Strickland Dabrowski PDF
Strickland Dabrowski PDF
Living and Learning with Dabrowski’s Overexcitabilities OR “I Can’t Help It – I’m Overexcitable!”
PROFILE OF CLASS
This unit was written for use in a pull-out setting for gifted students at the middle school level, although
most of the activities would also be appropriate for high school students and even some upper elementary
students. The unit is designed to take about 3 weeks, meeting approximately one 50-minute period per day.
Teachers may pick and choose activities to make the unit longer or shorter. The activities may also be done
over the course of a longer period of time, if the class does not meet daily.
This unit would also be an appropriate unit of study in an honors language arts class because of the amount
of writing, reading, and presenting that is required, or in an honors social studies course due to the
sociological and psychological aspects of the topic. This curriculum might also fit in with a health or child
development curriculum.
WHY DABROWSKI?
Dabrowski’s work has become of great interest to educators concerned with the social and emotional
development of gifted students. Intensity is mentioned over and over again as a trait that is often found in
gifted individuals; both in intensity of feelings and of experiences. The concept of overexcitabilities or
supersensitivities is one way to explore this intensity with gifted students and adults. It has been my
experience in working with gifted middle school students, that knowing about and understanding this
particular concept gives students increased insight into their personality traits and reassures them that they
are not alone in some of their feelings and reactions to various stimuli. For parents, I have found that the
concept of overexcitabilities helps them to better understand their children (and often themselves as well!).
Parents may come to realize that at least some of what their child does is not necessarily done to “bug
them,” but is a natural outgrowth of who the child is; how the child is “wired” psychologically and
physically. Teachers and parents must be careful that “I can’t help it, I’m overexcitable!” does not become
an excuse for bad or rude behavior. Instead, we should help students realize that by understanding their
predisposition towards certain reactions in certain situations, students can learn to rejoice in the joys of
overexcitabilities and at the same time learn to cope with difficulties that are sometimes related to this way
of “being.”
While this unit was designed to be used with gifted students, it could be adapted to work for all students.
Adolescents in particular are highly motivated to better understand themselves and might find this concept
interesting. As in all other areas of human differences, students vary in their ability to self reflect and in
their ability to objectively examine personality traits of themselves and others. Some students may find this
topic and the related activities to be very difficult for them, especially if they do not personally relate to the
concept of overexcitabilities. Yet I believe it is the teacher’s responsibility to help students grow along the
path of self-understanding and acceptance of human differences.
In a broader study of personality theories, activities from this unit could help guide those students interested
in Dabrowski’s concept of overexcitabilities in particular, although many of the activities could easily be
adapted to other theories of personality, development and/or learning styles (Maslow, Krathwohl, Piaget,
Gardner, etc.) The teacher might introduce several theories of personality and/or development and have
students choose one of these theories for further study as an independent investigation.
Cindy A. Strickland 1
Semester Concepts:
Self-awareness, self-understanding, human variation
Be able to do: At the end of this unit, I want students to BE ABLE TO...
1. Recognize their own traits or lack thereof of OE.
2. Recognize OE in others.
3. Discuss the implications of Dabrowski’s OE in understanding themselves and others.
4. Demonstrate an understanding of the two-sided nature of the OE.
5. Demonstrate increased self-awareness.
6. Define the various OE.
7. Explain OE to a fellow student or adult.
8. Reflect on how their OE profile helps define who they are.
9. Discuss their feelings and those of others in an accepting and nurturing atmosphere.
10. Define OE in a unique and creative way that is reflective of their particular Oes.
11. Journal their reactions to OE discussions.
Language Arts: 6.1-5; 6.7-9; 7.1, 7.4; 7.5-6; 7.8-10; 8.1, 8.4-5; 9.2, 9.6-8; 10.1-2, 10.4, 10.7, 10.9-10;
11.7, 11.9; 12.1-2, 12.4, 12.7
Cindy A. Strickland 2
UNIT PLAN AND ANNOTATIONS
Cindy A. Strickland 3
Discuss what bugs people most about you/what Related principles and generalizations:
bugs you most about people. Link this to personality Conflict can arise from differences.
differences and similarities. It can be painful to recognize differences in
people.
