Gemstones: Beginning Jewelry Sales
Gemstones: Beginning Jewelry Sales
In This Lesson:
• The Gem World
• Diamond
• Sapphire
• Ruby
• Emerald
• Cultured Pearls
Lesson Objectives
When you have successfully completed
this lesson, you will be able to:
• Present the 4Cs of diamond value.
• Explain how value factors relate to beauty and quality.
• Present sapphire, ruby, emerald and cultured pearls.
• Discuss factors that affect quality and value for these gems.
• Use history and folklore to build interest in them.
DIAMOND
Every diamond is unique, but all diamonds have
certain characteristics that affect their value. These charac-
teristics are known as the 4Cs, and they are carat weight,
clarity, color, and cut.
In order to sell diamonds and diamond jewelry
successfully, you will eventually have to master a great
deal of product knowledge. Many customers today are
highly informed about the 4Cs, and they gauge jewelry
sales professionals by their expertise in this particular
subject. So, that’s where you need to begin.
Carat Weight
Carat weight is a good place to begin discussing the
In order to sell diamonds and diamond 4Cs because it’s easy to understand, and many customers
jewelry successfully, you will eventually have
to master a great deal of product knowledge.
already know something about it. When you explain how
weight relates to cost, you also provide information that’s
Photo courtesy Shutterstock GWimages.
essential for the purchase decision. You can build trust in
your expertise and appreciation for your product too.
Clarity
Clarity is usually an easy C to present. Many customers under-
stand the basic concept and know that diamonds have “flaws” (a
word you – as a jewelry professional – should never use). This prior
knowledge gives you a head start. However, you still have to provide
the information that’s needed for a purchase decision. You can also
use clarity to build trust and set the stage for the less familiar value
factors of color and cut.
You might start by saying that clarity can be defined as a Clarity is a diamond’s freedom
diamond’s freedom from features that are technically classified as from inclusions or blemishes.
blemishes or inclusions. Blemishes are surface irregularities such as
scratches. Inclusions are internal – for example, tiny crystals of other
minerals. Both are also known as clarity characteristics.
Judging Clarity
To judge clarity, a trained grader examines the diamond using
10-power magnification. First, the grader finds all the character-
istics. Then he or she assigns the clarity grade that reflects their
visibility, plus any impact they might have on normal appearance
or durability.
The face-up view normally counts most in setting the grade,
because that’s how the diamond is seen when it’s mounted.
Clarity Grades
A key step in presenting clarity is stating the clarity grade and
explaining what it means – briefly but clearly. To do this, you
have to know the grading system your store uses.
Many stores today employ the system originally developed by
the Gemological Institute of America (GIA). It consists of descrip-
tive terms with the well-known abbreviations VVS, VS, SI, and so
forth.
Most professional lab graders use a
binocular microscope to grade clarity. To explain one of these grades, you might say something like,
Photo courtesy GIA GEM Instruments. “This diamond has a clarity grade of SI1 -- or slightly included,
level one. It has characteristics that a trained grader can easily
see under magnification, but which don’t affect the diamond’s
beauty.”
Presenting Clarity
When you’re talking about clarity characteristics, it’s best to stick
with that term specifically. Be careful to avoid negative-sounding
words like “flaw” or “imperfection.” Even “blemish” and “inclusion”
sound negative to many customers.
If you have a microscope, you can invite customers to inspect
diamonds for themselves. That’s the best way to take the mystery out
of this C.
Effective profiling enables you to help customers select the right
diamond. Appearance and cost are important, but so are personal
concerns and priorities. To someone who’s quality-conscious, try
presenting benefits related to rarity and high standards. For others, it’s
usually better to point out the precision – or pickiness – of grading
distinctions, and then focus on the diamond’s beauty and individuality.
You might also suggest the possibility of trading a little in clarity to
It’s necessary to keep the obtain a larger carat weight.
relationship between clarity
and beauty in perspective. The type of jewelry can be a consideration as well. Most people
Photo courtesy JB Star.
would say high clarity is more important for diamonds in rings than in
other types of jewelry. That’s because rings – especially for engage-
ments and anniversaries – typically receive close inspections from
family, friends, and acquaintances.
