GB

RX-V795RDS
Natural Sound AV Amplifier
Ampli-tuner audio vidéo

OWNER’S MANUAL
MODE D’EMPLOI
BEDIENUNGSANLEITUNG
BRUKSANVISNING
MANUALE DI ISTRUZIONI
MANUAL DE INSTRUCCIONES
GEBRUIKSAANWIJZING
 Congratulations!
You are the proud owner of a Yamaha Digital Sound Field Processing (DSP)
System—an extremely sophisticated audio component. The DSP system takes full
advantage of Yamaha’s undisputed leadership in the field of digital audio processing
to bring you a whole new world of listening experiences. Follow the instructions in this
manual carefully when setting up your system, and the DSP system will sonically
transform your room into a wide range of listening environments—anything from a
famous concert hall to a cozy jazz club. In addition, you get incredible realism from
most of surround-sound encoded video sources available in the market using the built-
in Dolby Pro Logic Surround Decoder, Dolby Digital Decoder and DTS Decoder.
Five built-in channels of amplification on this model mean that no additional
amplifiers are required to enjoy advanced digital sound field processing.
Rather than tell you about the wonders of digital sound field processing, however,
let’s get right down to the business of setting up the system and trying out its many
capabilities. Please read this operation manual carefully and store it in a safe place for
later reference.
 English
CONTENTS
CAUTION .................................................................. 2 BASIC OPERATION ............................................... 33

Playing a source .................................................... 33

INTRODUCTION ....................................................... 3 Recording a source to tape (or MD) or dubbing
Features .................................................................... 3 from tape (or MD) to tape (or MD)......................... 37
What’s DSP?............................................................. 4 Sound control......................................................... 38
Tuning ..................................................................... 39
Basic operation ................................................... 39
GETTING STARTED ................................................ 7
Preset tuning ........................................................ 40
Getting started.......................................................... 7 Receiving RDS stations .........................................43
Unpacking .............................................................. 7 Displaying RDS data .............................................43
Installing batteries in the remote controller ........... 8 Selecting your desired program type from among
Notes about the remote controller.......................... 8 preset RDS stations (PTY SEEK) .........................46
Controls and their functions ................................... 9 Automatic selection of desired program when
Front panel ............................................................. 9 broadcasting starts................................................47
Display panel........................................................ 11 Using digital sound field processor (DSP) ......... 48
Playing a source with an effect of the digital
PREPARATION ...................................................... 12 sound field processor (DSP) ................................ 48
Adjusting output level of the center, right rear,
Speaker setup......................................................... 12 left rear speakers and subwoofer......................... 51
Connections ........................................................... 14 Brief overview of digital sound field programs...... 53
Audio/video source equipment ............................ 14
Speakers ............................................................. 20 ADVANCED FEATURES ....................................... 56
Antennas ............................................................. 23
“SET MENU” mode ............................................... 56
Plugging in this unit ............................................. 25
Creating your own sound fields .......................... 60
On screen display .................................................. 26
Setting the SLEEP timer ....................................... 64
Selecting the output modes
(“SET MENU” mode) ............................................. 27
Speaker balance adjustment ................................ 30 REMOTE CONTROLLER ....................................... 65

Basic operation ..................................................... 65

Key name and function ......................................... 66
Entering manufacturer codes .............................. 71
Restoring the default codes ................................. 72

TROUBLESHOOTING ............................................ 73

SPECIFICATIONS .................................................. 76

LIST OF MANUFACTURE’S CODE

.............................................. The end of this manual

1
 CAUTION : Read this before operating your unit.
1. To assure the finest performance, please read this manual
carefully. Keep it in a safe place for future reference. This unit is not disconnected from the AC power source as
long as it is connected to the wall outlet, even if this unit
2. Install this unit in a cool, dry, clean place – away from itself is turned off. This state is called the standby mode.
windows, heat sources, sources of excessive vibration, In this mode, this unit is designed to consume a small
dust, moisture and cold. Avoid sources of humming amount of power.
(transformers, motors). To prevent fire or electrical shock,
do not expose the unit to rain or water.
3. Never remove the unit cover. Contact your dealer if an WARNING
object falls inside the unit. Do not change the IMPEDANCE SELECTOR switch
4. Do not use force on switches, controls or connection wires. setting while the power to this unit is on, otherwise this
When moving the unit, first disconnect the power plug and unit may be damaged.
the wires connected to other equipment. Never pull on the IF THIS UNIT FAILS TO TURN ON WHEN THE
wires themselves. STANDBY/ON SWITCH IS PRESSED:
5. The openings on the unit cover assure proper ventilation of The IMPEDANCE SELECTOR switch may not be set to
the unit. If these openings are obstructed, the temperature either end. If so, set the switch to either end when this unit
inside the unit will rise rapidly. Therefore, avoid placing is in the standby mode.
objects against these openings, and install the unit in a
well-ventilated area to prevent fire and damage. IMPEDANCE SELECTOR
Be sure to allow a space of at least 20 cm behind, 20 cm
on the both sides and 30 cm above the top panel of the
unit to prevent fire and damage.
6. The voltage used must be the same as that specified on REAR
IMPEDANCE SELECTOR
SET BEFORE POWER ON

this unit. Using this unit with a higher voltage than (SURROUND) REAR
CENTER
: 6ΩMIN. /SPEAKER
: 6ΩMIN. /SPEAKER
MAIN A OR B: 4ΩMIN. /SPEAKER

specified is dangerous and may result in fire or other REAR

A B: 8ΩMIN. /SPEAKER

: 8ΩMIN. /SPEAKER
CENTER : 8ΩMIN. /SPEAKER
accidents. YAMAHA will not be held responsible for any MAIN A OR B: 8ΩMIN. /SPEAKER
A B:I6ΩMIN. /SPEAKER

damage resulting from use of this unit with a voltage other AC OUTLETS
than specified. SWITCHED
I00W MAX. TOTAL

7. Digital signals generated by this unit may interfere with

other equipment such as tuners, receivers or TVs. Move
this unit farther away from such equipment if interference
is observed.
8. Always set the VOLUME control to “– ∞” before starting
the audio source play. Increase the volume gradually to an
appropriate level after playback has been started. (Europe model)
9. Do not attempt to clean the unit with chemical solvents;
this might damage the finish. Use a clean, dry cloth.
10. Be sure to read the “TROUBLESHOOTING” section
regarding common operating errors before concluding that For U.K. customers
the unit is faulty. If the socket outlets in the home are not suitable for the plug
11. When not planning to use this unit for long periods of time, supplied with this appliance, it should be cut off and an
disconnect the AC power plug from the wall outlet. appropriate 3 pin plug fitted. For details, refer to the
12. To prevent lightning damage, disconnect the AC power instructions described below.
plug and antenna cable when there is an electrical storm. Note: The plug severed from the mains lead must be
destroyed, as a plug with bared flexible cord is hazardous if
13. Grounding or polarization – Precautions should be taken engaged in a live socket outlet.
so that the grounding or polarization of an appliance is not
defeated.
14. Do not connect an audio unit to the AC outlet on the rear Special Instructions for U.K. Model
panel if the equipment requires more power than the outlet
is rated to provide. IMPORTANT
THE WIRES IN MAINS LEAD ARE COLOURED IN
ACCORDANCE WITH THE FOLLOWING CODE:
IMPORTANT
Please record the serial number of your unit in the space Blue: NEUTRAL
below. Brown: LIVE
Model:
As the colours of the wires in the mains lead of this
Serial No.: apparatus may not correspond with the coloured markings
The serial number is located on the rear of the unit. identifying the terminals in your plug, proceed as follows:
Retain this Owner’s Manual in a safe place for future The wire which is coloured BLUE must be connected to the
reference. terminal which is marked with the letter N or coloured
WARNING BLACK. The wire which is coloured BROWN must be
TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, connected to the terminal which is marked with the letter L
DO NOT EXPOSE THIS UNIT TO RAIN OR MOISTURE. or coloured RED. Making sure that neither core is
connected to the earth terminal of the three pin plug.

2
 INTRODUCTION

English
Features
5 Channel Power Amplification Sophisticated FM/AM Tuner
Main: 85W + 85W (8Ω) RMS Output ● 40-Station Random Access Preset Tuning
Power, 0.04% THD, 20–20,000 Hz
● Automatic Preset Tuning
Center: 85W (8Ω) RMS Output Power,
0.04% THD, 20–20,000 Hz ● Preset Station Shifting Capability (Preset
Rear: 85W + 85W (8Ω) RMS Output Editing)
Power, 0.04% THD, 20–20,000 Hz ● Multi-Functions for RDS Broadcast
Reception
Multi-Mode Digital Sound Field ● IF Count Direct PLL Synthesizer Tuning
Processing System

● Digital Sound Field Processor (DSP)

● Dolby Digital Decoder Others
● Dolby Pro Logic Surround Decoder
● “SET MENU” Mode which Provides You
● DTS Decoder with 13 Titles of Setting Changes and
● CINEMA DSP: Theater-like Sound Adjustments for Optimizing This Unit for
Experience by the Combination of Your Audio/Video System
YAMAHA DSP Technology and Dolby ● BASS EXTENSION Button for Reinforcing
Digital, Dolby Pro Logic or DTS Bass Response
● Automatic Input Balance Control for ● On Screen Display Function Helpful in
Dolby Pro Logic Surround Controlling This Unit
● Test Tone Generator for Easier Speaker ● SLEEP Timer
Balance Adjustment ● OPTICAL and COAXIAL Digital Audio
● Speaker Output Mode Selection Signal Terminals
Capability for the Most Suitable ● 6 Channel External Decoder Input for
Use of Your Speaker System Other Future Formats
● Video Signal Input/Output Capability
(Including S Video Connections)
● Universal Remote Controller with Preset
Manufacturer Codes

3
 INTRODUCTION

What’s DSP?
Introduction
Welcome to the exciting world of digital home entertainment. To make the listening experience even more enjoyable, this
This unit is one of the most complete and advanced AV unit includes a number of exclusive, digitally created listening
receiver available. Some of the more advanced features may environments known as digital sound fields. Choosing a sound
not be familiar to you, but they are easy to use. State-of-the-art field program is like transporting yourself to such venues as an
technologies such as Dolby Digital and Digital Theater outdoor arena, a European church, or a cozy jazz club. Take
Systems (DTS) may be new to your home, but you have some time now to read more about these features and enjoy
probably experienced the amazing realism they bring to feature the new experiences this unit brings to your home theater.
films in theaters around the world.

Digital Sound Field Processing

Technological advances in sound reproduction over the last 30 Of course, that only solves half of the problem. These
years have enhanced the listening experience with improved engineers have no way of knowing the acoustics of your
clarity, precision and power. However, something has still been listening room, so we’ve made it possible for you to adjust the
missing: The atmosphere and acoustic ambiance of the public various parameters of this data to tailor each virtual venue to
venue. Our Yamaha engineers have extensively researched your taste. You can use these sound fields to enhance any
the nature of sound acoustics and the way sound reflects source and in combination with any of the following surround
inside a room. We sent these engineers to famous theaters sound technologies. Some are designed especially for music,
and concert halls around the world to measure the acoustics of and some especially for movies.
those venues with sophisticated microphones. The data they
collected is used to recreate these environments in digital
sound fields. Some of these digital sound fields are created
using data measured directly at the original venue; others are
created from combinations of data to form unique
environments for specific purposes.

Dolby Pro Logic Surround

Dolby Pro Logic Surround has been used in movie theaters Most video tapes and laser discs include Dolby Pro Logic
since the mid-seventies. It has also been available in home Surround encoding as do many TV and cable broadcasts. The
entertainment systems since the late eighties and continues to Dolby Pro Logic Surround decoder built into this unit employs a
be a popular format for home theater systems. It uses four digital signal processing system that stabilizes each channel
discrete channels and five speakers to reproduce realistic and for even more accurate sound positioning than is available with
dynamic sound effects: two main channels (left and right), a standard analog processors.
center channel for dialog, and a rear channel for special sound
effects. The rear channel reproduces sound within a narrow
frequency range.

4
 INTRODUCTION

English
Dolby Digital
Dolby Digital is the next level of Dolby Surround sound system Dolby Digital forms 5.1 channels as mentioned left, and
developed for 35 mm film-movies by employing low bit-rate moreover, it can also form fewer channels, for example 2
audio coding. channel stereo and monaural. You may be able to find some 2
channel stereo and/or monaural sources encoded with Dolby
Dolby Digital is a digital surround sound system that provides
Digital in the market.
completely independent multi-channel audio to you. Dolby
Digital provides five full range channels in what is sometimes Laserdisc and DVD are home audio formats that could benefit
referred to as a “3/2” configuration: three front channels (left, from Dolby Digital. In the near future, Dolby Digital will also be
center and right), and two surround channels. A sixth bass-only applied to DBS, CATV and HDTV. The ongoing release of
effect channel is also provided for output of LFE (low frequency Dolby Stereo Digital theatrical films now underway will provide
effect), or low bass effects that are independent of other an immediate source of Dolby Digital encoded video software.
channels. (This is called the “subwoofer channel” or “LFE
channel”.) This channel is counted as 0.1, thus giving rise to
the term 5.1 channels in total.
Manufactured under license from Dolby Laboratories Licensing
Compared to Dolby Pro Logic that is referred to a “3/1” system
Corporation. DOLBY, AC-3, PRO LOGIC, and the double-D
(left front, center, right front and just one surround channel),
symbol are trademarks of Dolby Laboratories Licensing
Dolby Digital features two surround channels, called stereo or
Corporation.
split surrounds, each offering the same full range fidelity as the
Copyright 1992 Dolby Laboratories, Inc. All rights reserved.
three front channels.
By using the built-in Dolby Digital decoder, you can experience
the dramatic realism and impact of Dolby Stereo Digital theater
sound in your home.
Wide dynamic range of sound reproduced by the five full range
channels and precise sound orientation by the digital sound
processing presents listeners much excitement and realism
that has never been experienced before.

DTS Digital Surround

DTS (Digital Theater Systems) system was developed to By using the DTS decoder built into this unit, you can
replace analog soundtracks of movies with six discrete experience the dramatic realism and impact of the DTS
channels of digital soundtracks, and now, it is installed in many installed theater’s high quality sound in your home.
theaters around the world. The DTS digital playback system
changed the way we experienced movies in theaters with six Laserdisc, compact disc and DVD are home audio format
discrete channels of superb digital audio. within which DTS can represent its high quality multi-channel
audio. (In addition to movies on laserdiscs, many exciting new
The DTS technology, through intense research and multi-channel music recordings will also become available in
development, made it possible to deliver a similar the form of DTS-encoded compact discs.)
encode/decode discrete technology to home audio surround-
sound entertainment.
The DTS Digital Surround is an encode/decode system which
delivers six channels of master-quality, 20-bit audio; technically Manufactured under license from Digital Theater Systems, Inc.
5.1 channels, which means 5 full-range (left, center, right and US Pat. No. 5,451,942 and other world-wide patents issued
two surround) channels, plus a subwoofer (LFE) channel (as and pending. “DTS”, “DTS Digital Surround”, are trademarks of
“0.1”). It is compatible with the 5.1 speaker configurations that Digital Theater Systems, Inc. Copyright 1996 Digital Theater
are currently available for home theater systems Systems, Inc. All Rights Reserved.

The DTS Digital Surround algorithm is designed to encode the

six channels of 20-bit audio onto some laserdiscs, compact
discs and DVDs with considerably less data-compression.

5
 INTRODUCTION

CINEMA DSP: Dolby Surround + DSP / DTS + DSP

The Dolby Surround sound and DTS systems show their full However, Yamaha DSP technology allows you to create nearly
ability in a large movie theater, because movie sounds are the same sound experience as that of a large movie theater in
originally designed to be reproduced in a large movie theater your home by compensating for the lack of presence and
that uses a multitude of speakers. Trying to create a sound dynamics in the listening room with original digital sound fields
environment similar to that of a movie theater in your home is combined with Dolby Surround or DTS Digital Surround
difficult because of the room size, material inside the walls, the sounds.
number of speakers, and so on. In other words, your listening
room is very different from a movie theater.
CINEMA DSP
The YAMAHA “CINEMA DSP” logo indicates those programs
that are created by the combination of YAMAHA DSP
technology and Dolby Surround or DTS.

Dolby Pro Logic + 2 Digital Sound Fields Dolby Digital or DTS + 3 Digital Sound Fields
Digital sound fields are created on the presence side and Digital sound fields are created on the presence side and
the rear surround side of the Dolby Pro Logic Surround- the independent left and right surround sides of the Dolby
decoded sound field respectively. They create a wide Digital-decoded or the DTS-decoded sound field
acoustic environment and emphasize surround-effect in the respectively. They create a wide acoustic environment and
room, letting you feel much presence as if you were much surround effect in the room without losing high
watching a movie in a popular Dolby Stereo theater. channel separation. With wide dynamic range of Dolby
Digital or DTS sound, this sound field combination lets you
This combination is available when the digital sound field
feel as if you were watching a movie in the newest Dolby
program No. 2, 3 or “PRO LOGIC/Enhanced” of No. 1 is
Stereo Digital theater or DTS installed theater. This is the
selected, and the input signal of the source is analog, PCM
most ideal home theater sound at the present time.
audio or encoded with the Dolby Digital in 2-channels.
This combination is available when the digital sound field
program No. 2, 3 or “DOLBY DIGITAL (or DTS DIGITAL
SUR.)/Enhanced” of No. 1 is selected, and the input signal
of the source is encoded with the Dolby Digital (except in 2-
channels) or encoded with the DTS.

6
 GETTING STARTED

English
Getting started
Unpacking
Carefully remove this unit and accessories from the box. You should find the unit itself and the following accessories.

Remote controller Indoor FM Antenna

POWER STANDBY

AMP/TUN

/DTS MOVIE
SURROUND MOVIE THEATER 2
CD THEATER 1 TAPE/MD
1 TUNER
3
2
MONO MOVIE DISCO
DVD/LD TV SPORTS VCR
4 TV/DBS 6
5
ROCK
CHURCH
PHONO JAZZ CLUB
V-AUX 9
7
8
HALL TEST
EXT. DEC. +100
0 +10 CLEAR
ENTER

A/B/C/D/E
DSP EFCT
DISC SKIP

CH
PRESET ON/OFF

CH
AM Loop Antenna
TV

CODE SET

MUTE

VOLUME

INDEX
SLEEP DISP
POWER
ON SCREEN
TV
VCR REC TV INPUT
/ A/B

DIR DIR
A B
SELECT

SET UP RETURN

SUBTITLE ANGLE
ON/OFF AUDIO
TITLE MENU

LEVEL SET MENU

Batteries (size AA, R6, UM-3)

7
 GETTING STARTED

Installing batteries in the remote Notes about the remote controller

controller
Battery replacement
Since the remote controller will be used for many of this unit’s If you find that the remote controller must be used closer to the
control operations, you should begin by installing the supplied main unit, the batteries are weak. Replace both batteries with
batteries. new ones.
Notes
1. Turn the remote controller over and slide the battery ● Use AA, R6, UM-3 batteries.
compartment cover in the direction of the arrow. ● Be sure the polarities are correct. (See the illustration inside

the battery compartment.)

2. Insert the batteries (AA, R6, UM-3 type) according to the ● Remove the batteries if the remote controller is not used for
polarity markings on the inside of the battery compartment. an extended period of time.
● If batteries leak, dispose of them immediately. Avoid
3. Close the battery compartment cover. touching the leaked material and contact with clothing, etc.
Clean the battery compartment thoroughly before installing
new batteries.

Be sure to insert the new batteries within 2 minutes after

you remove the old batteries from the remote controller. If
the remote controller is left for more than 2 minutes without
batteries, all of the codes you entered will be cleared and
2 the remote controller will return to the factory preset
condition.

1
Remote controller operation range
3

Remote control
sensor

Within approximately
6 m (19.7 feet)

30° 30°

Notes
● The area between the remote controller and the main unit

must be clear of large obstacles.

● Do not expose the remote control sensor to strong lighting,

in particular, an inverter type fluorescent lamp. Otherwise,

the remote controller may not work properly. If necessary,
position the main unit away from direct lighting.

8
 GETTING STARTED

English
Controls and their functions
Front panel
1 2 3 4 5 6

CINEMA DSP
NATURAL SOUND AV RECEIVER RX V795RDS

VOLUME
INPUT SELECTOR
l6
20 l2

28 8
PRESET ROOM 2 DIGITAL
AM kHz ENHANCED dB
FM MHz 70 mm ms
40 4
STANDBY/ON
MEMORY TAPE 2 MONITOR STEREO NORMAL WIDEPHANTOM DIGITAL DSP PRO LOGIC
AUTO TUNING SPEAKERS SPEAKERS AUTO SLEEP
PCM AC—3
ROOM 2 CONTROL A B PS PTY RT CT PTY HOLD EON NEWS INFO AFFAIRS SPORT TAPE/MD MON
0 20 40 60 l00
/EXT. DECODER 60 2

0
–dB
TUNING
A/B/C/D/E 1 2 3 4 5 6 7 8 MEMORY EDIT MODE FM/AM DOWN TUNING UP INPUT MODE

MAN’L/AUTO FM AUTO/MAN’L MONO

BASS TREBLE BALANCE RDS MODE SET VIDEO AUX

BASS TONE / FREQ EON LEVEL MENU EFFECT
PHONES SPEAKERS EXTENSION BYPASS 0 0 0
l l l l l l
A B
2 2 2 2 2 2

3 3 3 3 3 3 PTY SEEK PROGRAM

ON OFF ON OFF 4 4 4 4 4 4
5 5 5 5 L5 5R
MODE START S VIDEO VIDEO L AUDIO R

EFGH TUNING
MEMORY EDIT MODE FM/AM

MAN’L/AUTO FM AUTO/MAN’L MONO

7 8 9 0 A B CD RDS MODE
/ FREQ EON
MNO Q R S T
PTY SEEK
P
MODE START

I J KL
For the remote controller, refer to pages 65 to 72.

1 STANDBY/ON switch 5 INPUT SELECTOR

Press this switch to turn on the power. Press this switch again Turn this knob to select the input source.
to set this unit in the standby mode. The selected source will be shown on the display.
* A click from the switch and the initial rotation of the built-in
fan will be heard when the power is turned on. 6 Master VOLUME control
Simultaneously controls volume for all output sounds; main,
Standby mode rear, center and subwoofer. (The REC OUT level is not
This unit is still using a small amount of power in this mode affected.)
in order to be ready to receive infrared-signals from the * The indicator on the master VOLUME control will flash when
remote controller. the volume is decreased by pressing the MUTE key on the
remote controller.
2 Remote control sensor 7 PHONES jack
Receives signals from the remote controller.
Headphones can be plugged into this jack for private listening.
You can listen to the sound to be output from the main
3 Display panel speakers through headphones. When listening with
Displays a variety of information. (Refer to page 11 for details.)
headphones privately, set both SPEAKERS A and B switches
to the OFF position and turn off the digital sound field
4 TAPE/MD MON/EXT. DECODER button processor by pressing the EFFECT button so that no DSP
Press this button repeatedly until the “TAPE/MD MONITOR” program name is illuminated on the display panel.
indicator is illuminated on the display. Sound source played or
recorded on the unit connected to the TAPE/MD IN
(PLAY)/OUT (REC) AUDIO SIGNAL terminals on the rear of PHONES

this unit is selected as the input source taking priority of the

INPUT SELECTOR’s setting.
Press this button repeatedly until the “EXT. DECODER”
appears on the display. Sound signals input to the EXTERNAL
DECODER INPUT terminals on the rear of this unit is selected
as the input source taking priority of the INPUT SELECTOR’s
setting.
Press this button repeatedly until the original display mode is
restored to cancel the above input sources.
9
 GETTING STARTED

8 A/B/C/D/E button J PTY SEEK MODE button

Press this button to select a group (A–E) of preset stations. Press this button to set the unit to the PTY SEEK mode.

9 SPEAKERS switches K PTY SEEK START button

Press the switch A or B (or both) for the main speakers you will Press this button to begin searching for a station after the
use inward (ON). Press and release the switch for the main desired program type is selected in the PTY SEEK mode.
speakers you do not use outward (OFF).
L EON button
0 Preset station number selector buttons Press this button to select a desired program type (NEWS,
Select a preset station number (1 to 8). INFO, AFFAIRS, SPORT) when you want to call a radio
program of that program type automatically.
A BASS EXTENSION button
Press this button inward (ON) to boost the bass frequency M LEVEL button
response at the main left and right channels while maintaining
This button is used to adjust the output level of the center and
overall tonal balance. This function is effective for reinforcing
rear speakers, and subwoofer. First, press this button (several
the bass frequencies when a subwoofer is not used.
times) to select the speaker(s). The name appears on the
B TONE BYPASS button display. Then press the + or – button (N) to change the output
Press this button inward (ON) to bypass the tone (BASS and level.
TREBLE) control circuitry. This function is used for outputting
pure sound and checking the tone control settings. The tone N –/+ button
control circuitry can be used when this button is released Adjusts the level of the speaker(s) selected by pressing the
outward (OFF). LEVEL button. Moreover, performs setting changes and
adjustments for functions selected by pressing the SET MENU
C BASS and TREBLE controls button (O).
Rotate these knobs to adjust the low and high frequency
response for the left and right main channels only. O SET MENU button
Press this button once or more to select the desired function in
D BALANCE control the SET MENU mode.
This knob controls the sound from the main speakers only.
The balance of the output volume to the left and right main P TUNING DOWN/UP button
speakers can be adjusted to compensate for sound imbalances Used for tuning. Press the “UP” side to tune in to a higher
caused by the speaker location or listening room conditions. frequency, and press the “DOWN” side to tune in to a lower
frequency.
E MEMORY (MAN’L/AUTO FM) button When this unit is in the PTY SEEK mode, pressing this button
Use this button to enter a station to memory. Refer to the changes the currently selected program type.
section “Manual preset tuning” on page 40 for details.
Hold down this button for more than 3 seconds to start Q PROGRAM selector button
automatic preset tuning. Refer to page 41 for details. Press this button in the or direction to select a digital
sound field processing program.
F EDIT button
This button is used to exchange the places of two preset R EFFECT button
stations with each other. Press this button to turn on and off the output from the center
and rear speakers. The sound becomes normal 2-channel
G TUNING MODE (AUTO/MAN’L MONO) button when this function is turned off.
Press this button to switch the tuning mode between automatic However, this does not apply to Dolby Digital or DTS. The
and manual. To select the automatic tuning mode, press this signals at all channels will be distributed to the main channels
button so that the “AUTO” indicator is illuminated on the and output from the main speakers, even if the output from the
display. To select the manual tuning mode, press this button so center and rear speakers are turned off, when Dolby Digital or
that the “AUTO” indicator is not illuminated. DTS is decoded.

H FM/AM button S VIDEO AUX terminals

Press this button to switch the reception band between FM and Connect an auxiliary video or audio input source unit such as a
AM. camcorder to these terminals. A video unit with a S video
output terminal can be connected to the S VIDEO terminal to
I RDS MODE/FREQ button obtain a high resolution picture. The source can be selected
When an RDS station is received, pressing this button changes with the INPUT SELECTOR.
the display mode into the PS mode, PTY mode, RT mode
and/or CT mode (if the station employs these RDS data T INPUT MODE button
services), and frequency display in turn. Press this button to select how input signals are received from
sources that output two or more types of signals. The “AUTO”,
“DTS” and “ANALOG” modes are available. Refer to page 36
for details.

