each genre also has its own traditions. If you're interested in writing in a
particular genre, it's important to read a lot of books in that genre in order to learn more about it and understand
what readers will expect. Some major genres:
Mysteries - A mystery is about a crime, usually a murder, and the process of discovering who committed
it. The hero(ine) is usually a detective or an amateur doing detective work.
Science fiction - Science fiction is fiction that imagines possible alternatives to reality. It is reality +
"What-if." For example: What if the world ended? What if there were life on other planets? The imaginary
part of science fiction is based on known scientific facts. For example, if there is time travel in a science
fiction book, it would be done with technology, not by waving a magic wand.
Fantasy - Like science fiction, fantasy is about imaginary worlds. But the imaginary part of fantasy
novels usually involves magic, where the imaginary part of science fiction involves science or
technology.
Westerns - Westerns normally take place in the Western U.S. (although sometimes in other locations),
most often during the 19th century. Common elements include cowboys, ranchers, the difficulties of
frontier life, frontier justice, and conflicts between natives and settlers.
Horror - Horror fiction gets its name because it is focused on creating emotions of terror and dread in the
reader. Horror fiction often accomplishes this through the use of scary supernatural elements or gore, but,
according to the Horror Writers Association, these elements are not required.
Thrillers - Like horror, a thriller gets its name because of the feeling it creates in the reader. Thrillers are
designed to make the reader's pulse race, to keep him or her turning pages. Often thrillers are about a
crime that is going to be committed or a disaster that is going to happen.
Romance - Romance fiction is about love and passion. Normally, the focus is on two characters who fall
in love but have problems or obstacles keeping them apart, and there is a happy ending.
Historical - Historical novels are set in a past time period, normally at least fifty years before they were
written. They combine a made-up story with realistic details of that time period.
These are many other fiction genres in addition to these! And each genre has sub-genres, or sub-categories. For
example, the romance genre includes historical romances, erotic romances, young adult romances, and more.
1. I was nervous about writing an incorrect interpretation and did not want to get my first assignment
wrong. Even more troubling was that the professor refused to give us any guidelines on what he was
looking for; he gave us total freedom. I had my interpretation of “The Myth of Sisyphus,” and I had my
main reasons for interpreting the essay. I remember being unsure of myself, wondering if what I was
saying made sense, or if I was even on the right track. Through all the uncertainty, I continued writing
the best I could. I finished the conclusion paragraph, had my spouse proofread it for errors, and turned it
in the next day simply hoping for the best. I learned to see college as a place to first learn and then seek
a career or enhance an existing career. By giving me the space to express my own interpretation and to
argue for my own values, my philosophy class taught me the importance of education for education’s
sake. Towards the end, that realization continues to pay dividends every day.
2. First, being brimming with uneasiness, I set off to peruse Camus' article a few times to ensure I truly
realized what was it was about. I put forth a valiant effort to take cautious notes. However even after I
took every one of these notes and knew the exposition all around, I actually didn't have the foggiest idea
about the correct answer. What was my translation? I could think about 1,000,000 unique approaches to
decipher the exposition, however which one was my educator searching for? In number related class, I
was utilized to models and clarifications of arrangements. This task gave me nothing; I was totally all
alone to concoct my individual understanding. I conceptualized, made thought maps, and even
composed a layout. At last, after a ton of stress, my thoughts turned out to be more coordinated and the
words fell on the page. I had my understanding of "The Myth of Sisyphus," and I had my fundamental
explanations behind deciphering the exposition. I was uncertain of myself, contemplating whether what
I was saying seemed well and good, or in the event that I was even destined for success. Through all the
vulnerability, I kept composing all that could be expected. I completed the end passage, had my
companion edited it for blunders, and turned it in the following day essentially praying for divine
intervention. It ended up, in any case, that I had nothing to stress over. At long last, the educator gave
me An on the paper, and his notes recommended that I composed a viable article by and large. He
composed that my perusing of the exposition was unique and that my musings were efficient. My help
and newly discovered certainty after perusing his remarks couldn't be exaggerated. Along these lines, I
left designing and proceeded to examine law and ultimately turned into an attorney. All the more
significantly, that class and paper assisted me with understanding instruction in an unexpected way.
Rather than considering school to be a direct venturing stone to a profession, I figured out how to
consider school to be a spot to initially learn and afterward look for a vocation or improve a current
profession. By giving me the space to communicate my own translation and to contend for my own
qualities, my way of thinking class showed me the significance of instruction for the good of training.
Towards the end, that acknowledgment keeps on delivering profits each day.