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5 Unusual Facts About Kengo Kuma PDF

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5 Unusual Facts About Kengo Kuma

With a vision of reviving Japanese traditions and reinterpreting them for the 21st
century, Kengo Kuma is not the celebrity type of architect. Some of his most popular and
controversial works include the Asakusa culture and tourism center in Tokyo and the
Nagasaki prefectural art museum.

“I want to find a balance expressing form and material. The form of the building should be
as subtle as possible because then the material’s character can reveal itself. If the balance
is there, it’s beautiful.” —Kengo Kuma

Here are 5 interesting facts about the life of the Japanese architect which shaped who he is
today.

1. He considered Kenzo Tange his Godfather

Kuma’s father, also an architect, loved modern architecture and took him to buildings by
Kisho Kurokawa, Kunio Maekawa, and others. However, Kuma was particularly impressed
by Kenzo Tange and walked in his footsteps. Kuma saw something extra in Tange’s
designs that didn’t exist in other modern designs. This was because Tange knew how to
create Japanese symbols with the available technology.
Kuma was very impressed at how Tange combined Japanese tradition with contemporary
vocabulary. He has even stated that Kenzo Tange and the buildings he designed are
among the reasons why he became an architect in the first place. His deep influence by
Tange is particularly obvious in his latest works.

2. He had a thing for wood

Kengo Kuma Climbable wooden beam structure. Photography is by Antoine


Baralhe.
Kuma, among others, is one of the most successful architects working in Japan today.
However, he is particularly well-known for his use of wood which he incorporated into
multiple buildings. These include the Yusuhara wooden bridge museum, the Garden
Terrace Nagasaki hotel in southwest Japan and the Yunfeng Spa Resort in China.
Courtesy of Kengo Kuma
He is even using wood to construct the stadium for the 2020 Tokyo Olympics where he won
the competition. Additionally, he used the wood sourced from Japanese cities that were
destroyed by the 2011 tsunami. In fact, Kuma believes concrete and steel were the
materials of the previous century. He has declared that the key material for the 21st century
will be wood again.

For more information about the wooden Olympic stadium, check out this interview with
Kuma.
Courtesy of Kengo Kuma – Photography: fujinari miyazaki
3. He admits his mistakes

As mentioned before, Kuma is not your typically arrogant starchitect. His approach is
different. In fact, he is not quite fond of his old experimental-style buildings, such the M2
building in Tokyo which showcases an eclectic mix of styles. The eccentric post-modern
building received a wave of negative publicity and criticism.
Photo via @wakiiii Flickr
“My method is to avoid heroic gestures because you get to a point where the heroics kill
the beauty of the material,” he openly states.

4. He is an advocate of Japanese traditions

After designing the “embarrassing” M2 building in Tokyo, Kuma studied at Columbia


University in New York, where he developed new ideas. In fact, he realized that traditional
Japanese wooden architecture is as great as Ancient Roman architecture. Accordingly, the
result of his American experience was to go back to his Japanese roots.

He even designed an Eco-luxury hotel featuring wood and greenery in Paris, France.
Photography: Justin Krug
This is reflected in his more recent buildings. For instance, his design for Suteki house, in
Portland, Oregon, is based on the principle of Shakkei, which is translated as “borrowed
scenery”. It involves using natural landscape elements to complement the architecture.
Although Shakkei dates back to the 17th century, some architects adopted the principle
later on in the 1960s to create continuity between indoor and outdoor spaces.
5. Kuma is Obsessed with Nature

Courtesy of Kengo Kuma and Associates


“My buildings are always part of the place, part of the location. I want to merge buildings
into the environment as best I can. Harmony is always the goal of my practice,” says Kuma.

“I think my architecture is some kind of frame of nature. With it (architecture) we can


experience nature more deeply and more intimately. Transparency is a characteristic of
Japanese architecture, I try to use light and natural materials to get a new kind of
transparency.”

Kuma designs buildings that, above all, emphasize natural light and natural materials. He
strongly believes that they bring physical and non-physical comfort to their inhabitants.
Undeniably, his signature is fusing nature with architecture so that they integrate together in
harmony.
Courtesy of Kengo Kuma – Photography: Takeshi YAMAGISHI

Kuma’s design approach is to improve and add up to the surroundings, rather than
dominate them. This is particularly shown in the outstanding Asakusa Culture Tourist
Information Center in Tokyo.
However, even in a simple house in New Canaan forests in Connecticut, he is consistent in
his approach. Even on a residential scale, he makes spaces that are integrated with nature.
The design employs a discrete wood-and-glass house that is visually linked to the
surrounding landscapes of forests.

SAC FEDERAL CREDIT UNION | LEO A DALY

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