10
 GETTING STARTED

English
Display panel

1 2 3 4

DVD/LD CD
DIGITAL TV/DBS TUNER
PRO LOGIC V-AUX PHONO
ENHANCED MOVIE THEATER 12 TV SPORTS STEREO
DSP MONO MOVIE DISCO JAZZ CLUB VCR TAPE/MD
MEMORY ROCK CONCERT CHURCH CONCERT HALL MONITOR
PS PTY RT CT PTY HOLD EON NEWS INFO AFFAIRS SPORT AUTO 0 20 100 SLEEP

5 6 7 8 9 0 A BC D E F

1 indicators 7 MEMORY indicator

Either “dts” indicators will be illuminated when the built-in DTS A flashing MEMORY indicator means a station can be saved,
decoder is turned on. as explained in the following:
A red “dts” indicator will be illuminated when playing a compact Press the MEMORY button. The MEMORY indicator will flash
disc or laserdisc encoded with DTS. about 5 seconds. While the indicator is flashing, program the
An orange “dts” indicator will be illuminated when playing a displayed station to memory by using the A/B/C/D/E and the
DVD encoded with DTS. preset station number selector buttons.
An orange “dts” indicator may be illuminated when playing a
laserdisc encoded with DTS after a video-CD or DVD on a 8 RDS mode indicators
DVD/LD combi-player. The name(s) of the RDS mode(s) employed by the currently
received RDS station is (are) illuminated. Illumination of the
2 DSP program indicators indicator on the head of a name shows that the corresponding
The name of the selected DSP program will be illuminated in RDS mode is now selected.
the following cases.
• When the tuner is selected as the input source. 9 PTY HOLD indicator
• When a DSP program parameter is selected or adjusted. This indicator will be illuminated while the search is performed
• When the DSP program No. 2, 3 or the subprogram in the PTY SEEK mode.
“Enhanced” of No. 1 is selected.
There is no illumination here when no DSP program is 0 EON indicator
selected. This indicator will be illuminated when an RDS station that
employs the EON data service is received.
3 Multi-information display
This display shows the current DSP program and the status of A Program type name indicators
adjustments and setting changes. Several statuses can be The name selected in the EON mode is illuminated.
viewed at one time. The current station frequency and band
(AM or FM) will also appear when the tuner source input mode B AUTO indicator
is selected. This indicator will be illuminated during the automatic tuning
mode.
4 Input source indicators
One of the arrows for these indicators will be illuminated C STEREO indicator
depending on which source is selected. This indicator will be illuminated when an FM stereo broadcast
with sufficient signal strength is received.
5 DIGITAL and PRO LOGIC indicators
The DIGITAL indicator will be illuminated when the built-in D Signal-level indicator
Dolby Digital decoder is on and the signals of the source This indicator shows the signal level of the received station. If
encoded with Dolby Digital are not 2-channels. multipath interference is detected, the indication decreases.
The PRO LOGIC indicator will be illuminated when the
built-in Dolby Pro Logic Surround decoder is on. E TAPE/MD MONITOR indicator
This indicator will be illuminated when the tape deck (or MD
6 DSP indicator recorder etc.) connected to the TAPE/MD IN and OUT
This indicator will be illuminated when the built-in digital sound terminals on the rear of this unit is selected as the input source
field processor is on. by pressing the TAPE/MD MON/EXT. DECODER button.

F SLEEP indicator
This indicator will be illuminated when the built-in SLEEP timer
is on.
11
 PREPARATION
Speaker setup
m Setting up your speaker system
This unit has been designed to provide the best sound field If, for some reason, it is not practical to use a center speaker, it
quality with a full five-speaker system setup, using a pair of is possible to enjoy the movie without it. Best results, however,
main speakers to output main source sounds, a pair of effect are obtained with the full system.
speakers to generate the sound field plus one center speaker
for dialog. We therefore recommend that you use a five- Use of a subwoofer expands your sound
speaker setup. A four-speaker system using only one pair of field
effect speakers for the sound field will still provide impressive It is also possible to further expand your system with the
ambience and effects, however, and may be a good way to addition of a subwoofer and amplifier. The use of a subwoofer
begin with this unit. You can always upgrade to the five- is effective not only for reinforcing bass frequencies from any
speaker system later. or all channels, but also for reproducing signals at the
subwoofer channel with high fidelity during playing back a
Use of the center dialog speaker is source with Dolby Digital or DTS decoded. You may wish to
recommended choose the convenience of a Yamaha Active Servo Processing
When playing back a source with Dolby Pro Logic decoded, or Subwoofer System, which has its own built-in power amplifier.
playing back a source which contains center-channel signals
with Dolby Digital or DTS decoded, dialog, vocals etc. are
output from the center channel. Therefore, if you want to
maximize the performance of your Audio/Video home theater
system, it is recommended that you use a center channel
speaker.

m Speakers and speaker placement

Your full five-speaker system will require two speaker pairs:
the MAIN SPEAKERS (your normal stereo speakers) and the
REAR SPEAKERS, plus the CENTER SPEAKER. You may
also be using a SUBWOOFER.

The MAIN SPEAKERS should be high performance models

and have enough power handling capacity to accept the
maximum output of your audio system.
Other speakers do not have to be equal to the MAIN
SPEAKERS. For precise sound localization, however, it is
ideal to use high performance models that can reproduce
sounds in full range for the CENTER SPEAKER and REAR
SPEAKERS.

Place the MAIN SPEAKERS in the ordinary position.

Place the REAR SPEAKERS behind your listening position.
They should be nearly 1.8m above the floor.
Place the CENTER SPEAKER precisely between the two
MAIN SPEAKERS. (To avoid interference, keep the speaker
above or below the television monitor, or use a magnetically
shielded speaker.)
If using a SUBWOOFER, such as a Yamaha Active Servo
Processing Subwoofer System, the position of the speaker is Main speaker Center speaker Rear speaker
not so critical because low bass tones are not highly
directional.

Subwoofer

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m Speaker system configurations

5 Speaker System 4 Speaker System

The recommended system for enjoying Audio/Video Basic system.

sources.
You can enjoy widely diffused sound by only adding a pair of
By the use of a center speaker, center channel sounds (dialog, rear speakers to a basic stereo speaker system.
vocals etc.) are precisely localized. However, center channel sounds must be output from the left
and right main speakers.

1. CENTER SPEAKER—Set to “LRG” or “SML”. 1. CENTER SPEAKER—Set to “NONE”.

(See page 27.) (See page 27.)

13
 PREPARATION

Connections
Caution: Plug in this unit and other components after all connections are completed.
All connections must be correct, that is to say L (left) to L, R (right) to R, “+” to “+” and “–” to “–”. Also refer to the owner’s manual for
each of your components.

Audio/video source equipment

● Use RCA type pin plug cables for audio/video units with the exception described later.
● The output (or input) terminals of YAMAHA audio/video units numbered as 1, 3, 4, etc. on the rear panel must be connected to
the same-numbered terminals of this unit.

m Basic connections
Turntable TV monitor LD player, DVD player, etc.

AUDIO OUT

VIDEO OUT
OUTPUT

GND

VIDEO
IN

(*1) (Europe model)

GND EXTERNAL DECODER INPUT

MAIN CENTER SURROUND

75Ω UNBAL.
CD DVD/LD DVD/LD TV/DBS
OPTICAL COAXIAL OPTICAL
DIGITAL SIGNAL
FM
ANT

S VIDEO VIDEO SUB

WOOFER
ON SCREEN SELECTOR
GND

AM
ANT
MONITOR IN OUT MONITOR IN OUT
OUT VCR OUT DVD/LD TV/DBS VCR
S VIDEO SIGNAL VIDEO SIGNAL

IN (PLAY) OUT (REC) IN OUT

PHONO CD 1 3 TAPE/MD 4 DVD/LD TV/DBS VCR
AUDIO SIGNAL
AUDIO OUT

VIDEO OUT
AUDIO OUT
VIDEO OUT
LINE OUT

AUDIO IN

VIDEO IN
OUTPUT

LINE IN

CD player MD recorder, TV/Satellite tuner Video cassette

Tape deck, etc. recorder

(*1): GND terminal (For turntable use)

Connecting the ground wire of the turntable to the GND : Indicates the direction of signals.
terminal will normally minimize hum, but in some cases
better results may be obtained with the ground wire
disconnected.
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 PREPARATION

English
VIDEO AUX terminals (on the front panel) For connecting with a TV monitor that uses a 21 pin
connector for input
These terminals are used to connect a video input source such
as a camcorder. Make a connection as figured below with a commercially
available scart-plug connector cable.
VIDEO AUX

(Europe model)
S VIDEO VIDEO L AUDIO R

GND EXTERNAL DECODER INPUT

MAIN CENTER SURROUND

75Ω UNBAL.
CD DVD/LD DVD/LD TV/DBS
OPTICAL COAXIAL OPTICAL
DIGITAL SIGNAL
FM
ANT

S VIDEO VIDEO SUB

WOOFER
AUDIO OUT R ON SCREEN SELECTOR
R GND

AUDIO OUT L AM
L ANT
MONITOR IN OUT MONITOR IN OUT
OUT
VIDEO OUT OUT VCR DVD/LD TV/DBS VCR
VIDEO S VIDEO SIGNAL VIDEO SIGNAL

S VIDEO OUT
S VIDEO

IN (PLAY) OUT (REC) IN OUT

PHONO CD 1 3 TAPE/MD 4 DVD/LD TV/DBS VCR
AUDIO SIGNAL

No connection
Camcorder

AUDIO R
AUDIO L
VIDEO
: S-video cable
(Refer to page 18 for details about the
S VIDEO terminal.)

TV monitor

Scart-plug connector
cable

15
 PREPARATION

m Connecting to digital (OPTICAL and COAXIAL) terminals

If your CD player, LD player, DVD player, TV/satellite tuner, To make an optical digital connection between this unit and an
etc. are equipped with coaxial or optical digital audio signal external unit, remove the cover from each optical terminal, and
output terminals, they can be connected to this unit’s COAXIAL then connect them by using a commercially available optical
or OPTICAL, or both terminals. fiber cable that conforms to EIAJ standards. Other cables
might not function correctly.
Digital audio signals are transmitted with less loss than analog
audio signals. In addition, digital audio signal connections are Even if you connect an audio/video unit to the OPTICAL (or
necessary, especially for an LD player, a DVD player or a CD COAXIAL) terminal of this unit, you must keep the unit
player to send signals encoded with Dolby Digital or DTS to connected with the same named analog audio signal terminals
this unit. of this unit, because digital signal cannot be recorded by a tape
deck or VCR connected to this unit. You can switch the
selection of input signals between “digital” and “analog” easily.
(See page 36 for details.)

LD player, DVD player, etc. TV/Satellite tuner

COAXIAL OPTICAL OPTICAL

DIGITAL OUT DIGITAL OUT DIGITAL
OUT

GND EXTERNAL DECODER INPUT

MAIN CENTER SURROUND

75Ω UNBAL.
CD DVD/LD DVD/LD TV/DBS
OPTICAL COAXIAL OPTICAL
DIGITAL SIGNAL
FM
ANT
OPTICAL S VIDEO VIDEO SUB
DIGITAL ON SCREEN SELECTOR
WOOFER

OUT GND

AM
ANT
MONITOR IN OUT MONITOR IN OUT
OUT VCR OUT DVD/LD TV/DBS VCR
CD player S VIDEO SIGNAL VIDEO SIGNAL

IN (PLAY) OUT (REC) IN OUT

PHONO CD 1 3 TAPE/MD 4 DVD/LD TV/DBS VCR
AUDIO SIGNAL
: Optical fiber cable
(Europe model)
: Coaxial cable

Notes
● When you connect an audio/video unit to both of the digital
● In order to make this unit perform successful DTS-decoding,
and analog terminals of this unit, make sure to connect to the DTS bitstream must not be altered, manipulated or
both terminals of the same name. corrupted in the process of sending the DTS bitstream from
● Be sure to attach the covers when the OPTICAL terminals the DIGITAL OUT terminal of an external unit to a digital
are not being used, in order to protect the terminals from signal input terminal of this unit.
dust. ● All digital audio signal input terminals are applicable to the
sampling frequency of 32 kHz, 44.1 kHz and 48 kHz.

16
 PREPARATION

English
m Connecting to DOLBY DIGITAL RF output of the DVD/LD/CD combi-player
If your DVD/LD/CD combi-player has a DOLBY DIGITAL RF You must also connect the optical digital signal output terminal
signal output terminal, it can be connected to this unit by using of the DVD/LD/CD combi-player to the OPTICAL DVD/LD
an RF demodulator (separate purchase). digital signal input terminal of this unit.
First, connect the DOLBY DIGITAL RF signal output terminal of This connection is necessary for playing back a DVD source
the DVD/LD/CD combi-player to the DOLBY DIGITAL RF with Dolby Digital or DTS decoded, and playing back an LD
signal input terminal of the RF demodulator. Next, connect the source with DTS decoded.
coaxial digital signal output terminal of the RF demodulator to
the COAXIAL digital signal input terminal of this unit. When these connections are completed, set the input mode of
This connection is necessary for sending audio signals of an the DVD/LD source to “AUTO”, and you will hear sounds
LD source encoded with Dolby Digital to this unit. decoded with Dolby Digital even if signals are input to both
COAXIAL and OPTICAL digital signal input terminals of this
It is also necessary to connect the DVD/LD/CD combi-player to unit. This is because signals input to the COAXIAL terminal
this unit’s analog audio signal input terminals regardless of the take priority over signals input to the OPTICAL terminal.
DOLBY DIGITAL RF signal connection. This is for playing back Refer to page 36 for details about switching the input mode.
a source with Dolby Pro Logic Surround decoded or in normal
stereo (or monaural).
Notes
● If, for example, you play a CD on the DVD/LD/CD combi-

player, there is no input to the COAXIAL terminal, so the

signals input to the OPTICAL terminal take priority. In this
case, switch off the RF demodulator to listen to CD sound
without interference. However, if your RF demodulator is the
Yamaha model APD-1, you do not have to switch it off.
● When you want to play an LD source encoded with Dolby

Digital without decoding Dolby Digital, you must switch off

the power of the RF demodulator.

RF demodulator COAXIAL
DIGITAL OUT

DOLBY DIGITAL (Europe model)

RF IN
GND EXTERNAL DECODER INPUT
MAIN CENTER SURROUND

75Ω UNBAL.
CD DVD/LD DVD/LD TV/DBS
OPTICAL COAXIAL OPTICAL
DIGITAL SIGNAL
DVD/LD/CD combi- FM
ANT
DOLBY DIGITAL player, etc. SUB
S VIDEO VIDEO
RF OUT ON SCREEN SELECTOR
WOOFER

GND

AM
ANT
MONITOR IN OUT MONITOR IN OUT
ANALOG OPTICAL OUT VCR OUT DVD/LD TV/DBS VCR

OUT DIGITAL OUT S VIDEO SIGNAL VIDEO SIGNAL

IN (PLAY) OUT (REC) IN OUT

PHONO CD 1 3 TAPE/MD 4 DVD/LD TV/DBS VCR
AUDIO SIGNAL

17
 PREPARATION

m Connecting to S VIDEO terminals

If your video cassette recorder and your monitor are equipped Note
with “S” video terminals, connect this unit’s S VIDEO SIGNAL If video signals are sent to both S VIDEO input and VIDEO
VCR IN and OUT terminals to the “S” video input and output of input terminals, the signals will be sent to their respective
your video cassette recorder, and connect this unit’s S VIDEO output terminals.
SIGNAL MONITOR OUT terminal to the “S” video input of your
monitor. In addition, a video unit equipped with an “S” video
output can be connected to the VIDEO AUX S VIDEO terminal S VIDEO terminals
on the front of this unit. This unit provides you with S VIDEO terminals in addition
With these connections, you can play back or record high to standard type VIDEO terminals.
quality pictures. Otherwise, connect the “composite” video S VIDEO terminals transmit video signals separated into
terminals from your video cassette recorder, etc. to the VIDEO luminance (Y) signals and color (C) signals. In comparison
SIGNAL terminals of this unit, and connect this unit’s VIDEO with S VIDEO terminals, standard type VIDEO terminals
SIGNAL MONITOR OUT terminal to the “composite” video transmit “composite” video signals.
input of your monitor.

(*1) (Europe model)

: S-video cable
GND EXTERNAL DECODER INPUT
MAIN CENTER SURROUND

75Ω UNBAL.
CD DVD/LD DVD/LD TV/DBS
OPTICAL COAXIAL OPTICAL
DIGITAL SIGNAL
FM
ANT

S VIDEO VIDEO SUB

WOOFER
ON SCREEN SELECTOR
GND

AM
ANT
MONITOR IN OUT MONITOR IN OUT
OUT VCR OUT DVD/LD TV/DBS VCR
S VIDEO SIGNAL VIDEO SIGNAL

VIDEO S-VIDEO

VIDEO OUT
S-VIDEO IN
IN IN

VIDEO IN
S-VIDEO

IN(PLAY) OUT(REC) IN OUT

OUT

PHONO CD 1 3 TAPE/MD 4 DVD/LD TV/DBS VCR

AUDIO SIGNAL

TV monitor Video cassette recorder

(*1): ON SCREEN SELECTOR S VIDEO/VIDEO switch

Set this switch to either position to select the TV monitor on

which you want to display the on-screen information.

S VIDEO: The on-screen information is displayed on the TV

monitor connected to the S VIDEO SIGNAL
MONITOR OUT terminal.

VIDEO: The on-screen information is displayed on the TV

monitor connected to the composite VIDEO
SIGNAL MONITOR OUT terminal.

18
 PREPARATION

English
m Connecting an external decoder of a future format to this unit
This unit is equipped with additional 6-channel audio signal Notes
input terminals (for left main, right main, center, left rear ● When signals input to these terminals are selected, the
surround, right rear surround and subwoofer channels) for digital sound field processor cannot be used.
inputting signals from an external decoder of a future format to ● The settings of “1. CENTER SPEAKER,” “2. REAR

this unit. SPEAKER”, “3. MAIN SPEAKER” and “4. LFE/BASS OUT”
To listen to a sound by reproducing signals input to these in the SET MENU mode have no effect on the signals input
terminals, press the TAPE/MD MON/EXT. DECODER button to these terminals. The setting of “5. MAIN LEVEL” is
on the front panel repeatedly until “EXT. DECODER” appears effective. (Refer to pages 27 to 28 for details.)
on the display. By doing so, the signals input to these terminals ● The adjustments of the output level of the center speakers,

are sent to the corresponding SPEAKERS terminals and rear speakers and subwoofer are effective when the signals
OUTPUT terminals of this unit. input to these terminals are selected as the input source.
(Refer to pages 51 to 52 for details.)

(Europe model)

GND EXTERNAL DECODER INPUT

MAIN CENTER SURROUND

75Ω UNBAL.
CD DVD/LD DVD/LD TV/DBS
OPTICAL COAXIAL OPTICAL
DIGITAL SIGNAL
FM
ANT

S VIDEO VIDEO SUB

WOOFER
ON SCREEN SELECTOR SUBWOOFER OUT
GND

AM
ANT SURROUND OUT

CENTER OUT
MONITOR IN OUT MONITOR IN OUT
OUT VCR OUT DVD/LD TV/DBS VCR

MAIN OUT
S VIDEO SIGNAL VIDEO SIGNAL

IN (PLAY) OUT (REC) IN OUT

PHONO CD 1 3 TAPE/MD 4 DVD/LD TV/DBS VCR
AUDIO SIGNAL

External decoder

19
 PREPARATION

Speakers
Use speakers with the specified impedance shown on the rear of this unit.

Rear speakers

Right Left

Center speaker
Subwoofer system

CENTER REAR
(SURROUND)
OUTPUT
MAIN CENTER REAR
(SURROUND)

SUB
WOOFER

CAUTION SEE INSTRUCTION MANUAL FOR CORRECT SETTING.

MAIN
Main speakers B
A A

B B

SPEAKERS
Left Right

Right Left
Main speakers A

How to Connect:
Connect the SPEAKERS terminals to your speakers with the wire of the proper gauge (keep as short as possible). If the
connections are faulty, no sound will be heard from the speakers. Make sure that the polarity of the speaker wires is correct. That is
the + and – markings are observed. If these wires are reversed, the sound will be unnatural and lack bass.

Caution
Do not let the bare speaker wires touch each other or any metal part of this unit. This could damage this unit or the
speakers, or both.

For connecting to the MAIN SPEAKERS terminals For connecting to the REAR and CENTER SPEAKERS
terminals
Red: positive (+)
Black: negative (–) Red: positive (+)
Black: negative (–)

➀ Loosen the knob.

➁ Insert the bare wire.
2 [Remove approx. 5mm ➀ Press the tab.
(1/4”) insulation from ➀ ➁ Insert the bare wire.
1
the speaker wires.]
➂ [Remove approx. 5mm
➂ Tighten the knob and (1/4”) insulation from
secure the wire. the speaker wires.]
3 ➂ Release the tab and
secure the wire.
➁

20
 PREPARATION

English
Note on main speaker connections:
One or two speaker systems can be connected to this unit. If
you use only one speaker system, connect it to either the
SPEAKERS A or B terminals.

Note on a subwoofer connection:

You may wish to add a subwoofer to reinforce low frequencies
or to output low bass sound from the subwoofer channel when
reproducing discrete signals.
When using a subwoofer, connect the SUBWOOFER terminal
of this unit to the INPUT terminal of the subwoofer amplifier,
and connect the speaker terminals of the subwoofer amplifier
to the subwoofer.
With some subwoofers, including the Yamaha Active Servo
Processing Subwoofer System, the amplifier and subwoofer
are in the same unit. Such a subwoofer needs only the
connection between the SUBWOOFER terminal of this unit
and the INPUT terminal of the subwoofer.
(Refer to page 22 for details about the SUBWOOFER
terminal.)

m IMPEDANCE SELECTOR switch

Select the position whose requirements your speaker system
WARNING meets.
Do not change the IMPEDANCE SELECTOR switch
setting while the power to this unit is on, otherwise this
unit may be damaged. (Upper position)
IF THIS UNIT FAILS TO TURN ON WHEN THE
Rear: The impedance of each speaker must be 6Ω or
STANDBY/ON SWITCH IS PRESSED:
higher.
The IMPEDANCE SELECTOR switch may not be set to
either end. If so, set the switch to either end when this unit
Center: The impedance of the speaker must be 6Ω or higher.
is in the standby mode.
Main: If you use one pair of main speakers, the impedance
of each speaker must be 4Ω or higher.
IMPEDANCE SELECTOR If you use two pairs of main speakers, the impedance
of each speaker must be 8Ω or higher.

IMPEDANCE SELECTOR
SET BEFORE POWER ON
REAR
(SURROUND) REAR : 6ΩMIN. /SPEAKER
CENTER : 6ΩMIN. /SPEAKER
MAIN A OR B: 4ΩMIN. /SPEAKER
A B: 8ΩMIN. /SPEAKER (Lower position)
REAR : 8ΩMIN. /SPEAKER
CENTER : 8ΩMIN. /SPEAKER
MAIN A OR B: 8ΩMIN. /SPEAKER
A B:I6ΩMIN. /SPEAKER

Rear: The impedance of each speaker must be 8Ω or

AC OUTLETS
SWITCHED
I00W MAX. TOTAL higher.

Center: The impedance of the speaker must be 8Ω or higher.

Main: If you use one pair of main speakers, the impedance

of each speaker must be 8Ω or higher.
If you use two pairs of main speakers, the impedance
of each speaker must be 16Ω or higher.
(Europe model)

21
 PREPARATION

m To drive main, center and/or rear speakers with external amplifiers

The speaker connections described on page 20 are fine for

most applications. If for some reason, however, you wish to
3 CENTER terminal
This terminal is for center channel line output.
drive main, center and/or rear speakers with your existing
If you drive a center speaker with an external power
amplifier, etc., the following terminals are available for
amplifier, connect the input terminal of the external
connecting external amplifier(s) to this unit.
amplifier to this terminal.
There is no connection to this terminal when you use the
OUTPUT built-in amplifier.
MAIN CENTER REAR
(SURROUND)

4 REAR (SURROUND) terminals

These terminals are for rear channel line output.
If you drive rear speakers with an external stereo power
amplifier, connect the input terminals of the external
SUB
amplifier (MAIN IN or AUX terminals of an amplifier or a
WOOFER receiver) to these terminals.
There is no connection to these terminals when you use
the built-in amplifier.
1 2 3 4
Notes
1 MAIN terminals
• Output level of signals from all of these terminals are
These terminals are for main channel line output.
adjusted by the use of VOLUME control on the front panel
If you drive main speakers with an external stereo power
or VOLUME keys on the remote controller.
amplifier, connect the input terminals of the external
• If an external power amplifier is connected to the MAIN,
amplifier (MAIN IN or AUX terminals of an amplifier or a
CENTER, or REAR output terminals, do not use the
receiver) to these terminals.
corresponding SPEAKERS terminals (MAIN, CENTER, or
There is no connection to these terminals when you use
REAR).
the built-in amplifier.
* Output signals from the MAIN terminals are affected by
the use of BASS, TREBLE, BALANCE controls, BASS
EXTENSION button and the TONE BYPASS button.

2 SUBWOOFER terminal
When using a subwoofer, connect its amplifier input to
this terminal. Low frequencies distributed from the main,
center and/or rear channels are output from this terminal.
(The cut-off frequency of this terminal is 90 Hz.) Signals
of LFE (low frequency effect) generated when Dolby
Digital or DTS is decoded are also output if they are
assigned to this terminal.

22
 PREPARATION

English
Antennas
● Each antenna should be connected to the designated terminals correctly, as shown in the following figure.
● Both AM and FM indoor antennas are included with this unit. In general, these antennas will probably provide sufficient signal
strength. Nevertheless, a properly installed outdoor antenna will give clearer reception than an indoor one. If you experience poor
reception quality only with the indoor antennas, the use of an outdoor antenna may result in improvement.

Outdoor AM antenna
Outdoor FM antenna Indoor FM
antenna
(included) AM loop
antenna
(included)
(Europe model)

GND

75Ω UNBAL.
CD DVD/LD
OPTICAL COAXIAL
DIGITAL SIGNAL
FM
ANT

S VIDEO VIDEO
ON SCREEN SELECTOR
GND

75-ohm/300-ohm AM
antenna adapter ANT
MONITOR IN OUT
OUT VCR

75-ohm coaxial cable S VIDEO SIGNAL

IN (PLAY)
PHONO CD 1 3 TAPE/MD
75-ohm/300-ohm
antenna adapter

300-ohm flat Ground

ribbon cable

m Connecting the AM loop antenna

1. Press the tab and unlock the terminal hole. 4. Attach the loop antenna to the antenna stand.
Loop antenna
2. Connect the AM loop antenna lead wires to the AM ANT and
GND terminals.

3. Return the tab back to the original position to lock the lead
wires. Lightly pull on the lead wires to confirm a good
connection.
Antenna stand
1 5. Orient the AM loop antenna so that the best reception is
3 obtained.

Notes
● The AM loop antenna should be placed apart from the main

unit. The antenna may be hung on a wall.

● The AM loop antenna should be kept connected, even if an

outdoor AM antenna is connected to this unit.

23
 PREPARATION

m Connecting the indoor FM antenna

GND terminal
Connect the included indoor antenna to the 75Ω UNBAL. FM
For maximum safety and minimum interference, connect
ANT terminal.
the GND terminal to a good ground. A good ground is a
metal stake driven into moist earth.

Note
Do not use an outdoor FM antenna and the indoor FM
antenna at the same time.

m Optional outdoor AM antenna

If this unit is placed in steel buildings or an area far from
broadcasting stations, it may be necessary to install an outside
long wire antenna.

m Optional outdoor FM antenna

* Use a 75-ohm/300-ohm antenna adapter (not included) or a
Consult your dealer or authorized service center about the best
75-ohm antenna adapter (not included) for connections.
method of selecting and erecting an outdoor FM antenna.
The choice of the flat ribbon cable is also important. Flat ribbon
300-ohm flat ribbon cable 75-ohm coaxial cable
cable performs well electrically, and is cheaper and somewhat
easier to handle when routing it through windows and around
rooms. Coaxial cable is more expensive, does a much better
job of minimizing interference, is less prone to the effects of
weather and close-by metal objects, and is nearly as good a
signal conductor as flat ribbon cable. Coaxial cable is
75-ohm/300-ohm antenna adapter
somewhat more difficult to install at the point where the cable
enters the building. If coaxial cable is selected, make sure the
antenna is designed to be used with this type of cable.
75-ohm antenna
75-ohm coaxial adapter
cable

300-ohm flat 75-ohm coaxial Notes for FM antenna installation

ribbon cable cable ● To minimize the influence of automobile ignition noise,

locate the antenna as far from heavy traffic as possible.

● Keep the flat ribbon cable or coaxial cable as short as

possible. Do not bundle or roll up an excess of the cable.

● The antenna should be at least two meters (6.6 feet) from

reinforced concrete walls or metal structures.

24
 PREPARATION

English
Plugging in this unit
• After completing all connections, plug the AC power cord • Unplug the AC power cord from the AC outlet if this unit is
into an AC outlet. not to be used for a long period of time.

(Europe model)

IMPEDANCE SELECTOR
OUTPUT SET BEFORE POWER ON
MAIN CENTER REAR
(SURROUND) REAR : 6ΩMIN. /SPEAKER
CENTER : 6ΩMIN. /SPEAKER
MAIN A OR B: 4ΩMIN. /SPEAKER
A B: 8ΩMIN. /SPEAKER

REAR : 8ΩMIN. /SPEAKER

CENTER : 8ΩMIN. /SPEAKER
MAIN A OR B: 8ΩMIN. /SPEAKER
A B:I6ΩMIN. /SPEAKER
SUB
WOOFER

AC OUTLETS
SWITCHED
I00W MAX. TOTAL

(*1)

To AC outlet

(*1):
AC OUTLET(S)
(Europe model).................................. 2 SWITCHED OUTLETS
(U.K. model)......................................... 1 SWITCHED OUTLET
Use these to connect the power cords of your components to
this unit.
The power to the SWITCHED outlets is controlled by this unit’s
STANDBY/ON switch or the remote controller’s POWER and
STANDBY keys. These outlets will supply power to any
connected unit whenever this unit is turned on.
The maximum power (total power consumption of components)
that can be connected to the SWITCHED AC OUTLET(S) is
100W.