T his table summarizes the Diamond Clarity Grade scale that was originally devel-
oped by the Gemological Institute of America (GIA), and is now widely used
throughout the jewelry industry.
Grade Abbrev. Description
Very, Very Slightly Included VVS1 Minute inclusions extremely difficult to see at 10x.
Very Slightly Included VS1 Minor inclusions fairly difficult to see at 10x.
Note: All these grade descriptions are based on a skilled grader working with
proper magnification and lighting under controlled conditions.
Color
Color has a critical place in your diamond presentations.
It’s a difficult C for some customers to grasp, but it’s an essen-
tial part of the complete value picture that’s needed to make
purchase decisions.
Diamond Colors
Since many people think all diamonds are colorless,
you might begin by sharing a little background information.
The diamond color palette includes
Diamonds actually occur in a wide array of colors, but most
every hue in the spectrum. range from nearly colorless to light yellow, brown, or gray.
Judging Color
To evaluate a diamond’s color, a trained grader compares
it to diamonds of known color – called master stones – under
carefully controlled conditions. This allows for very precise
color distinctions.
Diamonds are turned face down for color
Sophisticated instruments known as colorimeters can also grading to minimize reflections.
grade color in many diamonds. But these haven’t achieved the Photo courtesy JCK.
versatility and consistent precision of the expert human eye
combined with master stones and proper conditions.
Presenting Color
A customer’s decision about color may depend on cost,
personal preferences, and concepts regarding quality. To keep
from clouding these issues, be careful in your initial discussion
of this C. Avoid negative terms like “poor-color” or “off-color.”
Instead say “more tinted” or “warmer grade.”
A simple but effective way to explain the color grade is to
indicate the diamond’s position on a chart that shows the entire
grade scale. To illustrate the differences between grades, you
might call to mind more familiar examples, like the differences in
various “white” papers, paints, or fabrics.
When price or carat weight appears to be a customer’s main
concern, emphasize the precision of grading and downplay the
color grade’s link with visual appeal. A diamond of any grade can
be beautiful. You might also suggest that by giving up a little in
a factor where it’s difficult to see small differences, the customer
You can point out that many people can save money or own a larger diamond. If the customer finds
feel diamonds which show some a diamond with obvious color attractive, reinforce this. You can
color have a warmer, richer beauty.
point out that many people feel diamonds which show some color
have a warmer, richer beauty.
On the other hand, with customers for whom quality is most
important, stress that while color distinctions are subtle, they are
apparent to the expert eye. Truly colorless diamonds are very
rare, and for centuries they’ve been considered the most beautiful.
Cut
From a scientific standpoint, cut is the most complicated of
the 4Cs. But it’s also the top factor in beauty for most diamonds
– and today’s customers want to know about it. So, you need to
be ready to supply information, answer questions, and provide
guidance on this complex yet crucial C.
Defining “Cut”
The term “cut” actually has two distinct meanings. One
refers to the diamond’s shape and faceting style – round bril-
liant, princess cut, marquise, and so forth. This is the meaning
All sorts of cutting shapes are most customers are familiar with.
possible with diamonds.
When it comes to quality, however, cut involves three
factors – proportions, symmetry, and polish.
• Proportions – These are the relative sizes and angles of
the diamond’s parts and facets.
• Symmetry – This is the precision of the cut design’s
execution.
• Polish – The smoothness and luster of the diamond’s
surfaces.
Optical Performance
A well-cut diamond gathers light from many directions, and then
reflects that light outward again to dazzle the eyes of beholders.
This optical performance is traditionally described in terms of three
components – brilliance, dispersion, and scintillation.
• Brilliance – This is the total intensity of white light reflected
from the diamond’s surface and interior. It’s the diamond’s
brightness.
• Dispersion – This is the prism-like effect of light splitting
Dispersion - or fire - is the multi-
into rainbow colors. It’s the diamond’s fire. colored flashes of light from a well-
cut diamond.
