CBLM Sketching
CBLM Sketching
CBLM Sketching
SKETCHING
Version No.: 1
Performing Drawing Fundamentals Date: May 12, 2006
JZGMSAT By: Glenn F. Salandanan
TESDA IV Page 1 of 18
TABLE OF CONTENTS
Version No.: 1
Performing Drawing Fundamentals Date: May 12, 2006
JZGMSAT By: Glenn F. Salandanan
TESDA IV Page 2 of 18
LEARNING GUIDE OVERVIEW
Sketching is one of the primary means of graphic communication. The ability to sketch is
an essential tool in conveying original ideas from the engineer to the designer and from the
designer to the drafter. As instrument drawing becomes less prevalent in industry, the ability to
create accurate technical sketches becomes more important.
In this learning material, the students should be able to communicate technical
information through different types of sketches. This will cover the purpose of sketching,
materials needed for sketching, techniques for sketching, the types of sketches, and differences
between isometric, oblique and perspective and multiview sketches
Competencies will be demonstrated by completing the job sheets and the unit test with a
minimum score of 75 percent.
OBJECTIVES When you have successfully completed the learning activities in this
material, you will be able to:
1. Identify the concepts related to sketching;
2. Explain the concepts related to sketching multiview and
pictorials; and,
3. Make multiview, isometric, oblique, and perspective sketches.
PRE-REQUISITES The completion of this learning material requires you to have a basic
understanding of:
If you are unfamiliar with any of the above concepts, work on________
before working on this learning guide.
Version No.: 1
Performing Drawing Fundamentals Date: May 12, 2006
JZGMSAT By: Glenn F. Salandanan
TESDA IV Page 3 of 18
HOW TO USE THIS LEARNING GUIDE
This Learning Guide will lead you through a series of activities which will require you to
work at your own pace. These activities will ask you to complete associated learning
and practice activities in order to gain the knowledge and skills you need to achieve the
learning objectives stated earlier.
Refer to Learning Activity Page to know the sequence of learning tasks to undergo
and the appropriate resources to use in each task. This page will serve as your road
map towards the achievement of objectives.
Read the information sheets. This will give you an understanding of the work, and why
things are done the way they are.
Complete the activities as directed in the activity/practice sheets. These will test your
knowledge and give you practice of doing the tasks involved. Performance criteria for
assessing practical exercise are shown to guide you in undertaking the practical
exercises. Always be aware of safety requirements highlighted in this material. Ask for
clearance in using some tools and equipment. Should you require some assistance and
clarification, consult your trainer or facilitator. They should be available anytime you
need them.
Answer self-checks found in each section of the learning guide. Do not write anything
on this learning guide; provide separate sheets for your answers. Self-checks will let
you know how you are going. To know how you fared with self checks, review the
answer keys found at the end of the learning guide.
When you had completed all the tasks required in this learning guide, an assessment
exercise will be given to evaluate if you are already competent with the specified
learning outcomes in and ready for the next task. .If you feel ready for the assessment,
consult the facilitator.
A record of competency is provided on the last page to reflect how much of the
required assessment criteria have been met.
You may already have some or most of the knowledge and skills covered in this
learner’s guide. Talk to your trainer about having them formally recognized. If you have
qualification or certificate of competence from previous training, show it to your trainer. If
the skills you acquired are still current and relevant to the unit of competency they may
become part of the evidence you can present for Recognition of Prior Learning
(RPL). If you are not sure about the accuracy of your skills, discuss it with your trainer.
Version No.: 1
Performing Drawing Fundamentals Date: May 12, 2006
JZGMSAT By: Glenn F. Salandanan
TESDA IV Page 4 of 18
LEARNING ACTIVITIES
In order to accomplish the objectives stated in this leaning guide, you must
perform the learning steps below. Beside each step are the resources or special
instructions you will use to accomplish the corresponding activity.
RESOURCES/SPECIFIC
LEARNING STEPS
INSTRUCTIONS
1. Student will ask the instructor of 1. Instructor will provide the learning
the materials to be used materials in Sketching
Version No.: 1
Performing Drawing Fundamentals Date: May 12, 2006
JZGMSAT By: Glenn F. Salandanan
TESDA IV Page 5 of 18
INFORMATION SHEET NO: 1
SKETCHING
Sketching is a freehand drawing process that allows detailers, designers,
engineers, architects, technicians and tradespersons to record their ideas quickly on paper
without the use of tools. Once they have recorded their ideas, they can revise and refine
their sketches for presentation to their supervisors or clients. Sketching is also helpful in
preliminary planning of a drawing or layout before using tools.
A. FORMS OF SKETCHES
1. Design sketches - Design sketches are rough sketches that are used to quickly capture
an idea. They tend to have less detail, structure and restrictions than freehand or
technical illustrations.
Version No.: 1
Performing Drawing Fundamentals Date: May 12, 2006
JZGMSAT By: Glenn F. Salandanan
TESDA IV Page 6 of 18
B. TOOLS AND MATERIALS FOR SKETCHING
Paper
You can use a plain paper for sketching. If you need to refine the sketch, use tracing
paper. Control proportions while sketching by using cross-section paper, also called graph
paper or squared paper. There are specially ruled graph papers for particular kinds of drawing
such as isometric and perspective.
You can sketch on any convenient size of paper. However, A4 size drawing paper will
only be allowed for this course as an official drawing paper.
Version No.: 1
Performing Drawing Fundamentals Date: May 12, 2006
JZGMSAT By: Glenn F. Salandanan
TESDA IV Page 7 of 18
• Angled lines should be sketched by
moving the hand and pencil from the left to
the right and angling upward or downward.