25
 PREPARATION

On screen display
If you connect your VCR, LD player, video monitor, etc. to this Selecting a type of display
unit, you can take advantage of this unit’s capability to display
program titles, parameter data and information for various You can change the type of display showing various
setting changes and adjustments on your video monitor information on the monitor screen by pressing the ON
screen. This information will be superimposed over the video SCREEN display key on the remote controller.
image. Press this key to change the screen to a full or simple display,
or no display at all.
If there is no video source connected or it is turned off, the
information will be displayed over a blue colored background.

INDEX
DISP
ON SCREEN

(Example)

Full display

Note: The program titles, parameter data and other

information are also displayed on the display panel of this unit.

Simple display

Goes off after being displayed for

several seconds.

Notes
● When making a setting change or adjustment in the SET

MENU mode, or adjusting the speaker balance by using the

test tone, information is fully displayed on the monitor
screen even if another type of display is currently selected.
● Information displayed on the monitor screen in this way

cannot be recorded by a VCR.

26
 PREPARATION

English
Selecting the output modes (“SET MENU” mode)
The following functions control the output signals to the speakers in your audio system. When speaker connections are all
completed, select a proper position on each function to maximize the performance of your speaker system.
* For details about the SET MENU mode, refer to pages 56 to 59.

1. CENTER SPEAKER
2. REAR SPEAKER
3. MAIN SPEAKER
4. LFE/BASS OUT
5. MAIN LEVEL

m Function description
1. CENTER SPEAKER 2. REAR SPEAKER
Choices: LARGE (LRG)/SMALL (SML)/NONE Choices: LARGE/SMALL
Preset position: LRG Preset position: LARGE

LRG: When your center speaker is approximately the same LARGE: If your rear speakers have a high ability for bass
size as the main speakers. reproduction, or a subwoofer is connected to the rear
speaker in parallel.
SML: When you use a center speaker that is smaller than In this position, full range signals are output from the
the main speakers. rear speakers.
In this position, low bass signals (below 90 Hz) at the
center channel are output from the SUBWOOFER SMALL: If your rear speakers do not have a high ability for
terminals (or the main speakers if the MAIN position bass reproduction.
is selected on “4. LFE/BASS OUT”). In this position, low bass signals (below 90 Hz) at the
rear channels are output from the SUBWOOFER
NONE: When you do not have a center speaker. terminals (or the main speakers if the MAIN position
The center channel sound will be output from the left is selected on “4. LFE/BASS OUT”).
and right main speakers.

27
 PREPARATION

3. MAIN SPEAKER 5. MAIN LEVEL

Choices: LARGE/SMALL Choices: Normal/–10dB
Preset position: LARGE Preset position: Normal

LARGE: If your main speakers have a high ability for bass Normal: Normally, select this position.
reproduction.
In this position, full range signals present at the main –10dB: If the volume levels to the center and/or rear
channels are output from the main speakers. speakers are lower than the level to the main
speakers even though they are adjusted to
SMALL: If your main speakers do not have a high ability for maximum.
bass reproduction. However, if your system does not The volume level to the main speakers are
include a subwoofer, do not select this position. decreased by 10 dB, so you can adjust the speaker
In this position, low bass signals (below 90 Hz) at the output level balance properly.
main channels are output from the SUBWOOFER
terminals (if the SW or BOTH position is selected on
“4. LFE/BASS OUT”).

4. LFE/BASS OUT
Choices: SW/MAIN/BOTH
Preset position: SW

MAIN: If your system does not include a subwoofer.

In this position, full range signals present at the main
channels, signals from the LFE channel and other
low bass signals that are selected on “1. CENTER
SPEAKER” to “3. MAIN SPEAKER” to be distributed
from other channels are output from the main
speakers.

SW/BOTH:
Select either the SW or BOTH position if your system
includes a subwoofer.
In either position, signals at LFE channel and other
low bass signals that are selected on “1. CENTER
SPEAKER” to “3. MAIN SPEAKER” to be distributed
from other channels are output from the
SUBWOOFER terminals.
When the LARGE position is selected on “3. MAIN
SPEAKER”, in the SW position, no signal is
distributed from the main channels to the
SUBWOOFER terminals, however in the BOTH
position, low bass signals from the main channels
are output to both of the main speakers and the
SUBWOOFER terminals.

Note
The settings of “1. CENTER SPEAKER”, “2. REAR
SPEAKER”, “3. MAIN SPEAKER” and “4. LFE/BASS OUT”
have no effect on the signals input to the EXTERNAL
DECODER INPUT terminals on the rear of this unit.

28
 PREPARATION

English
m Changing selections

Refer to the display panel or the monitor screen when changing the selections.
DSP EFCT
DISC SKIP

1 2 CH
PRESET

TV
ON/OFF

CH

1
POWER STANDBY

CODE SET

AMP/TUN
MUTE

VOLUME
CINEMA DSP
NATURAL SOUND AV RECEIVER RX V795RDS

INPUT SELECTOR
VOLUME INDEX
l6
20 l2
SLEEP DISP
28 8
POWER
ON SCREEN
STANDBY/ON
40 4
TV
TAPE/MD MON
VCR REC TV INPUT
/EXT. DECODER 60 2

/ A/B

2
–dB
0
/DTS MOVIE
TUNING
A/B/C/D/E 1 2 3 4 5 6 7 8 MEMORY EDIT MODE FM/AM DOWN TUNING UP INPUT MODE SURROUND MOVIE THEATER 2
MAN’L/AUTO FM AUTO/MAN’L MONO
CD THEATER 1 TAPE/MD
1 TUNER
PHONES SPEAKERS
BASS TONE
EXTENSION BYPASS
BASS
0
TREBLE
0
BALANCE
0
RDS MODE
/ FREQ EON LEVEL
SET
MENU EFFECT
VIDEO AUX 3
A B
2
l l
2 2
l l
2 2
l l
2 2
3 3 3 3 3 3 PTY SEEK PROGRAM MONO MOVIE DISCO
ON OFF ON OFF 4 4 4 4 4 4 DVD/LD TV SPORTS VCR
5 5 5 5 L5 5R MODE START DIR DIR
S VIDEO VIDEO L AUDIO R

4 TV/DBS 6 A B
5 SELECT
ROCK
CHURCH
PHONO

3
JAZZ CLUB
V-AUX SET UP RETURN
7 9

3
8
HALL TEST
EXT. DEC. +100 SUBTITLE ANGLE
+10

2
0 CLEAR ON/OFF AUDIO
ENTER TITLE MENU

A/B/C/D/E LEVEL SET MENU

DSP EFCT

When using the remote controller, the selector dial must be

set at “AMP/TUN”.
Remote control
3 Use one of the buttons figured below to select the
desired position.
POWER STANDBY
Front panel Remote control
AMP/TUN AMP/TUN
LEVEL
SET
MENU

DIR DIR
or A
SELECT
B

1 Turn on the power of this unit. (If necessary, turn on the

power of the monitor to display information.)
Front panel Remote control
DVD/LD CD
TV/DBS TUNER
POWER V-AUX PHONO
STANDBY/ON
VCR

or
Changes.

2 Select the function “1. CENTER SPEAKER” by using

4 Follow the same procedure for “2. REAR SPEAKER”,
“3. MAIN SPEAKER”, “4. LFE/BASS OUT” and/or
one of the following methods. “5. MAIN LEVEL”.
Front panel Remote control First select the function by following step 2, and then
SET AUDIO select the proper position by following step 3.
LEVEL MENU
MENU

SET MENU
AUDIO
MENU
Press once.
Press once SET MENU or
or more.
Press once or
more.

DIR DIR
A B
SELECT

Press once or
more.

DVD/LD CD
TV/DBS TUNER
V-AUX PHONO
VCR

29
 PREPARATION

Speaker balance adjustment

This procedure lets you adjust the sound output level balance between the main, center and rear speakers using the built-in test
tone generator. After the adjustments, the sound output level heard at the listening position will be the same from each speaker.
This is important for the best performance of the digital sound field processor, the Dolby Digital decoder, the Dolby Pro Logic
Surround decoder and the DTS decoder.
The adjustment of each speaker output level should be done at your listening position with the remote controller.

4 2 POWER STANDBY

4 AMP/TUN

1
CINEMA DSP
NATURAL SOUND AV RECEIVER RX V795RDS

VOLUME
INPUT SELECTOR
l6
20 l2

28 8

40 4
STANDBY/ON

TAPE/MD MON
/EXT. DECODER 60 2

0 /DTS MOVIE
TUNING
–dB
SURROUND MOVIE THEATER 2
A/B/C/D/E 1 2 3 4 5 6 7 8 MEMORY EDIT FM/AM DOWN TUNING UP INPUT MODE
MODE
CD THEATER 1 TAPE/MD
MAN’L/AUTO FM AUTO/MAN’L MONO

1 TUNER
BASS TONE BASS TREBLE BALANCE RDS MODE SET VIDEO AUX
3
PHONES SPEAKERS
A B
EXTENSION BYPASS
l
0
l l
0
l l
0
l
/ FREQ EON LEVEL MENU EFFECT
2
2 2 2 2 2 2
MONO MOVIE DISCO
ON OFF ON OFF
3

4
3

4
3

4
3

4
3

4 4
3 PTY SEEK PROGRAM
DVD/LD TV SPORTS VCR
5 5 5 5 L5 5R MODE START S VIDEO VIDEO L AUDIO R
4 TV/DBS 6
5
ROCK
CHURCH
PHONO JAZZ CLUB
V-AUX 9
7
8
HALL TEST
EXT. DEC. +100

3 6 5 0 +10
ENTER

A/B/C/D/E
CLEAR

1 Set the selector dial of the remote controller to

“AMP/TUN”.
4 Turn on the power.
Front panel Remote control
POWER STANDBY POWER
STANDBY/ON
or
AMP/TUN AMP/TUN

5
/DTS MOVIE
SURROUND MOVIE THEATER 2
CD THEATER 1 TAPE/MD
1 TUNER
3
MONO MOVIE
DVD/ D
2
DISCO
VCR
Front panel
BASS TREBLE BALANCE
0 0 0
l l l l l l

2 Front panel
2

4
2

4
3
2

4
2

4
3 3
2

4 4
2

VOLUME 5 5 5 5 L5 5R
l6
20 l2 Set to the “0” position.
28 8

40 4
6 Front panel
BASS TONE
EXTENSION BYPASS
60 2

0
–dB

Set to the “∞” position. ON OFF

3 Select main speakers A or B.

Set to the “OFF ( )”.

Front panel 7 Press the TEST key on the remote controller to enter
the test mode.
SPEAKERS

A B

Remote control
ON OFF TEST
+100
CLEAR

* Both speakers A and B can be selected.

CONTINUED
30
 PREPARATION

English
CH TV CH

CODE SET

NATURAL SOUND AV RECEIVER RX V795RDS

CINEMA DSP

INPUT SELECTOR

28
20
VOLUME
l6
l2

8
MUTE

VOLUME
8
STANDBY/ON
40 4
INDEX
TAPE/MD MON
/EXT. DECODER 60 2
SLEEP DISP
0 POWER
TUNING
–dB ON SCREEN
A/B/C/D/E 1 2 3 4 5 6 7 8 MEMORY EDIT MODE FM/AM DOWN TUNING UP INPUT MODE
TV
MAN’L/AUTO FM AUTO/MAN’L MONO VCR REC TV INPUT
PHONES SPEAKERS
BASS TONE
EXTENSION BYPASS
BASS
0
TREBLE
0
BALANCE
0
RDS MODE
/ FREQ EON LEVEL
SET
MENU EFFECT
VIDEO AUX / A/B
l l l l l l
A B
2 2 2 2 2 2

3 3 3 3 3 3 PTY SEEK PROGRAM

ON OFF ON OFF 4 4 4 4 4 4
5 5 5 5 L5 5R MODE START S VIDEO VIDEO L AUDIO R

DIR
A
SELECT
DIR
B 10
9 SET UP

SUBT T E
RETURN

ANG E

8 Turn up the volume. 9 Adjust the BALANCE control so that the effect sound
output level of the left main speaker and the right main
Remote control
speaker are the same.
TV

Front panel
CODE SET

BALANCE
MUTE
0
l l
VOLUME
2 2

3 3

4 4
L5 5R

You will hear a test tone (like pink noise) from the left main
speaker, then the center speaker, then the right main
speaker, then the right rear speaker, and then the left rear 10 Adjust the sound output levels of the center speaker
and the rear speakers so that they become almost
speaker, for about 2.5 seconds each. The display changes
the same as the main speakers.
as shown below.
How to adjust:
Main (L) Pressing the or key adjusts the level to the
speaker (except the main speakers) currently
outputting the test tone.
Center * Pressing the key raises and the key lowers
the level.
* While adjusting, the test tone is fixed on the selected
Main (R) speaker.
Remote control

Rear (R)
DIR DIR
A B
SELECT

Rear (L)

* The state of the test tone output is also shown on the

monitor screen by an image of the audio listening room.
If desired, you can select a speaker to output the test
This is convenient for adjusting each speaker level.
tone by pressing the or key once or more so
that “CENTER”, “R SUR.” or “L SUR.” appears on the
display.
TEST DOLBY SUR. * While holding the or key pressed, the test
tone is fixed on the selected speaker.
* “CENTER” shows the center speaker is selected,
“R SUR.” shows the right rear speaker, and “L SUR.”
shows the left rear speaker.
* The output level of the selected speaker can be
EFFECT LEVEL adjusted by the or key.
CENTER + 2dB
Remote control

* If the function “1. CENTER SPEAKER” in the SET MENU

mode is set in the “NONE” position, you will hear the DIR DIR
A B

center channel test tone from the left and right main SELECT

speakers.

CONTINUED
31
 PREPARATION

ROCK
CHURCH
PHONO JAZZ CLUB
V-AUX 9
7
8
HALL TEST
+100
11
EXT. DEC.
0 +10 CLEAR
ENTER

A/B/C/D/E
DSP EFCT
DISC SKIP
ON/OFF
PRESET

CH TV CH

CODE SET

MUTE

VOLUME

INDEX
SLEEP DISP
POWER
ON SCREEN
TV
VCR REC TV INPUT
/ A/B

Notes
11 When the adjustment is finished, press the TEST ● Once you have completed these adjustments, you can
adjust the sound level on your audio system by using the
key once again to cancel the test tone.
VOLUME control (or the VOLUME keys on the remote
Remote control controller) only.
● If you use external power amplifiers, you may also use
TEST
+100 their volume controls to obtain proper balance.
CLEAR ● If the function “1. CENTER SPEAKER” in the SET MENU

mode is set in the “NONE” position, in step 10, the sound

output level of the center speaker cannot be adjusted.
Disappears. This is because in this mode, the center sound is
automatically output from the left and right main speakers.
● If there is insufficient sound output from the center and

rear speakers, you may decrease the main speaker

output level by setting the function “5. MAIN LEVEL” in
the SET MENU mode in the “–10dB” position.

32
 BASIC OPERATION

English
Playing a source

3 4 1
3 POWER

AMP/TUN
STANDBY

CINEMA DSP
NATURAL SOUND AV RECEIVER RX V795RDS

VOLUME
INPUT SELECTOR
l6
20 l2

28 8

40 4
STANDBY/ON

TAPE/MD MON
/EXT. DECODER 60 2

0
–dB
TUNING
A/B/C/D/E 1 2 3 4 5 6 7 8 MEMORY EDIT MODE FM/AM DOWN TUNING UP INPUT MODE

MAN’L/AUTO FM AUTO/MAN’L MONO

/DTS MOVIE
SURROUND MOVIE THEATER 2
PHONES SPEAKERS
BASS TONE
EXTENSION BYPASS
BASS
0
TREBLE
0
BALANCE
0
RDS MODE
/ FREQ EON LEVEL
SET
MENU EFFECT
VIDEO AUX CD THEATER 1 TAPE/MD
l l l l l l
A B
2 2 2 2 2 2
1 TUNER
3 3 3 3 3 3 PTY SEEK PROGRAM
3
ON OFF ON OFF 4 4 4 4 4 4 2
5 5 5 5 L5 5R MODE START S VIDEO VIDEO L AUDIO R MONO MOVIE DISCO
DVD/LD VCR

4
TV SPORTS
4 TV/DBS 6
5
ROCK
CHURCH
PHONO JAZZ CLUB
V-AUX 9
7

2 HALL
EXT. DEC.
0
8

+10
ENTER
TEST
+100
CLEAR

A/B/C/D/E

When using the remote controller, the selector dial must be

set at “AMP/TUN”. 3 Turn on the power.
Remote control Front panel Remote control
POWER
POWER STANDBY
STANDBY/ON

AMP/TUN AMP/TUN
or

/DTS
SURROUND
CD
1
MOVIE
THEATER 1
TUNER
2
MOVIE
THEATER 2
TAPE/MD
3 4 Select an input source.
(For video sources, turn on the TV/monitor.)
The selected source is shown on the display panel and
the monitor screen.
1 Front panel Front panel Remote control
/DTS MOVIE
VOLUME SURROUND MOVIE THEATER 2
CD THEATER 1 TAPE/MD
l6 1 TUNER
3
20 l2 2
or MONO MOVIE
DVD/LD TV SPORTS
TV/DBS
DISCO
VCR
4 6
28 8 5
ROCK
CHURCH
PHONO JAZZ CLUB
V-AUX 9
7
8
40 4 HALL TEST
EXT. DEC. +100
0 +10 CLEAR
ENTER

A/B/C/D/E
60 2

0
–dB
DVD/LD CD
TV/DBS TUNER

Set to the “∞” position.

V-AUX PHONO
VCR

2 Select main speakers A or B. Name of the selected input source

To select the tape deck connected to this unit’s

Front panel TAPE/MD terminals or the source connected to this
unit’s EXTERNAL DECODER INPUT terminals, use one
SPEAKERS
of the buttons figured below. (Refer to page 35 for
A B
details.)

ON OFF
Front panel Remote control
MOVIE
HALL THEATER 2
EXT. DEC. TAPE/MD
0 or 3
TAPE/MD MON
/EXT. DECODER

* Both speakers A and B can be selected.

CONTINUED
33
 BASIC OPERATION

/DTS MOVIE
SURROUND MOVIE THEATER 2
CD THEATER 1 TAPE/MD

5 7 1 TUNER
3
2
MONO MOVIE DISCO

5
DVD/LD TV SPORTS VCR
4
ROCK
PHONO
7
TV/DBS
5
JAZZ CLUB
V-AUX
6

CHURCH

9
8
8
HALL TEST
NATURAL SOUND AV RECEIVER RX V795RDS
CINEMA DSP
EXT. DEC. +100
INPUT SELECTOR
VOLUME
l6 0 +10 CLEAR
20 l2
ENTER

8
28 8

A/B/C/D/E
40 4
STANDBY/ON
DSP EFCT
TAPE/MD MON
/EXT. DECODER 60 2 DISC SKIP
ON/OFF
0 PRESET
–dB
TUNING
A/B/C/D/E 1 2 3 4 5 6 7 8 MEMORY EDIT MODE FM/AM DOWN TUNING UP INPUT MODE

MAN’L/AUTO FM AUTO/MAN’L MONO

CH TV CH
BASS TREBLE BALANCE RDS MODE SET VIDEO AUX
BASS TONE / FREQ EON LEVEL MENU EFFECT
PHONES SPEAKERS EXTENSION BYPASS 0 0 0
l l l l l l
A B
2 2 2 2 2 2

3 3 3 3 3 3 PTY SEEK PROGRAM

ON OFF ON OFF 4 4 4 4 4 4
CODE SET
5 5 5 5 L5 5R MODE START S VIDEO VIDEO L AUDIO R

MUTE

7 VOLUME

8 8
INDEX
SLEEP DISP
POWER
ON SCREEN
TV
VCR REC TV INPUT
/ A/B

5 The current input mode is also shown for a source that

inputs two or more types of signals to this unit.
6 Play the source. (Refer to page 39 for details on
tuning.)

To change the input mode, press the INPUT MODE button

on the front panel or the input selector key for the currently
selected source on the remote controller. (Refer to page 36 7 Front panel Remote control
for details on switching the input mode.)
Front panel Remote control
VOLUME
l6
20 l2
TV
INPUT MODE MONO MOVIE
DVD/LD 28 8
CODE SET

or 4 MUTE

40 4
or VOLUME

60 2

0
–dB

DVD/LD CD Adjust the output level.

TV/DBS TUNER
V-AUX PHONO
VCR

8 Adjust the BASS, TREBLE, BALANCE controls, etc.

(refer to page 38) and use the digital
Input mode sound field processor. (Refer to pages 48 to 50.)

When you finish using this unit

Press the STANDBY/ON switch on the front panel or the
STANDBY key on the remote controller to enter the standby
mode.

Front panel Remote control

STANDBY
STANDBY/ON

or

34
 BASIC OPERATION

English
To select the tape deck connected to this Notes on input source selection
● Note that selecting an input source means that the source
unit’s TAPE/MD terminals or the source
which is connected to the corresponding input terminals on
connected to this unit’s EXTERNAL the rear panel is selected.
DECODER INPUT terminals as the input * To select the source connected to the VIDEO AUX
source. terminals on the front panel, select “V-AUX”.
● If you select a video input source without canceling the

Use one of the buttons figured below to make the source already selected in the way described on the left,
corresponding indicator illuminated on the display. you will see the picture of the video input source and hear
the sound of the source already selected.
Front panel ● If a different audio source is selected with the input selector

keys on the remote controller while enjoying a video source,

the sound from the newly selected audio source is heard,
TAPE/MD MON
/EXT. DECODER but the picture from the video source can still be seen.
● When you select an input source, the DSP program (or the
Press once or more.
state of no DSP program is used) which was used when the
same input source was last selected will be automatically
recalled.
TAPE/MD ● If a nonstandardized source is played back, or the unit
MONITOR
playing back a source is not operating correctly, “INPUT
or DATA ERR” appears on the display.

Remote control
MOVIE
HALL THEATER 2
EXT. DEC. TAPE/MD
0 or 3

TAPE/MD
MONITOR

“TAPE MONITOR”: Lights up for a few seconds just

after you select the tape deck
connected to the TAPE/MD
terminals.
“EXT. DECODER”: Lights up when the source
connected to the EXTERNAL
DECODER INPUT terminals is
selected.

Note
The input source selected in this way has priority over any
other input source already selected. To select another input
source, cancel both of the sources connected to the TAPE/MD
and EXTERNAL DECODER INPUT terminals.

To cancel both of the sources connected to the TAPE/MD

and EXTERNAL DECODER INPUT terminals.
Use one of the buttons figured above to make neither “EXT.
DECODER” nor “TAPE/MD MONITOR” are illuminated on the
display.

35
 BASIC OPERATION

m Switching the input mode for the CD, DVD/LD and TV/DBS sources
This unit allows you to switch the input mode for sources that Notes on input mode selection
send two or more types of signals to this unit. ● The input mode for a TV/DBS source is selected with

The following three input modes are provided. function “12. TV/DBS INPUT” in the SET MENU mode.
This unit will be automatically set to the selected input mode
AUTO when the power is turned on.
This mode is automatically selected when you turn on the ● Set the input mode to the AUTO mode to play a DVD/LD

power of this unit. source encoded with Dolby Digital.

In this mode, input signal is automatically selected by the ● Select the ANALOG mode to play a normal 2-channel

following order of priority. source with a Dolby Pro Logic Surround program.
● The sound output may be interrupted in some LD and DVD

1. Digital signal encoded with Dolby Digital or DTS, or normal players in the following situation:
digital input signals (PCM) The input mode is set to AUTO. A search is made while
2. Analog input signal (ANALOG) playing the disc encoded with Dolby Digital or DTS, then
disc playing is restored. The sound output is interrupted for
* For a DVD/LD source, if digital signals are input from both a moment because the digital input signal was selected
of the OPTICAL and COAXIAL terminals, the digital signal again.
from the COAXIAL terminal is selected. ● The input mode cannot be changed for PHONO, TUNER,

TAPE/MD, VCR and VIDEO AUX sources because only

DTS analog signals are used.
In this mode, only digital input signals encoded with DTS is ● The present input mode appears on the front display and

selected even though other signals are input at the same time. monitor screen when the input source is changed to
DVD/LD, CD or TV/DBS, or the input mode is changed.
ANALOG The present input signal is also shown on the monitor
In this mode, only analog input signals are selected even screen when the input mode is changed to AUTO, as shown
though digital signals are input at the same time. below.
Select this mode when you want to use analog input signals
instead of digital input signals.

* However, the present input signal will not be shown when

the input mode is switched during the speaker test mode.
Only AUTO will be displayed.

Notes on playing a source encoded with DTS

● Select the DTS mode when playing an LD or CD source

encoded with DTS. (Red “dts” indicator is illuminated on

the display panel.) If the “AUTO” mode is selected, a
noise may be heard just after playback begins.
Do not play these sources in the ANALOG mode
because only background noise will be output from the
speakers.
● This unit is automatically locked in the DTS decoding

mode when playing a CD or LD source encoded with

DTS in the AUTO mode to prevent background noise in
future operation. The red “dts” indicator will be flashing.
In this mode, no sound will be heard if a disc with normal
digital signals (PCM) is played from a CD or LD source.
To play back the disc normally, press the INPUT MODE
button on the front panel, or, the input selector key for the
current source on the remote controller.

36
 BASIC OPERATION

English
Recording a source to tape (or MD) or dubbing from tape (or MD)
to tape (or MD)
m Recording the playing source to tape (or MD)
/DTS MOVIE
SURROUND THEATER 2

4 1 2
MOVIE
TAPE/MD

1
CD

4
THEATER 1
1 TUNER
3
2
MONO MOVIE DISCO
DVD/LD TV SPORTS VCR
4 TV/DBS 6
5
ROCK
CHURCH
PHONO JAZZ CLUB
V-AUX 9
7
8
HALL TEST
EXT. DEC. +100
NATURAL SOUND AV RECEIVER RX V795RDS
CINEMA DSP
0 +10 CLEAR
VOLUME ENTER
INPUT SELECTOR
l6
20 l2
A/B/C/D/E
28 8

DSP EFCT
STANDBY/ON
40 4 DISC SKIP
ON/OFF
TAPE/MD MON PRESET
/EXT. DECODER 60 2

TUNING
–dB
0
CH TV CH
A/B/C/D/E 1 2 3 4 5 6 7 8 MEMORY EDIT MODE FM/AM DOWN TUNING UP INPUT MODE

MAN’L/AUTO FM AUTO/MAN’L MONO

BASS TREBLE BALANCE RDS MODE SET VIDEO AUX

BASS TONE / FREQ EON LEVEL MENU EFFECT
PHONES SPEAKERS EXTENSION BYPASS 0 0 0
A B
l l l l l l CODE SET

2
2 2 2 2 2 2

3 3 3 3 3 3 PTY SEEK PROGRAM

ON OFF ON OFF 4 4 4 4 4 4
5 5 5 5 L5 5R MODE START S VIDEO VIDEO L AUDIO R
MUTE

VOLUME

INDEX

Notes on recording
1 Select the source you want to record. ● The VOLUME, BASS, TREBLE, BALANCE controls, the
Front panel Remote control BASS EXTENSION button and the settings of DSP have
no effect on the material being recorded.
/DTS ● Turn off the “TAPE/MD MONITOR” indicator when the
SURROUND
CD recording is finished by pressing the TAPE/MD MON/EXT.
or 1 DECODER button once or more. Also, do not make “EXT.
DECODER” appear on the display.
● Composite video and S video signals pass independently

through this unit’s video circuits. Therefore, when recording or

dubbing video signals, if your video source unit is connected
2 Play the source and then turn the VOLUME control up
to confirm the input source. (Refer to page 39 for
to provide only a S video (or only a composite video) signal,
you can record only a S video (or only a composite video)
details on tuning.) signal on your VCR.
Front panel Remote control ● A source that is connected to this unit between optical or

VOLUME coaxial digital terminals only cannot be recorded by a tape

20
l6
l2 deck or VCR connected to this unit.
TV
● A source of signals input to the EXTERNAL DECODER
28 8
CODE SET
INPUT terminals of this unit cannot be recorded.
MUTE
40 4
or VOLUME
● Please check the copyright laws in your country to record

60 2
from records, compact discs, radio, etc. Recording of
0
copyright material may infringe on copyright laws.
–dB

3 Begin recording to the tape deck (or MD recorder etc.)

or VCR connected to this unit.
If you play back a video source that uses scramble or
encoded signals to prevent it from being dubbed, there may
be a case that display information superimposed on the
picture and/or the picture itself is disturbed due to those
4 If the tape deck (or MD recorder etc.) is used for
recording, you can monitor the sound of recording.
signals.

