Fabric Printing
Fabric Printing
process of sublimation. Sublimation basically refers to the passage of molecules from the solid
to gas state, without moving through a liquid state. so there is no discharge of water pollution.
During the printing process, heat is applied to sublimation dyes, to directly convert them into
gaseous form. Meanwhile, the dye makes contact with a synthetic material like polyester. Upon
exposure to heat, the cloth fibres open, allowing the dyes to permeate into the fibre and bond
with it permanently. The prints are therefore transferred from the source to the textile. All that is
needed to permanently fix the colour is heat.
Introduction
Textile printing is the process of applying color to fabric in definite patterns or designs.
In properly printed fabrics the color is bonded with the fiber, so as to resist washing and friction.
Textile printing is related to dyeing but, whereas in dyeing proper the whole fabric is uniformly
covered with one color, in printing one or more colors are applied to it in certain parts only, and in
sharply defined patterns.
History of Printing
The exact origin of textile printing is difficult to determine. However, a number of early civilizations
developed various techniques for imparting color and design to textile garments. Batik is a modern
art form for developing unique dyed patterns on textile fabrics very similar to textile printing. Batik is
characterized by unique patterns and color combinations as well as the appearance of fracture lines
due to the cracking of the wax during the dyeing process. Batik is derived from the Japanese term,
“Ambatik,” which means “dabbing,” “writing,” or “drawing.” In Egypt, records from 23-79 AD describe
a hot wax technique similar to batik. The early Egyptians also used ink-carved designs on the ends
of wooden cylinders to print on fabrics as early as 400 AD. In Europe, the earliest evidence of textile
printing is provided by a wooden block discovered in France dated to the end of the 14th century.
The family name “Tuchdruckers” or “textile printers” was well known in Germany by 1440. In the
United States, woodcut block printing was practiced in Massachusetts, New Jersey, and
Pennsylvania by the 1770’s. A tremendous breakthrough occurred in 1783 when James Bell, a
Scotsman, invented engraved roller printing.
Roller Printing
In the roller printing process, print paste is applied to an engraved roller, and the fabric is guided
between it and a central cylinder. The pressure of the roller and central cylinder forces the print
paste into the fabric. Because of the high quality it can achieve, roller printing is the most appealing
method for printing designer and fashion apparel fabrics.
Screen printing
In flat screen printing, a screen on which print paste has been applied is lowered onto a section of
fabric. A squeezer then moves across the screen, forcing the print paste through the screen and into
the fabric.
Screen Preparation
To be considered:
•Mesh size selection
•Types of printing
•No of color on design
•Area of design
•Uniform tension
•Proper attachment of screen with frame
Color room functions
Factors to be considered for selection of printing technique:
Paste preparation
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Table preparation/ Machine preparation
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Fabric plaited on the table
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Pigment printing paste apply with the help of screen
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Curing at 150 ºc (belt speed 5 m/min)
Disadvantage
•Handling properties of the pigment printing is rough because of having excessive cross linking
agents.
•During second time printing it has very low effect that is not desirable
Discharge Printing
Discharge means to remove specific colored area by another color or reducing it by bleaching agent.
By this printing process, color is destroyed by one or multiple color. By this process pigment in the
fabrics is removed chemically and replace it by another color. The dyed fabrics dyes should be
dischargeable during printing process.
•Tinting of white pattern on coloured ground (In case of direct style) is avoided by discharge
printing.
•The effect, clarity, distinction, richness and aesthetic appeal obtained add value for
discharge printing
Disadvantages
•It is an expensive process. Two stage application involved in dyeing or padding and discharge
printing.
•Limited choice of ground and motif colours.
• Requires rigid process care that any default will lead to damages.
Rubber Printing
A very common and versatile material that is used to print to garment due to its ability to adhere well
to fabric. It can apply to most fabric materials in light or dark colours. The texture feels thick and
tensile. A special rubber formulation has to be made in order to apply this print to elastic material.
Table preparation
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Fabric plaited on the table
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Rubber printing paste apply with the help of screen
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Curing at 150ºc (Belt speed 5 m/min)
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Delivery
Plastisol Printing
Advantages
•Plastisol can be left in the screen for extended periods of time without clogging the mesh.
•It is ready to use right out of the container more than 90% of the time.
•In most applications, it can be printed wet-on-wet, which allows for increased production speeds.
•It comes in formulations that can be printed on light and dark color fabrics
•And, in most municipalities, the disposal of waste plastisol is a very simple process.
Disadvantages
•Since Plastisol is a thermoplastic, it will remelt if it comes in contact with anything hot enough. For
that reason, plastisol prints cannot be ironed.
•If an iron touches a print, it will smear the ink.
•Plastisol ink also creates an ink film that can be felt with the hand. The higher the opacity of the ink,
the greater the hand. This heavy hand is considered a disadvantage at the consumer level.
Process Printing
Process color printing, is known at four-color process printing, is a method that reproduces finished
full-color artwork and photographs. The three primary colors used are cyan (process blue), magenta
(process red), and yellow. These inks are translucent and are used to simulate different colors. The
"K" in CMYK is black. Black ink is used to create fine detail and strong shadows.
Paste preparation
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Table preparation
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Fabric plaited on the table
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Printing paste is applied through 4 different screens on the fabric
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Curing at 150ºc (belt speed 5m/min)
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Delivery
Foil printing
Foil printing is a sublimation transfer printing process. Foil printing is done by the help of paper. Foil
paper is solid color which is made by buyer requirement. Printing is done in high temperature and
pressure. By this printing process man-made and natural both fabric types can be print.
Flock printing
Flock printing is done by depositing various flocks on the surface of the fabric. Flocks means small
finely cut natural or synthetic fibers. This flocks are applied on an adhesive coated surface for impart
a decorative or functional characteristics to the surface of the fabric.
Flock printing flow chart
Emboss printing
Emboss printing is not as available as pigment printing, f oil printing, f lock printing or any others
dyes printing. It is specially done f or logo making or others decorative purpose. In this printing
process, printing is done by embossing the printing paste on the textile materials.
Process flow of puff printing
Crack printing
Crack printing is a printing method to produce attractive design on the fabric surf ace. Here rubber is
used as the printing paste. It is near similar as rubber printing process but additional crack paste is
used before applying rubber printing paste by the screen printer on the cotton fabric.
High density:
High density printing is done by more number of stroke to make the printed area thicker during
printing. High density printing may be two types: Rubber base high density & Plastisol base high
density.
Paste preparation
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Table preparation
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Fabric plaited on the table
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Printing paste is applied through screen on the fabric & stroke repeatedly till the design is produced
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Curing at 150ºc (belt speed 5m/min)
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Delivery
Sublimation
Sublimation is a transfer printing process. It is pigment based printing. Any type of design having
greater complexity can easily be developed on the fabric surface. Here, the printed design is
transferred from paper to fabric surface through heat pressing. The sublimation printing process is
based on CYMK theory.
Conclusion:
The development of modern equipment and colorant technology has enabled textile manufacturers
to be able to reproduce highly colored textile designs with excellent colorfastness. This can be
performed on a wide variety of fibers and fabric constructions, employing cost effective processes.
However, as good as textile-printing technology is today, the processes are continuing to improve.
New technologies and new developments in existing methods promise to continue the expansion of
the capabilities of textile printing well into the future.