Kathryn Desplanque is a doctoral candidate in art history at Duke University. She is completing her dissertation on satirical images of artistic life in Paris between 1750-1850. Her education includes a master's degree from Carleton University and an undergraduate degree from Concordia University. She has received numerous honors and fellowships for her research. Desplanque has published articles and presented her work widely. She has curated several exhibitions and held teaching positions at the university level.
Kathryn Desplanque is a doctoral candidate in art history at Duke University. She is completing her dissertation on satirical images of artistic life in Paris between 1750-1850. Her education includes a master's degree from Carleton University and an undergraduate degree from Concordia University. She has received numerous honors and fellowships for her research. Desplanque has published articles and presented her work widely. She has curated several exhibitions and held teaching positions at the university level.
Kathryn Desplanque is a doctoral candidate in art history at Duke University. She is completing her dissertation on satirical images of artistic life in Paris between 1750-1850. Her education includes a master's degree from Carleton University and an undergraduate degree from Concordia University. She has received numerous honors and fellowships for her research. Desplanque has published articles and presented her work widely. She has curated several exhibitions and held teaching positions at the university level.
Kathryn Desplanque is a doctoral candidate in art history at Duke University. She is completing her dissertation on satirical images of artistic life in Paris between 1750-1850. Her education includes a master's degree from Carleton University and an undergraduate degree from Concordia University. She has received numerous honors and fellowships for her research. Desplanque has published articles and presented her work widely. She has curated several exhibitions and held teaching positions at the university level.
e-mail: kathryn.desplanque@duke.edu home: 2923 St Paul street, Apt. 2 Baltimore MD, 21218 work: Dept. of Art, Art History & Visual Studies. Campus Box 90764. Duke University, Durham NC, 27708
EDUCATION 2011-
Doctoral Candidate (ABD), Art History
Duke University, Durham, North Carolina. Art, Commerce, and Caricature: Satirical Images of Artistic Life in Paris, 1750-1850 Supervisors: Dr. Neil McWilliam and Dr. Mary D. Sheriff
2009-11
Masters, Thesis Program, Art History
Carleton University, Ottawa, Ontario. Art World Sociability and Communication Networks: Following the Print Trail of Jean-Baptiste Greuze Supervisors: Dr. Stphane Roy and Dr. Mitchell Frank
2006-08
Undergraduate, Major in Art History and Studio Arts
Concordia University, Montreal, Quebec. Graduated with High Honours.
LANGUAGES English (native), French (spoken, written, and read), Italian (read).
SSHRC Joseph-Armand Bombardier Doctoral Fellowship, $20,000 per annum
Duke University Summer Research Fellowship, $5,500 Getty Research Institute Library Research Grant, $1,500 D.W. Smith Eighteenth-Century Research Fellowship, $2,000 Duke University Summer Research Fellowship, $5,500 Myra and William Waldo Boone Fellowship for Canadian Graduate Students, $20, 000 Franklin Humanities Center, Center for European Studies Research Scholar, $1,000 Royster Society of Fellows Scholarship, declined, $22,000, per annum Ontario Graduate Scholarship, $15,000 SSHRC CGS, Michael Smith Foreign Study Supplement, $6, 000 SSHRC Joseph-Armand Bombardier CGS, $17,500 Carleton University Graduate Scholarship, $5,000 Carleton University DGS Academic Excellence Scholarship, Domestic Students, $6, 000
PUBLICATIONS 2015 2015 2009
Le regard miroit, miroit: Le Voyage dEncausse et le rcit de voyage humoristique.
Voyages, rencontres, changes au XVIIe sicle. Biblio 17 (2015). Forthcoming. How to Burlesque a Burlesquer: Paul Sandbys A New Dunciad against William Hogarth. In Empowering Satire. Amsterdam: John Benjamins Publishers. Forthcoming. Yousuf Karsh and Edward Steichen: The Art of the Celebrity Portrait. Pamphlet Guide. National Gallery of Art, Ottawa, ON, Canada.