To monitor the sound of recording, light up the

“TAPE/MD MONITOR” indicator on the display by
pressing the TAPE/MD MON/EXT. DECODER button
or TAPE/MD key.
Front panel Remote control
MOVIE
THEATER 2
TAPE/MD
or
TAPE/MD MON 3
/EXT. DECODER

TAPE/MD
MONITOR

37
 BASIC OPERATION

Sound control
m Adjusting the BALANCE control m Adjusting the BASS and TREBLE
controls
Adjust the balance of the output volume to the left and right
speakers to compensate for sound imbalance caused by BASS TREBLE
0 0
speaker location or listening room conditions. 2
l l
2 2
l l
2

3 3 3 3
BALANCE 4 4 4 4
0
l l 5 5 5 5
2 2

3 3
BASS : Turn this knob clockwise to increase (or counter-
4 4
L5 5R clockwise to decrease) the low frequency
Note response.
This control is effective only for the sound from the main
speakers. TREBLE : Turn this knob clockwise to increase (or counter
clockwise to decrease) the high frequency response.

Note
These controls are effective only for the sound from the main
m Using the BASS EXTENSION speakers.
button
Press this button inward (ON) to boost the bass frequency
response at the main left and right channels while maintaining
overall tonal balance. This function is effective for reinforcing m Using the TONE BYPASS button
the bass frequencies when a subwoofer is not used.
Press this button inward (ON) to bypass the tone (BASS and
TREBLE) control circuitry. This function is used for outputting
BASS TONE
EXTENSION BYPASS
pure sound and checking the tone control settings. The tone
control circuitry can be used when this button is released
outward (OFF).
ON OFF
BASS TONE
EXTENSION BYPASS

ON OFF

38
 BASIC OPERATION

English
Tuning
Basic operation
Quick automatic-search tuning (automatic tuning) is effective when the station signals are strong with no interference. However,
manual tuning can be used during less-than-ideal conditions.

2 1
CINEMA DSP
NATURAL SOUND AV RECEIVER RX V795RDS

VOLUME
INPUT SELECTOR
l6
20 l2

28 8

40 4
STANDBY/ON

TAPE/MD MON
/EXT. DECODER 60 2

0
–dB
TUNING
A/B/C/D/E 1 2 3 4 5 6 7 8 MEMORY EDIT MODE FM/AM DOWN TUNING UP INPUT MODE

MAN’L/AUTO FM AUTO/MAN’L MONO

BASS TREBLE BALANCE RDS MODE SET VIDEO AUX

BASS TONE / FREQ EON LEVEL MENU EFFECT
PHONES SPEAKERS EXTENSION BYPASS 0 0 0
l l l l l l
A B
2 2 2 2 2 2

3 3 3 3 3 3 PTY SEEK PROGRAM

ON OFF ON OFF 4 4 4 4 4 4
5 5 5 5 L5 5R MODE START S VIDEO VIDEO L AUDIO R

3 4
m Automatic tuning m Manual tuning

1 Select “TUNER” as the input source. 1 Select “TUNER” as the input source.

2 Select the reception band. “FM” or “AM” will be 2 Select the reception band. “FM” or “AM” will be
illuminated. illuminated.
FM/AM FM/AM

or or

3 TUNING
MODE 3 TUNING
MODE

Turn the “AUTO”

AUTO/MAN’L MONO AUTO AUTO/MAN’L MONO
indicator off.

4 Press the “UP” side once to tune in to a higher 4 Tune to the desired station manually.
frequency.
DOWN TUNING UP
Press the “DOWN” side once to tune in to a lower
frequency.
DOWN TUNING UP

* Hold down the button to continue the tuning search.

* Press the button again if the tuning search does not stop Notes
● Manually selecting an FM station will automatically change
at the correct station.
* Use manual tuning if the tuning search does not stop at the reception to monaural to increase the signal quality.
● When tuned in to a station, the frequency of the received
the correct station because the signals are weak.
station is shown on the display. If an RDS station that
employs PS data service is received, the frequency is then
replaced by the station name. Refer to page 45 for details.

39
 BASIC OPERATION

Preset tuning

m Manual preset tuning

This unit can store station frequencies selected by the tuning operation. With this function, you can recall any desired station only by
selecting the preset station number. Up to 40 stations (8 stations x 5 groups) can be stored.
1 3
2
MONO MOVIE DISCO
DVD/LD TV SPORTS VCR

Select “AMP/TUN” 4 TV/DBS

5
6
ROCK
CHURCH
PHONO JAZZ CLUB
V-AUX 9
NATURAL SOUND AV RECEIVER RX V795RDS
CINEMA DSP 7
8
INPUT SELECTOR
VOLUME
HALL TEST
20
l6
l2 EXT. DEC. +100
+10
0

2, 1
28 8
CLEAR
40 4 ENTER
STANDBY/ON
POWER STANDBY
TAPE/MD MON
/EXT. DECODER 60 2 A/B/C/D/E
–dB
0 DSP EFCT
TUNING
A/B/C/D/E 1 2 3 4 5 6 7 8 MEMORY EDIT MODE FM/AM DOWN TUNING UP INPUT MODE DISC SKIP
ON/OFF
PRESET
MAN’L/AUTO FM AUTO/MAN’L MONO
AMP/TUN
BASS TREBLE BALANCE RDS MODE SET VIDEO AUX
BASS TONE
PHONES SPEAKERS / FREQ EON LEVEL MENU EFFECT
CH CH

2
A B
EXTENSION BYPASS

2
l
0
l
2 2
l
0
l
2 2
l
0
l
2
TV
3 3 3 3 3 3 PTY SEEK PROGRAM
ON OFF ON OFF 4 4 4 4 4 4
5 5 5 5 L5 5R MODE START S VIDEO VIDEO L AUDIO R

CODE SET

MUTE

VOLUME

2, 1 4, 2 3 /DTS
SURROUND
CD
1
MOVIE
THEATER 1
TUNER
MOVIE
THEATER 2
TAPE/MD
3
SLEEP
POWER
INDEX
DISP

ON SCREEN
TV

To store stations To recall a preset station

1 Tune to a station.
(Refer to the previous page for the tuning procedure.)
1 Select the group of preset stations.

Front panel Remote control

2 Select a group (A – E) of preset stations. A/B/C/D/E
+10
or ENTER

A/B/C/D/E A/B/C/D/E

2 Select the preset station number.

3 MEMORY
Front panel Remote control
DISC SKIP
1 2 3 4 PRESET

MEMORY CH CH
MAN’L/AUTO FM or

Flashes on and off

for about 5 seconds.
Notes
4 Select a preset station number (1 to 8) where you want
to program the station before the “MEMORY” indicator
• A new setting can be programmed in place of the former
one.
goes off from the display. • For presets, the setting of the reception mode (stereo or
monaural) is stored along with the station frequency.
1 2 3 4 5 6 7 8

Memory back-up
The memory back-up circuit prevents the programmed data
DVD/LD CD from being lost even if this unit is set to the standby mode or
TV/DBS TUNER
V-AUX PHONO the power plug is disconnected from the AC outlet or the
STEREO

AUTO 0 20 100
VCR
power is cut due to a temporary power failure. If, however, the
power is cut for more than one week, the memory may be
Shows the displayed station has been programmed to A1. deleted. If so, it can be re-programmed by simply following
the Preset tuning steps.

* In the same way, program other stations to A2, A3 ... A8.

* You can program more stations to the preset station
numbers on other groups in the same way by selecting
other groups in step 2.

40
 BASIC OPERATION

English
m Automatic preset tuning
You can make use of an automatic preset tuning function for RDS stations. With this function, this unit performs automatic tuning
and stores RDS stations with strong signals sequentially. Up to 40 stations are stored automatically in the same way as in the
manual preset tuning method on page 40.

CINEMA DSP
NATURAL SOUND AV RECEIVER RX V795RDS

VOLUME
INPUT SELECTOR
l6
20 l2

28 8

40 4
STANDBY/ON

TAPE/MD MON
/EXT. DECODER 60 2

0
–dB
TUNING
A/B/C/D/E 1 2 3 4 5 6 7 8 MEMORY EDIT MODE FM/AM DOWN TUNING UP INPUT MODE

MAN’L/AUTO FM AUTO/MAN’L MONO

BASS TREBLE BALANCE RDS MODE SET VIDEO AUX

BASS TONE / FREQ EON LEVEL MENU EFFECT
PHONES SPEAKERS EXTENSION BYPASS 0 0 0
l l l l l l
A B
2 2 2 2 2 2

3 3 3 3 3 3 PTY SEEK PROGRAM

ON OFF ON OFF 4 4 4 4 4 4
5 5 5 5 L5 5R MODE START S VIDEO VIDEO L AUDIO R

2 1 3
To store stations
If you want to store the first received station to the
1 FM/AM
desired preset station number.
If, for example, you want to store the first received station to
C5, select “C5” by using the A/B/C/D/E button and the preset
station number selector buttons after pressing the MEMORY
button in step 2. Then press the TUNING button. The first
received station is stored to C5, and next stations to C6, C7 ...
sequentially.
2 Press and hold for more than 3 seconds If stations are stored up to E8, the automatic preset tuning is
finished automatically.
MEMORY

When the automatic preset tuning is finished

MAN’L/AUTO FM The display shows the frequency of the last preset station.
Check the contents and the number of preset stations by
following the procedure of the section “To recall a preset
station” on page 40.

To recall a preset station

Simply follow the procedure of the section “To recall a preset
DVD/LD
TV/DBS
CD
TUNER
station” on page 40.
STEREO
V-AUX
VCR
PHONO
A recalled station is shown by the frequency (and the station
MEMORY
AUTO 0 20 100 name if the station employs PS data service) on the display.
Flashes. Notes
● You can replace a preset station by another FM or AM

station manually by simply following the procedure of the

3 DOWN TUNING UP
section “To store stations” on page 40.
● The automatic preset tuning search will be performed

through all RDS network frequencies until stations are

stored up to E8. If the number of received stations is not
enough to be stored up to E8, the search is finished
automatically after searching all frequencies.
● With this function, only RDS stations with sufficient signal

strength are stored automatically. If the station you want to

To tune to higher frequencies, press the “UP” side once.
program is weak in signal strength, tune to it in monaural
To tune to lower frequencies, press the “DOWN” side once. manually and program it by following the procedure of the
* If the TUNING button is not pressed, in a while, the section “To store stations” on page 40.
automatic preset tuning begins automatically toward higher * There may be a case that this function cannot receive a
frequencies. station which could be received by the automatic tuning
method. This is because this function receives a large
volume of PI (Program Identification) data along with the
The automatic preset tuning begins from the frequency station.
currently displayed. Received stations are programmed to
A1, A2 ... A8 sequentially.
* If more than 8 stations are received, they are also
programmed to the preset station numbers on other groups
(B, C, D and E) in that order.

41
 BASIC OPERATION

m Exchanging preset stations

You can exchange the places of two preset stations with each other as shown below.

CINEMA DSP
NATURAL SOUND AV RECEIVER RX V795RDS

VOLUME
INPUT SELECTOR
l6
20 l2

28 8

40 4
STANDBY/ON

TAPE/MD MON
/EXT. DECODER 60 2

0
–dB
TUNING
A/B/C/D/E 1 2 3 4 5 6 7 8 MEMORY EDIT MODE FM/AM DOWN TUNING UP INPUT MODE

MAN’L/AUTO FM AUTO/MAN’L MONO

BASS TREBLE BALANCE RDS MODE SET VIDEO AUX

BASS TONE / FREQ EON LEVEL MENU EFFECT
PHONES SPEAKERS EXTENSION BYPASS 0 0 0
l l l l l l
A B
2 2 2 2 2 2

3 3 3 3 3 3 PTY SEEK PROGRAM

ON OFF ON OFF 4 4 4 4 4 4
5 5 5 5 L5 5R MODE START S VIDEO VIDEO L AUDIO R

2, 4
Example)
If you want to exchange the preset stations on E1 and A5 with
each other.

1 Recall the preset station on E1 (by following the

method of “To recall a preset station” on page 40).
4
EDIT

2
EDIT

MEMORY

Flashes.

3 Recall the preset station on A5 by following the same

method with step 1.
DVD/LD CD
TV/DBS TUNER
V-AUX PHONO
VCR
MEMORY
0 20 100

MEMORY

Shows the exchange of stations is completed.

Flashes.

42
 BASIC OPERATION

English
In areas where RDS broadcasts cannot be received, the RDS broadcast functions do not operate. (Skip the procedures from pages
43 to 47.)

Receiving RDS stations

RDS (Radio Data System) is a data transmission system gradually being introduced by FM stations in many countries. Stations
using this system transmit an inaudible stream of data in addition to the normal radio signal.
RDS data contains various information, such as PI (Program Identification), PS (Program Service name), PTY (Program Type), RT
(Radio Text), CT (Clock Time), EON (Enhanced Other Networks), etc.
RDS function is carried out among the network stations.
* This unit utilizes PI, PS, PTY, RT, CT and EON to receive RDS broadcast stations.

Displaying RDS data

DVD/LD CD
TV/DBS TUNER
V-AUX PHONO
STEREO VCR

PS PTY RT CT EON SPORT AUTO 0 20 100

The following five modes are available in this unit for displaying
RDS data.

PS (Program Service name) mode: CT (Clock Time) mode:

Displays the name of the RDS station now being received Displays the current time. This signal comes from the RDS
instead of the frequency. station now being received.

PTY (Program Type) mode: EON (Enhanced Other Networks)

Displays the type of the program on the RDS station now being mode:
received. There are 15 program types for classifying RDS Select a program type with the EON button. The unit will
stations. Refer to the next page for details. automatically change to a station that starts to broadcast that
type of program. When the program is finished, the unit will
return to the original program.
RT (Radio Text) mode:
Displays information about the program (such as the title of the
song, name of the singer, etc.) on the RDS station now being
received.

43
 BASIC OPERATION

m Program types in the PTY mode

NEWS News: VARIED Varied:

Short accounts of facts, events and publicly Used for mainly speech-based programs
expressed views, reportage and actuality. usually of light-entertainment nature, not
covered by above categories. Examples are:
AFFAIRS Current affairs: quizzes, panel games, personality interviews,
Topical program expanding or enlarging comedy and satire.
upon the news, generally in different
presentation style or concept, including POP M Pop:
documentary debate, or analysis. Commercial music, which would generally be
considered to be of current popular appeal,
INFO Information: often featuring in current or recent record
Program whose purpose is to impart advice sales charts.
in the widest sense, including meteorological
reports and forecasts, consumer affairs, ROCK M Rock:
medical help, etc. Contemporary modern music, usually written
and performed by young musicians.
SPORT Sport:
Program concerned with any aspect of sport. M.O.R. M M.O.R.:
(Middle of the Road Music). Common term to
EDUCATE Education: describe music considered to be “easy-
Program intended primarily to educate, of listening”, as opposed to Pop, Rock or
which the formal element is fundamental. Classical. Music in this category is often but
not always, vocal, and usually of short
DRAMA Drama: duration (<5 min.)
All radio plays and serials.
LIGHT M Light classics:
CULTURE Culture: Classical Musical for general, rather than
Programs concerned with any aspect of specialist appreciation. Examples of music in
national or regional culture, including this category are instrumental music, and
religious affairs, philosophy, social science, vocal or choral works.
language, theatre, etc.
CLASSICS Serious classics:
SCIENCE Science: Performances of major orchestral works,
Programs about the natural sciences and symphonies, chamber music etc., and
technology. including Grand Opera.

OTHER M Other music:

Musical styles not fitting into any of the above
categories. Particularly used for specialist
music, of which Jazz, Rhythm & Blues, Folk,
Country, and Reggae are examples.

44
 BASIC OPERATION

English
m Changing the RDS modes
When an RDS station is received, “PS”, “PTY”, “RT” and/or “CT” that correspond to the RDS data services employed by the station
light up on the display. By pressing the RDS MODE/FREQ button once or more, you can change the display mode among the RDS
modes employed by the received station in the order shown below. (The RDS mode not employed by the station cannot be
selected.) Illumination of the indicator on the head of the name of an RDS mode shows that the corresponding RDS mode is now
selected.
* When an RDS station is received, do not press the RDS MODE/FREQ button until one or more names of RDS modes light up on
the display. If the button is pressed before one or more names light up on the display, the mode cannot be changed. This is
because the unit has not received all of the RDS data on the station yet.
* If no name of RDS mode lights up on the display, the mode cannot be changed.

PS mode The name of the station being received is displayed.

If the station does not employ the PS data service, this mode
will not be selected.

PTY mode The type of the program currently broadcasted on the station
is displayed. If the station does not employ the PTY data
service, this mode will not be selected.
(You can make this unit search for a station which is
broadcasting a program of your desired program type. For
details, refer to the next page.)

RDS MODE
RT mode Information about the program currently broadcasted on the
/ FREQ
station is displayed. Information is displayed by a maximum
of 64 Roman Alphabets including umlaut sign. If other
characters are used on the RT data, they are displayed with
under-bars.
If the station does not employ the RT data service, this mode
will not be selected.

CT mode Current time is displayed in the following form. The CT data

from the station being received changes every minute.

Hour Minute
If the reception of data is accidentally cut off, “CT WAIT” may
light up. If the station does not employ the CT data service,
this mode will not be selected.

Frequency The frequency of the station being received is displayed.

display mode

Notes
• RDS data service cannot be utilized by this unit if the received signal is not strong enough. Especially, the RT (Radio Text mode)
needs sufficient data to be received, so the RT mode may not display even if other RDS modes (PS, PTY, etc.) are displayed.
• RDS data reception may not be possible due to poor reception conditions. If so, press the TUNING MODE button so that the
“AUTO” indicator goes off from the display. Though the reception mode is changed to monaural by this operation, when you
change the display to an RDS mode, RDS data may be displayed.
• If the signal strength becomes weakened by external interference when receiving an RDS station, the RDS data service may be
cut off suddenly and “...WAIT” will light up on the display.

45
 BASIC OPERATION

Selecting your desired program type from among preset RDS stations
(PTY SEEK)
By designating a program type, the unit automatically searches all preset stations for an RDS station which broadcasts a program of
that program type.
* There are 15 program types for classifying RDS stations. For details, refer to page 44.

2
CINEMA DSP
NATURAL SOUND AV RECEIVER RX V795RDS

VOLUME
INPUT SELECTOR
l6
20 l2

28 8

40 4
STANDBY/ON

TAPE/MD MON
/EXT. DECODER 60 2

0
–dB
TUNING
A/B/C/D/E 1 2 3 4 5 6 7 8 MEMORY EDIT MODE FM/AM DOWN TUNING UP INPUT MODE

MAN’L/AUTO FM AUTO/MAN’L MONO

BASS TREBLE BALANCE RDS MODE SET VIDEO AUX

BASS TONE / FREQ EON LEVEL MENU EFFECT
PHONES SPEAKERS EXTENSION BYPASS 0 0 0
l l l l l l
A B
2 2 2 2 2 2

3 3 3 3 3 3 PTY SEEK PROGRAM

ON OFF ON OFF 4 4 4 4 4 4
5 5 5 5 L5 5R MODE START S VIDEO VIDEO L AUDIO R

1 3
1 Set the unit in the PTY SEEK mode. 3 Begin searching all preset RDS stations.

PTY SEEK
PTY SEEK

MODE START
MODE START

Flashes.

* The program type of the station now being received or

“NEWS” flashes on the display.

2
STEREO

Select the desired program type. PS PTY RT CT PTY HOLD AUTO 0 20

Flashes.

DOWN TUNING UP
* The “PTY HOLD” indicator will be illuminated on the
display.

• If a station which broadcasts the program type you selected

is found, the unit stops at the station and the display shows
its frequency after showing the flashing name of the
program type.
• If the selected station is not the desired one, press the PTY
SEEK START button once more.
The unit begins searching for another station which
broadcasts the same program type.
• To stop the search, press the PTY SEEK START button
once more.

To cancel this function

If the PTY SEEK MODE button is pressed once more, the PTY
SEEK mode will be canceled.

46
 BASIC OPERATION

English
Automatic selection of desired program when broadcasting starts
This function uses the EON (Enhanced Other Networks) data service on the RDS station network.
Only by selecting a desired program type (NEWS, INFO, AFFAIRS or SPORT), this unit automatically searches all preset RDS
stations for a station that broadcasts that program type (though you cannot check the searching process), and, if found, receives a
program when its broadcast starts in place of the program now being received.
* This function can be used only when an RDS station that employs the EON data service is received. (When such a station is
received, the “EON” indicator will be illuminated on the display.)

CINEMA DSP
NATURAL SOUND AV RECEIVER RX V795RDS

VOLUME
INPUT SELECTOR
l6
20 l2

28 8

40 4
STANDBY/ON

TAPE/MD MON
/EXT. DECODER 60 2

0
–dB
TUNING
A/B/C/D/E 1 2 3 4 5 6 7 8 MEMORY EDIT MODE FM/AM DOWN TUNING UP INPUT MODE

MAN’L/AUTO FM AUTO/MAN’L MONO

BASS TREBLE BALANCE RDS MODE SET VIDEO AUX

BASS TONE / FREQ EON LEVEL MENU EFFECT
PHONES SPEAKERS EXTENSION BYPASS 0 0 0
l l l l l l
A B
2 2 2 2 2 2

3 3 3 3 3 3 PTY SEEK PROGRAM

ON OFF ON OFF 4 4 4 4 4 4
5 5 5 5 L5 5R MODE START S VIDEO VIDEO L AUDIO R

2
1 Make sure that the “EON” indicator is illuminated on the 3 When the broadcast of the selected program ends, the
display. previously received program (or another program of
the same station) is recalled.
DVD/LD CD
TV/DBS TUNER DVD/LD CD
V-AUX PHONO TV/DBS TUNER
STEREO VCR V-AUX PHONO
STEREO VCR
PS PTY RT CT EON AUTO 0 20 100

PS PTY RT CT EON AUTO 0 20 100

* If the “EON” indicator is not illuminated on the display,

receive an (or another) RDS station so that the “EON” To cancel this function
indicator will be illuminated on the display. Press the EON button once or more, so that no program type
name is illuminated on the display.

2 Select the desired program type, NEWS, INFO,

AFFAIRS or SPORT.

EON

PS PTY RT CT EON NEWS AUTO

Press once
or more. Becomes illuminated.

The search is performed among all preset RDS stations in the

background. If a program is found, the program will be
automatically received when it starts broadcasting.

DVD/LD CD
TV/DBS TUNER
V-AUX PHONO
STEREO VCR

PS PTY RT CT EON NEWS AUTO 0 20 100

Flashes.

47
 BASIC OPERATION

Using digital sound field processor (DSP)

This unit incorporates a sophisticated, multi-program digital sound field processor. The processor allows you to electronically expand
and change the shape of the audio sound field from both audio and video sources, creating a theater-like experience in your
listening room. You can create an excellent audio sound field by selecting a suitable sound field program (this will, of course, depend
on what you will be listening to), and adding desired adjustments.

In addition, this unit incorporates a Dolby Digital decoder and a Dolby Pro Logic Surround decoder for multi-channel sound
reproduction of sources encoded with Dolby Surround, and a DTS decoder for multi-channel sound reproduction of sources encoded
with DTS. The operation of these decoders can be controlled by selecting a corresponding DSP program including a combined
operation of YAMAHA DSP and Dolby Digital, Dolby Pro Logic Surround or DTS.

This unit has 10 programs for digital sound field processing; 5 programs for Audio sources and 5 programs for Audio/Video sources.
In addition, some programs have two subprograms. All programs contain parameters that can be adjusted to the listener’s taste.

For details about digital sound field programs, refer to pages 53 to 55.

Playing a source with an effect of the digital sound field processor (DSP)
MOVIE
CD THEATER 1 TAPE/MD
1 TUNER
3
2
MONO MOVIE DISCO
DVD/LD TV SPORTS VCR
4 TV/DBS 6
5
ROCK
CHURCH
PHONO JAZZ CLUB
CINEMA DSP
NATURAL SOUND AV RECEIVER RX V795RDS
V-AUX 9
VOLUME
7
INPUT SELECTOR
l6 8
20 l2
HALL TEST
28 8 EXT. DEC. +100
40 4 0 +10 CLEAR
STANDBY/ON

TAPE/MD MON
ENTER
/EXT. DECODER 60 2

2
0
A/B/C/D/E
–dB
TUNING
A/B/C/D/E 1 2 3 4 5 6 7 8 MEMORY EDIT MODE FM/AM DOWN TUNING UP INPUT MODE DSP EFCT
MAN’L/AUTO FM AUTO/MAN’L MONO DISC SKIP
ON/OFF
BASS TREBLE BALANCE RDS MODE SET VIDEO AUX
PRESET
BASS TONE / FREQ EON LEVEL MENU EFFECT
PHONES SPEAKERS EXTENSION BYPASS 0 0 0
l l l l l l
A B
2 2 2 2 2 2

3 3 3 3 3 3 PTY SEEK PROGRAM

CH TV CH
ON OFF ON OFF 4 4 4 4 4 4
5 5 5 5 L5 5R MODE START S VIDEO VIDEO L AUDIO R

CODE SET

MUTE

VOLUME

2 SLEEP
POWER
TV
INDEX
DISP

ON SCREEN

1 Follow steps 1 to 7 shown in “Playing a source” on pages 33 to 34.

2 When operating on the front panel: When operating on the remote controller:

If no program name is illuminated on When the selector dial is set at a position other When the selector dial is set
the display panel, press the EFFECT than DSP: at DSP:
button to turn on the digital sound field The indicator lights up for Go on to the next step.
processor so that a name of a DSP about 3 seconds.
DSP
program appears on the display panel
and the monitor screen. POWER STANDBY
POWER STANDBY

DSP AMP/TUN DSP

EFFECT

/DTS MOVIE
SURROUND THEATER 2 /DTS MOVIE
MOVIE SURROUND THEATER 2
CD THEATER 1 TAPE/MD MOVIE
CD THEATER 1 TAPE/MD

* Do the next operation while the indicator is

illuminated. If the indicator goes off before you
DVD/LD
TV/DBS
do the next operation, press the DSP key
V-AUX
VCR
again.

CONTINUED
48
 BASIC OPERATION

English
/DTS MOVIE
SURROUND MOVIE THEATER 2
CD THEATER 1 TAPE/MD
1 TUNER
3
CINEMA DSP
2
NATURAL SOUND AV RECEIVER RX V795RDS MONO MOVIE DISCO
DVD/LD TV SPORTS VCR

3
VOLUME
INPUT SELECTOR
20
l6
l2
4 TV/DBS 6
28 8
5
ROCK
CHURCH
STANDBY/ON
40 4 PHONO JAZZ CLUB
TAPE/MD MON V-AUX 9
/EXT. DECODER 60 2 7
0 8
–dB
HALL TEST
+100
TUNING
A/B/C/D/E 1 2 3 4 5 6 7 8 MEMORY EDIT FM/AM DOWN TUNING UP INPUT MODE
MODE
EXT. DEC.
MAN’L/AUTO FM AUTO/MAN’L MONO

0 +10 CLEAR
BASS TREBLE BALANCE RDS MODE SET VIDEO AUX
BASS TONE
PHONES SPEAKERS
A B
EXTENSION BYPASS
l
0
l l
0
l l
0
l
/ FREQ EON LEVEL MENU EFFECT
ENTER
2 2 2 2 2 2

ON OFF ON OFF
3 3 3 3 3 3 PTY SEEK PROGRAM
A/B/C/D/E
4 4 4 4 4 4
5 5 5 5 L5 5R MODE START S VIDEO VIDEO L AUDIO R DSP EFCT
DISC SKIP
ON/OFF
PRESET

CH TV CH

CODE SET

3 MUTE

VOLUME

3 Select a program that is suitable for the source.

When operating on the front panel: When operating on the remote controller:
a) /DTS
SURROUND MOVIE
MOVIE
THEATER 2
CD THEATER 1 TAPE/MD
1 TUNER
3
PROGRAM 2
MONO MOVIE DISCO
DVD/LD TV SPORTS VCR
4 TV/DBS 6
5
ROCK
CHURCH
PHONO JAZZ CLUB
V-AUX 9
7
8
HALL TEST
EXT. DEC. +100
0 +10 CLEAR
ENTER

A/B/C/D/E
Press once or more.
* Press “0” to select the program No. 10.

b) For the programs No. 1, 2 and 3 only, you can select

the desired subprogram by pressing the
corresponding DSP program selector key once or
more.

The name of the selected program appears on the display panel and the monitor screen.

DVD/LD CD DVD/LD CD
TV/DBS TUNER TV/DBS TUNER
V-AUX PHONO V-AUX PHONO
MOVIE THEATER 1
DSP VCR DSP VCR

Program name Subprogram name Program name

4 ● Adjust the output level of each speaker. (For details, refer to the corresponding descriptions on pages 51 and 52.)
● You can create your own sound field taste. (For details, refer to pages 60 to 63.)