Discuss what you enjoy most about yourself / about It can be joyful to recognize differences in
other people. Link this to personality differences people.
and similarities.
Tell students that you will study what psychologist This functions as an anticipatory set and overview
Dabrowski noticed about the personality traits of of purpose of unit.
many of his clients who were “gifted” and/or highly
creative. Students will learn about his concept of At this point you may wish to inform students of
overexcitabilities and relate this concept to what goals of unit.
they know about themselves and the people around
them. Related principles and generalizations:
Personality factors vary in intensity.
Throughout the unit, students will keep a journal
(written, recorded or videotaped) that includes their Students may begin to answer selected questions in
reactions to class activities and helps clarify their their journal (see attached prompts and RAFT
understandings of the unit concepts. activity). Please note that it is not intended that
students answer every question listed. The teacher
may assign certain questions or let students choose
which ones to answer. The teacher may wish to
collect the reflective journals periodically
throughout the unit in order to monitor and/or
comment on student writings.
Presentation of information via PowerPoint: Outline attached
Prepare students for difficulty of language and Be sure to stress with students that not all suggested
concepts to be presented. characteristics of each OE may show up in all
people. The traits listed may or may not be present
Challenge them to explain the advanced vocabulary in a particular individual.
as you go through the PowerPoint, before moving to
the translations slides. Extension: Don’t include the translation slides.
Have students translate the vocabulary on their
After each type of OE is presented, ask if students own!
know anyone like this - do one of the following
activities: share in the large group, share in small Optional: As a follow up and comprehension check
groups, journal by self, draw a picture of someone the next class period, ask students to spend 4-5
doing something that indicates that particular OE, minutes writing down everything they remember
etc. Vary what you do after talking about each about the overexcitabilities.
overexcitability.
Remind students of the need for confidentiality and
respect for the feelings of others. These discussions
are not intended to be a talk show “tell-all” but
rather a sharing of ideas and impressions of a
particular overexcitability.
Culminating learning activities (4-5 days) You may decide which of the following activities you
wish students to complete as a culminating activity.
These activities may also be presented in the form of
a Think Tac Toe (see attached) In this case, you
may assign certain activities to particular students,
have them choose the activities that most interest
them, or do a combination of both. Consider also
that certain activities might appeal to students with
a particular learning style or preference. There are
numerous resources available to teachers for
finding out a student’s learning style.
Extension: The activities are listed in approximate
order of ascending intellectual demand.
• In homogeneous pairs, have students make Related principles and generalizations:
a top-ten song list or book list that they Humans vary in infinite ways.
think a person with a particular It can be joyful to recognize differences in
overexcitability would have. They should people.
briefly explain how each song or book It can be painful to recognize differences in
relates/responds to the overexcitabilities. people.
• In homogeneous groupings, students write Related principles and generalizations:
a poem about having a particular By understanding ourselves, we understand
overexcitability. The structure of the poem others better.
should reflect the overexcitability they are
writing about.
• In homogeneous groups, students create a Provide tape recorder to each group. Students must
soundscape of what a particular OE sounds not use any narration or words.
like.
Related principles and generalizations:
Humans vary in infinite ways.
• Using quotes from Piechowski handout or See handout reference in bibliography
the samples attached, or quotes from your See attached for some examples – find more
Cindy A. Strickland 6
own students’ journals, have students guess
and discuss what OE they think is Related principles and generalizations:
represented by the quote and why. Personality is made up of many factors.
Some factors of personality are identifiable.
What is a problem factor for one person is not
necessarily so for another.