• Scintillation – This is the dance of bright reflections that’s
seen as the diamond, the light, or the observer moves – in other
words, the diamond’s sparkle.
In recent years, researchers have analyzed these effects in
various ways, sometimes using different terms or definitions. But
the quantity and quality of light reflections will always be the key to
diamond’s optical performance.
Proportions largely govern that performance. Each facet and
every angle counts. Symmetry and polish usually reflect the care
that went into the cutting process.
Grading Cut
Evaluating diamond cut quality takes advanced training.
Sophisticated instruments and computer programs are now used to
assess proportions. Finish is judged much like clarity, with graders
using magnification to examine symmetry and polish characteristics.
A number of cut grading systems currently exist. GIA grades cut
quality as Excellent, Very Good, Good, Fair, or Poor.
Presenting Cut
As with other Cs, you need to fit your presentation of
cut quality to the diamonds you offer and the customers
you serve. If you’re showing high-grade cuts, emphasize
their superior light performance and the skilled labor that’s
required to produce them. You can say that a diamond with
good or medium cut quality offers an attractive balance of
appearance and cost.
Since comparison-shopping is common today, you need
to make customers aware that poor cut quality is often
the hidden factor in “discount” diamonds. Two diamonds
that are equal in all the other Cs can differ substantially in
beauty and value just because of differences in the quality
of cut.
If you help customers see the difference that
fine cutting makes, this complicated C can A simple demonstration can help you educate
almost sell itself. customers about cut quality, and alert them to compromises
that affect beauty and value. If you help customers see the
difference that fine cutting makes, this complicated C can
almost sell itself.
SAPPHIRE
Sapphire is a colored gemstone favorite with
modern jewelry consumers. Its popularity also is
deeply rooted in the past. Photo courtesy Rozaliya.
Science Background
The English word “sapphire” comes from the Greek
“sappheiros,” which was once used for all dark blue gems.
However, sapphire is now recognized as a variety of the
mineral species known as corundum. Ruby is another
corundum variety.
From a scientific standpoint, corundum that’s red is
classified as ruby, while any other color is sapphire. The
complete sapphire palette includes green, yellow, orange,
violet, purple, and pink. Sapphire is also available completely colorless, often referred to as “white
sapphire.” In the jewelry industry, the term “sapphire,” when used alone, refers specifically to blue
sapphire. All other colors are collectively classified as fancy sapphire. They’re also designated by indi-
vidual color names – pink sapphire, purple sapphire, and so forth.
Sapphire Treatments
When you’re talking about gems, treatment is any
Three
artificial process – other than cutting or similar processing treatments
– that improves appearance or durability. Most colored
gemstones and many diamonds are now treated in one are common
way or another. Another word for treatment is “enhance-
ment,” and the two words are often used interchangeably.
for sapphire
Under FTC guidelines, a treatment must be disclosed – heat,
if it is not permanent, if it creates special-care require-
ments, or if it has a significant effect on value.
diffusion,
Three treatments are common for sapphire – heat, and filling.
diffusion, and filling.
• Heat – Almost all blue sapphires are heat treated to improve their color
or clarity. Depending on how the process is done, heating can lighten an
over-dark color, remove needle-like “silk” crystals that cloud appearance,
or even turn milky white material transparent blue. Most yellow natural
sapphires are heat treated too. With either color, the effects are permanent,
and the treatment creates no special-care requirements.
• Diffusion – This treatment can produce sapphires in a variety of colors. It
involves heating pale or colorless sapphire to a very high temperature while
it’s in contact with chemical coloring agents. In many cases, the results are
permanent, but in others they are not. A diffusion-created color might be
damaged or removed by repolishing or recutting the gem.
• Filling – For sapphire, this treatment normally involves using glass or
epoxy resin to fill cavities or fractures that reach the gem’s surface. The
Diffusion treated filling makes the cavities or fractures less visible, thus improving the gem’s
blue sapphire. appearance. But fillings can be damaged by some repair procedures, so
they may not be permanent.