Notes
● Program selection can be made to individual input sources. Once you select a program, it is linked with the input source selected
at this time. So, when you select the same input source the next time, the same program will be automatically recalled.
● If you prefer to cancel the DSP, press the EFFECT button. The sound will be the normal 2-channel stereo without surround

sound effect.
● When a monaural sound source is played with the program PRO LOGIC (Normal/Enhanced), a proper effect will not be

obtained. Moreover, sound may become unnatural depending on the settings of the speaker output modes (1. CENTER
SPEAKER to 4. LFE/BASS OUT) in the SET MENU mode.
● When this unit’s Dolby Pro Logic Surround decoder, Dolby Digital decoder or DTS decoder is used, if the main-source sound is

considerably altered by overadjustment of the BASS or TREBLE control, the relationship between the center and rear channels
may produce an unnatural effect.
● When a source of signals input to the EXTERNAL DECODER INPUT terminals of this unit is selected, the DSP cannot be used

and the EFFECT button also will not function.

49
 BASIC OPERATION

m To enjoy a video source encoded Note

with Dolby Pro Logic Surround, If you change the LD (or CD) being played back with DTS
Dolby Digital or DTS decoded to another disc not encoded with DTS when the red
“dts” indicator is illuminated, playing back the newly selected
When you select the program No. 1, 2 or 3, and the input disc will output no sound. In this state, the red “dts” indicator
signal of the source is 2-channel stereo, Dolby Pro Logic flashes to show that this unit is locked in the DTS-decoding
Surround is decoded. When some program is selected and the mode.
input signal of the source is encoded with Dolby Digital, Dolby To play back the disc normally, change the current DTS-
Digital is automatically decoded. decoding mode to another mode by pressing an input selector
When some program is selected and the input signal of the key on the remote controller or the INPUT MODE button on
source is encoded with DTS, DTS is automatically decoded. the front panel so that the red “dts” indicator turns off.

The following indicators on the display panel show you what

sound processing is being made.
m To cancel the effect sound
1 2
The EFFECT button on the front panel or the EFCT ON/OFF key
on the remote controller make it simple to compare the normal
stereo sound with the fully processed effect sound.

3 DIGITAL To cancel the effect sound and monitor only the main sound,
4 PRO LOGIC press the EFCT ON/OFF key or the EFFECT button. Press the
EFCT ON/OFF key or the EFFECT button a second time to
5 DSP
DIGITAL SOURCE
restore the effect sound.
AC 3 DTS PCM
1 Lights up when a DVD source encoded with DTS is played Front panel Remote control
back and DTS is decoded. EFFECT
EFCT
2 Lights up when an LD source or a CD source encoded with
DTS is played back and DTS is decoded. or ON/OFF

3 Lights up when Dolby Digital is being decoded and the

signals of selected source encoded with Dolby Digital is
not in 2-channels. Notes
4 Lights up when Dolby Pro Logic Surround is being ● If the effect sound is canceled when signals encoded with

decoded. Dolby Digital or DTS are input to this unit, signals of all
5 Lights up when Digital Sound Field Processor is turned channels are mixed and are output from the main speakers.
on.
● If the EFFECT button or the EFCT ON/OFF key is pressed to
The display panel or the monitor screen will show the selected turn effect sounds off when Dolby Digital or DTS is decoded, it
subprogram according to the type of the decoding. may happen that sound is output faintly or not output normally
depending on a source. In that case, press the EFFECT
button or the EFCT ON/OFF key to turn effect sounds ON, or
Notes use input signals not encoded with Dolby Digital or DTS.
● Dolby Digital will not be decoded if the source that is not
encoded with Dolby Digital.
DTS will not be decoded if the source that is not encoded
with DTS.
● If the input signals of source encoded with Dolby Digital
are in 2-channels only, the sound processing for them is
similar to that for analog or PCM audio signals.

50
 BASIC OPERATION

English
Adjusting output level of the center, right rear, left rear speakers and
subwoofer
You can adjust the sound output level of the each speaker
even if the output level is already set in “Speaker balance
adjustment” on pages 30 to 32.

CENTER (Center speaker output level)

R SUR. (Right rear speaker output level)

L SUR. (Left rear speaker output level)

SWFR (Subwoofer output level)

Speakers Control range (dB) Preset value

CENTER MIN, –20 to +10 0
RIGHT SURROUND (R SUR.) MIN, –20 to +10 0
LEFT SURROUND (L SUR.) MIN, –20 to +10 0
SUBWOOFER (SWFR) MIN, –20 to 0 0

51
 BASIC OPERATION

m Method of adjustment

Select “AMP/TUN.”
POWER
ON SCREEN
CINEMA DSP
TV
NATURAL SOUND AV RECEIVER RX V795RDS VCR REC TV INPUT
VOLUME

2
INPUT SELECTOR
l6
POWER STANDBY
/ A/B
20 l2

28 8

40 4
STANDBY/ON

TAPE/MD MON
AMP/TUN
/EXT. DECODER 60 2

0
–dB
TUNING
A/B/C/D/E 1 2 3 4 5 6 7 8 MEMORY EDIT MODE FM/AM DOWN TUNING UP INPUT MODE DIR DIR
A B

1
MAN’L/AUTO FM AUTO/MAN’L MONO
SELECT
BASS TREBLE BALANCE RDS MODE SET VIDEO AUX
BASS TONE / FREQ EON LEVEL MENU EFFECT
PHONES SPEAKERS EXTENSION BYPASS 0 0 0
l l l l l l
A B
2 2 2 2 2 2

3 3 3 3 3 3 PTY SEEK PROGRAM SET UP RETURN

ON OFF ON OFF 4 4 4 4 4 4
5 5 5 5 L5 5R MODE START S VIDEO VIDEO L AUDIO R

/DTS MOVIE
SURROUND MOVIE THEATER 2 SUBTITLE ANGLE

1
CD THEATER 1 TAPE/MD
ON/OFF AUDIO
1 TUNER
3
2 TITLE MENU
MONO MOVIE DISCO
LEVEL SET MENU

1 2
DVD/LD TV SPORTS VCR

1 Select the speaker(s) whose level you want to adjust by using one of the following methods.

When operating on the front panel: When operating on the Remote controller:

ON/OFF

TITLE
SET ON/OFF
LEVEL MENU
LEVEL Press once.
TITLE

LEVEL

Press once Press once

or more. or more.
Press once
DIR DIR
or more.
A B
SELECT

Press a button repeatedly until the name of the desired speaker(s) appears on the display.

2 Adjust the level on the selected speaker(s).

SET
LEVEL MENU

DIR DIR
A B
SELECT

3 Repeat steps 1 and 2 to make adjustments on the other speaker(s).

Notes
● If the function “1. CENTER SPEAKER” in the SET MENU ● The value of each speaker output level you set the last time
mode is set in the “NONE” position, the sound output level will remain memorized even when this unit is in the standby
of the center speaker cannot be adjusted. This is because mode.
in this mode, the center sound is automatically output from However, if the power cord is disconnected for more than
the left and right main speakers. one week, these values will be automatically changed to the
factory default settings.
● Once the output level is adjusted, the level value will be the
same in all the digital sound field programs.

52
 BASIC OPERATION

English
Brief overview of digital sound field programs

The following list gives you a brief description of the sound fields produced by each of the DSP programs. Keep in mind that most of
these are precise digital recreations of actual acoustic environments. The data for these sound fields were recorded at actual
locations using sophisticated sound field measurement equipment.
Note
The channel level balance between the left and right rear effect speakers may vary depending on the sound field you are
listening in. This is due to the fact that most of these sound field recreations are actual acoustic environments.

m Program No. 1 to 5: CINEMA-DSP programs (for Audio/Video sources)

● These programs use the Dolby Pro Logic decoder, the Dolby Digital decoder or the DTS decoder.
● Speaker output: main, center, rear
Note: If the “NONE” position is selected on “1. CENTER SPEAKER” in the SET MENU mode, no sound is output from
the center speaker.
● Program No. 1 is for reproducing video discs, video tapes and similar sources which are encoded with Dolby Surround (bearing
the “DOLBY SURROUND” or “DOLBY DIGITAL” logo) or encoded with DTS (bearing the “dts” logo).

No. PROGRAM SUBPROGRAM (TYPE) FEATURE

1 /DTS PRO LOGIC/Normal ( PRO LOGIC ) The built-in Dolby Pro Logic Surround decoder, the Dolby
SURROUND Functions when the input signal is analog Digital decoder or the DTS decoder precisely reproduces
or PCM audio or encoded with Dolby sounds and sound effects of a source encoded with Dolby
Digital in 2 channels. Surround or DTS. The realization of a highly efficient
decoding process improves crosstalk and channel
DOLBY DIGITAL/Normal ( DIGITAL ) separation and makes sound positioning smoother and
Functions when the input signal is encoded more precise.
with Dolby Digital not in 2 channels.

DTS DIGITAL SUR/Normal ( )

Functions when the input signal is encoded
with DTS.

PRO LOGIC/Enhanced Ideally simulates the multi-surround speaker systems of

( PRO LOGIC DSP ) the newest film theater. The digital sound field processing
Functions when the input signal is analog and the Dolby Surround decoding or the DTS decoding
or PCM audio or encoded with Dolby are precisely performed without altering the originally
Digital in 2 channels. designed sound orientation. The surround effects
produced by this sound field fold the viewer naturally from
DOLBY DIGITAL/Enhanced the rear to the left and right and toward the screen.
( DIGITAL DSP )
Functions when the input signal is encoded
with Dolby Digital not in 2 channels.

DTS DIGITAL SUR/Enhanced

( DSP )
Functions when the input signal is encoded
with DTS.

53
 BASIC OPERATION

● Program No. 2 to 3 are suitable for reproducing video discs, video tapes and similar sources which are encoded with Dolby
Surround (bearing the “DOLBY SURROUND” or “DOLBY DIGITAL” logo) or encoded with DTS (bearing the “dts” logo).

No. PROGRAM SUBPROGRAM (TYPE) FEATURE

2 MOVIE 70 mm Spectacle Creates the extremely wide sound field of a movie
THEATER 1 ( PRO LOGIC DSP ) theater. It precisely reproduces the source sound in
Functions when the input signal is analog detail, giving both the video and the sound field
or PCM audio or encoded with Dolby incredible reality. Any kind of video sources encoded
Digital in 2 channels. with Dolby Surround or DTS (especially large-scale
movie productions) are ideal for use with this program.
DGTL Spectacle
( DIGITAL DSP )
Functions when the input signal is encoded
with Dolby Digital not in 2 channels.

DTS Spectacle
( DSP )
Functions when the input signal is encoded
with DTS.

70 mm Sci-Fi Clearly reproduces dialog and sound effects in the latest

( PRO LOGIC DSP ) sound design of science fiction films, thus creating a
Functions when the input signal is analog broad and expansive cinematic space amid the silence.
or PCM audio or encoded with Dolby You can enjoy science fiction films in a virtual-space
Digital in 2 channels.
sound field that includes Dolby Pro Logic, Dolby Digital
DGTL Sci-Fi and DTS-encoded software employing the most
( DIGITAL DSP ) advanced techniques.
Functions when the input signal is encoded
with Dolby Digital not in 2 channels.

DTS Sci-Fi
( DSP )
Functions when the input signal is encoded
with DTS.

3 MOVIE 70 mm Adventure Ideal for precisely reproducing the sound design of the
THEATER 2 ( PRO LOGIC DSP ) newest multi-track films. The sound field is made to be
Functions when the input signal is analog similar to that of the newest movie theaters, so the
or PCM audio or encoded with Dolby reverberations of the sound field itself are restrained as
Digital in 2 channels. much as possible. The data of the sound field of an
opera house are used for the front presence side, so the
DGTL Adventure three dimensional feeling of the sound field is
( DIGITAL DSP ) emphasized, and dialog is precisely oriented on the
Functions when the input signal is encoded screen. By using the data of the sound field of a concert
with Dolby Digital not in 2 channels. hall on the rear surround side, powerful reverberations
are generated. You can enjoy watching action, adventure
DTS Adventure movies, etc. with much presence.
( DSP )
Functions when the input signal is encoded
with DTS.

70 mm General This program is for reproducing sounds on a multi-track

( PRO LOGIC DSP ) film, and characterized by a soft and extensive sound
Functions when the input signal is analog field. The front presence side of the sound field is
or PCM audio or encoded with Dolby relatively narrow. It spatially spreads all around and
Digital in 2 channels. toward the screen, restraining echo effect of
conversations without losing clarity. For the surround
DGTL General side, the harmony of music or chorus sounds beautifully
( DIGITAL DSP ) in a wide space at the rear of the sound field.
Functions when the input signal is encoded
with Dolby Digital not in 2 channels.

DTS General
( DSP )
Functions when the input signal is encoded
with DTS.

54
 BASIC OPERATION

English
● For program No. 4 and 5 only, indicators light up as follows.
When the input signal is analog or PCM audio: ( DSP )
When the input signal is encoded with the Dolby Digital (not in 2 channels): ( DIGITAL DSP )
When the input signal is encoded with the DTS: ( DSP )

No. PROGRAM FEATURE

4 MONO MOVIE This program is designed specifically to enhance mono

source programs. Compared to a strictly mono setting, the
sound image created in this mode is wider and slightly
forward of the speaker pair, lending an immediacy to the
overall sound. It is particularly effective when used with old
mono movies, news broadcasts and dialog.

5 TV SPORTS This program is furnished with a tight sound field in which the
sound will not spread excessively on the front side, but the rear
surround side produces a dynamic sound expansion. This
program is the most suitable for sports programs.

m Program No. 6 to 10: Hi-Fi DSP programs (for audio sources)

● When the input signal is analog or PCM audio: ( DSP )
Speaker output: main, rear
● When the input signal is encoded with the Dolby Digital (not in 2 channels): ( DIGITAL DSP )
Speaker output: main, center, rear
● When the input signal is encoded with the DTS: ( DSP )
Speaker output: main, center, rear

No. PROGRAM FEATURE

6 DISCO This program recreates the acoustic environment of a lively

disco in the heart of a very lively city. The sound is dense and
highly concentrated. It is also characterized by a high-energy,
“immediate” sound.

7 ROCK CONCERT This program is ideally suited for rock music. You will
experience a very dynamic or lively sound field.

8 JAZZ CLUB This is a small, cozy jazz club with a low ceiling. The sound is
very close and intimate.

9 CHURCH This program recreates the acoustic environment of a big

church with a high pointed dome and columns along the sides.
This interior produces very long reverberations.

10 CONCERT HALL In this program, the center will appear to be deep behind the
main speakers, creating an expansive large hall ambience.
Orchestra and opera music are suited for this sound field.

55
 ADVANCED FEATURES
“SET MENU” mode
The following 13 functions maximize the performance of your system and increase the enjoyment of audio listening and video watching.

1. CENTER SPEAKER 6. DOLBY DGTL SET 19. CENTER DELAY

2. REAR SPEAKER LFE LEVEL 10. PARAMETER INI
3. MAIN SPEAKER 7. DOLBY DGTL SET 11. MEMORY GUARD
4. LFE/BASS OUT DYNAMIC RANGE 12. TV/DBS INPUT
5. MAIN LEVEL 8. DTS SET 13. DIMMER
LFE LEVEL

m Changes and adjustments

Select “AMP/TUN” or “DSP”.
POWER
ON SCREEN
NATURAL SOUND AV RECEIVER RX V795RDS
CINEMA DSP
TV
VOLUME
VCR REC TV INPUT
INPUT SELECTOR
l6
20 l2
POWER STANDBY
/ A/B
28 8

40 4
STANDBY/ON

AMP/TUN
TAPE/MD MON
/EXT. DECODER 60 2

0
–dB
TUNING
A/B/C/D/E 1 2 3 4 5 6 7 8 MEMORY EDIT MODE FM/AM DOWN TUNING UP INPUT MODE

2
DIR DIR
MAN’L/AUTO FM AUTO/MAN’L MONO
A B

1
BASS TONE BASS TREBLE BALANCE RDS MODE SET VIDEO AUX SELECT
PHONES SPEAKERS / FREQ EON LEVEL MENU EFFECT
EXTENSION BYPASS 0 0 0
l l l l l l
A B
2 2 2 2 2 2

3 3 3 3 3 3 PTY SEEK PROGRAM

ON OFF ON OFF 4 4 4 4 4 4 SET UP RETURN
5 5 5 5 L5 5R MODE START S VIDEO VIDEO L AUDIO R

/DTS MOVIE
SURROUND MOVIE THEATER 2 SUBTITLE ANGLE

1
CD THEATER 1 TAPE/MD
ON/OFF AUDIO
1 TUNER
3
2 TITLE MENU

2 1
MONO MOVIE DISCO
DVD/LD TV SPORTS VCR LEVEL SET MENU

● Refer to the information in the display panel or monitor screen during operation. The monitor power must be turned on to display
information on the monitor.
● When using the remote controller, the selector dial must be set at “AMP/TUN” or “DSP”.

1 To make changes, select the applicable function by using one of the following methods.

When operating on the front panel: When operating on the Remote controller:

AUDIO
MENU
SET AUDIO Press once.
LEVEL MENU SET MENU
MENU

SET MENU

Press once
Press once or more. or more.
Press once
DIR DIR
or more.
A B
SELECT

2 Select the desired position or edit parameter for the function by using the following keys.
SET
LEVEL MENU

DIR DIR
A B
SELECT

3 Repeat steps 1 and 2 to change a setting or adjust for another function.

56
 ADVANCED FEATURES

English
m Function description

1. CENTER SPEAKER 3. MAIN SPEAKER 5. MAIN LEVEL

2. REAR SPEAKER 4. LFE/BASS OUT
(Selecting the output modes suitable for your speaker system)
Refer to pages 27 to 29 for details. (Once you have selected proper modes, you do not have to make a setting change, unless your
speaker system is modified.)

6. DOLBY DGTL SET

LFE LEVEL [Adjusting the output level at the LFE (low frequency effect) channel]
● Control range: –20 dB to 0 dB Adjusts the output level at the LFE (low frequency effect)
Preset value: 0 dB channel. If the LFE signals are mixed with signals of other
channels and they are output from the same speakers, the ratio
● This adjustment is effective only when Dolby Digital is
of LFE signals to other signals can be adjusted. (Refer to page 5
decoded and the signals of the selected source encoded
for details about the LFE channel.)
with Dolby Digital contain LFE signals.

7. DOLBY DGTL SET

DYNAMIC RANGE (Adjusting dynamic range)
● Choices: MAX/STD/MIN MAX: In this position, a source encoded with Dolby Digital
Preset position: MAX is reproduced in the original sound track’s wide
dynamic range providing you with powerful sounds
● This adjustment is effective only when Dolby Digital is
like a movie theater.
decoded.
Selecting this position will be more ideal if you can
listen to a source in a high output level in a room
“Dynamic range” is the difference between the maximum level
specially soundproofed for audio/video enjoyment.
and the minimum level of sounds. Sounds on a movie
originally designed for movie theaters feature very wide
STD (Standard):
dynamic range.
In this position, a source encoded with Dolby Digital
Dolby Digital technology can bring the original sound track into
is reproduced in the “compressed” dynamic range of
a home audio format with this wide dynamic range unchanged.
the source suitable for low level listening.
Powerful sounds of extremely wide dynamic range are not
always suitable for home use. Depending upon the condition of
MIN: In this position, dynamic range is more reduced than
your listening environment, it may not be possible to increase
in the STD position. Selecting this position will be
the sound output level as high as a movie theater. However, in
effective when you must listen to a source in an
a level suitable for listening in your room, the low level parts of
extremely low level.
source sound cannot be heard well because they will be lost
* In this position, it may happen that sound is output
among noises in your environment.
faintly or not output normally depending on a
Dolby Digital technology also made it possible to reduce an
source. In that case, select the MAX or STD
original sound track’s dynamic range for a home audio format
position.
by “compressing” the data of sound.

57
 ADVANCED FEATURES

8. DTS SET
LFE LEVEL [Adjusting the output level at the LFE (low frequency effect) channel]
● Control range: –10 dB to 10 dB Adjusts the output level at the LFE (low frequency effect)
Preset value: 0 dB channel. If the LFE signals are mixed with signals of other
channels and they are output from the same speakers, the ratio
● This adjustment is effective only when DTS is decoded and
of LFE signals to other signals can be adjusted. (Refer to page 5
the signals of the selected source encoded with DTS
for details about the LFE channel.)
contain LFE signals.

9. CENTER DELAY [Adjusting the delay of center sounds (dialog etc.)]

● Control range: 0 ms to 5 ms (in 1 ms step) Adjusts the delay between the main sounds (at the main
Preset value: 0 ms channels) and dialog etc. (at the center channel).
The larger the value, the later the dialog etc. is generated.
● This adjustment is effective only when Dolby Digital or
In your audio system, the distance from the center speaker to
DTS is decoded and the signals of the selected source
your listening position may be shorter than the distance from
encoded with Dolby Digital or DTS contain center
the left or right main speaker to your listening position. In that
channel signals.
case, sounds from the left main, center and right main
speakers can reach your listening position at the same time by
delaying the sound from the center speaker.

10. PARAMETER INI (Initializing parameters on a DSP program)

You can initialize all parameter settings on a DSP program. Initializing method
Note that some DSP programs have two subprograms; all Use the remote controller for the operation.
parameters on both subprograms are initialized by this A program number whose parameters has been changed is
operation. marked with “ ”. First press the DSP key, and then press a
*
DSP program selector key which corresponds to the program
number whose parameters you want to initialize. When
initialized, the “ ” mark will disappear.
*
Note
When the selector dial of the remote controller is set at “DSP”,
simply press the corresponding DSP program selector key.

58
 ADVANCED FEATURES

English
11. MEMORY GUARD (Locking DSP parameters and other adjustments)

If you wish to prevent accidental alteration to DSP parameters • DSP parameters

and other adjustments on this unit, select “ON”. In this position, • Other functions in the “SET MENU” mode
they are locked and cannot be changed. The following • ON SCREEN display key
functions on this unit can be locked by this operation. • LEVEL key
• TEST key

12. TV/DBS INPUT (Selecting the initial input mode of the source connected to the
TV/DBS input terminals)
For the source connected to the TV/DBS input terminals of this AUTO: In this position, the AUTO input mode is always
unit, you can designate the input mode that is automatically selected when the power of this unit is switched on.
selected when the power of this unit is switched on. LAST: In this position, the input mode you have selected the
last time is memorized and will not be changed even if
the power of this unit is switched off.

* Refer to page 36 for details about switching the input mode.

13. DIMMER (Changing brightness of the display panel)

You can adjust the brightness of the display panel in five

degree increments.

59
 ADVANCED FEATURES

Creating your own sound fields

What is a sound field? DSP programs consist of some parameters to determine
apparent room size, reverberation time, distance from you to
In order to explain the impressive functions of the DSP, we the performer, etc. In each program, these parameters are
need to first understand what a sound field really is. preset with values precisely calculated by Yamaha to create
the sound field unique for the program. It is recommended to
What really creates the rich, full tones of a live instrument are use DSP programs without changing values of parameters,
the multiple reflections from the walls of the room. In addition however, this unit also allows you to create your own sound
to making the sound “live”, these reflections enable us to tell fields. Starting with one of the built-in programs, you can adjust
where the player is situated, and the size and shape of the those parameters. Even if the power cord of this unit is
room in which we are sitting. We can even tell whether it is disconnected from the AC outlet, your custom sound fields will
highly reflective with steel and glass surfaces, or more remain in the DSP’s memory for about one week. The
absorbent with wood panels, carpeting and curtains. following page details how to make your own sound fields.

Each DSP program has a set of parameters that allow you to

The elements of a sound field change the characteristics of the acoustic environment to
precisely create the effect you want. For the programs which
In any environment, in addition to the direct sound coming have subprograms, each subprogram has a set of parameters.
straight to our ears from the player’s instrument, there are two These parameters correspond to the many natural acoustic
distinct types of sound reflections that combine to make up the factors that create the sound field you experience in an actual
sound field: concert hall or other listening environment. The size of the
room, for example, affects the length of time between the
(1) Early Reflections. “early reflections”—that is, the first few widely spaced
Reflected sounds reach our ears extremely rapidly reflections you hear after the direct sound. The “ROOM SIZE”
(50 ms — 100 ms after the direct sound), after reflecting parameter provided in many of the DSP programs alters the
from one surface only—for example, from the ceiling or a timing between these reflections, thus changing the shape of
wall. These reflections fall into specific patterns as shown the “room” you hear. In addition to room size, the shape of the
in the diagram on page 62 for any particular environment, room and the characteristics of its surfaces have a significant
and provide vital information to our ears. Early reflections effect on the final sound. Surfaces that absorb sound, for
actually add clarity to the direct sound. example, cause the reflections and reverberations to die out
quicker, while highly reflective surfaces allow the reflections to
(2) Reverberations. carry on for a longer period of time. The DSP parameters allow
These are caused by reflections from more than one you to control these and many other factors that contribute to
surface—walls, ceiling, the back of the room—so your personal sound field, allowing you to essentially
numerous that they merge together to form a continuous “redesign” the concert halls, theaters, etc. provided to create
sonic “afterglow”. They are non-directional, and lessen the custom-tailored listening environments that ideally match your
clarity of the direct sound. mood and music.

Direct sound, early reflections and subsequent reverberation Refer to “Descriptions of the digital sound field parameters” on
taken together help us to determine the subjective size and pages 62 to 63 for a description of what each parameter does,
shape of the room, and it is this information that the DSP how it effects the sound, and its control range.
reproduces in order to create sound fields.

If you could create the appropriate early reflections and

subsequent reverberations in your listening room, you would
be able to create your own listening environment. The
acoustics in your room could be changed to those of a concert
hall, a dance floor, or virtually any size room at all. This ability
to create sound fields at will is exactly what Yamaha has done
with the DSP.

60
 ADVANCED FEATURES

English
m Selecting and editing program parameters
This adjustment can be made only by using the remote controller
and watching the monitor screen or the display panel. /DTS
SURROUND MOVIE
MOVIE
THEATER 2
SLEEP
POWER
INDEX
DISP

ON SCREEN
2
3
CD THEATER 1 TAPE/MD TV
TUNER VCR REC TV INPUT
1 3
2 / A/B
Note MONO MOVIE
DVD/LD TV SPORTS
DISCO
VCR
TV/DBS
Information on the monitor screen would be 4
5
6

easier to see than the display panel.

ROCK
PHONO
7
HALL
JAZZ CLUB
V-AUX
8
CHURCH

9
TEST
DIR
A
SELECT
DIR
B
4, 5
EXT. DEC. +100
0 +10 CLEAR SET UP RETURN
ENTER

3 DSP
A/B/C/D/E

DISC SKIP
PRESET
EFCT
ON/OFF
SUBTITLE
ON/OFF

TITLE

LEVEL
ANGLE
AUDIO
MENU

SET MENU

1 Set the selector dial of the remote controller to “DSP” or

“AMP/TUN”.
4 Select the parameter which you want to edit.

POWER STANDBY

DSP or AMP/TUN AMP/TUN

DIR DIR
A B
SELECT

2 Turn on your monitor. If the currently selected type of

display is not the full display, press the ON SCREEN
display key and select the full display.
5 Change the value on the selected parameter to create
the effect you want.
INDEX
DISP
ON SCREEN
DIR DIR
A B
SELECT

3 Select the desired program (or subprogram) by following

the steps 2 and 3 of “Playing a source with an effect
of the digital sound field processor (DSP)” on pages “ ” increases the value of the selected parameter, and
48 and 49. “ ” decreases the value of the selected parameter. In both
cases you can hold the key down to quickly move to the
DSP AMP/TUN desired value.
The display will pause for a moment at the initial set value of
the parameter as a reminder. (On the monitor screen, the
/DTS
SURROUND
CD
1
MOVIE
THEATER 1
TUNER
MOVIE
THEATER 2
TAPE/MD
DSP
mark at the head of the parameter name will disappear upon *
MONO MOVIE
2
3
DISCO
reaching the initial set value of the parameter.)
DVD/LD TV SPORTS VCR
4 TV/DBS 6
5
ROCK
CHURCH
PHONO JAZZ CLUB
V-AUX 9
7
HALL
EXT. DEC.
8
TEST
+100
Notes
+10
● For details about parameters, refer to pages 62 to 63.
/DTS MOVIE
0 CLEAR SURROUND MOVIE THEATER 2
ENTER CD THEATER 1 TAPE/MD
1 TUNER
● Parameter edits made in this way will remain in effect even
A/B/C/D/E 3
2
MONO MOVIE DISCO
DVD/LD TV SPORTS VCR
4 TV/DBS
5
6 if power is lost due to a power failure or the power plug is
ROCK
PHONO
7
JAZZ CLUB
V-AUX
CHURCH

9
disconnected from the AC outlet for up to about one week,
8
HALL
EXT. DEC.
TEST
+100 after which all parameters, as well as other adjustments or
0 +10 CLEAR
ENTER setting changes on this unit, will return to their initial values
A/B/C/D/E
or conditions.
The selected program name and its parameters will be
displayed on the monitor screen. The arrow-shaped
cursor points to the first parameter or subprogram name.

