This document discusses various elements of dance, including types of dances from different Philippine regions and cultures. It provides descriptions of specific dances like Salakban and Paseo de Bacolor, discussing their meanings, origins, costumes, music, and movements. The document also covers etiquette and guidelines for social dancing, such as proper attire, grooming, demeanor on the dance floor, and dance mixers which allow changing partners.
This document discusses various elements of dance, including types of dances from different Philippine regions and cultures. It provides descriptions of specific dances like Salakban and Paseo de Bacolor, discussing their meanings, origins, costumes, music, and movements. The document also covers etiquette and guidelines for social dancing, such as proper attire, grooming, demeanor on the dance floor, and dance mixers which allow changing partners.
This document discusses various elements of dance, including types of dances from different Philippine regions and cultures. It provides descriptions of specific dances like Salakban and Paseo de Bacolor, discussing their meanings, origins, costumes, music, and movements. The document also covers etiquette and guidelines for social dancing, such as proper attire, grooming, demeanor on the dance floor, and dance mixers which allow changing partners.
This document discusses various elements of dance, including types of dances from different Philippine regions and cultures. It provides descriptions of specific dances like Salakban and Paseo de Bacolor, discussing their meanings, origins, costumes, music, and movements. The document also covers etiquette and guidelines for social dancing, such as proper attire, grooming, demeanor on the dance floor, and dance mixers which allow changing partners.
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Pampanga High School
Senior High School
Reviewer in HOPE III
Elements of Movements in Space Rhythm - Regular recurrence of a beat. It may be regular or irregular. In basic music, rhythm is regular and metered. They be slow, moderate or fast. This element of rhythm is called tempo. Music dictates the speed of movements we create. Level - This refers to the level of movement. It may be low, when knees are fully or slightly bent when executing movement; medium, if knees are normally straight when executing movement; high, if the heels are raised or movements are done while off the floor. Range - This element refers to the scope of movement execution. It is dictated by the space provided. If the space is wide then movements shall be wide and big. If space is limited then movements shall be small and limited too. Floor Patter/Design This refers to the designs created on the floor by the bodies of dancers. They may be geometric or non-geometric formations. Direction - This element adds to variety of movement. They may be performed forward, backward, sideward or even upward. Focus - This is the focal point of dancer’s attention while moving in space.
Folk Dance- traditional dances that were handed down from generation to generation Maria Clara Suite -Dances of the Countryside -Dances with Western Influences Examples: Maglalatik, Itik-itik, Sayaw sa -Spanish inspired dances Bangko, Tinikling Examples: Habanera Jovencita, Lanceros de Dances of the Lesser Known Group/ Rural Lingayen, Paseo de Bacolor Suite- dances of smaller tribes in the archipelago Cordillera Suite- dances of of Bontoc, Ifugao, Examples: Makatod, Dugso Benguet, Apayao, Kalinga, Itneg, Gaddang Dances of the Muslim Group- characterized by Examples: Idaw, Salidsid, Banga intricate and symbolical hand movements Rural Suite Examples: Singkil, Kini-kini, Asik -lively dances of lowland people
Salakban -an example of rural suite or dance of the Paseo de Bacolor countryside -an example of dance with Western influence or Meaning: to entrap Maria Clara Suite which originated from Dance Culture: Christian lowland Bacolor, Pampanga Place of Origin: Pampanga Meaning: leisure walk Ethno Linguistic Group: Kapampangan Place of Origin: Pampanga Classification: mimetic, occupational Ethno Linguistic Group: Kapampangan Costume: Classification: Courtship Female: Kimona and Patadyong Costume: Male: Camisa shirt and any colored Female: Maria Clara Dress trousers Male: Barong Tagalog Hand Props: Hand Props: Salakab- a cone-shaped bamboo basket Handkerchief Swiki- a fish container Fan Laced Umbrella Music: 2 (composed of three parts) Cane 4 Music: 3 (composed of three parts) Count: one, two or one, and, two, or one and, 4 two, and to a measure Count: one, two, three to a measure Formation: Formation: -Partners stand side by side with each other. Girl -Partners stand side by side with each other. Girl stands at the right side of the boy when facing stands at the right side of the boy when facing audience. audience.
Peter A. De Vera -researcher of Kapampangan folk dances, “Paseo de Bacolor” and "Salakban" which was presented in the annual national and regional workshop of Philippine Folk Dance Society
Social Dance dances intended primarily to get to know other people in attendance to a certain social function also called ballroom dances usually performed in pairs, male and female, but may also be performed in groups communal dances performed in social gatherings in any given space synonymously referred to as ballroom dances, but the former is performed in balls or formal social functions
Dance Etiquette -a set of guidelines that help you navigate the social dimensions of dancing
Latin Button-up shirt, Solid T-shirt, Sexy Outfits and Long Slit skirts, Turtleneck, Dress Slacks, Bright Low Necklines and Exposed Colorful Outfits are Accepted Midriffs are Popular PERSONAL GROOMING BEFORE THE DANCE NO-FAULT DANCING Shower and use a deodorant Never blame a partner for missed Brush your teeth and use execution of figures mouthwash/breath mint Dance to the level of your partner Abstain from foods that produce strong The show must go on, say “sorry” to odor your partner if something went wrong Don’t smoke, it causes foul mouth and clothing odor DEMEANOR DURING THE DANCE Be personable, smile and make eye Check your grooming periodically contact with partner Freshen up and towel off periodically in Project a positive image on the dance the bathroom floor even if it’s not your personal style Carrying an extra shirt is advisable for Dance at the level of your partner men in case they need to change If you don’t know the dance, be honest, refuse promptly if asked to dance No teaching on the dance floor Do not cut other dancers off
ON THE DANCE FLOOR
While on the Accompany
Floor your Partner Be Polite Line of (Avoid colliding back to her (Thank or Direction with other Seat Compliment pairs your Partner)
Latin American called Latin American dances because most of them are from the Latin-American countries distinguish themselves by the costumes worn by performers somewhat revealing, tight-fitting, sexy yet sophisticated in nature also distinguished by the nature of the movements freer and can be performed in close or open hold Examples: salsa, mambo, meringue, swing, cha-cha-cha, rumba, samba, jive, boogie, and paso doble
Modern Standard the dancers wear formal, ankle-length gowns for females and coat-and-tie for males most of the time, movements in these are restricted to close ballroom position with partner Examples: slow waltz, tango, Viennese waltz, foxtrot and quickstep
Dancesport performed in competitions and are referred to as competitive ballroom dancing the required athleticism has established rules of different levels of difficulty
Dance Mixers social dances which allow group of performers to change partners periodically while dancing to allow chance to get to know other members of the performing group Its primary function is to maximize the social dimensions of dancing there are specific dance mixers that are performed in social events but ballroom or social dance can be converted into dance mixers by expanding it from a pair-dancing to group dancing activity with exchange of partners periodically while dancing
Waltz- greatly popularized by the music of the famous composer Johann Strauss Cha-cha-cha- a dance which originated from mambo
