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Vanna Venturi House Chestnut Hill Pa 02

The Vanna Venturi House was designed by Venturi, Scott Brown and Associates and completed in 1964 in Chestnut Hill, Philadelphia. It is a seminal work that has influenced many other designs. While the exterior presents a simple, symbolic image of a house, the interior spaces are complex in both their shapes and relationships. This complexity is reflected on the outside through varying window placements, sizes, and shapes. The house uses a combination of complexity and small scale to achieve an appropriate architectural tension.

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Aditi Agarwal
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162 views4 pages

Vanna Venturi House Chestnut Hill Pa 02

The Vanna Venturi House was designed by Venturi, Scott Brown and Associates and completed in 1964 in Chestnut Hill, Philadelphia. It is a seminal work that has influenced many other designs. While the exterior presents a simple, symbolic image of a house, the interior spaces are complex in both their shapes and relationships. This complexity is reflected on the outside through varying window placements, sizes, and shapes. The house uses a combination of complexity and small scale to achieve an appropriate architectural tension.

Uploaded by

Aditi Agarwal
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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VSBA

VANNA VENTURI HOUSE


Architects: Venturi, Scott Brown and Associates, Inc.
Location: Chestnut Hill, Philadelphia, PA
Area: 1,800 sf
Completion: 1964
This building is complex and simple, open and closed, big and
little. Inside and out, it is a little house that uses big scale
to counterbalance the complexity. Complexity in combination
with small scale in small buildings creates a nervous busyness -whereas big scale in this small building achieves an appropriate
architectural tension.
The inside spaces are complex both in shapes and interrelationships.
The plan is symmetrical, but the symmetry is distorted at times to
accommodate the particular needs of the spaces. For instance, two
vertical elements -- the fireplace-chimney and the stair -- compete, as
it were, for central position. Consequently, on one side the fireplace
distorts in shape and it and the chimney move over a little; on the
other side the stair constricts its width and changes its path because
of the chimney.
In contrast, the outside form is simple and consistent, the front
creates an almost symbolic image of a house. However, it also reflects
the inside complexities through the varying locations and sizes and
shapes of the windows, perforations in the outside walls, and the
off-center location of the chimney. The walls are layered to indicate
enclosure yet punctured for openness. For instance, at the front
center, where the outside wall is superimposed upon the two other
walls housing the stair, each juxtaposes openings of differing size and
position, becoming layered space rather than interpenetrated space.
This house is a seminal work. In the years since its completion it
has influenced other designs by the firm and the work of a number
of other architects. It has been written about, studied and discussed
extensively in print and in classrooms and is often visited by
architectural students.
Awards:
AIA Twenty-Five Year Award, 1989.
Honorable Mention, Architecture and The Arts Awards,
Architectural League of New York, 1965.

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