PAPERS PRESENTED AT MEETINGS AND SYMPOSIA
2015
2015
2014
2014
Lautorflexivit dans lalbum comique. Les illustrateurs et les diteurs contre eux-mmes dans la Restauration. LImage railleuse: la satire dans lart et la satire visuelle, 18e-21e sicles. Institut national dhistoire de lart. Paris, France, June 25th-27th. Cocktails and Devilries: The Intimate and Spectacular Uses of Scrap Prints in Early Nineteenth-Century Europe. Nineteenth Century Studies Association Conference, Material Cultures/Material Worlds. Boston, MA, March 26th-28th. Repeat Offenders: Reprinting Visual Satire across Frances Long Eighteenth Century. University Arts Association of Canada Annual Conference, Things: Their Lives, Agency, and Meanings. Ontario College of Art and Design, October 23-26th. Polite Caricature and Impolite Art-Worlds: Caricatura and Sociability in the Acadmie de France Rome. Canadian Society for Eighteenth-Century Studies, Revolutions in Eighteenth-Century Sociability. Universit de Qubec Montral, October 17th.
2014 2013
Counterfeit Caricatures and the Agency of Things in 18th and 19th Century Paris. Intermezzo Workshop, Art, Art History and Visual Studies, Duke University, October 7th. Un miroir sur le regard miroit: Le Voyage dEncausse et le rcit de voyage humoristique. Congrs NASSCFL, Voyages, rencontres, changes au XVIIe sicle. Aix-Marseille Universit, June 5-8.
2013
Les Petits Mtiers de lAtelier: The Artist as Labourer in the July Monarchy Press. AAHVS Graduate Student Symposium. Duke University, Durham, North Carolina, February 7.
2013
Paul Sandbys A New Dunciad against William Hogarth: An Exploration of Structure and Weighting in Eighteenth-Century Visual Satire. Satire Across Borders. Power of Satire Research Project. Utrecht University, January 17-18.
2011
Marketing the Reproductive Engraving in Late Eighteenth-Century Paris: The Commercial
Ploys of Jean-Baptiste Greuze. 17th Annual Underhill Graduate Student Colloquium. Carleton University, Ottawa, ON, March 3-4.
2010
Satirical Humour in Paris Eighteenth-Century Art World.
International Society for Eighteenth-Century Studies 2010 Executive Meeting. Student Panel. Kolding, Denmark, 26 August.
2010
Enjeux professionels et sociabilit13.34+12.88 artistique dans la France du XVIIIe sicle:
une caricature anonyme contre Jean-Baptsite Greuze. ACFAS, 78e Congrs. Nouvelles Perspectives en Histoire de lArt Europen autour de 1800. Jeunes Chercheurs et Recherches mergentes panel. Montreal, Qubec, 14 May.
2010
The Line between History and Genre: Jean-Baptiste Greuzes Septime Svre. Institute of Comparative Studies in Literature, Art and Culture Student Conference. Carleton University, Ottawa, ON, 8 May.
2010
The Social Dynamics of an Artistic Community in Eighteenth-Century France: An
Anonymous Caricature against Jean-Baptiste Greuze. 16th Annual Underhill Graduate Student Colloquium. Community Panel, Carleton University, Ottawa, Ontario, 4 March.
MUSEUM EXPERIENCE CURATION 2013-14 Night in the City of Light: Paris Cabaret, 1881-1914. Nasher Museum of Art Academic Focus Gallery, Duke University, Durham, NC. Co-curated with Alexis Clark, Emilie Luse, and Laura Moure Cecchini. February 15th-June 29th.
2013-14
Cheap Thrills: The Highs and Lows of Pariss Cabaret Culture, 1880-1939. David M. Rubenstein Rare Book & Manuscript Library, Duke University, Durham, NC. Co-curated with Alexis Clark, Emilie Luse, and Laura Moure Cecchini. February 18th-May 12th.
2013-14
Reading Between the Lines: Comical Interpretations of the Nineteenth Century.
Perkins Library Student Wall, Duke University, Durham NC. Curatorial Supervisor to W101 students. November 15th-February 1st.
2012-13
A Mockery of Justice: Caricature and the Dreyfus Affair.
David M. Rubenstein Rare Book & Manuscript Library, Duke University, Durham, NC. Co-curated with Alexis Clark and Emilie Luse. 12 December 2012-9 March 2013.
2010-11
Museum Collections Research Assistant
Carleton University Art Gallery, Ottawa, Ontario Conducted research and improved object files for McAllister Johnson Donation.
2007-08
Documentary Protocols II.
Leonard & Bina Ellen Gallery, Montreal, QC. Curatorial Research Assistant to Vincent Bonin. May 3-June 14, 2008.