• Read or place on overhead a quote from a Related principles and generalizations:
famous person and have students read the Personality is made up of many factors.
quote, decipher its meaning and relate it to Some factors of personality are identifiable.
one or more OEs. Discuss how the quote What is a problem factor for one person is not
relates to the student’s life and/or OEs. necessarily so for another.
• Discuss: “What is the best combination of Related principles and generalizations:
OEs?” Personality factors vary in intensity.
What is a problem factor for one person is not
necessarily so for another.
There are two sides to every personality trait.
Humans vary in infinite ways.
Conflict can arise from differences.
• In heterogeneous groupings, create a Related principles and generalizations:
“Guidebook For Enhancing What is a problem factor for one person is not
School/Family/Life/Etc With OEs.” necessarily so for another.
There are two sides to every personality trait.
• Discuss relationship between OEs and See Ackerman reference in bibliography for a good
giftedness. chart.
Cindy A. Strickland 7
have a higher developmental potential,
how might a hierarchical theory such as
this intersect with the charges of elitism
that are often leveled at gifted education?
Cindy A. Strickland 8
POWERPOINT OUTLINE
(Actual PowerPoint presentation is available from the author via email:
cas2k@virginia.edu)
SUPERSENSITIVITY
In Gifted Individuals
Supersensitivities/
Overexcitabilities/
Superstimulatabilities
Translation!
! Some individuals tend to react more strongly than average to things that happen to them.
! Some individuals tend to react to these things for a longer time than average.
Remember…
! These reactions are a part of the physical and mental make-up of the individual.
! Such individuals do not react this way on purpose.
! This is simply a part of who they are.
[IMPORTANT NOTE TO TEACHER PRESENTING THIS INFORMATION:
Not all characteristics may show up in all people. The traits listed below may or may not be present in a
particular individual. Be sure to stress this with students.]
PSYCHOMOTOR
PSYCHOMOTOR
OVEREXCITABILITY
! Heightened excitability of the neuromuscular system
! Capacity for being active and energetic
! Love of movement for its own sake
! Organic surplus of energy
! Psychomotor expression of emotional tension
Translation!
!You like a lot of movement and activity
!You may talk fast and use lots of gestures
!You may be impulsive
!You might sleep less than other people.
Cindy A. Strickland 9
When upset you may …
! get nervous ticks
! become overly competitive
! feel the need to organize your environment
SENSUAL
SENSUAL OVEREXCITABILITY
!Heightened experience of sensual pleasure or displeasure
!Sensual expression and outlets for emotional tension
!Appreciation for aesthetic pleasures
Translation! You may…
!dislike labels in your clothing
!love “good” smells, textures, tastes
!hate “bad” smells, textures, tastes
!be sensitive to bright lights and harsh sounds
!love to be the center of attention
INTELLECTUAL OVEREXCITABILITY
! Heightened need to seek understanding and truth
! Intensified activity of the mind
! Penchant for probing questions; problem solving
! Preoccupation with logic, theoretical thinking and development of new concepts
!You have trouble falling asleep at night because your mind is racing
Translation! You may…
!love to be logical
!enjoy brain teasers and puzzles
!like to figure things out, especially if they are complicated
!seek out truth and knowledge
!be very observant
When upset, you may…
! analyze things to death
Cindy A. Strickland 10
IMAGINATIONAL
IMAGINATIONAL OVEREXCITABILITY
! Heightened play of the imagination
! Rich association of images and impressions
! Spontaneous imagery as an expression of emotional tension
! Capacity for living in a world of fantasy
Translation! You may…
!be called a dreamer
!be creative
!love metaphors
!think in pictures
!believe in magic
!remember your vivid dreams
When upset, you may…
! tend to “tune out” or disappear into a fantasy world
! experience an overwhelming fear of the unknown
EMOTIONAL
EMOTIONAL OVEREXCITABILITY
! Heightened, intense positive and negative feelings
! Somatic expressions
! Strong affective expressions
! Capacity for deep relationships
! Well differentiated feelings toward self
Translation! You may…
!have extreme emotions
!have a broad range of emotions
!understand and be sensitive to others’ feelings
!be compassionate and caring
! form strong attachments to others
! experience difficulty adjusting to new environments
!be “in tune” with yourself
When upset, you may…
! get physically ill
! become depressed and/or anxious
! feel overly responsible for things that are out of your control
! be highly self-critical
Cindy A. Strickland 11
Overexcitabilities can be…
! great!
