Ireland's
Four	
 Cycles	
 of	
 Myth	
 and	
 Legend	
 
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  Irish	
  mythology	
  has	
  been	
  classified	
  or	
  taxonomized	
  into	
  four	
  cycles	
  (collections,	
  sets)	
  	
  From	
  the	
  oldest	
 
tales	
 to	
 the	
 most	
 recent,	
 they	
 are:	
 
the	
 Mythological	
 Cycle;	
 	
 
the	
 Ulster	
 (or	
 Red	
 Branch)	
 Cycle;	
 	
 
the	
 Fenian	
 (or	
 Ossianic)	
 Cycle;	
 	
 
and	
 the	
 Historical	
 (or	
 Kings')	
 Cycle	
 	
 
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  The	
  Mythological	
  Cycle	
  is	
  dominated	
  by	
  origin	
  myths	
  called	
  pseudohistories	
  	
  These	
  tales	
  narrate	
  a	
 
series	
 of	
 foreign	
 invasions	
 of	
 Ireland,	
 with	
 each	
 new	
 wave	
 of	
 invader-settlers	
 marginalizing	
 the	
 formerly	
 
dominant	
 group	
 
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  The	
  oldest	
  group,	
  the	
  Fomorians,	
  resemble	
  the	
  Greek	
  Titans:	
  semi-divine	
  beings	
  associated	
  with	
  the	
 
chaos	
 that	
 preceded	
 the	
 civilizing	
 gods	
 	
 
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 The	
 penultimate	
 aggressor	
 group,	
 the	
 Tuatha	
 D	
 Danann	
 (people	
 of	
 the	
 goddess	
 Danu),	
 suffered	
 defeat	
 
at	
  the	
  hands	
  of	
  the	
  Milesians	
  or	
  Gaels,	
  who	
  entered	
  Ireland	
  from	
  northern	
  Spain	
  	
  Legendarily,	
  some	
 
surviving	
  members	
  of	
  the	
  Tuatha	
  D	
  Danann	
  became	
  the	
  fairies	
  or	
  "little	
  people,"	
  occupying	
  aerial	
  or	
 
subterranean	
  (underground)	
  zones	
  on	
  the	
  island	
  of	
  Ireland	
  but	
  with	
  a	
  different	
  temporality	
  	
  The	
  Irish	
 
author	
  C.S.	
  Lewis	
  uses	
  this	
  idea	
  in	
  his	
  Narnia	
  series,	
  where	
  the	
  portal	
  into	
  Narniaa	
  place	
  outside	
 
"regular'	
 timeis	
 a	
 wardrobe	
 
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  Might	
  the	
  Milesians	
  have,	
  in	
  fact,	
  come	
  from	
  Spain?	
  	
  A	
  March	
  2000	
  article	
  in	
  the	
  esteemed	
  science	
 
journal	
 Nature	
 revealed	
 that	
 	
 98%	
 of	
 Connacht	
 (west-of-Ireland)	
 men	
 and	
 89%	
 of	
 Basque	
 (northeast-of-
Spain)	
  men	
  carry	
  the	
  ancestral	
  (or	
  hunter-gatherer)	
  European	
  DNA	
  signature,	
  which	
  passes	
  from	
 
father	
  to	
  son	
  	
  	
  By	
  contrast	
  with	
  the	
  high	
  Irish	
  and	
  Basque	
  numbers,	
  just	
  63%	
  of	
  British	
  and	
  2%	
  of	
  Turkish	
 
men	
 exhibit	
 this	
 DNA	
 signature	
 
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  The	
  standard	
  sequence	
  of	
  pseudohistorical	
  invasion	
  tales	
  is	
  called	
  Lebor	
  Gabla	
  renn	
  ("book	
  of	
  the	
 
takings	
  of	
  Ireland"),	
  which	
  appears	
  in	
  five	
  versions	
  or	
  recensions	
  	
  One	
  recensionthe	
  "first	
  redaction"
survives	
  in	
  two	
  manuscript	
  collections	
  (or	
  codecies):	
  the	
  12th-century	
  Book	
  of	
  Leinster	
  and	
  the	
  14th-
century	
 Book	
 of	
 Fermoy	
 
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  The	
  Ulster	
  Cycle	
  is	
  dominated	
  by	
  tales	
  of	
  the	
  adolescent	
  superhero	
  Setanta,	
  who	
  receives	
  an	
 
"achievement"	
 name	
 C	
 Chulainn	
 (rather	
 as,	
 in	
 the	
 Bible,	
 Abram	
 becomes	
 Abraham,	
 Jacob	
 becomes	
 Israel,	
 
and	
  Simon	
  becomes	
  Peter)	
  	
  While	
  C	
  Chulainn	
  tends	
  to	
  function	
  as	
  a	
  free	
  agent,	
  he	
  serves	
  his	
  maternal	
 
uncle,	
  Conchubar,	
  King	
  of	
  Ulster	
  (Ulaid	
  in	
  the	
  Irish	
  language),	
  who	
  maintained	
  two	
  rooms	
  called	
  the	
  Red	
 
Branch	
 at	
 his	
 rth	
 or	
 fort	
 called	
 Eamhain	
 Mhacha	
 (near	
 the	
 present-day	
 city	
 of	
 Armagh)	
 	