61
 ADVANCED FEATURES

m Descriptions of the digital sound field parameters

Not all of the following parameters are found in every program.

● ROOM SIZE
How it Affects the Sound: P. ROOM SIZE (Presence Room Size)
Changes the apparent size of the music venue. The larger Adjusts the apparent space size of the front presence sound
the value, the larger the simulated room will sound. field. The larger the value, the longer the interval between
reflections becomes, which increases the depth of the sound
What it Does: source.
Adjusts the timing between the early reflections. Early S. ROOM SIZE (Surround Room Size)
reflections are the first group of reflections you hear before
the subsequent, dense reverberation begins. Adjusts the apparent space size of the rear surround sound field.
The larger the value, the larger the surround sound field
Control Range: becomes.
0.1 – 2.0
Standard setting is 1.0.

Changing this parameter from 1 to 2 increases the apparent

volume of the room eight times (length, width, and height all
doubled).

Level Direct sound Level Direct sound Level Direct sound

Early reflections Early reflections Early reflections

Small Large

Time Time Time

Small space Large space

● INIT. DELAY (Initial Delay)

How it Affects the Sound: P. INIT. DLY (Presence Initial Delay)
Changes the apparent distance from the source sound. Adjusts the delay between the direct sound and the first reflection
on the presence side of the sound field. The larger the value, the
Since the distance between a sound source and a reflective later the first reflection begins.
surface determines the delay between the direct sound and
the first reflection, this parameter changes the location of the Control Range:
sound source within the acoustic environment.
1 – 99 milliseconds
What it Does:
Adjusts the delay between the direct sound and the first
reflection heard by the listener.
S. INIT. DLY (Surround Initial Delay)
Adjusts the delay between the direct sound and the first reflection
Control Range: on the rear surround side of the sound field. The larger the value,
1 – 99 milliseconds the later the first reflection begins.

For a small living room this parameter would be set for a small Control Range:
value. Large values for a big room. Larger values produce an 1 – 49 milliseconds
echo effect.
Level Level Level
Direct sound
Early reflections

Small Large

INIT. DLY
Time INIT. DLY
Time INIT. DLY Time

62
 ADVANCED FEATURES

English
● LIVENESS ● REV. TIME (Reverberation Time)
How it Affects the Sound: How it Affects the Sound:
This parameter changes the apparent reflectivity of the walls The natural reverberation time of a room depends primarily
in the hall. on its size and the characteristics of its inner surfaces. This
parameter, therefore, changes the apparent size of the
The early reflections from a sound source will lose intensity acoustic environment over an extremely wide range.
(decay) much faster in a room with acoustically absorbent
wall surfaces than in one which has mostly reflective What it Does:
surfaces. A room with highly reflective surfaces in which the
early reflections decay slowly is termed “live”, while a room Adjusts the amount of time it takes for the level of the dense,
with absorbent characteristics in which the reflections decay subsequent reverberation sound to decay by 60 dB (1 kHz).
rapidly is termed “dead”. The LIVENESS parameter lets you
adjust the early reflection decay rate, and thus the “liveness” Control Range:
of the room. 1.0 – 5.0 seconds.
What it Does: The reverb time in a small-to-medium size hall would be
Changes the rate at which the early reflections decay. between 1 and 2, and in a large hall it is normally between 2
and 3.
Control Range:
0 – 10.

Level Level Direct sound Level

LIVENESS (Presence Liveness) Early reflections

Adjusts the apparent reflectivity of the walls on the front presence

sound field. The larger the value, the more reflective the front 60 dB Small 60 dB Large 60 dB

presence sound field becomes.

REV. TIME
Time REV. TIME
Time REV. TIME
Time
S. LIVENESS (Surround Liveness) Reverberations Reverberations Reverberations

Adjusts the apparent reflectivity of the walls on the rear surround

sound field. The larger the value, the more reflective the rear
surround sound field becomes.
Level Level Direct sound Level

Small Large

Dead Time Time Live Time

● REV. LEVEL (Reverberation Level) ● S. DELAY (Surround Delay)

This parameter adjusts the volume of the reverberation sound. Adjusts the delay between the direct sound and the first
The larger the value, the stronger the reverberation becomes. reflection on the rear surround side sound field. The larger the
value, the later the surround sound field is generated.
Control Range:
0 – 100% Control Range:
When Dolby Pro Logic Surround is decoded:
Level 15 – 30 milliseconds
Direct sound When Dolby Digital or DTS is decoded:
0 – 15 milliseconds
When a program without Dolby Surround or DTS
encoded is used:
15 – 49 milliseconds
REV. LEVEL

Time

63
 ADVANCED FEATURES

Setting the SLEEP timer

Use the built-in SLEEP timer to automatically turn this unit into the standby mode after the time you set elapses. The SLEEP timer is
useful when you plan to fall asleep while this unit is playing back or recording a source. The SLEEP timer also automatically turns off
external units connected to the SWITCHED AC OUTLET(S) on the rear of this unit. The SLEEP timer can only be set using the
remote controller.

To set the SLEEP time To cancel the SLEEP timer

Press the SLEEP key repeatedly until “SLEEP OFF” appears
1 Select the source using the INPUT SELECTOR and
start playback (or select a broadcast station) on the
on the display. (After a while, the display returns to the original
indication.)
source unit.

2 Press the SLEEP key repeatedly until the desired

SLEEP time appears on the display.
* “SLEEP time” is the time that elapses before this unit SLEEP
is automatically turned into the standby mode.

Note
SLEEP
The SLEEP timer setting can also be canceled by setting this
unit into the standby mode with the STANDBY/ON switch on
the front panel (or the STANDBY key on the remote controller)
or disconnecting the power plug of this unit from the AC outlet.

Indicates the SLEEP time.

DVD/LD CD
TV/DBS TUNER
V-AUX PHONO
VCR

SLEEP

Flashes.

Each time you press the SLEEP key, the SLEEP time
changes as follows.

(Minutes)
120 90 60 30

SLEEP OFF
(The SLEEP timer is off.)

After a while, the display returns to the original indication.

64
 REMOTE CONTROLLER

English
The remote controller is designed to control the most commonly used functions. If you have other Yamaha audio and video
components with remote control capability, this remote controller will also control various functions of them.
In addition, this remote controller can control other manufacturers’ audio and video components by programming the remote
controller with the codes for other manufacturers.

Basic operation

1 Select the position for the component that you want to

control by turning the selector dial.
2 Press an operation key.
Note: Press a key with the remote controller aimed at the
Note: Turn the selector dial until it stops with a click. front panel.

POWER STANDBY

Selected position
AMP/TUN
is shown.

The indicator will flash

when a key is pressed.

Components which can be controlled

The selector dial can be turned to select nine positions. The components which can be controlled with the remote controller differs
depending on the selected position. Refer to the diagram below to know what components can be controlled for each position.

AMP/TUN
AMP/TUN
POWER STANDBY
This unit can be controlled. Normally set to this position
AMP/TUN TAPE/MD
TAPE/MD
Tape decks and MD recorders can be controlled.
* Keys are originally preset to control Yamaha tape decks. To control a Yamaha MD
recorder, enter the code for Yamaha MD recorders.
/DTS MOVIE
SURROUND MOVIE THEATER 2
CD
1
THEATER 1
TUNER
TAPE/MD
3
CD
CD
2
MONO MOVIE
DVD/LD
4
TV SPORTS
TV/DBS
DISCO
VCR
6
CD players can be controlled.
5
* Keys are originally preset to control Yamaha CD players.

DSP
DSP
This unit can be controlled and DSP programs can be selected directly.
DVD/LD
DVD/LD
DVD players and LD players can be controlled.
* To control the Yamaha model DVD-1000 or DVD-S700, enter the code number “4490”.
DVD MENU
DVDMENU
DVD players can be controlled.
* A code for a DVD player cannot be entered in this position.

VCR
VCR
VCRs can be controlled.
CBL/DBS
CBL/DBS
Cable TVs or DBS tuners can be controlled.

TV
TV
TVs can be controlled.
Notes
● You can program the remote controller with the codes for ● For the DVD/LD and DVD MENU positions:
other manufactures for all positions (except AMP/TUN and If you enter a code for a DVD player in the DVD/LD position,
DSP) respectively. the keys in the DVD MENU position become also available
For example, if your CD player is not a Yamaha model, for controlling the DVD player. You cannot enter a code for
enter the code for the manufacture of the CD player when a DVD player when the DVD MENU is selected.
the CD position is selected. You can control your CD player ● You can enter the code for your second (or third) VCR in the
with the remote controller when the CD position is selected. CBL/DBS position if you do not use a cable TV, DBS tuner, etc.
You can enter one code for one position. You can also enter the code for your second (or third) VCR in
Refer to page 71 for details about entering codes. the DVD MENU position if you do not use a DVD player. In this
● Some Yamaha CD players and tape decks cannot be case, however, you must enter a code for an LD player in the
controlled with the default codes. To control such a model, DVD/LD position even if you do not use an LD player.
enter the code for the model in the corresponding position. Refer to page 71 for details.
65
 REMOTE CONTROLLER

Key name and function

The key functions differ depending on the position selected by the selector dial as shown below.

m AMP/TUN AMP/TUN

* The keys drawn in a light tone do not function.

1 POWER
Press this key to turn on the power of this unit.
POWER STANDBY

1 B 2 Input selector keys

AMP/TUN
Press a key to select the input source.
C
3 EXT. DEC.
Press this key to select the input signals from the EXTERNAL
DECODER INPUT terminals as the input source. This function
takes priority over the input selector key setting. “EXT.
/DTS MOVIE
SURROUND
CD
MOVIE THEATER 2
TAPE/MD
DECODER” will be illuminated on the display panel.
THEATER 1
1 TUNER
3 The source selected with the input selector keys becomes the
2 MONO MOVIE
DVD/LD
2
TV SPORTS
DISCO
VCR
current input source when “EXT. DECODER” is not illuminated
TV/DBS
4
5
6 on the display panel.
ROCK
PHONO JAZZ CLUB
CHURCH
* If the DSP key (5) is pressed, you can select the HALL
7 V-AUX
8
9 D program by pressing this key while the indicator (C) is
3 HALL
EXT. DEC.
TEST
+100 illuminated.
4
0 +10
ENTER
CLEAR
E
5 DSP
A/B/C/D/E
EFCT
F 4 A/B/C/D/E
DISC SKIP
PRESET ON/OFF Press this key to select a group of preset stations.
6 CH TV CH

(TV VOLUME) 5 DSP

7 CODE SET
Press this key. While the indicator (C) is illuminated for about
8 MUTE
three seconds, select a DSP program using the keys
VOLUME
(2, 3, D). No DSP program can be selected after the
INDEX indicator goes off.
9 SLEEP
POWER
DISP
ON SCREEN
G
VCR REC
/
TV
TV INPUT
A/B
6 PRESET +/–
(TV POWER) +: Press this key to select the next preset station number.
–: Press this key to select the previous preset station
number.
0 DIR
A
DIR
B
SELECT

SET UP RETURN
7 VOLUME (up)/ (down)
Press these keys to increase or decrease the volume.
SUBTITLE ANGLE

A
ON/OFF

TITLE
AUDIO
MENU
H 8 MUTE
LEVEL SET MENU Press this key to mute the volume. The volume can be
returned to the original level by pressing any remote controller
key which controls this unit.
The indicator on the VOLUME control flashes during the mute
mode.

9 SLEEP
Press this key to turn the built-in SLEEP timer on and off, and
set the SLEEP time. (Refer to page 64.)

0 / / /
The (up) and (down) keys select the DSP parameters,
or select speaker(s) or functions according to the mode
Note selected by the LEVEL or SET MENU key. The or keys
TV POWER and TV VOLUME function if you have entered the adjust or make changes in the selected parameter, speaker(s)
code for your TV. or function.

66
 REMOTE CONTROLLER

English
A LEVEL F EFCT ON/OFF
This key is used to adjust the output level of the center Press this key to turn on/off the digital sound field processor,
speaker, rear speakers and subwoofer. First, press this key. which includes the Dolby Pro Logic Surround decoder, Dolby
Then select the speaker(s) by pressing this key repeatedly or Digital decoder and DTS decoder.
by using the or key (0). The name will be illuminated
on the display. Then press the or key (0) to change G ON SCREEN
the output level. Press this key to change the type of display on the monitor
screen. Three types of displays are available.
B STANDBY Each time the key is pressed, the information can be changed
Press this key to set this unit in the standby mode. to a full, simple and no display.

C Indicator H SET MENU

This indicator flashes when a key is pressed on the remote Press this key to turn the unit into the SET MENU mode.
controller. (Transmitting infrared signals.) Select a function by pressing this key repeatedly or by using
the or key (0). The function name will be illuminated
D CHURCH on the display. Then press the or key (0) to adjust or
If the DSP key (5) is pressed, you can select the CHURCH make settings in the function.
program by pressing this key while the indicator (C) is
illuminated.

E TEST
This key is used when adjusting the speaker balance. (Refer to
pages 30 to 32.)

m DSP DSP

The functions of all keys are the same with the AMP/TUN
POWER STANDBY position except the DSP program selector keys figured on
the left.
DSP

DSP program selector keys

Press a key corresponding to the DSP program you want to
select. The program is directly selected.
Note: Press “0” to select the program No. 10.
/DTS MOVIE
SURROUND MOVIE THEATER 2
CD THEATER 1 TAPE/MD
1 TUNER
3
2
MONO MOVIE DISCO
DSP program DVD/LD TV SPORTS VCR
4 TV/DBS 6
selector keys 5
ROCK
CHURCH
PHONO JAZZ CLUB
V-AUX 9
7
8
HALL TEST
EXT. DEC. +100
0 +10 CLEAR
ENTER

67
 REMOTE CONTROLLER

The keys drawn in a light tone do not function. For the keys which are not described here, see “AMP/TUN” on page 66. For details,
refer to the instruction manual for each of your components.

m TAPE/MD TAPE/MD

For tape decks

1 POWER
1
POWER STANDBY

This key turns on this unit when the default code is used.
TAPE/MD
If another code is entered and your tape deck’s remote
controller has a power key, this key will turn on the tape deck.

2 REC/PAUSE
Press this key to set the tape deck in the recording pause
/DTS MOVIE
SURROUND MOVIE THEATER 2
CD THEATER 1 TAPE/MD
1 TUNER
3
2
mode.
INPUT
MONO MOVIE DISCO
DVD/LD TV SPORTS VCR
4 TV/DBS 6
5

3 DIR A
ROCK
CHURCH
PHONO JAZZ CLUB
V-AUX 9
7
8
HALL TEST
EXT. DEC.
0 +10
+100
CLEAR
Press this key to select the playing direction of DECK A.
ENTER

A/B/C/D/E
DSP
DISC SKIP
PRESET
EFCT
ON/OFF
4 PLAY
CH TV CH

(TV VOLUME) Press this key to play a tape.

CODE SET

MUTE

VOLUME 5 REWIND
Press this key to rewind a tape.
(TV POWER) SLEEP
POWER
TV
INDEX
DISP

ON SCREEN
6
2 VCR REC
/
TV INPUT
A/B
7 7 DECK A/B
8 Press this key to select A or B on a double cassette tape deck.
3 DIR DIR 9
4 A
SELECT
B

0 9 DIR B
5
SET UP RETURN

SUBTITLE ANGLE Press this key to select the playing direction of DECK B.
A
ON/OFF AUDIO
TITLE MENU

LEVEL SET MENU

0 STOP
Press this key to stop a tape.

A FAST FORWARD
Press this key to fast forward a tape.

Note For MD recorders

TV POWER and TV VOLUME function if you have entered the Enter the proper code for your MD recorder.
code for your TV.
1 POWER
This key turns on this unit if a code for a Yamaha MD recorder
is entered. If another manufactuer’s code is entered and your
MD recorder’s remote controller has a power key, this key will
turn on the MD recorder.

2 REC/PAUSE

3 SKIP

4 PLAY
5 BACKWARD

6 DISPLAY
8 PAUSE
9 SKIP

0 STOP
A FAST FORWARD

68
 REMOTE CONTROLLER

English
The keys drawn in a light tone do not function. For the keys which are not described here, see “AMP/TUN” on page 66. For details,
refer to the instruction manual for each of your components.

m CD CD
Note
TV POWER, TV VOLUME and TV INPUT function if you have entered the
code for your TV.
1
POWER STANDBY

1 POWER 6 PAUSE
CD

This key turns on this unit when the Press this key to pause playback.
default code is used. If another code This key functions as PAUSE/STOP
/DTS
SURROUND MOVIE
MOVIE
THEATER 2
is entered and your CD player’s for operating Yamaha CD players
CD THEATER 1 TAPE/MD
1 TUNER
2
3 remote controller has a power key, under default settings.
INPUT
MONO MOVIE DISCO
DVD/LD VCR
this key will turn on the CD player.
7 STOP
TV SPORTS
4 TV/DBS 6
5

2 DISC SKIP
ROCK
CHURCH
PHONO JAZZ CLUB
7
HALL
V-AUX
8
9
TEST
Press this key to stop playback.
+100
EXT. DEC.
0 +10
ENTER
CLEAR Press these keys to skip to the next This key functions as PAUSE/STOP
DSP
A/B/C/D/E
EFCT
or previous CD. for operating Yamaha CD players
DISC SKIP
under default settings.
2
ON/OFF

3
PRESET

CH TV CH
, SKIP
CODE SET
(TV VOLUME)
Press to skip to the beginning of 8 FAST FORWARD
MUTE

VOLUME
the next track. Press this key to advance playback
INDEX (TV INPUT) Press to skip to the beginning of rapidly.
(TV POWER) SLEEP
POWER
TV
DISP
ON SCREEN
the current or previous track.
VCR REC TV INPUT
A/B

6
/

3 4 PLAY
4 DIR
A
SELECT
DIR
B

7
Press this key to play a CD.
5
SET UP

SUBTITLE
RETURN

ANGLE
5 BACKWARD
ON/OFF

TITLE
AUDIO
MENU
8 Press this key to reverse playback
SET MENU
LEVEL
rapidly.

m DVD/LD DVD/LD
m DVD MENU DVDMENU

(*1): For a DVD player:

(*1) This key turns on this unit when
POWER STANDBY POWER STANDBY

POWER the default code is used. POWER

DVD/LD DVDMENU

For an CD player:
This key turns on this unit if a
code for a Yamaha LD player is
/DTS MOVIE /DTS MOVIE
SURROUND
CD
1
MOVIE
THEATER 1
TUNER
THEATER 2
TAPE/MD entered. SURROUND
CD
1
MOVIE
THEATER 1
TUNER
THEATER 2
TAPE/MD
3 3
2 2

INPUT
MONO MOVIE

Numeric
DISCO MONO MOVIE DISCO
DVD/LD TV SPORTS VCR DVD/LD TV SPORTS VCR
4 TV/DBS 6 4 TV/DBS 6
5 5
ROCK
PHONO JAZZ CLUB
V-AUX
CHURCH
keys ROCK
PHONO JAZZ CLUB
V-AUX
CHURCH

7 9 7 9
8 8
HALL TEST HALL TEST
EXT. DEC. +100 EXT. DEC. +100
+10 +10
0
ENTER
CLEAR 0
ENTER
CLEAR
CLEAR
DSP
A/B/C/D/E

DISC SKIP
EFCT
ON/OFF
+10 DSP
A/B/C/D/E

DISC SKIP
EFCT
ON/OFF
PRESET PRESET

DISC SKIP CH TV CH DISC SKIP CH TV CH

CODE SET
(TV VOLUME) CODE SET
(TV VOLUME)
MUTE MUTE

VOLUME

INDEX
DISPLAY
VOLUME

INDEX
TITLE/INDEX
SLEEP DISP SLEEP DISP
POWER POWER

(TV POWER) VCR REC

TV
ON SCREEN

TV INPUT (TV INPUT) (TV POWER) VCR REC

TV
ON SCREEN

TV INPUT
(TV INPUT)
/ A/B / A/B

PAUSE MENU UP
SKIP/SEARCH MENU LEFT
DIR
A
DIR
B
DIR
A
DIR
B
MENU RIGHT
PLAY SET UP
SELECT

RETURN STOP MENU SELECT SET UP

SELECT

RETURN MENU DOWN

SUBTITLE (DVD)/ SUBTITLE ANGLE
SET UP SUBTITLE ANGLE

BACKWARD (LD) ON/OFF AUDIO ANGLE (DVD) ON/OFF AUDIO

RETURN
TITLE MENU

SET MENU
TITLE TITLE MENU

SET MENU
LEVEL
AUDIO (DVD) LEVEL
MENU
SUBTITLE
ON/OFF (DVD)

Note Note
TV POWER, TV VOLUME and TV INPUT function if TV POWER, TV VOLUME and TV INPUT function if
you have entered the code for your TV. you have entered the code for your TV.

69
 REMOTE CONTROLLER

The keys drawn in a light tone do not function. For the keys which are not described here, see “AMP/TUN” on page 66. For details,
refer to the instruction manual for each of your components.

m VCR VCR
m TV TV

Note Note
TV POWER, TV VOLUME and TV INPUT function if you have You can control your VCR if you have entered the code for it.
entered the code for your TV.

POWER STANDBY POWER STANDBY

POWER
VCR TV

/DTS MOVIE /DTS MOVIE

SURROUND MOVIE THEATER 2 SURROUND MOVIE THEATER 2
CD THEATER 1 TAPE/MD CD THEATER 1 TAPE/MD
1 TUNER 1 TUNER
3 3
2 2

CHANNEL
MONO MOVIE DISCO MONO MOVIE DISCO

CHANNEL DVD/LD
4
TV SPORTS
TV/DBS
VCR
6
DVD/LD
4
TV SPORTS
TV/DBS
VCR
6
5 5
ROCK ROCK
CHURCH CHURCH
PHONO JAZZ CLUB PHONO JAZZ CLUB
V-AUX 9 V-AUX 9
7 7
8 8
HALL TEST HALL TEST
EXT. DEC. +100 EXT. DEC. +100
+10 +10
CHANNEL 0
ENTER
CLEAR
CHANNEL 0
ENTER
CLEAR
TV EFFECT
A/B/C/D/E A/B/C/D/E
ENTER DSP
DISC SKIP
EFCT

ON/OFF
ENTER DSP
DISC SKIP
EFCT

ON/OFF
ON/OFF
PRESET PRESET

CHANNEL CH TV CH CHANNEL CH TV CH

+(UP)/–(DOWN) (TV VOLUME) +(UP)/–(DOWN) TV VOLUME

CODE SET CODE SET

MUTE

VOLUME
TV MUTE MUTE

VOLUME

(TV POWER) INDEX TV SLEEP INDEX

SLEEP
POWER
DISP
ON SCREEN
DISPLAY SLEEP
POWER
DISP
ON SCREEN
DISPLAY
VCR REC
TV
TV INPUT TV POWER VCR REC
TV
TV INPUT

VCR REC (*1) / A/B

(TV INPUT) / A/B
TV INPUT

PLAY DIR DIR

PAUSE DIR DIR
A B A B
SELECT SELECT

SET UP RETURN STOP SET UP RETURN

REWIND SUBTITLE
ON/OFF

TITLE
ANGLE
AUDIO
MENU
FAST SUBTITLE
ON/OFF

TITLE
ANGLE
AUDIO
MENU
(VCR)
LEVEL SET MENU FORWARD LEVEL SET MENU

(*1) Press this key twice to start recording.

m CBL/DBS CBL/DBS
POWER STANDBY

POWER
CBL/DBS

Note
TV POWER, TV VOLUME and TV INPUT function if you
have entered the code for your TV.
/DTS MOVIE
SURROUND MOVIE THEATER 2
CD THEATER 1 TAPE/MD
1 TUNER
3
2

CHANNEL
MONO MOVIE DISCO
DVD/LD TV SPORTS VCR
4 TV/DBS 6
5
ROCK
CHURCH
PHONO JAZZ CLUB
V-AUX 9
7
8
HALL TEST
EXT. DEC. +100
CHANNEL 0 +10
ENTER
CLEAR
+100
ENTER DSP
A/B/C/D/E

DISC SKIP
EFCT
ON/OFF
PRESET

CHANNEL CH TV CH

+(UP)/–(DOWN) CODE SET

(TV VOLUME)
MUTE

VOLUME

SLEEP
INDEX
DISP
DISPLAY
POWER
ON SCREEN

(TV POWER) VCR REC

TV
TV INPUT
(TV INPUT)
/ A/B

MENU SELECT MENU UP

MENU LEFT DIR
A
DIR
B
MENU RIGHT
SELECT

SET UP RETURN MENU DOWN

SUBTITLE ANGLE
ON/OFF

TITLE
AUDIO
MENU
RECALL
LEVEL SET MENU
MENU

70
 REMOTE CONTROLLER

English
Entering manufacturer codes
If you have a component which is not a Yamaha model, you can enter the code for the manufacturer of the component in the
corresponding position of the selector dial. By doing so, you can control the component with the remote controller.
Refer to the code list at the end of this manual for the code numbers you need.
Notes
● Some Yamaha CD players and tape decks cannot be controlled with the default codes. To control such a model, enter the code
for the model in the corresponding position.
● If there is no code applicable for your component in the code list, you must use the remote controller provided for the component.

Entering a code Entering a code for a second (or third) VCR

You can use the CBL/DBS or DVD MENU position, or both of
1 Set the selector dial to the position for controlling the them to control a second (and/or third) VCR if you do not use a
cable TV, DBS tuner, DVD player etc.
component. (For example, set to “VCR” for a VCR.)
* If you will use the DVD MENU position for a second (or third)
POWER STANDBY
VCR, you must enter the code for an LD player in the DVD/LD
VCR
position.

/DTS
SURROUND
CD
MOVIE
THEATER 1
MOVIE
THEATER 2
TAPE/MD
1 Set the selector dial to the CBL/DBS or DVD MENU
2 Press both of the VOLUME and keys at the
position.
POWER STANDBY

same time and hold them until the indicator flashes DVDMENU

twice. TV

POWER STANDBY

CODE SET

/DTS MOVIE
VCR
MUTE SURROUND THEATER 2

Flashes
MOVIE
CD THEATER 1 TAPE/MD

VOLUME

twice.
2 Press both of the VOLUME and keys at the
same time and hold them until the indicator flashes
3 Use the numeric keys to enter the four-digit
twice. TV

POWER STANDBY

manufacturer code for the component to be used. CODE SET

DVDMENU

Make sure that the indicator flashes twice. MUTE

Flashes
VOLUME
twice.
/DTS MOVIE
SURROUND MOVIE THEATER 2
CD THEATER 1 TAPE/MD POWER STANDBY
1 TUNER
3
2
MONO MOVIE DISCO
DVD/LD TV SPORTS VCR VCR
TV/DBS
4
ROCK
PHONO
5
JAZZ CLUB
6

CHURCH
Flashes
twice.
3
V-AUX 9
7 TV
8
TEST

Press the MUTE key.

HALL
EXT. DEC. +100
0 +10 CLEAR
ENTER
CODE SET
A/B/C/D/E

MUTE

VOLUME
* If the indicator does not flash, repeat step 3 and enter
the code again.

4 Try operating the component with the remote controller

4 Use the numeric keys to enter the four-digit
manufacturer code for the second (or third) VCR. Make
to check the code entering is successful. sure that the indicator flashes twice.
/DTS MOVIE
SURROUND MOVIE THEATER 2
CD THEATER 1 TAPE/MD POWER STANDBY
TUNER

Note 1
MONO MOVIE
DVD/LD
2
TV SPORTS
3
DISCO
VCR
DVDMENU

If the component cannot be controlled, enter another code for 4

ROCK
TV/DBS
5
6

CHURCH
Flashes
PHONO JAZZ CLUB

the same manufacturer. 7

HALL
V-AUX
8
9
TEST
twice.
EXT. DEC. +100
0 +10 CLEAR
ENTER

A/B/C/D/E

* If the indicator does not flash, repeat step 4 and enter the
code again.

5 Try operating the component with the remote controller

to check the code entering is successful.

Note
If the component cannot be controlled, enter another code for
the same manufacturer.

