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Cucurrucucú Piano and Choir Arrangement

This document contains musical notation for a piece titled "Cucurrucucú Paloma" composed by Tomás Méndez and arranged by Alberto Díaz. It includes musical scores for soprano, alto, tenor and bass vocals as well as piano accompaniment. The notation contains rhythmic patterns represented by symbols and markings for pitch, tempo, dynamics and expression.

Uploaded by

Alberto Diaz
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
222 views4 pages

Cucurrucucú Piano and Choir Arrangement

This document contains musical notation for a piece titled "Cucurrucucú Paloma" composed by Tomás Méndez and arranged by Alberto Díaz. It includes musical scores for soprano, alto, tenor and bass vocals as well as piano accompaniment. The notation contains rhythmic patterns represented by symbols and markings for pitch, tempo, dynamics and expression.

Uploaded by

Alberto Diaz
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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Cucurrucucú

Tomá Méndez

  = 70
Arr. Alberto Díaz

Soprano           
         
      
Alto              

              

          
   
                
Tenor

             
Bass

 
                                
  
                
Piano


                     
7

S.

               
  
A.


          

     
  
  
T.

             
B.
     
   
                              
Pno.
             


    
                        
   
13


S.


           
                 
A.

       
 

T.

             
B.

                             


          
            

 
Pno.


           

20

S.

           

A.


            
     
T.

      
B.
 

                               
                
  
Pno.

2
       
   
26

S.

      
   

A.

           

    
T.

   
 
B.
  

                               
                 
Pno.
     

     

 

 

  
                 

32
1. 2.


S.

          
    


A.

   
           

    
T.

       

B.
  

                                    
    
                 
Pno.

3
 
               

39

S.


A.                  

 
         
     

  
T.

         
B.

  
                 
    
            
Pno.

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