! exciting!
! fulfilling!
! challenging!
! troublesome!
! painful!
Cindy A. Strickland 12
Suggested JOURNAL Prompts
Cindy A. Strickland 13
POSSIBLE RAFT IDEAS to Use as Journal Prompts
Cindy A. Strickland 14
SAMPLE RUBRIC
Unit Assessment
Cindy A. Strickland 15
Overexcitability Self-Evaluation
Adapted from Self-test on Giftedness
(www.rocamora.org/gift_selftest.html)
Place a 3 in the blank if the statement is true about you in most areas of your life or very frequently.
Place a 2 in the blank if the statement describes you sometimes or in some cases.
Place a 1 in the blank if the statement does not really describe or describes you rarely.
PSYCHOMOTOR OVEREXCITABILITY
_____I am a high-energy person.
_____I feel constantly pressured to take action.
_____I am impulsive.
_____I have nervous habits.
_____I am restless, always on the go, incapable of just relaxing.
_____I talk compulsively.
_____I am a workaholic.
_____I use my whole body to communicate.
SENSUAL OVEREXCITABILITY
_____ I often become totally captivated or immersed in music or the visual arts.
_____ A beautiful sunset mesmerizes me.
_____ Bad sounds, sights, smells or tastes irritate me to distraction.
_____ I am prone to drinking or eating too much because this gives me intense pleasure.
_____ I am adventurous where new sensory experiences are concerned (food, music,
environmental settings, etc).
_____When I recall an experience, I also recall the smells, sounds, and tastes associated with the
experience?
_____ I love the taste, touch, smell or feel of things.
_____ People call me “picky.”
INTELLECTUAL OVEREXCITABILITY
_____ I am always questioning everything.
_____ I constantly ask or wonder ‘how’ or ‘why.’
_____ I love to explore a wide variety of theories and ideas.
_____ I am able to examine ideas outside of the framework of my own opinion.
_____ I enjoy research, analysis, and theoretical thinking.
_____ Problem-solving is a source of immense satisfaction to me.
_____ I think about the many possible consequences of certain events or actions.
_____ People often accuse me of over-intellectualizing or over-analyzing things or people.
IMAGINATIONAL OVEREXCITABILITY
_____ I write, speak, dream or think in vivid imagery.
_____ I embellish the plain truth in ways that make my end of the conversation more impactful or
amusing.
_____ I express myself in ways that demonstrate a rich association of images and impressions. In
other words, I make it easy for others to hear, see, taste, smell, or feel what I am describing.
_____ I entertain myself endlessly with private jokes and wacky visual, auditory, or associational
images.
_____ I enjoy the unusual.
_____ I tend to be disorganized in my day-to-day life.
_____ I think of or treat animals or objects as if they are people.
_____ I tend to daydream when bored.
Cindy A. Strickland 16
EMOTIONAL OVEREXCITABILITY
_____ I am excruciatingly sensitive; I experience intense emotions.
_____ I am easily hurt.
_____ I am highly compassionate and caring.
_____ I can describe my feelings with great precision.
_____ I have intense emotional attachments to others.
_____ I often spend time thinking about feelings and/or emotions.
_____ I tend to be fearful or over-anxious.
_____ I am intensely critical of myself and/or of others.
Do you think these results accurately reflect you? Why or why not?