Lab-Created Sapphire
Sapphire is also available in laboratory-created forms, and it’s important to
clearly identify these in sales presentations. You can tell customers that natural
sapphire was produced by Earth’s geologic (or rock-forming) processes.
Lab-created sapphire (also called synthetic sapphire) is essentially the same
material – it’s composed of the same kinds and quantities of atoms crystallized
in the same way – only it’s manmade.
Science Background
Our English word “ruby” comes from Latin “ruber,”
meaning red, and there’s a fundamental link between the
gem and the color. Scientists define ruby as the red variety
of the mineral corundum.
Gem and jewelry professionals are even more specific. Our English
To be considered ruby in the gem trade, the color must be
predominantly red and at least moderately dark and strong. word “ruby”
Otherwise, the gem is correctly identified as pink, purple, or
orange sapphire, depending on the tint.
comes from
Despite the strict definition, rubies do display a range of Latin “ruber,”
colors. The tone can be medium to very dark, and the hue
is often slightly orangish, purplish, pinkish, or brownish. In
meaning red.
everyday terms, rubies can be scarlet, crimson, vermilion,
cherry, apple, raspberry, or rose (classic American Beauty).
Most expensive is a pure red that’s deep yet vivid.
Ruby Treatments
For decades, almost all rubies have been treated. Heating
to improve clarity or color is routine. Carried out in different
ways, heat treatment can eliminate “silk” inclusions or make
the color redder by reducing purplish or brownish tints.
Also fairly common is filling cavities and fractures with
epoxy resin or glass to improve clarity appearance.
For decades,
Ruby is sometimes imitated or produced by diffusion treat- almost all
ment. This involves heating sapphire to a very high tempera-
ture while it’s in contact with chemical elements that will
rubies
impart a ruby-red color. have been
Heat treatment is normally permanent, and creates
no special-care requirements. Fillings can be damaged or
treated.
destroyed by some jewelry-repair procedures. And a diffusion-
induced color might be damaged or removed by repolishing or
recutting.
These multiple possibilities mean that you need to find out
what treatments have been performed on the rubies you sell, so
you’ll be able to give proper disclosures to your customers.
Lab-Created Ruby
Like sapphire and a number of other popular gems, ruby is avail-
able in both natural and laboratory-created forms. When you present a
lab-created ruby, you need to make sure the customer understands what
you’re showing. You can say that a lab-created ruby is manmade, and it
duplicates its natural counterpart all the way down to the atomic level.
EMERALD
Emerald is one of the colored gems that’s most likely to
cast a spell over contemporary jewelry customers. But judging
from history, this has been the case for a very long time.
Science Background
Color has always been the prime source of emerald’s appeal. The
word “emerald” comes from Greek “smaragdos,” which was once used
for many green gemstones. To modern science, emerald is a green
variety of the beryl mineral species. Aquamarine is another beryl variety.
In technical terms, emerald’s color ranges from light to dark green,
and often has a somewhat bluish or yellowish tint. The color must be
reasonably intense, however. Gems which are too pale are properly clas-
Photo courtesy Terry Davis. sified as green beryl. The most valuable emerald color is a deep vibrant
green that has a very slightly bluish tinge.
Customers are likely to notice clarity characteristics in many emer-
alds. You can explain that these tend to occur because of the geologic
conditions in which the gem forms. Unless they’re unsightly or threaten
durability, they have little impact on value.
When discussing cut, you can say the rectangular faceted style
known as the emerald cut is a classic choice. It generally saves
Photo courtesy John Kasawa. maximum weight from the crystal, and also shows the gem’s color at its
best. Other shapes and styles are available too.
Emerald Treatment
Many emeralds are fracture-filled to improve their appear-
Colombia is
ance. This has been a common practice since at least Roman still the world’s
times. Modern fillers include a number of colorless oils and principal source
natural or synthetic resins. of fine emerald.