71
 REMOTE CONTROLLER

Restoring the default codes

To restore the default codes for the all To restore the default code for each
positions. position

1 Press both of the VOLUME and keys at the 1 Set the selector dial to the position for which you want to
same time and hold them until the indicator flashes restore the default code.
twice.
TV POWER STANDBY

Flashes
CODE SET
twice. POWER STANDBY
DVDMENU

MUTE
DVDMENU
VOLUME

/DTS MOVIE
SURROUND MOVIE THEATER 2
CD THEATER 1 TAPE/MD

2 Press both of the VOLUME and keys at the

2 Enter the code number “9987”. same time and hold them until the indicator flashes
* Make sure that the indicator flashes twice. twice.
TV

/DTS MOVIE
SURROUND MOVIE THEATER 2
CD THEATER 1 TAPE/MD
POWER STANDBY CODE SET POWER STANDBY
1 TUNER
3
2
MONO MOVIE
DVD/LD
DISCO
VCR
MUTE
TV SPORTS
TV/DBS DVDMENU DVDMENU
4
ROCK
PHONO
5
JAZZ CLUB
6

CHURCH Flashes VOLUME Flashes

V-AUX
7
HALL
EXT. DEC.
8
9
TEST
+100
twice. twice.
0 +10 CLEAR
ENTER

A/B/C/D/E

3 Enter the code number “9999”.

* Make sure that the indicator flashes twice.
/DTS MOVIE
SURROUND MOVIE THEATER 2
CD THEATER 1 TAPE/MD
POWER STANDBY
1 TUNER
3
2
MONO MOVIE DISCO
DVD/LD TV SPORTS VCR
TV/DBS DVDMENU
4 6
5
ROCK

Flashes
CHURCH
PHONO JAZZ CLUB
V-AUX 9
7
8
HALL TEST
EXT. DEC.
0 +10
ENTER
+100
CLEAR twice.
A/B/C/D/E

Default codes
The following codes are preset as the default code.

Position Component Code

TV TV 0037
CBL/DBS DBS tuner 2455
VCR VCR 3072
DVD/LD DVD player 4545 YAMAHA
CD CD player 6187 YAMAHA
TAPE/MD Tape deck 8524 YAMAHA

We recommend that you write all code numbers you have

entered on the “Quick Reference Card”.

72
 TROUBLESHOOTING

English
Refer to the chart below when this unit does not function properly. If the problem you are experiencing is not listed below or if the
instruction below does not help, disconnect the power cord and contact your authorized YAMAHA dealer or service center.

General
Problem Cause What to Do
The unit fails to turn on when the Power cord is not plugged in or is not Firmly plug in the power cord.
STANDBY/ON switch is pressed, or turns completely inserted.
into the standby mode suddenly soon after The IMPEDANCE SELECTOR switch on the Set the switch to either end when this unit is
the power is turned on. rear panel is not set to either end. in the standby mode.
This unit does not work normally. There is an influence of strong external Turn this unit into the standby mode and
noise (lightning, excessive static electricity, disconnect the AC power cord from the AC
etc.) or a misoperation on this unit while outlet. After about 30 seconds have passed,
using this unit. connect the power and operate this unit
again.
No sound or no picture. Incorrect output cord connections. Connect the cords properly. If the problem
persists, the cords may be defective.
Appropriate input source is not selected. Select the appropriate input source with the
INPUT SELECTOR or the TAPE/MD
MON/EXT. DECODER button.
Speaker connections are not secure. Secure the connections.
Digital signals other than PCM audio and Play a source whose signals this unit can
Dolby Digital (or DTS) encoded signals reproduce.
which this unit cannot reproduce are input to
this unit by playing a CD-ROM etc.
No picture There is no S video terminal connection Connect this unit’s S VIDEO MONITOR OUT
between this unit and the TV, though S terminal to the TV’s S video input terminal.
video signals are input to this unit.
The sound suddenly goes off. The protection circuit has been activated Turn this unit into the standby mode, and
because of short circuit etc. then turn on to reset the protection circuit.
The SLEEP timer came on. Cancel the SLEEP timer function.
Only one side speaker outputs the sound. Incorrect setting of the BALANCE control. Adjust it to the appropriate position.
Incorrect cord connections. Connect the cords properly. If the problem
persists, the cords may be defective.
No sound from the effect speakers. The EFFECT button is set off. Press the EFFECT button to turn it on.
A Dolby Surround (or DTS) decoding Use a different sound field program.
program is being used with material not
encoded with Dolby Surround (or DTS).
No sound from the center speaker. The function “1. CENTER SPEAKER” in the Select the appropriate position.
SET MENU mode is set to the “NONE” position.
One of the DSP programs No. 6 to No. 10 is Select another program.
selected when the input signal of source is
2-channel stereo (analog/PCM).
The input signals of source encoded with Refer to the instructions for the source
Dolby Digital or DTS do not have center currently played.
channel signals.
Poor bass reproduction. The function “4. LFE/BASS OUT” in the SET Select the MAIN position.
MENU mode is set in the SW or BOTH
position, though your system does not
include a subwoofer.
Output mode selection for each channel Make output mode selections suitable for
(MAIN, CENTER or REAR) is improper. your speaker system.
Sound “hums”. Incorrect cord connections. Firmly connect the audio plugs. If the
problem persists, the cords may be defective.
No connection from the turntable to the Make the GND connection between the
GND terminal. turntable and this unit.
The volume level is low while playing a The record is being played on a turntable The player should be connected to the unit
record. with an MC cartridge. through the MC head amplifier.
The volume level cannot be increased, or The component connected to the TAPE/MD Turn on the power to the component.
sound is distorted. OUT terminals of this unit is turned off.

73
 TROUBLESHOOTING

Problem Cause What to Do

DSP parameters and some other settings The function “11. MEMORY GUARD” in the Set to the “OFF” position.
on this unit cannot be changed. SET MENU mode is set to the “ON” position.
“INPUT DATA ERR” appears on the display A nonstandardized source is played back, or Check the source, or turn off the unit playing
and no sound is heard. the unit playing back a source is back the source and then turn on again.
misoperating.
The sound field cannot be recorded. It is not possible to record the sound field on
a tape deck connected to this unit’s
TAPE/MD OUT terminals.
This unit does not operate properly. The internal microcomputer has been frozen Unplug the AC power cord from the wall AC
by an external electric shock (lightning, outlet, and then plug in again after about one
excessive static electricity, etc.) or power minute.
supply with low voltage.
A source cannot be recorded by a tape The source unit is connected to this unit Make additional connection between analog
deck or VCR connected to this unit. between digital terminals only. terminals.
Noise from nearby TV or tuner. This unit is too close to the affected Move the unit further away from the affected
equipment. equipment.
The sound is degraded when listening with This unit is in the standby mode. Turn the power to this unit on.
the headphones connected to the compact
disc player or tape deck that is connected
with this unit.

Remote controller
Problem Cause What to Do
The remote controller does not work. The batteries of this remote controller are Replace the batteries with new ones.
weak.
The remote controller does not function Wrong distance or angle. The remote controller will function from a
properly. maximum range of 6 meters, no more than 30
degrees off-axis from the front panel.
Direct sunlight or lighting (of an inverter type Change position of the main unit.
of fluorescent lamp etc.) is striking the remote
control sensor of the main unit.
This unit or another component cannot be The selector dial of the remote controller is Set the selector dial to the proper position.
controlled with the remote controller. not set at the proper position.
The code for controlling the component is not Enter the code for controlling the component
preset to the remote controller. in the corresponding position of the remote
controller.

74
 TROUBLESHOOTING

English
Tuner
Problem Cause What to Do
FM stereo reception is noisy. Because of the characteristics of FM stereo Check the antenna connections.
broadcasts, this is limited to cases where Try using a high quality directional FM
the transmitter is too far away or the antenna.
antenna input is poor. Set the TUNING MODE button to the manual
tuning mode.
There is distortion and clear reception There is multipath interference. Adjust antenna placement to eliminate
FM

cannot be obtained even with a good multipath interference.

FM antenna.
A desired station cannot be tuned in The station is too weak. Use the manual tuning method.
with the automatic tuning method. Use a high quality directional FM antenna.
Previously preset stations can no This unit has been unplugged for a long Repeat the presetting procedure.
longer be tuned in. period.
A desired station cannot be tuned in Weak signal or loose antenna connections. Tighten the AM loop antenna connections
with the automatic tuning method. and rotate it for best reception.
Use the manual tuning method.
There are continuous crackling and Noises result from lightning, fluorescent Use an outdoor antenna and a ground wire.
AM

hissing noises. lamps, motors, thermostats and other This will help somewhat but it is difficult to
electrical equipment. eliminate all the noises.
There are buzzing and whining noises A television set is being used nearby. Relocate this unit away from the TV.
(especially in the evening).

When playing back a source encoded with DTS:

Problem Cause What to Do
A loud hissing noise is heard when you The player which plays back the source is The player must be connected to a digital
play back a source encoded with DTS. not connected to a digital audio signal input audio signal input terminal of this unit besides
terminal of this unit. analog audio signal terminal connections.
The “ANALOG” input mode is selected on Select a proper input mode on this unit to turn
this unit. on the DTS decoder built into this unit.
A percussive noise is heard when you If the “AUTO” input mode is selected, Set the input mode of the currently selected
begin playing back a source encoded with depending on some sources, there may be a input source to “DTS”.
DTS. case that a noise is heard while this unit is
identifying the format of input signal.
No sound is heard when you play back a The DTS decoder built into this unit does not Set the player’s digital volume control at the
source encoded with DTS, even though the function because the player has a digital maximum, neutral or ineffective position.
“AUTO” or “DTS” input mode is selected volume control and it is set at a position
on this unit. other than “maximum”, “neutral” or
“ineffective”.
No sound is heard when you play back an A source encoded with DTS cannot be
MD onto which you have recorded a recorded onto an MD.
source encoded with DTS.
No sound is heard when you play back a Depending on a DAT deck, a source
DAT onto which you have recorded a encoded with DTS cannot be recorded onto
source encoded with DTS. a DAT.
No sound is heard when you play back a In the “AUTO” mode, DTS-decoding mode Press the INPUT MODE button on the front
source (CD etc.) even though the currently cannot be changed to the normal (PCM) panel or the input selector button (for the
selected input mode is “AUTO”. digital signal input mode automatically. currently selected source) on the remote
controller so that “PCM” appears on the
monitor screen.

Notes
• It is necessary to use a DTS decoder to play back a source encoded with DTS, so the player which plays back a source must be
connected to a digital audio input terminal of this unit in the way described in this manual. If this connection is not made or only a
D-to-A converter is used without using a DTS decoder, when you play back a source, only a loud hiss noise will be heard.
• If you make a search (or skip etc.) operation while playing back a source encoded with DTS, the “dts” indicator goes out from the
display. This is because this unit automatically changes the DTS-decoding mode to the standard (PCM) digital signal input mode
to prevent a noise from being output.
• A source encoded with DTS cannot be recorded onto analog audio and video tapes, and also, an analog tape recorded with a
source encoded with DTS cannot be played back.
The same result is obtained for MDs and DATs (depending on a DAT deck used for recording and/or playback).

75
 SPECIFICATIONS
AUDIO SECTION Output Level/Impedance Gain Tracking Error (0 to –60 dB)
REC OUT ....................... 150 mV/1.0 k-ohms MAIN L/R ....................................3 dB or less
Minimum RMS Output Power Per Channel PRE OUT ............................ 2.6V/1.1 k-ohms
(Power Amp. Section) SUBWOOFER (MAIN SP: SMALL)
(When both channels are driven) ............................................ 4.0V/1.2 k-ohms VIDEO SECTION
MAIN L/R
20 Hz to 20 kHz, 0.04% THD, 8 ohms Headphone Jack Rated Output/Impedance Video Signal Type
................................................ 85W+85W Output Level [U.S.A. and Canada models] ................NTSC
1 kHz, 0.07% THD, 8 ohms CD/TAPEzMD/DVDzLD/TVzDBS/VCR [Europe, U.K., Australia and Singapore
............................................ 100W+100W /VIDEO AUX Input: 1 kHz, models] .................................................. PAL
CENTER 150 mV, RL=8 ohms ........................ 0.55V [China and General models] ....... NTSC/PAL
20 Hz to 20 kHz, 0.04% THD, 8 ohms Impedance .................................... 390 ohms
.......................................................... 85W Video Signal Level ................. 1 Vp-p/75 ohms
1 kHz, 0.07% THD, 8 ohms ............ 100W Frequency Response (20 Hz to 20 kHz)
REAR L/R CD/TAPEzMD/DVDzLD/TVzDBS/VCR S-Video Signal Level
20 Hz to 20 kHz, 0.04% THD, 8 ohms /VIDEO AUX to MAIN L/R SP OUT Y ......................................... 1 Vp-p/75 ohms
.................................................85W+85W ........................................................ 0±0.5 dB C .................................. 0.286 Vp-p/75 ohms
1 kHz, 0.07% THD, 8 ohms
.............................................100W+100W RIAA Equalization Deviation Maximum Input Level ........... 1.5 Vp-p or more
PHONO MM ....................................0±0.5 dB
Maximum Power (EIAJ) [China and General Signal-to-Noise Ratio ............... 50 dB or more
models only] Total Harmonic Distortion (20 Hz to 20 kHz)
1 kHz, 10% THD, 8 ohms CD/TAPEzMD/DVDzLD/TVzDBS/VCR/VIDEO Monitor Out Frequency Response
(When both channels are driven) AUX to MAIN SP OUT, 40W/8 ohms ..................................... 5 Hz to 10 MHz, –3 dB
MAIN L/R ................................125W+125W .............................................. 0.025% or less
CENTER.............................................125W PHONO MM to REC OUT, 1V
REAR L/R ...............................125W+125W ................................................ 0.02% or less FM SECTION
Dynamic Power Per Channel Signal-to-Noise Ratio (IHF-A Network) Tuning Range
(by IHF Dynamic Headroom Measuring Method) CD/TAPEzMD/DVDzLD/TVzDBS/VCR/VIDEO [U.S.A. and Canada models]
MAIN L/R (8 ohms/6 ohms/4 ohms/2 ohms) AUX to SP OUT (Input Shorted 150 mV) ..........................................87.5 to 107.9 MHz
(When both channels are driven) (EFFECT OFF) ...................... 96 dB or more [Europe, U.K., Australia, China, Singapore
..................................115W/140W/170W/200W PHONO MM to REC OUT and General models] ........87.5 to 108.0 MHz
(Input Shorted 5 mV)
Dynamic Headroom [U.S.A., Canada, China and General 50 dB Quieting Sensitivity (IHF, 75 ohms,
[U.S.A. and Canada models only] models] .................................86 dB or more 100% mod., 1 kHz)
MAIN L/R (8 ohms) .......................... 1.31 dB [Europe, U.K., Australia and Singapore [U.S.A., Canada, China and General
models] .................................82 dB or more models only]
DIN Standard Output Power Per Channel Mono.................................1.6 µV (15.3 dBf)
[Europe, U.K. and Singapore models only] Residual Noise (IHF-A Network) Stereo ................................23 µV (38.5 dBf)
MAIN L/R (1 kHz, 0.7% THD, 4 ohms) MAIN L/R SP OUT ................. 170 µV or less
(When both channels are driven) ..... 130W Usable Sensitivity (75 ohms)
Channel Separation (Vol. –30 dB, EFFECT [Europe, U.K., Australia and Singapore
IEC Power OFF) models only]
[Europe, U.K. and Singapore models only] CD/TAPEzMD/DVDzLD/TVzDBS/VCR/VIDEO DIN, Mono (S/N 26 dB) .....................0.9 µV
MAIN L/R (1 kHz, 0.04% THD, 8 ohms) AUX Input 5.1 k-ohms Shorted DIN, Stereo (S/N 46 dB).....................28 µV
(When both channels are driven) ....... 95W 1 kHz/10 kHz
........................................ 60/45 dB or more Alternate Channel Selectivity (±400 kHz)
Power Band Width PHONO MM Input Shorted [U.S.A., Canada, China and General
8 ohms, 40W, 0.09% THD 1 kHz/10 kHz models only]..........................................75 dB
(When both channels are driven) .........................................60/55 dB or more
MAIN L/R .........................10 Hz to 50 kHz Selectivity (two signals, 40 kHz Dev. ±300
Tone Control Characteristics kHz)
Damping Factor (SPEAKER A) Bass [Europe, U.K., Australia and Singapore
MAIN L/R (20 Hz to 20 kHz, 8 ohms) Boost/Cut ........................... ±10 dB (50 Hz) models only] .........................................55 dB
..................................................... 80 or more Turnover frequency ........................ 350 Hz
Treble Signal-to-Noise Ratio
Input Sensitivity/Impedance Boost/Cut ......................... ±10 dB (20 kHz) (IHF) Mono/Stereo
CD/TAPEzMD/DVDzLD/TVzDBS/VCR Turnover frequency ....................... 3.5 kHz [U.S.A., Canada, China and General
/VIDEO AUX ................... 150 mV/47 k-ohms models]..........................................81/75 dB
PHONO MM ......................2.5 mV/47 k-ohms Bass Extension (MAIN L/R) .......+6 dB (50 Hz) (DIN-Weighted, 40 kHz Dev.) Mono/Stereo
[Europe, U.K., Australia and Singapore
Maximum Input Signal Filter Characteristics models]..........................................75/69 dB
CD/TAPEzMD/DVDzLD/TVzDBS/VCR MAIN L/R, CENTER, REAR L/R
/VIDEO AUX (EFFECT ON) (MAIN, CENTER, REAR SP: SMALL)
(1 kHz, 0.5% THD) ................... 2.2V or more (H.P.F.) .......................fc = 90 Hz, 12 dB/oct.
PHONO MM (1 kHz, 0.04% THD) SUBWOOFER (L.P.F.)
............................................ 110 mV or more .................................... fc = 90 Hz, 18 dB/oct.

76
 SPECIFICATIONS

English
Harmonic Distortion (1 kHz) ...............0.1/0.2% Usable Sensitivity ..............................300 µV/m Maximum Power Consumption
[General model only] ...........................690W
Stereo Separation (1 kHz).......................48 dB Signal-to-Noise Ratio ..............................52 dB
AC Outlets
Frequency Response Output Level (30% mod., 1 kHz) .........150 mV 2 SWITCHED OUTLETS
20 Hz to 15 kHz ..................................0±1 dB [U.S.A., Europe, Canada, China, Singapore
and General models] ....... 100W max. total
Output Level (100% mod., 1 kHz) GENERAL 1 SWITCHED OUTLET
[U.S.A., Canada, China and General models] [U.K. and Australia models] ..... 100W max.
...........................................................550 mV Power Supply
[Europe, U.K., Australia and Singapore [U.S.A. and Canada models] Dimensions (W x H x D)
models (40 kHz Dev.)] ......................550 mV ............................................. AC 120V/60 Hz ........................................ 435 x 151 x 391 mm
[Europe, U.K. and Singapore models]
............................................. AC 230V/50 Hz Weight ................................................. 13.0 kg
AM SECTION [Australia model] .................. AC 240V/50 Hz
[China and General models] Accessories ..........................Remote controller
Tuning Range .................. AC 110/120/220/240V, 50/60 Hz Batteries
[U.S.A., Canada, China and General models] AM loop antenna
........................................... 530 to 1,710 kHz Power Consumption Indoor FM antenna
[Europe, U.K., Australia and Singapore [U.S.A. model] ..................................... 310W
models] ...............................531 to 1,611 kHz [Europe, U.K., Australia, China, Singapore
and General models] ............................350W * Specifications are subject to change without
[Canada model]........................350W/440 VA notice.

77
 LIST OF MANUFACTURER’S CODES ELENCO DEI CODICI DEL FABBRICANTE
LISTE DES CODES FABRICANTS LISTA DE CÓDIGOS DE FABRICANTES
VERZEICHNIS DER HERSTELLER CODES LIJST VAN CODES VAN FABRIKANT
LISTA ÖVER TILLVERKARKODER

