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Theory of Music Exam

This document is a practice exam paper for Grade 3 music theory. It contains 5 questions testing various musical concepts such as identifying bar lines, ornamentation, writing extracts in different clefs and scales, and naming intervals. The paper is available for educational purposes from the website www.musictheoryhelp.co.uk, which provides music theory practice materials.

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Henrique Patriota Cezar
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© Attribution Non-Commercial (BY-NC)
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243 views4 pages

Theory of Music Exam

This document is a practice exam paper for Grade 3 music theory. It contains 5 questions testing various musical concepts such as identifying bar lines, ornamentation, writing extracts in different clefs and scales, and naming intervals. The paper is available for educational purposes from the website www.musictheoryhelp.co.uk, which provides music theory practice materials.

Uploaded by

Henrique Patriota Cezar
Copyright
© Attribution Non-Commercial (BY-NC)
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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Theory of Music Exam Practice Paper 1 Grade 3

This paper is freely available at www.musictheoryhelp.co.uk/practicepapers/practicepapers.html Documents from www.musictheoryhelp.co.uk and linked webpages may be printed and photocopied for educational purposes only. Under no circumstance should any document be published or sold without permission from the author (www.musictheoryhelp.co.uk/contact/contact.html)

Grade 3 Theory Paper 1


This paper contains 5 questions, all of which should be answered. Time allowed: 1 hour 30 minutes
1 (a) (i) The following extract begins on the first beat of the bar. Fill in the missing bar lines.

Total marks:

/65

/20

Sibelius: Berceuse Op. 79 No. 6

(ii) Give the meaning of: ..................... . ..................... . (b) Which Ornamentation features on the last four quavers? .

2 Compose a 3 bar rhythm to continue the given rhythm below. The complete extract should be 4 bars long.

/5

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(a) Write the following extract one octave lower in the bass clef. Remember to write in the clef.

/10

Haydn: Piano Sonata No. 14

(b) Complete the following scentence: In the first bar of the extract are the notes needed to form a tonic triad of:

Using crotchets, write one octave ascending of the harmonic minor scale that begins on the given note. Do not use a key signature, but write in all the necessary accidentals.

/15

Using crotchets, write one octave ascending of the major scale that beings on the given note. Do not use a key signature, but write in all the necessary accidentals.

Write in the neccesary accidentals to form a descending scale of C# melodic minor.

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Name the following intervals. In your answers remember to include both the intervals number (eg. 3rd) and type (eg. Major).

/15

Key: Bb Major

Key: Ab Major

Key: B minor

Key: C major

Key: E major

END

www.musictheoryhelp.co.uk

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