 The	
 dull	
 Red	
 
Branch	
  room	
  is	
  for	
  introspection	
  and	
  deliberation	
  ('thinking	
  the	
  thoughts"),	
  while	
  the	
  bright	
  Red	
  Branch	
 
room	
 is	
 for	
 displaying	
 slain	
 enemy	
 bodies	
 (evidence	
 of	
 "fighting	
 the	
 fight")	
 
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 The	
 Ulster	
 Cycle's	
 major	
 narrative	
 is	
 the	
 Tin	
 B	
 Cailnge	
 or	
 "The	
 Cattle	
 Raid	
 of	
 Cooley,"	
 which	
 consists	
 
of	
  a	
  number	
  of	
  primary	
  tales,	
  as	
  well	
  as	
  so-called	
  fore-tales	
  (prequels)	
  	
  Queen	
  Medb	
  of	
  Connacht	
 
assembles	
  a	
  coalition	
  army	
  (primarily	
  from	
  Connacht,	
  Munster,	
  and	
  Leinster)	
  and,	
  leaving	
  her	
  rth	
  at	
 
Cruachan	
  (in	
  present-day	
  Co.	
  Roscommon),	
  invades	
  Ulster	
  to	
  seize	
  Donn	
  Cailnge:	
  i.e.	
  the	
  brown	
  stud-
bull	
  of	
  the	
  Cooley	
  peninsula	
  	
  Medb's	
  foremost	
  warriors	
  must	
  battle	
  C	
  Chulainn,	
  who	
  transforms	
  via	
  a	
 
"warp	
 spasm"	
 into	
 a	
 fierce	
 opponent	
 
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 Many	
 scholars	
 estimate	
 that	
 the	
 Ulster	
 Cycle	
 reflects	
 or	
 hyperbolizes	
 events	
 that	
 occurred	
 in	
 Ulster	
 and	
 
Ireland	
  around	
  the	
  time	
  of	
  Christ	
  	
  The	
  Ulster	
  Cycles	
  portrays	
  an	
  Ireland	
  fractured	
  into	
  petty	
  kingdoms	
 
(i.e.	
 without	
 effective	
 central	
 authority)	
 
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 Like	
 the	
 Ulster	
 Cycle,	
 the	
  Fenian	
 Cycle	
 centers	
 on	
 a	
 charismatic	
 warrior,	
 Fionn	
 mac	
 Cumhaill;	
 however,	
 
Fionn	
 ("the	
 fair-haired	
 one")	
 is	
 less	
 of	
 a	
 loner	
 than	
 C	
 Chulainn,	
 becoming	
 leader	
 of	
 an	
 elite	
 martial	
 troop	
 
(or	
 kern)	
 called	
 the	
 Fianna	
 	
 Most	
 of	
 the	
 Fenian	
 Cycle	
 is	
 narrated	
 (in	
 prose	
 and	
 verse)	
 by	
 one	
 of	
 Fionn's	
 
1	
 	
 
sons,	
 the	
 warrior-poet	
 Oisn	
 	
 For	
 that	
 reason,	
 the	
 tales	
 are	
 also	
 called	
 the	
 Ossianic	
 Cycle	
 	
 To	
 a	
 degree,	
 
the	
  relationships	
  and	
  rivalries	
  between	
  Fionn	
  and	
  other	
  members	
  of	
  the	
  Fianna	
  resemble	
  Britain's	
  legends	
 
of	
 Arthur	
 and	
 the	
 Knights	
 of	
 the	
 Round	
 Table	
 	
 	
 One	
 popular	
 Fenian	
 Cycle	
 tale	
 concerns	
 Fionn's	
 hunting	
 of	
 
his	
 fellow	
 warrior	
 Diarmuid	
 once	
 the	
 latter	
 absconds	
 with	
 Fionn's	
 intended	
 wife	
 Grinne	
 	
 Leinster	
 and	
 
Munster	
 are	
 the	
 provinces	
 most	
 highlighted	
 in	
 the	
 Fenian	
 Cycle	
 
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 Produced	
 by	
 bards	
 (i.e.	
 court	
 poets),	
 the	
 Historical	
 (or	
 Kings')	
 Cycle	
 contains	
 several	
 sub-cycles,	
 most	
 of	
 
which	
 focus	
 on	
 kings,	
 their	
 deeds,	
 and	
 their	
 genealogies	
 	
 Some	
 kings	
 are	
 mythological,	
 which	
 others	
 (like	
 
Brian	
 Boru)	
 are	
 historical	
 	
 The	
 "jewel	
 in	
 the	
 crown"	
 of	
 the	
 Historical	
 Cycle	
 is	
 the	
 poetry-and-prose	
 work	
 
Buile	
  Shuibhne	
  ("Frenzy	
  of	
  Sweeney"),	
  which	
  concerns	
  the	
  half-man,	
  half-bird	
  existence	
  of	
  Suibhne,	
  a	
 
cursed	
  Ulster	
  king	
  	
  In	
  1983,	
  Seamus	
  Heaney	
  published	
  a	
  translation	
  of	
  Buile	
  Shuibhne,	
  which	
  he	
  titled	
 
Sweeney	
 Astray	
 
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END