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Fred Cress

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www.villagevoice.com.

au ARTS

Reflections on art and food


By Lauren Farrow 18 distinguished Australian artists.
While for most, the dinner table is a In the book, Fred, a former
source of culinary delights and good Archibald winner, talks of his life in
conversation, for Fred Cress it is a the French countryside of Burgundy,
battleground. where he spends six months each
Here among the knives, spoons year. It is in France, Fred said, that
and forks, the Annandale artist finds he has often uncovered the hidden
a wealth of inspiration, by uncover- lives of dinner guests, whether he
ing marital affairs and dark secrets. means to or not.
“My subject matter is always to “I’m very sensitive to the un-
do with people,” Fred said. dercurrents that people give out. If
“In my case I try to make it so somebody is having an affair, I will
that it deals with the way that peo- know about it,” he said.
ple behave. “I know a woman in France who’s
“My interest is in secrecy, I’m in- a psychologist. When I first met her
terested in people behaving badly,” I thought she was happily married.
he said. He was a very handsome film direc-
These musings and other reflec- tor.
tions on painting, human behav- “But when I started work in the
iour and food have been featured morning I drew a woman with a
in the book, The Artist’s Lunch, re- man’s head on a plate, and it was
leased last month. Written by Alice his head. Months later I discovered
McCormick and photographed by that she was having an affair with a Fred Cress’ work ‘Seconds’, 2004. Photo courtesy artist and
Sarah Rhodes, the book is a visual 23 year-old, she was 51, and that it the Artist’s Lunch.
and literary feast that explores the was her sixth husband. She was a Right, Fred Cress. Photograph BY Sarah Rhodes.
The Artist’s Lunch is published by Murdoch Books. For more
kitchens, works and philosophies of man eater. ” information visit www.theartistslunch.com

42 Village Voice Balmain November

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