Rotating the paper so lines are horizontal or
vertical is also a good practice. Avoid
rotating your wrist, as this will cause the line
to arc.
STEP 1 STEP 2 STEP 3
• Arcs and circles should be sketched by A. SKETCHING THE CIRCLE WITHIN A SQUARE
creating horizontal and vertical center lines
at the center point of the arc or circle.
Next, estimate the radius of the arc or circle
on each center line and form a box with
lines parallel to the center lines. Now start at
the top of the box and create four arcs
moving the pencil left to right and rotating STEP 1 STEP 2 STEP 3
the paper each time. B. MARKING OFF THE LENGTH OF RADIUS ON ALL LINES
D. TYPES OF SKETCHES
1. Single-view 2. Multiview 3. Pictorials
Version No.: 1
Performing Drawing Fundamentals Date: May 12, 2006
JZGMSAT By: Glenn F. Salandanan
TESDA IV Page 8 of 18
E. CONCEPTS AND PRINCIPLES UNDERLYING MULTIVIEW,
ISOMETRIC, OBLIQUE, AND PICTORIAL SKETCHING.
A multiview sketch shows different views of an object as seen from different positions
and arranged in a standard order.
Pictorial sketches show height, width and depth of an object in one view.
The three basic types of pictorials are isometric, oblique, and perspective.
6. Cavalier oblique pictorials are drawn or sketched at full depth. Cabinet oblique pictorials
are drawn or sketched at a reduced depth (usually half).
A B C
GIVEN OBJECT
Version No.: 1
Performing Drawing Fundamentals Date: May 12, 2006
JZGMSAT By: Glenn F. Salandanan
TESDA IV Page 9 of 18
Concepts in Perspective Sketching
1. The most common types of perspective drawings are one-point perspective and two-
point perspective.
2. A perspective sketch is the most realistic of the pictorial sketches because it appears the
most natural. Features that are farther from the observer appear shorter than features
closer to the observer.
3. The receding axes converge at the vanishing point and are not parallel as they are in
isometric and oblique drawings.
TO VANISHING
POINT
DRAFTING STATION
Version No.: 1
Performing Drawing Fundamentals Date: May 12, 2006
JZGMSAT By: Glenn F. Salandanan
TESDA IV Page 10 of 18
SELF- CHECK NO. 1
Check your mastery in sketching by completing the tasks below.
A B
A B
A B
B A
Version No.: 1
Performing Drawing Fundamentals Date: May 12, 2006
JZGMSAT By: Glenn F. Salandanan
TESDA IV Page 11 of 18
JOB SHEET NO. 1
A. Objectives:
C. Procedure
1. Choose the orientation; Make sure the front view is along the left side of the isometric
drawing. The length of the object should be projected back at 330 degrees.
2. Sketch the overall block that will represent the isometric drawing. Do your best to align
the drawing in the middle of the sheet. (do not allow portions of the drawing to be cut off)
Version No.: 1
Performing Drawing Fundamentals Date: May 12, 2006
JZGMSAT By: Glenn F. Salandanan
TESDA IV Page 12 of 18
3. Add construction line details (you may make mistakes) Details consist of circles, arcs,
holes, angled lines, or any other lines that represent unique features in the object.
4. Darken visible lines. Using your 2H lead (for finished drawings) darken the edges of your
NOTE: There is no hidden or center lines in isometric detail drawings, as they are utilized to show realistic
pictorial view of the object.
Version No.: 1
Performing Drawing Fundamentals Date: May 12, 2006
JZGMSAT By: Glenn F. Salandanan
TESDA IV Page 13 of 18
JOB SHEET NO. 2
A. Objectives:
C. Procedure
1. Choose the orientation; which side of the object should be designated as the front, top
and right side. The front view is typically the view with the most detail.
2. Sketch the overall blocks that will represent the three views. When you have determined
the overall dimensions, the Spacing Formula should be used to determine the placement
Version No.: 1
Performing Drawing Fundamentals Date: May 12, 2006
JZGMSAT By: Glenn F. Salandanan
TESDA IV Page 14 of 18
3. Add construction line details (you may make mistakes) Details consist of circles, arcs,
holes, angled lines, or any other lines that represent unique features in the object.
4. Darken visible lines. Using your 2H lead (for finished drawings) darken the edges of your
5. Darken hidden and center lines. Continue darkening details by adding these lines to the
finished project.
Version No.: 1
Performing Drawing Fundamentals Date: May 12, 2006
JZGMSAT By: Glenn F. Salandanan
TESDA IV Page 15 of 18
JOB SHEET NO. 3
Sketching Circles
A. Objectives:
1. Create horizontal and vertical center line lines at the center point of the arc or circle.
2. Estimate the radius of the arc or circle on each center line and form a box with lines
parallel to the center lines.
3. Now start at the top of the box and create four arcs moving the pencil left to right and
rotating the paper each time.
Version No.: 1
Performing Drawing Fundamentals Date: May 12, 2006
JZGMSAT By: Glenn F. Salandanan
TESDA IV Page 16 of 18
ANSWER KEY NO. 1
Check your answer with the answer key below. If you fail to get it right, refer back to
corresponding resources until you make it perfect.
1.
A B
A B
A B
B A
2.
a. 25mm b. 50mm c. 30mm
Version No.: 1
Performing Drawing Fundamentals Date: May 12, 2006
JZGMSAT By: Glenn F. Salandanan
TESDA IV Page 17 of 18
RECORD OF COMPETENCE
ASSESSMENT /PERFORMANCE
CRITERIA YES NO
Version No.: 1
Performing Drawing Fundamentals Date: May 12, 2006
JZGMSAT By: Glenn F. Salandanan
TESDA IV Page 18 of 18