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( Ji ( Ji: DVD Chapter 16: B

The document discusses delaying or anticipating harmonic rhythm when playing bass. It provides musical examples of delaying the harmonic rhythm by starting the changes on the fourth eighth note, and of anticipating the changes. The remaining chapters demonstrate soloing and playing as a trio over "Rhythm Changes" using displacements of the second, third, and fourth eighth notes.

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Arjun Desai
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49 views1 page

( Ji ( Ji: DVD Chapter 16: B

The document discusses delaying or anticipating harmonic rhythm when playing bass. It provides musical examples of delaying the harmonic rhythm by starting the changes on the fourth eighth note, and of anticipating the changes. The remaining chapters demonstrate soloing and playing as a trio over "Rhythm Changes" using displacements of the second, third, and fourth eighth notes.

Uploaded by

Arjun Desai
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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For bass, delaying the harrnonic rhythm looks like the following example:

m6 G-7 C-7 F7 D-7 G7 C-7 F7

19: e l d zga===µ
"-" ~
~
------ j @t I etc.

Whereas anticipating looks like the following example:

m6 G-7 C-7 F7 D-7 G7 C-7 F7

19: e - l ~~ ~ ~ ~
~Ja etc.

DVD Chapter 16: Core Groove B displaced by three eighths starting on the fourth eighth note.

[;Ji [;Ji ,
3 3

~I:S
, -
' ~I ¡ ~ :~

etc.
m6 G-7 C-7 F7 D-7 G7 C-7 F7

m·
~
I:)=e ,lijij. ~. '--'"
'--'"
.
. ~.
~r ~$

DVD Chapters 17,18 and 19: Aaron demonstrates on the piano how to apply the second, third and fourth eighth
note displacement to soloing over "Rhythm Changes".

DVD Chapters 20, 21 and 22: Rere the trio demonstrates the musical application of the second, third and fourth
eighth note displacement over "Rhythm Changes".

12

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