Now, using the results of the survey, or your own best judgment, order your overexcitabilities from
strongest to weakest:
Cindy A. Strickland 17
OVEREXCITABILITIES RATING GRID
Adapted from Sharon Lind
“Gifted? ADHD? Supersensitive? All of the above?”
Sibling(s)
Friend(s)
Teacher(s)
- With which of these persons would you say you get along best? Worst?
- Are these persons like you or unlike you in the OE profile you have assigned them?
- Speculate on the possible link between OE and getting along with others.
- Think about asking these people to rate themselves, using the rating form you filled out in class.
Compare this rating to the above grid.
Cindy A. Strickland 18
SYNECTICS – TYPE ACTIVITY
Cindy A. Strickland 19
THINK TAC TOE – Overexcitabilities
You may give all students the same Think Tac Toe or differentiate by assigning students to one grid or the
other.
CHALLENGING:
Choose one activity from each row
Make a top-ten song list or book Create a soundscape of what a Design the perfect bedroom or
list that they think a person with a particular OE sounds like. Write a classroom for a person with one
particular overexcitability would brief explanation of your of the overexcitabilities. On the
have. Briefly explain how each soundscape and its link to that back of the drawing explain your
song or book relates/responds to OE. design.
that overexcitability.
Find and illustrate a set of quotes Create a student guidebook for Administer the OE rating sheet to
by famous people that would be enhancing school with a a friend or family member who
particularly inspiring to a person particular OE. has not heard of this concept.
with a particular OE. Annotate Tape record your explanation and
the quotations, explaining their discussion of the results with this
significance to this OE. person. Have them sign the rating
sheet.
Research Dabrowski’s theory of Write a 2 page essay in which Draw a concept map showing
positive disintegration. Write a 1- you discuss "The Perfect possible links between OE and
page reaction paper to his ideas. Combination of OEs" adolescence. Be sure your ideas
are clearly represented by your
map. Include a brief explanation
of your map on the back of your
drawing OR explain and discuss
your map with your teacher and a
small group of students.
MORE CHALLENGING
Choose one activity from each row
Write a poem about having a Find and illustrate a set of quotes Design an introductory lesson to
particular overexcitability. The that would be particularly give to 3rd graders on one of
structure of the poem should inspiring to a person with a Dabrowski’s overexcitabilities.
reflect the overexcitability you particular OE. Annotate the You must include a visual aid of
are writing about. quotations, explaining their some sort.
significance to this OE.
Write a 2-page essay in which Design the perfect classroom for Draw a concept map showing
you discuss "The Perfect children with overexcitabilities. possible links between OE and
Combination of OEs" Be sure your design giftedness in adolescence. Be
accommodates the varied needs sure your ideas are clearly
of children with each of the OEs. represented by your map. Include
On the back of your drawing, a brief explanation of your map
explain the unique features of on the back OR explain and
your design. discuss your map with your
teacher and a small group of
students.
Choose a profession or discipline. Design a mini research study to Research how OE fits into the
Create a guidebook to help find out the OE profile of a larger picture of Dabrowski’s
professionals with a particular OE particular group. Administer the theory of positive disintegration.
in this field “survive” and OE rating sheet to this group. Write and essay in which you
“celebrate” their uniqueness. Be Report your results in the form of discuss the implications of this
sure you think about how OE an appropriate graph or chart. theory to the charge of elitism
intersects with the discipline. Write a brief summary of your that is often leveled at gifted
findings. education.
Cindy A. Strickland 20
SAMPLE OE-RELATED QUOTES
I used to say my son functioned like a short circuit because he was sparking all the time. It’s web thinking,
it’s connected thinking. You take two steps down a path and you see a junction, and you may end up very
far from where you intended. And it may be a wonderful place to be, but it isn’t what you intended, and if
you’re in an environment like a school that says you must attend to these things, in this order, then a highly
creative, a highly gifted person is going to have difficulty with that.