PUBLIC PROGRAMMING 2014-15 2009 2008-09 2007-08 2006
Family Programs Intern
Walters Museum, Baltimore, Maryland Public Programming and Education Research Assistant, Monique Baker-Wishart, National Gallery of Art, Ottawa, Ontario Educational Programming Interpreter (bilingual) Canadian War Museum, Ottawa, Ontario Printshop Heritage Specialist and Educational Assistant (bilingual) Cumberland Heritage Village Museum, Ottawa, Ontario Interpreter/Animator (bilingual) National Art Gallery and Canadian Museum of Contemporary Photography, Ottawa, Ontario
TEACHING EXPERIENCE POSTSECONDARY 2015
Instructor, Introduction to the History of Art 2, ARTHIST 102, Summer semester
Art, Art History, and Visual Studies Department, Duke University
2015
Instructor, The Visual Culture of News, Past & Present, ARTHIST 290-2, Summer semester Art, Art History, and Visual Studies Department, Duke University
2014
Guest Lecturer Lartiste et le connoisseur au XVIIIe sicle: une histoire de singerie, October 14th Caricature et satire graphique dans les arts visuels, UQAM, HAR 426B
2013
Instructor, Laughing Matters: Interpreting and Contextualizing Modern Caricature,
W101.36.F13, Fall semester, Thompson Writing Program, Duke University 3
2013
Teaching Assistant, History of Art Markets, ARTHIST 231/ECON 344
Art, Art History, and Visual Studies Department, Duke University
2012
Writing Tutor Writing Studio, Thompson Writing Program, Duke University, Durham, North Carolina
2012
Teaching Assistant, History of Art Markets, ARTHIST 154/ECON 179
Art, Art History, and Visual Studies Department, Duke University
2010
Guest Lecturer Reputation and Representation: The Causes Clbres of Jean-Baptiste Greuze, December 6th Art and its Markets in Early Modern Europe (1600-1800), ARTH3809A, Dr. Stphane Roy
2010
Teaching Assistant, Art and Society: Renaissance to the Present, ARTH 1101 Art History Department, Carleton University
2009
Teaching Assistant and Guest Lecturer, Art as Visual Communication, ARTH 1105 Art History Department, Carleton University New Media: Internet Art, lecture, November 26th, with Kari Cwynar
ART and TECHNICAL INSTRUCTION
2013-5
Image Databases for Art Historians.
National Humanities Center, Research Triangle Park, NC, TBD, 2015. Universit de Lyon 2 caricature study group, November 5th, 2014 Universit de Qubec Montral caricature study group, October 20th, 2014 National Humanities Center, Research Triangle Park, NC, December 4th, 2013. Munch & Mull. Franklin Humanities Institute. Duke University. November 4th, 2013. Media Arts & Sciences Rendezvous. Duke University. October 31st 2013.
2014
Photoshop for Art Historians.
National Humanities Center, Research Triangle Park, NC, December 9th, 2014. National Humanities Center, Research Triangle Park, NC, January 14th, 2014.
2008-12
Visual Arts Instructor, Digital arts
Ottawa School of Art, Ottawa, Ontario Taught a Cyber Arts program to children ages 9 to 12 for Outreach program, summer camps, and adult classes. Program covered stop-motion animation, Photoshop, Illustrator and Flash.
COMMITTEE AND WORKSHOP PARTICIPATION
2014
Caricature Masterclass with Brian Maidment
Yale Center for British Studies, September 4th-6th
2013
Mapping Space & Time: Configuring Connections, Trade, & Travel, Past & Present Duke Wired! Group, May 2-4th
2011-13
PR Committee Member and Social Chair
AAHVS Graduate Student Symposium, Duke University
2010
Decorative Arts of 18th Century France with Helena Pickup
Five Centuries of Prints and Printmaking with Joanna Selborne Courtauld Institute of Art, Summer Short Courses
2009-10
Student Representative, School for Studies in Arts and Culture
[Visual and Material Culture, 1300 –1700_ 17] Giles Knox - Sense Knowledge and the Challenge of Italian Renaissance Art_ El Greco, Velázquez, Rembrandt (2019, Amsterdam University Press) [10.1515_9789048544585] - libgen.li
[Visual and Material Culture, 1300 –1700_ 17] Giles Knox - Sense Knowledge and the Challenge of Italian Renaissance Art_ El Greco, Velázquez, Rembrandt (2019, Amsterdam University Press) [10.1515_9789048544585] - libgen.li
