Tonul se refera la o culoare in amestec cu alb sau negru ( de unde rezulta si scara sau scala

tonala) iar nuanta se refera la amestecul unei culori cu o alta culoare sau chiar mai multe culori.

Payne’s Grey - Place an amount of Ultramarine paint on your palette and cautiously add Burnt Sienna until you get a warm grey.
Add Zinc White to lighten the paint without substantially changing its tone.

Sand - Mix a pile of White with touch of Dioxazine Purple and a touch of Cadmium Yellow Medium. As the sand becomes
drier, add more White. Easy. In tropical areas with almost pure white sand, use more Titanium White, and in areas where there
is a lot of coarser sandstone-y kind a sand, use less White.

Beige - using a warm red, yellow, and a touch of blue. Add chinese white to lighten. To give the illusion of texture flick
raw umber and raw sienna on top

Black - ultramarine blue and burnt umber give a very natural black.

Silver - Place equal amount of blue and black paint. Mix thoroughly until the color changes to silver. Mix in small amounts of
white paint in order to adjust the silver shade. Keep adding white paint in small increments until you get the shade of silver that
suits your needs

Magenta, which is a primary color according to Goethe's theory of color subtraction, is produced when blue and red are
combined. This theory works on the principle that the components of white light can be subtracted by the secondary colors to
create other colors. However, black color is produced when the secondary colors subtract all the components of white light

Mustard – mix yellow and red (or brown) then add a bit of orange to lighter or more yellow.
Peach - this color is very pink. The second combination is called Cream, it is 10 white, 1 cadmium orange and 1 zinc yellow.
The third combination is called Pink but it is 10white and 1 cadmium orange. The idea is that if you are painting a real peach you
would mix up these three colors and then use them to paint a peach.

Khaki - titanium white mixed with raw umber produces a khaki similar to pale French gray, a warm green-gray

Skin tones - Create a palette with the primary colors: yellow, blue, red. White and black are optional. ...
Mix together equal parts of each primary color. Just about every skin tone will contain a little yellow, blue and red, but in
different ratios. ... Now, it's time to refine your color.

Aqua - Aqua is a tint of a greenish-bluet. If you are working with primary colors then use blue, add light amounts of yellow and
add white until you get the color you'd like. You will go through a blue-green stage until you add the white, so add white very
sparingly to start.

Sage - Blue & yellow. To make it cooler add more blue, to warm it add more yellow. ...

Sepia – burnt sienna + white, or + black (little) and a little amount of phtalo blue
Copper - For the base copper color, mix burnt sienna and cadmium red light. For a good highlight, mix cadmium red with either
cadmium yellow or cadmium orange. For shadow areas, begin with burnt sienna and raw umber

Burnt orange - True red and true yellow will give you orange, varying the amount of red will determine the color of orange...
start with a redder orange and add a bit of blue, this will bring the orange toward the brown tones, varying the amount of blue
will adjust your color until you have the one you want.

Terracotta - The word itself means "fired earth," and the colors that make it are typically orange and brown or mixing a warm
light brown with red

Rust - Burnt and Raw Sienna and Ult Blue

Burgundy, a deep reddish brown color named for Burgundy wine, is a mix of red, brown and a little bit of blue. The purple
undertone of burgundy is created by the interaction between the red and the blue. Mixing any primary color with its
complementary color creates brown

Turquoise is made when blue and green are mixed together. The color is named after the semiprecious stone of the same name,
which is greenish blue in color

Green is made by mixing blue and yellow. A mixture containing more blue than yellow makes dark green, while a mixture with
more yellow than blue makes lime green, and a blue-and-yellow mixture with white added makes pastel green

Dark turquoise made by Phtalo Blue and burnt sienna

Dark plum is from quinacridone magenta, cadmium red light, and phtalo blue

Teal from Blue and yellow (a touch) and white (dark teal if you add some more blue)

Olive - Mixing Cadmium orange and Pthalo blue together creates olive green. Adding more Cadmium orange gives the pigment a
more olive green color, while adding more Pthalo blue yields a bluish-green color. Another option is to blend yellow or ochre
with ivory black. In general, mixing blue and yellow together yields shades of green. It was discovered by accident that adding
yellow to black gives a dark, earthy green color. Olive is a muddy green color. When gray is added to yellow, the various shades
of the color olive are produced. Some dark shades of olive can also be made by mixing darker colors, like brown, with green.

Lavender - Mix in both black and white. This will create a grayish lavender color, as dark or light as you like. Add more
magenta to move towards a pinker purple. Add more blue or cyan to push your purple toward violet.

Light purple - Whether you mixed your purple paint by using red and blue or magenta and cyan, adding white will make it
lighter and brighter. Add just a little paint at first, and then gradually mix in more to achieve the hue you want. Adding as
much white paint as purple will create a pastel color. Adding black paint will make dark purple.

Blue grey – grey with a touch of blue

Blue-green made from Blue and yellow – find perfect amount.

Cadmium yellow light and cobalt blue: The resulting green resembles permanent green.
Cadmium yellow light and ultramarine blue: Ultramarine blue’s reddish bias produces a brownish green.

Cadmium yellow light and Prussian blue: This deep, inky blue produces a bluish green.

Cadmium yellow light and cerulean blue: This bright blue produces a light yellowish green, a substitute for emerald green

Permanent green and alizarin crimson: This green loses intensity as alizarin crimson is added, producing a dark gray.

Indian yellow and cobalt blue: They produce a soft green.

Indian yellow and Prussian blue: The mixture is dark, yet luminous.