- Stephanie Tolan
“She has the same kind of passion and excess [an Joan of Arc] and, you know, she can laugh and she can
cry two seconds afterwards. She can cry for an ant on the street. She has, like, no skin. She feels
everything. Even the wind can make her cry.”
Director Luc Besson, about Milla Jovovich in their film “The Messenger: The Story of
Joan of Arc” [LA Times, Nov. 11, 1999]
“Hail to you psychoneurotics, for you perceive sensibility in the insensibilities of the world, uncertainty in
its certainty. For you are often as conscious of others as of yourself. For you feel the anxiety of the world,
its limits and its false unlimited assurance…For your fear of the absurdity of existence. For your
awkwardness, for your transcendental realism and your lack of daily realism…For your creativity and your
ecstasy, for your maladjustment to what is and your adjustment to what ought to be. For your immense
possibilities not yet actualized…For what is unique, original, intuitive and infinite in you. For the solitude
and the oddness of your paths. Hail to you.”
- K. Dabrowski
“…Their vast emotional range make them appear contradictory: mature and immature, arrogant and
compassionate, aggressive and timid. Semblances of composure and self-assurance often mask deep
feelings of insecurity. The inner experience of the young gifted person is rich, complex and turbulent.”
- Linda Silverman
“The intricate thought processes that mark these individuals as gifted are mirrored in the intricacy of their
emotional development. Idealism, self-doubt, perceptiveness, excruciating sensitivity, moral imperatives,
desperate needs for understanding, acceptance, love – all impinge simultaneously...”
- Linda Silverman
“The truly creative mind in any field is no more than this: A human creature born abnormally, inhumanly
sensitive. To him…a touch is a blow. A sound is a noise. Misfortune is a tragedy. A joy is an ecstasy. A
friend is a lover. A lover is a god. And failure is death.”
- Pearl Buck
“I cry a lot and I experience intense emotions. I spend a lot of time thinking about emotions and feelings
and try to sort them out. I am also intensely critical.”
- Middle School Student
“Sometimes when I tell the story of something that really happened, I change part of it to make it more
interesting or so I think it sounds better. I sometimes don’t like it because I don’t know when I am doing it,
until afterwards.”
- Middle School Student
Cindy A. Strickland 21
The following as well as many other useful quotes can be found at the website listed below:
http://talentdevelop.com/mntlhlth.html
"The propensity for changing one's internal environment and the ability to influence positively the external
environment indicate the capacity of the individual to develop. Almost as a rule, these factors are related to
increased mental excitability, depressions, dissatisfaction with oneself, feelings of inferiority and guilt,
states of anxiety, inhibitions, and ambivalences - all symptoms which the psychiatrist tends to label
psychoneurotic.
Given a definition of mental health as the development of the personality, we can say that all individuals
who present active development in the direction of a higher level of personality (including most
psychoneurotic patients) are mentally healthy."
-from book: Kazimierz Dabrowski. Positive disintegration
"Who we are -- the very center of what we call our selves -- is a product of the complex interelationships
among what we think, what we feel, and the environment that surrounds us. ... in our relationships with
those around us, our actions and emotions are interpreted and responded to by others based on their own
storehouse of feelings and experiences developed over their lifetimes. ... our experience of the world isn't
based only on brain -- the thinking analytic us -- but on mind -- the feeling, experiencing us."
-Tipper Gore - from speech: "Discovering our Selves: The Science of Emotion"
"Mental health professionals... deal with pathology, are accustomed to looking for it, and label anything
that they perceive to have a downside for the individual to be a problem... Some of the very greatest gifts
bring an inevitable downside which you cannot 'cure' without curing the gift at the same time."
- Stephanie Tolan
Cindy A. Strickland 22
SELECTED BIBLIOGRAPHY
Ackerman, Cheryl. (1997). Identifying gifted adolescents using personality characteristics: Dabrowski’s
overexcitabilities. Roeper Review, 19 (4).