Many
emeralds are Emerald Wear and Care
Emeralds are inherently hard and scratch resistant,
fracture-filled but many require special care during wear due to their
to improve their clarity characteristics. It’s important to help customers
select jewelry that will give lasting enjoyment. Rings
appearance. and bracelets are exposed to bumps and scrapes during
normal wear, and emeralds are sensitive to such acci-
dents. This makes pendants, earrings, and pins good
choices for customers with active lifestyles.
Besides helping customers choose jewelry that’s right
for them, you need to provide guidance on care. Rough
wear and handling are dangerous for any gem – but this
is particularly true for emerald.
Special Precautions
Treated emeralds require special precautions. Many chemi-
cals can damage or destroy fracture-fillings. Even relatively low
heat or bright light can adversely affect oils. To be safe, advise
customers not to leave oiled emeralds sitting in bright sunlight.
(It’s also best to display emerald jewelry in cases with lighting
that is external and diffused.)
It's important to understand
In the store, never use ultrasonic or steam machines for treatments and necessary to tell
cleaning emeralds. Either method can be disastrous. Also caution customers about them.
customers not to use home ultrasonics or commercial cleaning
solutions for emerald jewelry. Instead, remove dust and smudges Steam can
shatter some
with a cotton swab or soft, lint-free cloth. Occasional cleaning gems.
with mild detergent and water is usually safe, but don’t scrub an
oiled gem.
Better yet, offer to give the jewelry an in-store cleaning every
few months. This will keep it looking its best, and also create
opportunities to build a relationship with the customer.
Natural Pearls
Cultured
Pearls Natural pearls occur when mollusks, such as oysters and mussels,
coat tiny intruding irritants with lustrous nacre (NAY-ker). This
substance is made primarily of microscopic calcium carbonate crystals.
It protects the animal and creates pearl’s distinctive beauty.
Natural
Pearls Once found in waters around the world, natural pearls are now very
It takes x-ray to tell the rare, due mainly to over-fishing and pollution. Their place in the gem
difference between natural kingdom has been taken by cultured pearls.
and cultured pearls.
Pearl Culturing
A cultured pearl begins when a technician implants a nucleus
into an oyster or mussel that has been collected or raised especially
for this purpose. The nucleus may consist of a shell bead and a small
piece of mantle tissue from another mollusk. (The mantle is the
organ that lines the mollusk’s shell and envelops its body.) In some
types of pearls, only a bit of mantle tissue is used for the nucleus.
Either way, the nucleus acts as an artificial irritant, and stimu-
lates nacre secretion. After the implant procedure, the animals are
tended for up to two years. At the end of that period – if everything
Photo courtesy Shutterstock Amnh.
goes right – cultured pearls are harvested.
Size potentials vary, but large fine-quality pearls are rare, and command premium prices. Color
possibilities also depend on the type of pearl. The main categories for shape are spherical, symmetrical,
and baroque. Spherical (or round) pearls generally are most expensive. Luster is the sharpness of light
reflections from the pearl’s surface, and it’s always critical to beauty. Surface is freedom from blem-
ishes such as bumps and spots, while nacre is the thickness of the pearl’s coating.
In addition to these universal factors, matching for size and appearance is important with cultured
pearls that are used together in necklaces or other jewelry.
• Cultured pearls are the modern versions of an ancient gem. Natural pearls are
produced by mollusks without human help. Cultured pearls combine Nature’s
processes with human art and science. Today, almost all pearls are cultured.
Tradition has made pearl – both natural and cultured – a birthstone for June and the
gem for the 3rd and 30th wedding anniversaries. There are many different types of
cultured pearl products. Four of the most important are Akoya, South Sea, Tahitian,
and freshwater cultured pearls. Value factors for cultured pearls are size, shape,
color, luster, surface, and nacre. Proper care is essential to maintain the beauty of
cultured pearls.
LESSON 7 SELF-TEST
This lesson also includes a Self-Test that’s designed to help you gauge your comprehension of the
lesson material. The test is an important part of the learning process, so be sure to complete it.
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