Contec 0216, 0009, 0036, 0157 Harvard 0068

TV Continental Edison 0196, 0198, Hinari 0037, 0218, 0009, 0036
0205, 0333 Hisawa 0282, 0455
Manufacturer Code Crosley 0074, 0076, 0084, 0213 Hitachi 0217, 0036, 0109, 0032, 0043,
Crown 0037, 0370, 0418, 0009, 0076 0044, 0105, 0163, 0196,
Abex 0032 Crystal 0431 0198, 0225, 0306, 0349
Acura 0009 Curtis Mathes 0093 Huanyu 0216, 0374
Admiral 0093, 0163, 0213 Cybertron 0218 Hypson 0037, 0282, 0264
Adyson 0217, 0032 Daewoo 0037, 0374, 0009 ICE 0217, 0371, 0264
Akai 0208, 0361 Dainichi 0218, 0215 ICeS 0218
Akura 0218, 0264, 0369 Dansai 0037 ITS 0371
Alaron 0216 Dayton 0009 ITT 0163, 0361
Alba 0037, 0218, 0371, 0009, De Graaf 0208 Imperial 0370, 0418, 0074, 0076,
0036, 0235 Decca 0037, 0072 0084, 0247
Allorgan 0294 Dixi 0037, 0009 Indiana 0037
Amplivision 0217 Dual 0336, 0352 Ingelen 0163
Amstrad 0371, 0009, 0362, 0369 Dual Tec 0217 Inno Hit 0072
Anam 0009, 0068 Dumont 0070 Interbuy 0068
Anitech 0009, 0068, 0076 Elbe 0259 Interfunk 0037, 0163, 0247, 0361
Arcam 0216, 0217 Elin 0037 Intervision 0037, 0217, 0264,
Asberg 0076 Elite 0218, 0320 0102, 0068
Asuka 0218 Elta 0009 Isukai 0218
Atlantic 0206 Emerson 0282, 0213, 0361 JVC 0371, 0036, 0053, 0190, 0192
Audiosonic 0037, 0109 Erres 0037, 0012 KTV 0217
Autovox 0206, 0076, 0336 Expert 0206 Kaisui 0216, 0217, 0218, 0009, 0282
BPL 0282 Ferguson 0037, 0109, 0005, 0073, Kamp 0216
BSR 0294 0190, 0238, 0287, 0335, 0343 Kapsch 0206, 0163
BTC 0218 Fidelity 0216, 0361 Kawasho 0216
Baird 0343 Finlandia 0208, 0346, 0359 Kendo 0037, 0235, 0362
Basic Line 0218, 0009 Finlux 0037, 0072, 0070, 0105, 0346 Kingsley 0216
Baur 0037, 0010, 0554, 0349, 0361 Firstline 0216, 0217, 0294, 0009, Kneissel 0259
Beko 0370 0321, 0247 Korpel 0037
Beon 0037 Fisher 0370, 0217, 0208, 0303 Koyoda 0009
Binatone 0217 Flint 0455 Leyco 0037, 0294, 0072, 0264
Blaupunkt 0554, 0191, 0195, 0200, Formenti 0037, 0320, 0213 Liesenk & Tter 0037
0213, 0327, 0328 Frontech 0264, 0431, 0163, 0247 Lloytron 0032
Blue Sky 0218 Fujitsu 0072, 0206 Loewe 0075
Blue Star 0282 Funai 0294, 0264, 0303 Luma 0206
Bondstec 0247 GE 0282, 0093 Luxor 0349, 0361
Boots 0217 GEC 0037, 0217, 0072, 0043, 0205 M Electronic 0037, 0217, 0374, 0009,
Brandt 0109, 0196, 0198, GPM 0218 0109, 0068, 0105, 0163,
0205, 0333, 0335 Geloso 0009, 0213 0287, 0346
Brionvega 0362 Genexxa 0218, 0163 MGA 0150
Britannia 0216 GoldStar 0037, 0217, 0109, MTC 0216, 0349
Bush 0037, 0218, 0374, 0371, 0294, 0032, 0290 Magnadyne 0102, 0247
0009, 0282, 0036, 0349 Goodmans 0037, 0217, 0374, 0371, Magnafon 0102, 0076, 0213
CCE 0037, 0217 0072, 0036, 0235, 0317, 0343 Magnavox 0036
CGE 0074, 0076, 0084, 0247, 0306 Gorenje 0370 Manesth 0217, 0320, 0264, 0235
CS Electronics 0216 Gradiente 0053 Marantz 0037
CTC 0247 Graetz 0163, 0361 Mark 0037
Carrefour 0036 Granada 0037, 0217, 0072, 0146, Matsui 0037, 0217, 0371, 0294,
Cascade 0009 0208, 0339, 0359 0009, 0072, 0036, 0035,
Cathay 0037 Grandin 0282 0011, 0208, 0235
Centurion 0037 Grundig 0037, 0554, 0070, 0191, Matsushita 0250
Century 0213 0195, 0205 McMichael 0043
Cimline 0009 HCM 0009, 0282 Mediator 0037, 0012
Clarivox 0037 Hanseatic 0037, 0320, 0361 Memorex 0009, 0250, 0150
Clatronic 0370, 0076, 0247 Harley Davidson 0043 Memphis 0337
Condor 0370, 0320
Metz 0213, 0367 Realistic 0032 Texet 0216, 0218
Midland 0032 Rediffusion 0361 Thomson 0109, 0196, 0198, 0205,
Minerva 0554, 0070 Revox 0037 0287, 0333, 0343, 0349
Minoka 0369 Rex 0206, 0264, 0163, 0259 Thorn 0037, 0072, 0035, 0074,
Mitsubishi 0036, 0093, 0108, 0150 Rhapsody 0216 0084, 0190, 0192, 0361
Mivar 0216, 0290, 0291, 0292 Roadstar 0218, 0418, 0009, 0264 Thorn-Ferguson 0343
Motion 0076 SBR 0037, 0012, 0043 Tomashi 0282
Motorola 0093 SEG 0217, 0264, 0036, 0076 Toshiba 0036, 0035, 0070, 0243
Multitech 0216, 0217, 0009, 0102, 0076 SEI 0294, 0102, 0213 Trical 0157
NEC 0455, 0036 Saba 0109, 0075, 0163, 0196, 0198, Triumph 0243
NEI 0037, 0431, 0337 0205, 0213, 0287, 0335, 0343 Uher 0206, 0320, 0303
Neckermann 0037, 0554, 0191, Saccs 0238 Ultra 0192
0213, 0349 Saisho 0009, 0264, 0431, 0011, 0235 Ultravox 0102
Nikkai 0037, 0216, 0218, 0072, Salora 0163, 0349, 0359, 0361 Universum 0037, 0370, 0264,
0264, 0035, 0032, 0337 Sambers 0102, 0076, 0213 0105, 0346
Nikko 0317 Sampo 0032 Vestel 0037
Nobliko 0102, 0076 Samsung 0037, 0370, 0217, 0009, Victor 0053
Nokia 0361 0264, 0032, 0090, 0290 Videosat 0247
Nordmende 0109, 0196, 0198, Sandra 0216 Videotechnic 0217
0213, 0287, 0343 Sanyo 0072, 0036, 0011, 0146, 0157, Vidtech 0036
Oceanic 0163, 0215, 0361 0208, 0213, 0339 Vision 0320
Optimus 0250 Schaub Lorenz 0361 Voxson 0163
Optonica 0093 Schneider 0037, 0218, 0371, 0247, Waltham 0217
Orion 0037, 0294, 0320, 0321, 0235 0303, 0323, 0336, 0352 Watson 0037, 0320
Osaki 0217, 0218, 0072, 0264, 0032 Sears 0146 Watt Radio 0102
Oso 0218 Sei-Sinudyne 0010 Wega 0036
Osume 0072, 0032, 0157 Seleco 0206, 0163, 0259, 0362 White Westinghouse 0037, 0216, 0320
Otake 0317 Sentra 0035 Yoko 0037, 0217, 0264, 0431
Otto Versand 0037, 0217, 0320, 0036, Sharp 0036, 0093, 0157 Zanussi 0206
0010, 0554, 0191, 0213, Shorai 0294
0343, 0349 Siarem 0102, 0213
Palladium 0370, 0418 Siemens 0037, 0554, 0157, 0191, CABLE
Panama 0217, 0264 0195, 0200, 0213, 0327, 0328
Panasonic 0250, 0163, 0213, 0214, Silver 0036 Manufacturer Code
0226, 0367 Sinudyne 0294, 0102, 0213, 0235
Pathe Cinema 0216, 0320, 0213, 0238 Solavox 0032, 0163 ABC 1003, 1008, 1014, 1017
Pathe Marconi 0196, 0198, 0205, 0333 Sonitron 0208 Birgmingham Cable Communications
Pausa 0009 Sonoko 0037, 0009 1276
Penney 0032 Sonolor 0163, 0208, 0215 British Telecom 1003, 1105
Perdio 0320 Sontec 0037 Cabletime 1161, 1271, 1377
Phase 0032 Sony 0036, 0010, 0011 Clyde 1086
Philco 0074, 0076, 0084, 0213, 0247 Soundwave 0037, 0418 Contec 1019
Philips 0037, 0374, 0554, 0012, Standard 0217, 0218, 0009 Decsat 1423
0043, 0323 Stern 0206, 0163, 0259 Filmnet 1443
Phonola 0037, 0012 Sunkai 0294, 0321 France Telecom 1451
Pioneer 0109, 0163, 0287 Susumu 0218 GEC 1086
Profex 0009, 0076, 0361 Sysline 0037 General Instrument 1276
Proline 0321 Tandy 0217, 0218, 0072, 0093, 0163 GoldStar 1144
Protech 0037, 0217, 0418, 0009, Tashiko 0217, 0036, 0043, 0359 Jerrold 1003, 1276, 1014
0264, 0102, 0431, 0247, 0337 Tatung 0037, 0217, 0072 MNet 1443, 1019
Pye 0012 Tec 0217, 0247 Magnavox 1032
Quasar 0250 Technema 0320 Memorex 1000
Quelle 0037, 0010, 0554, 0011, Technics 0250 Movie Time 1156
0070, 0074, 0084, 0200, Teknika 0150 NSC 1156
0213, 0306, 0327, 0328, 0361 Teleavia 0205, 0333, 0343 Oak 1019
Questa 0036 Telefunken 0109, 0005, 0074, 0084, PVP Stereo Visual Matrix 1003
R-Line 0037 0101, 0213, 0262, 0306, Panasonic 1000
RBM 0070 0335, 0343 Paragon 1000
RCA 0090, 0093 Telemeister 0320 Pioneer 1144, 1260
Radio Shack 0032 Teletech 0009 Pulsar 1000
Radiola 0037, 0012, 0323 Teleton 0217, 0206, 0349 Runco 1000
Rank Arena 0036 Tensai 0218, 0294, 0320, 0317 STS 1156
Salora 1382 Freecom 2421, 2335 Planet 2871
Samsung 1144 Fuba 2421, 2369, 2396, 2217, Plasmatic 2442
Satbox 1375 2297, 2417 Polytron 2394
Scientific Atlanta 1008, 1277, 1017 G-Sat 2183 Promax 2455
Starcom 1003 Galaxis 2288, 2834, 2863 Prosat 2288
Tele+1 1443 Galaxisat 2321 Quadral 2362, 2519
Teleservice 1281 GoldStar 2335 RFT 2288, 2220, 2200
Toshiba 1000 Gooding 2571 Radiola 2200
Tudi 1286 Goodmans 2189 Radix 2396, 2882
United Cable 1003 Grothusen 2335 SAT 2321, 2351, 2461
Videoway 1250 Grundig 2571, 2173, 2189, 2328 SEG 2421, 2369, 2539
Westminster 1105 Harting und Helling 2333 STVI 2417
Zenith 1000 Hinari 2183 Saba 2520, 2336
Hirschmann 2502, 2173, 2573, Sabre 2455
2287, 2333, 2397, 2398 Sagem 2820
DBS TUNER Hitachi 2455 Salora 2108
Houston 2668 Samsung 2287
Manufacturer Code Huth 2243, 2288, 2220, 2346 SatPartner 2421, 2332, 2520, 2502,
ITT 2108 2335, 2692
AST 2321, 2351 InVideo 2871 Satcom 2605, 2346
Alba 2455, 2421, 2362, 2613 Intervision 2592 Satec 2183, 2328
Aldes 2288 JVC 2571 Satmaster 2346
Allantide 2333 Johansson 2332 Schwaiger 2183, 2394, 2504
Amstrad 2080, 2252, 2345, 2461, 2501 Kathrein 2173, 2200, 2092, 2331, Seemann 2396, 2530
Ankaro 2369, 2288, 2220, 2519, 2217 2358, 2394, 2442, 2480, 2504 Siemens 2173
Anttron 2421, 2183 Kosmos 2331, 2335 Skymaster 2288, 2605, 2519
Arcon 2368 Kreiselmeyer 2173 Star Trak 2421
Armstrong 2243 Kyostar 2421 Strong 2421
Astra 2108, 2539 La Sat 2520, 2513, 2464 Sunstar 2513
Astro 2520, 2173, 2358, 2501 Lemon 2692 TPS 2820
Avalon 2396 Lenco 2421, 2335 Tantec 2455, 2297, 2336
Axis 2369, 2530 Lennox 2592 TechniSat 2262, 2501
BT 2668 Lupus 2369 Techniland 2346
Barcom 2217 Luxor 2573, 2108 Telefunken 2421
Beko 2189 Manhattan 2455, 2592, 2520 Teleka 2243, 2613
Best 2369, 2217 Marantz 2200 Telesat 2605
Blaupunkt 2173 Maspro 2092, 2328, 2336 Thomson 2455
Boca 2243, 2513 Matsui 2571, 2344 Tonna 2668, 2346
Brain Wave 2332 Mediamarkt 2243 Triad 2321, 2333, 2335, 2351
Bush 2067 Micro Technology 2333, 2539 Triasat 2501
CNT 2520 Minerva 2571 Unitor 2332, 2217
Cambridge 2344 Morgan’s 2243, 2513 Universum 2571, 2173
Channel Master 2362 Multistar 2331, 2464 Vector 2333
Chaparral 2053, 2209 Muratto 2335 Ventana 2200
CityCom 2394 Navex 2332 Vortec 2421
Commlink 2288 Neuhaus 2501 Vtech 2351
Connexions 2396 Neusat 2692, 2834 Wevasat 2333
Crown 2243 Newhaus 2220 Winersat 2332
Cyrus 2200 Nikko 2360 Wisi 2455, 2396, 2173, 2321,
D-box 2723 Nokia 2455, 2573, 2108, 2328, 2351, 2372, 2406, 2407
DDC 2362 2397, 2873 XSat 2889
DNT 2396, 2200 Nordmende 2362 Xcom Multimedia 2889
Diskxpress 2217 Orbitech 2501 Zehnder 2520, 2321, 2331
Drake 2268 Oxford 2344
EIF 2417 Pace 2455, 2183, 2067, 2328,
Echostar 2396, 2871 2336, 2791
Emanon 2421 Palcom 2297 VCR
FTE 2331 Palladium 2571
Ferguson 2183, 2067, 2189, 2336 Palsat 2501 Manufacturer Code
Fidelity 2252 Panda 2455
Finlux 2455, 2108, 2344, 2397 Philips 2455, 2571, 2200, 2292, 2328 ASA 3037, 3081
Fracarro 2871 Phonotrend 2288, 2592 Admiral 3048
Adventura 3000 Finlux 3000, 3081, 3042, 3104 Magnavox 3000, 3081
Aiko 3278 Firstline 3072, 3037, 3209, Magnin 3240
Aiwa 3000, 3037, 3307, 3348, 3352 3045, 3043 Manesth 3072, 3045
Akai 3315, 3106, 3041, 3053 Fisher 3046, 3047, 3054, 3104 Marantz 3081, 3003, 3006
Akiba 3072 Frontech 3020 Marta 3037
Alba 3072, 3020, 3278, 3209, Fuji 3033 Matsui 3209, 3004, 3036,
3315, 3352 Funai 3000 3088, 3348, 3352
Ambassador 3020 GE 3048, 3240 Matsushita 3162
Amstrad 3000, 3278, 3325, 3332 GEC 3081 Memorex 3000, 3037, 3048,
Anitech 3072 Garrard 3000 3046, 3047, 3104,
Asha 3240 General 3020 3162, 3240, 3307
Asuka 3037 Go Video 3432 Memphis 3072
Audiovox 3037 GoldHand 3072 Metz 3347, 3195, 3003,
Baird 3000, 3041, 3104, 3107 GoldStar 3037, 3038, 3225 3006, 3162, 3227
Basic Line 3072, 3020, 3278 Goodmans 3072, 3000, 3020, Minerva 3195, 3006
Beaumark 3240 3037, 3278, 3403 Minolta 3042
Bell & Howell 3104 Gradiente 3000, 3008 Mitsubishi 3081, 3067, 3048, 3043
Blaupunkt 3034, 3226, 3195, Graetz 3005, 3041, 3104, 3240 Motorola 3048
3003, 3006, 3154, Granada 3081, 3046, 3104 Multitech 3072, 3000
3162, 3227, 3403 Grandin 3072, 3000, 3037 Murphy 3000
Brandt 3320, 3187, 3321 Grundig 3072, 3081, 3347, 3226, NEC 3067, 3038, 3041, 3104
Brandt Electronic 3041 3195, 3003, 3006, 3007, Neckermann 3081
Broksonic 3209 3207, 3349, 3403 Nesco 3072
Bush 3072, 3278, 3209, 3352 HCM 3072 Nikko 3037
CCE 3072, 3278 HI-Q 3047 Nikon 3034
CGE 3000 Hanseatic 3037 Noblex 3240
Calix 3037 Harley Davidson 3000 Nokia 3106, 3046, 3041, 3104, 3240
Capehart 3020 Harman/Kardon 3038 Nordmende 3320, 3384, 3041,
Carver 3081 Harwood 3072 3297, 3321
Catron 3020 Headquarter 3046 Oceanic 3000, 3041
Cimline 3072 Hinari 3072, 3004, 3240, 3352 Okano 3315, 3348
Cineral 3278 Hitachi 3000, 3004, 3042, 3041, Olympus 3226
Citizen 3037, 3278 3166, 3235, 3240 Optimus 3037, 3432, 3048, 3104, 3162
Clatronic 3020 Hypson 3072 Orion 3209, 3004, 3036,
Colt 3072 ITT 3106, 3046, 3384, 3005, 3088, 3348, 3352
Combitech 3352 3041, 3104, 3240 Osaki 3072, 3000, 3037
Condor 3020 ITV 3037, 3278 Otto Versand 3081
Craig 3072, 3037, 3047, 3240 Imperial 3000 Palladium 3072, 3037, 3006, 3041
Crown 3072, 3020, 3278 Ingersol 3004 Panasonic 3226, 3162, 3225, 3227
Curtis Mathes 3041, 3162 Interfunk 3081 Pathe Cinema 3036
Cybernex 3240 JVC 3067, 3384, 3008, 3041, Pathe Marconi 3041
Cyrus 3081 3206, 3207, 3486 Penney 3037, 3042, 3038, 3054, 3240
Daewoo 3020, 3278, 3045 Jensen 3041 Pentax 3042
Dansai 3072 KEC 3037, 3278 Perdio 3000
Daytron 3020 KLH 3072 Philco 3209, 3038
De Graaf 3042, 3166 Kaisui 3072 Philips 3081, 3384, 3403
Decca 3000, 3081 Kendo 3209, 3106 Phonola 3081
Denon 3042 Kenwood 3067, 3384, 3038, 3041 Pilot 3037
Dual 3041 Kodak 3037 Pioneer 3081, 3067, 3162, 3235
Dumont 3000, 3081, 3104 Korpel 3072 Portland 3020
Dynatech 3000 LXI 3037 Profex 3322
ESC 3278, 3240 Lenco 3278 Profitronic 3240
Elbe 3038 Leyco 3072 Proline 3000
Elcatech 3072 LIoyd’s 3000 Protec 3072
Electrohome 3037 Loewe 3037, 3004, 3081, 3006 Pye 3081
Electrophonic 3037 Logik 3072, 3004, 3240 Quarter 3046
Emerex 3032 Luxor 3106, 3048, 3046, 3043, 3104 Quartz 3046
Emerson 3000, 3037, 3278, 3209, M Electronic 3000 Quasar 3162
3036, 3043, 3088 MGA 3043, 3240 Quelle 3081
Ferguson 3320, 3041, 3107, 3321 MGN Technology 3240 RCA 3106, 3042, 3048, 3240
Fidelity 3000 MTC 3000, 3240 RFT 3403
Finlandia 3081, 3104 Magnasonic 3278 Radio Shack 3000, 3037
Radiola 3081 Thorn 3036, 3041, 3104 Radiola 5388
Radix 3037 Toshiba 3081, 3045, 3384, Realistic 5203
Randex 3037 3041, 3043 Salora 5064
Realistic 3000, 3037, 3048, Totevision 3037, 3240 Sega 5023
3046, 3047, 3104 Towada 3322 Sharp 5001
Rex 3384, 3041 Uher 3240 Sony 5193, 5201
Ricoh 3034 Unitech 3240 Technics 5204, 5496
Roadstar 3072, 3037, 3278, 3240 Universum 3000, 3037, 3081, 3106, Telefunken 5059
SBR 3081 3195, 3006, 3240, 3325 Theta Digital 5194
SEG 3322, 3240 Vector 3045 Thorn 5014
SEI 3004, 3081 Vector Research 3038 Yamaha 5217
STS 3042 Video Concepts 3045
Saba 3320, 3384, 3041, 3206, Videosonic 3240
3207, 3297, 3321 Wards 3072, 3000, 3081, 3042, CD PLAYER
Saisho 3209, 3004, 3036, 3088 3048, 3047, 3240
Salora 3106, 3046, 3043 White Westinghouse 3278 Manufacturer Code
Samsung 3432, 3045, 3053, 3240 XR-1000 3072, 3000
Sanky 3048 Yamaha 3038 Aiwa 6124, 6157, 6419
Sansui 3000, 3067, 3041 Yamishi 3072 Akai 6108, 6156, 6199
Sanyo 3046, 3047, 3104, 3240 Yokan 3072 Alba 6536, 6288, 6334
Saville 3352 Yoko 3020, 3240 Arcam 6157
Schaub Lorenz 3000, 3005, Zenith 3000, 3033, 3034 Audio Research 6157
3041, 3104 Audio Ton 6157
Schneider 3072, 3000, 3081 Audiolab 6157
Scott 3045, 3043 Audiomeca 6157
Sears 3000, 3037, 3042, 3046, DVD PLAYER BSR 6134
3047, 3054, 3104 Bestar 6164
Seleco 3041 Manufacturer Code Binatone 6452
Semp 3045 California Audio Lab 6029
Sentra 3020 Kenwood 4534 Carver 6157, 6179
Sharp 3048 Magnavox 4503 Condor 6134, 6164
Shintom 3072, 3104 Onkyo 4503 Cyrus 6157
Shogun 3240 Panasonic 4490 DKK 6000
Shorai 3004 Philips 4539, 4503 Denon 6003, 6034
Siemens 3037, 3081, 3195, 3003, Pioneer 4525 Dual 6196
3006, 3054, 3104 Sony 4533 Emerson 6164
Silva 3037 Technics 4490 Fisher 6048, 6179, 6342
Singer 3072, 3045 Thomson 4551 GE 6334
Sinudyne 3004, 3081 Toshiba 4503 Genexxa 6032, 6164
Solavox 3020 Yamaha 4490, 4545 GoldStar 6525, 6383
Sonolor 3046 Zenith 4503 Goodmans 6536
Sontec 3037 Grundig 6157
Sony 3000, 3032, 3033, 3034, 3011 Harman/Kardon 6108, 6173
Sunkai 3348 LD PLAYER Hitachi 6032, 6291
Sunstar 3000 JVC 6072
Suntronic 3000 Manufacturer Code Kenwood 6037, 6523, 6028,
Sylvania 3000, 3081, 3043 6048, 6190
Symphonic 3000 Aiwa 5203 Kodak 6287
TMK 3036, 3240 Carver 5064, 5194 Krell 6157
Tashiko 3000 Cyrus 5388 Linn 6157
Tatung 3000, 3081, 3041 Denon 5059, 5172 Luxman 6328
Teac 3000, 3041 Disco Vision 5023 M Electronic 6525
Tec 3020 Funai 5203 MCS 6029
Technics 3226, 3162 Hitachi 5023 Magnavox 6157, 6038, 6129
Teknika 3000, 3037 Magnavox 5194, 5217 Marantz 6157, 6029, 6038, 6129
Teleavia 3041 Marantz 5064, 5194 Matsui 6157, 6288, 6307
Telefunken 3320, 3384, 3041, Mitsubishi 5059 Mclntosh 6287
3187, 3321 NAD 5059 Memorex 6032, 6164
Tenosal 3072 Panasonic 5204, 5496 Meridian 6157
Tensai 3322, 3000 Philips 5064, 5388, 5194 Micromega 6157
Thomas 3000 Pioneer 5023, 5059 Mission 6157
Thomson 3320, 3384, 3041 Quasar 5204 Mitsubishi 6108, 6156
NAD 6000 Kenwood 8070, 8071, 8092,
NSM 6157 8205, 8233, 8234
Naim 6157 Magnavox 8029
Nikko 6525, 6164 Marantz 8029, 8009
Onkyo 6101, 6102 Memorex 8099, 8101
Optimus 6000, 6032, 6037, 6536, Mitsubishi 8189
6048, 6179, 6196, 6342 Onkyo 8136, 8135
Panasonic 6303, 6029, 6367 Optimus 8027, 8220
Philips 6157, 6274, 6287 Panasonic 8229
Pioneer 6032 Philips 8029
Poppy 6164 Pioneer 8027, 8099, 8101, 8220
Proton 6157 Revox 8029
QED 6157 Sansui 8029, 8009
Quad 6157 Sanyo 8074
Quasar 6029 Sharp 8205
RCA 6179 Sony 8170, 8243
Realistic 6164, 6179 Technics 8229
Revox 6157, 6113 Victor 8273, 8274
Roadstar 6461, 6525, 6527 Wards 8027
Rotel 6157 Yamaha 8094, 8097, 8205, 8478, 8524
SAE 6157
Sansui 6157, 6202, 6513
Sanyo 6048, 6179, 6342
Schneider 6134
Scott 6164
Sharp 6037, 6262, 6265
Sherwood 6114, 6196
Siemens 6516
Signature 6108
Sony 6000, 6490
Teac 6378
Technics 6207, 6303, 6029
Toshiba 6481
Universum 6157
Victor 6072
Wards 6157, 6108
Yamaha 6036, 6082, 6187, 6712
Yorx 6461

MD RECORDER

Manufacturer Code

Kenwood 7826
Sony 7490
Yamaha 7888, 7490

TAPE DECK

Manufacturer Code

Aiwa 8029, 8197, 8200

Akai 8188, 8189
Arcam 8076
Carver 8029
Denon 8076, 8412
Fisher 8074
Grundig 8029
Harman/Kardon 8182
JVC 8244, 8273, 8274
YAMAHA ELECTRONICS CORPORATION, USA 6660 ORANGETHORPE AVE., BUENA PARK, CALIF. 90620, U.S.A.
YAMAHA CANADA MUSIC LTD. 135 MILNER AVE., SCARBOROUGH, ONTARIO M1S 3R1, CANADA
YAMAHA ELECTRONIK EUROPA G.m.b.H. SIEMENSSTR. 22-34, 25462 RELLINGEN BEI HAMBURG, F.R. OF GERMANY
YAMAHA ELECTRONIQUE FRANCE S.A. RUE AMBROISE CROIZAT BP70 CROISSY-BEAUBOURG 77312 MARNE-LA-VALLEE CEDEX02, FRANCE
YAMAHA ELECTRONICS (UK) LTD. YAMAHA HOUSE, 200 RICKMANSWORTH ROAD WATFORD, HERTS WD1 7JS, ENGLAND
YAMAHA SCANDINAVIA A.B. J A WETTERGRENS GATA 1, BOX 30053, 400 43 VÄSTRA FRÖLUNDA, SWEDEN
YAMAHA MUSIC AUSTRALIA PTY, LTD. 17-33 MARKET ST., SOUTH MELBOURNE, 3205 VIC., AUSTRALIA
Printed in Malaysia V293440
 Quick Reference Card

m AMP/TUN AMP/TUN
m TAPE/MD TAPE/MD
m CD CD
m DVD/LD DVD/LD

POWER STANDBY POWER STANDBY POWER STANDBY POWER STANDBY

POWER STANDBY POWER POWER POWER

AMP/TUN TAPE/MD CD DVD/LD

/DTS MOVIE /DTS MOVIE /DTS MOVIE /DTS MOVIE

SURROUND MOVIE THEATER 2 SURROUND THEATER 2 SURROUND MOVIE THEATER 2 SURROUND THEATER 2
MOVIE MOVIE
CD THEATER 1 TAPE/MD CD THEATER 1 TAPE/MD CD THEATER 1 TAPE/MD CD THEATER 1 TAPE/MD
TUNER TUNER 1 TUNER TUNER
1 3 1 3 3 1 3
2 2 2 2
MONO MOVIE DISCO MONO MOVIE DISCO MONO MOVIE DISCO MONO MOVIE DISCO
INPUT DVD/LD
4
TV SPORTS
TV/DBS
VCR
6
INPUT DVD/LD
4
TV SPORTS
TV/DBS
VCR
6
INPUT DVD/LD
4
TV SPORTS
TV/DBS
VCR
6
INPUT DVD/LD
4
TV SPORTS
TV/DBS
VCR
6
5 5 5 5
ROCK ROCK ROCK ROCK
CHURCH CHURCH CHURCH CHURCH
PHONO JAZZ CLUB PHONO JAZZ CLUB PHONO JAZZ CLUB PHONO JAZZ CLUB
V-AUX V-AUX V-AUX 9 V-AUX
7 9 7 9 7 7 9
EXT. DEC. HALL
EXT. DEC.
8
TEST
+100 HALL
EXT. DEC.
8
TEST
+100
HALL
EXT. DEC.
8
TEST
+100 HALL
EXT. DEC.
8
TEST
+100
+10 +10 +10 +10
0
ENTER
CLEAR
TEST 0
ENTER
CLEAR 0
ENTER
CLEAR 0
ENTER
CLEAR

A/B/C/D/E A/B/C/D/E A/B/C/D/E A/B/C/D/E A/B/C/D/E

DSP
DISC SKIP
PRESET
EFCT

ON/OFF
EFFECT ON/OFF DSP
DISC SKIP
PRESET
EFCT
ON/OFF
DSP
DISC SKIP
PRESET
EFCT

ON/OFF
DSP
DISC SKIP
PRESET
EFCT
ON/OFF

DSP CH TV CH
PRESET +/– CH TV CH DISC SKIP CH TV CH
DISC SKIP CH TV CH

(TV VOLUME) (TV VOLUME) (TV VOLUME)

VOLUME CODE SET CODE SET CODE SET CODE SET

UP/DOWN
MUTE

VOLUME
(TV VOLUME) MUTE

VOLUME
MUTE

VOLUME
MUTE

VOLUME

ON SCREEN DISPLAY DISPLAY

MUTE INDEX
(TV POWER) INDEX INDEX INDEX
SLEEP
POWER
DISP

ON SCREEN
SLEEP
POWER
DISP

ON SCREEN
DISPLAY (MD) (TV POWER) SLEEP
POWER
DISP
ON SCREEN
(TV INPUT)
SLEEP
POWER
DISP
ON SCREEN

SLEEP VCR REC

TV
TV INPUT (TV POWER) VCR REC
TV
TV INPUT VCR REC
TV
TV INPUT (TV POWER) VCR REC
TV
TV INPUT (TV INPUT)
/ A/B
REC/PAUSE / A/B DECK A/B / A/B / A/B

PAUSE PAUSE PAUSE

SKIP SKIP/SEARCH
DIR A DIR B
DIR
A
SELECT
DIR
B SKIP (MD) DIR
A
SELECT
DIR
B
SKIP (MD)
DIR
A
SELECT
DIR
B
DIR
A
SELECT
DIR
B

SET UP RETURN PLAY SET UP RETURN STOP PLAY SET UP RETURN

STOP PLAY SET UP RETURN STOP
SUBTITLE
ON/OFF
ANGLE
AUDIO
REWIND
SUBTITLE
ON/OFF
ANGLE
AUDIO FAST BACKWARD SUBTITLE
ON/OFF
ANGLE
AUDIO FAST SUBTITLE (DVD)/
SUBTITLE
ON/OFF
ANGLE
AUDIO ANGLE (DVD)/
LEVEL TITLE MENU
SET MENU BACKWARD TITLE MENU TITLE MENU

FORWARD
TITLE MENU
FAST
LEVEL SET MENU LEVEL SET MENU
FORWARD LEVEL SET MENU
BACKWARD (LD) LEVEL SET MENU

(MD) FORWARD (LD)

SUBTITLE AUDIO (DVD)
ON/OFF (DVD)

m DSP DSP POWER STANDBY

DSP

/DTS MOVIE
SURROUND MOVIE THEATER 2
CD THEATER 1 TAPE/MD
1 TUNER
3
2
MONO MOVIE DISCO

DSP program DVD/LD

4
TV SPORTS
TV/DBS
VCR
6
5
ROCK
CHURCH
PHONO JAZZ CLUB
V-AUX 9
7
8
HALL TEST
EXT. DEC. +100
0 +10 CLEAR
ENTER

A/B/C/D/E

V296050
 Quick Reference Card

m DVD MENU DVDMENU

m VCR VCR
m CBL/DBS CBL/DBS
m TV TV

POWER STANDBY POWER STANDBY POWER STANDBY

POWER STANDBY

POWER POWER POWER

VCR CBL/DBS TV
DVDMENU

/DTS MOVIE /DTS MOVIE /DTS MOVIE

/DTS MOVIE SURROUND MOVIE THEATER 2 SURROUND MOVIE THEATER 2 SURROUND MOVIE THEATER 2
SURROUND MOVIE THEATER 2 CD THEATER 1 TAPE/MD CD THEATER 1 TAPE/MD CD THEATER 1 TAPE/MD
CD THEATER 1 TAPE/MD TUNER TUNER TUNER
1 3 1 3 1 3
1 TUNER
3 2 2 2
2 MONO MOVIE DISCO MONO MOVIE DISCO MONO MOVIE DISCO

Numeric
MONO MOVIE
DVD/LD TV SPORTS
DISCO
VCR CHANNEL DVD/LD
4
TV SPORTS
TV/DBS
VCR
6
CHANNEL DVD/LD
4
TV SPORTS
TV/DBS
VCR
6
CHANNEL DVD/LD
4
TV SPORTS
TV/DBS
VCR
6
4 TV/DBS 6 5 5 5
ROCK ROCK ROCK
keys ROCK
PHONO
5
JAZZ CLUB
CHURCH
PHONO
7
JAZZ CLUB
V-AUX
CHURCH

9
PHONO
7
JAZZ CLUB
V-AUX
CHURCH

9
PHONO
7
JAZZ CLUB
V-AUX
CHURCH

9
V-AUX 9
7 8 8 8
HALL TEST HALL TEST HALL TEST
8
TEST EXT. DEC. +100 EXT. DEC. +100 EXT. DEC. +100
HALL
EXT. DEC.
+10
+100 CHANNEL 0 +10 CLEAR CHANNEL 0 +10 CLEAR
+100 CHANNEL 0 +10 CLEAR
TV EFFECT
0 CLEAR
CLEAR ENTER ENTER

ENTER
ENTER

+10
ENTER

A/B/C/D/E ENTER DSP

A/B/C/D/E
EFCT
ENTER DSP
A/B/C/D/E
EFCT DSP
A/B/C/D/E
EFCT ON/OFF
DSP EFCT DISC SKIP DISC SKIP DISC SKIP
ON/OFF ON/OFF ON/OFF
DISC SKIP PRESET PRESET PRESET
ON/OFF
PRESET
CHANNEL CH CH CHANNEL CH CH CHANNEL CH CH
DISC SKIP CH TV CH
TV TV TV

TV VOLUME
(TV VOLUME) +(UP)/–(DOWN) CODE SET
(TV VOLUME) +(UP)/–(DOWN) CODE SET
(TV VOLUME) +(UP)/–(DOWN) CODE SET
CODE SET

MUTE
MUTE

VOLUME
MUTE

VOLUME
TV MUTE MUTE

VOLUME
VOLUME
TITLE/INDEX INDEX INDEX
DISPLAY INDEX

SLEEP
POWER
INDEX
DISP (TV POWER) SLEEP
POWER
DISP
ON SCREEN
DISPLAY SLEEP
POWER
DISP
ON SCREEN TV SLEEP SLEEP
POWER
DISP
ON SCREEN
DISPLAY
(TV POWER) TV
ON SCREEN
(TV INPUT) VCR REC
TV
TV INPUT (TV POWER) VCR REC
TV
TV INPUT
(TV INPUT) VCR REC
TV
TV INPUT
VCR REC
/
TV INPUT
A/B VCR REC (*1) / A/B
(TV INPUT) / A/B
(VCR) / A/B
TV INPUT
MENU SELECT MENU UP
MENU UP PAUSE TV POWER
MENU LEFT PLAY MENU LEFT MENU RIGHT
DIR
A
SELECT
DIR
B
MENU RIGHT DIR
A
SELECT
DIR
B
DIR
A
SELECT
DIR
B
DIR
A
SELECT
DIR
B

MENU SELECT SET UP RETURN MENU DOWN SET UP RETURN STOP SET UP RETURN MENU DOWN SET UP RETURN

REWIND SUBTITLE ANGLE SUBTITLE ANGLE SUBTITLE ANGLE

SET UP
SUBTITLE ANGLE ON/OFF AUDIO FAST ON/OFF AUDIO RECALL ON/OFF AUDIO
(VCR)
ON/OFF AUDIO
RETURN TITLE MENU TITLE MENU TITLE MENU
TITLE MENU
LEVEL SET MENU FORWARD LEVEL SET MENU LEVEL SET MENU

TITLE
LEVEL SET MENU
MENU MENU

*1: Press this key twice to start recording. Premere due volte questo tasto per iniziare la registrazione.
Appuyer deux fois sur cette touche pour démarrer l’enregistrement. Oprima dos veces esta tecla para empezar a grabar.
Diese Taste zweimal drücken, um die Aufnahme zu starten. Druk tweemaal op deze toets om met opnemen te beginnen.
Tryck två gånger på denna knapp för att starta inspelningen.

V296070