Aron, E. (1997). The highly sensitive person : How to thrive when the world overwhelms you. Bantam
Books
Cohen, L. M., & Frydenberg, E. (1996). Coping for capable kids. Waco, TX: Prufrock.
Eldridge, T. Being sensitive -- in an insensitive world, [website]. The Center for Highly Sensitive People.
Available: www.thomaseldridge.com/article.htm [3/30/2000].
Gallagher, S. A. (1986). A comparison of the concept of overexcitabilities with measures of creativity and
school achievement in 6th grade students. Roeper Review, VIII(2), 115-119.*
Hague, W. J. Positive Disintegration and Moral Education. Journal of Moral Education 5 (3), 231-40
.
Jacobsen, M-E. (1999). Arousing the sleeping giant: Giftedness in adult psychotherapy. Roeper Review,
22(1), 36-41.
Lind, S., & Roeper, A. M. (Eds.). (1998). Perspectives on the self of the gifted [Special issue]. Roeper
Review, 20(3).*
Lind, S. (1997). Supersensitivity in Gifted Children. Fresh Connections: Intermediate District 287, fall, 1-
4.
Lind, S. (1997). Gifted? ADHD? Supersensitive? All of the above? Paper presented at the Minnetonka
Summer Institute, Hopkins, MN.
Mendaglio, S.& Tillier, William (1992). Feeling Bad Can Be Good: Using Dabrowski's Theory To
Reframe Gifted Children's Adjustment Difficulties.
Miller, N. B., & Silverman, L. K. (1987). Levels of personality development. Roeper Review, 9(4), 221-
225.*
Piechowski, M. M., Silverman, L. K., & Howard, D. (1999). Overexcitabilities: Supporting developmental
potential of gifted children. Paper presented at the National Association for Gifted Children, Albuquerque,
Cindy A. Strickland 23
NM.
Piechowski, M. M. (1986). The concept of developmental potential. Special Issue: The IQ controversy.
Roeper Review, 8(3), 190-197.*
Piirto, J. (1999). Metaphor and image in counseling the talented, [website]. Available:
members.aol.som/dougleseby/Page133.html [3/30/2000].
Tillier, W. The basic concept of Dabrowski’s theory of positive disintegration [website]. Available:
http://members.aol.com/douglaseby/Page 55.html [3/30/2000].
Tillier, W. A brief overview: Dabrowski’s theory of positive disintegration and its relevance for the gifted,
[website]. Available: users.imag.net/~cgy.btillier/gifted.htm [1/8/2000].
Tucker, B., & Hafenstein, N. L. (1997). Psychological intensities in young gifted children. Gifted Child
Quarterly, 41(3), pp. 66-75.
-Dabrowski, K. (1967). Personality-shaping through positive disintegration. Boston: Little Brown & Co.
-Dabrowski, K., with Kawczak, A., & Piechowski, M. M. (1970). Mental growth through positive
disintegration. London: Gryf Publications.
-Dabrowski, K., with Kawczak, A., & Sochanska, J. (1973). The dynamics of concepts. London: Gryf
Publications.
-*Dabrowski, K., with Piechowski, M. M. (1977). Theory of levels of emotional development: Volume 1 -
multilevelness and positive disintegration. Oceanside, New York: Dabor Science Publications.
-*Dabrowski, K., & Piechowski, M. M. (1977). Theory of levels of emotional development: Volume II -
from primary integration to self - actualization. Oceanside, New York: Dabor Science Publications.
* Dabrowski would not acknowledge these books after their publication.
-Dabrowski, K. (1979, March). Nothing can be changed here. (E. Mazurkiewicz, Trans.), Peter Rolland
(Ed.). (Privately Printed).
Cindy A. Strickland 24
manuscripts of the 1977 books. Published in English, in one volume, with a new preface by Czeslaw
Cekiera. [Part 1: K. Dabrowski, Part 2: K. Dabrowski and M. M. Piechowski.] 446 pages.
Cindy A. Strickland 25