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Features of Romantic Poetry
Features of Romantic Poetry
Introduction:-
Poetry is the soul of Romantic Period it was the artistic, literary, musical and intellectual
movement that originated in Europe toward the end of the 18th century. It involved a reaction
against prevailing Enlightenment ideas of the 18th century, and lasted approximately from 1800
to 1850. In early-19th-century England, the poet William Wordsworth defined his and Samuel
Taylor Coleridge's innovative poetry in his Preface to Lyrical Ballads (1798): "I have said before
that poetry is the spontaneous overflow of powerful feelings: it takes its origin in emotion
recollected in tranquility: the emotion is contemplated till, by a species of reaction, the
tranquility gradually disappears, and an emotion, kindred to that which was before the
subject of contemplation, is gradually produced, and does itself actually exist in the mind."
morality, and they believed that literature, especially poetry, could improve the world. The
secret of great art, Blake claimed, is the capacity to imagine. To define imagination, in his poem
"Auguries of Innocence", Blake said:
5) REALISM: The poets of Romantic Age exercise an imaginative realism. Realism was not
only in their manner of presentation, but also in the subject matter of their writing.
7)NATURE IMAGERY: Love for nature is another important feature of romantic poetry,
as a source of inspiration. Nature was their guide, friend, philosopher, nurse, playmate, mother
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and what not! She was both beautiful and stern, fearful and sublime, inspirational and also
intimidating to these writers. This is very evident in Prelude by William Wordsworth. Shelley
was another nature poet, who believed that nature is a living thing and there is a union
between nature and man. Wordsworth approaches nature philosophically, while Shelley
emphasises the intellect. John Keats is another a lover of nature, but Coleridge differs from
other romantic poets of his age, in that he has a realistic perspective on nature. He believes
that nature is not the source of joy and pleasure, but rather that people's reactions to it
depends on their mood and disposition. Coleridge believed that joy does not come from
external nature, but that it emanates from the human heart.
9) PANTHEISM: It is the belief everything is divine and that all reality composes god
himself.
10) SPIRITUAL OUTLOOK: Nowhere does one talk about religion, but they talk about
spiritualism, which is a step higher than religion.
Conclusion:-
All in all, we can conclude by saying that, Romanticism in English poetry has become a new
sensation. Wordsworth, Coleridge, Lord Byron, P.B. Shelley and John Keats are the heroes of
that sensation and thrill. Their poetry enjoys almost all the salient features of Romanticism.
Wordsworth makes natural objects supernatural and Coleridge makes supernatural objects
natural. Byron and Shelley are two great revolutionaries. Keats is the last romantic poet in the
Romantic Movement. His poetry begins with sensuousness but ends in thought. He is a
successful writer of ode. He does, not try to make believable unbelievable or unbelievable
believable. But Wordsworth has represented believable objects unbelievable.
Mangaldip Mukherjee
B.A, sem – 3
Department Of English, Bhasa-bhavana
Visva-bharati.