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Giner y Vidal, Salvador - Grove Music

Salvador Giner y Vidal was a Spanish composer born in 1832 in Valencia. He studied music from an early age and worked to promote music in Valencia, helping to found the city's conservatory where he later served as director. Giner composed operas, zarzuelas, orchestral and choral works, with a focus on liturgical music and works that featured Valencian folk themes and styles.

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0% found this document useful (0 votes)
130 views3 pages

Giner y Vidal, Salvador - Grove Music

Salvador Giner y Vidal was a Spanish composer born in 1832 in Valencia. He studied music from an early age and worked to promote music in Valencia, helping to found the city's conservatory where he later served as director. Giner composed operas, zarzuelas, orchestral and choral works, with a focus on liturgical music and works that featured Valencian folk themes and styles.

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29/11/2020 Giner y Vidal, Salvador | Grove Music

Giner y Vidal, Salvador


José Climent

https://doi-org.universidadviu.idm.oclc.org/10.1093/gmo/9781561592630.article.11161
Published in print: 20 January 2001
Published online: 2001

(b Valencia, Jan 19, 1832; d Valencia, Nov 3, 1911). Spanish composer. Born into a family of musicians, he
had his rst lessons from his father, studying later under the organist of Valencia Cathedral, Pascual Pérez
y Gascón. From 1875 to 1879 he worked in Madrid, afterwards returning to Valencia where he was an active
promoter of music. He played an important part in the foundation of the city’s conservatory and was
appointed director in 1894 in succession to José María Úbeda. He formed the municipal band and the choral
society El Micalet, which in 1928 became the Giner Institute of Music. Giner was responsible for the
introduction to Valencia of concert music as it is now understood, and he also tried to create nationalist
music by composing operas based on Valencian folk music. Although they were failures he did succeed in
writing characteristically Valencian music, notably the symphonic poems Una nit d’albaes and Es chopà …
hasta la Moma, and L’entrà de la murta, written for the municipal band in 1903. But it is liturgical music
which has pride of place in his output. He composed a requiem in 1878 for the funeral of Queen Mercedes.
An even ner requiem setting was written in 1880 after the death of Cristobal Pascual y Genís; this is a
work of remarkable vividness and strength.

Works

(selective list)

Stage

¿Con quién caso a mi mujer? (zar, 3, Chocomeli), Valencia, Principal, 2 May 1883

El rayo de sol (zar, 3, Nogués), Madrid, Jovellanos, 10 Nov 1875

Sagunto (comic op, 3, Cebrián), Valencia, Principal, 20 Dec 1890

Los mendigos (zar, 3, Guillén), Valencia, Principal, 1896

El soñador (comic op, 3, Danvila), Valencia, Principal, 10 April 1901

El fantasma (comic op, 3, Giner), Valencia, Principal, 13 April 1901

Morel (comic op, 3, Chocomeli), Valencia, Principal, 18 April 1901

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29/11/2020 Giner y Vidal, Salvador | Grove Music

Choral

Sacred

18 masses, solo vv, unacc. or with chorus, org, orch; 11 requiem masses, chorus unacc. or with orch; responsories for the dead;
motets, hymns, settings of pss, Miserere and Lamentations

Secular

43 works, incl. La feria de Valencia, 1871

La festa del poble; La trilla, 1896

La tempestad, 1897

Al surcar el lago, 1875

Ecos del Turia

Orchestral

Sym., on themes from Mercadante’s Le 7 parole di nostro signore, 1858

Sym. ‘Las fases del campo’, 1864

Elegia a Rossini, 1878

8 sym. poems, incl. Es chopà … hasta la Moma, 1886

Una nit d’albàes, 1881

El festín de Baltasar, 1893

Bibliography
J. Ruiz de Lihory: La música en Valencia: diccionario biográfico y crítico (Valencia, 1903)

A. Fernández-Cid: Cien años de teatro musical en España (1875–1975) (Madrid, 1975)

J. Climent: Historia de la música contemporánea valenciana (Valencia, 1978)

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Subscriber: Universidad Internacional de Valencia; date: 29 November 2020

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