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Deadpool & Wolverine (2024)
Deadpool and Wolverine and more!
Deadpool And Wolverine
In the third Deadpool movie, Deadpool joins forces with a reluctant Wolverine to protect his universe from erasure by the Time Variance Authority.
Reviving Wolverine after the character's reverent farewell might seem like a risky, fan-service-driven move. However, this sequel finds a fun way to deliver this while being as respectful as possible.
As Deadpool officially enters the MCU, his character-complete with all his explicit humor and edginess-is fully embraced. Thankfully, he isn't toned down to fit the typical MCU style, which makes his arrival true to form.
As with every Deadpool movie, the success rests squarely on the titular character, and Ryan Reynolds undoubtedly blazes on. Hugh Jackman also slips effortlessly into the mix, and the chemistry between the two actors is electric, fueling the film's buddy-comedy energy to perfection.
The plot isn't the tightest, isn't the most polished and plot holes exist but who cares when it's all so fun. It's pure escapist entertainment that fully delivers on its promise. The action is delicious. The dialogues are dirty, witty and packed with references- exactly what audiences want from a Deadpool movie.
The soundtrack is another element that deserves praise. From an NSYNC assisted opener to a climax blown with Madonna's Like A Prayer, the soundtrack is an overflowing treat.
Deadpool and Wolverine isn't just a movie for MCU fans; it's a heartfelt love letter to those who grew up with FOX's Marvel films.
8/10.
The Bad Guys: Haunted Heist (2024)
Another ride with the gang
The Bad Guys: Haunted Heist
This holiday TV special brings a festive twist to the beloved characters from The Bad Guys, as the gang embarks on a new adventure.
The story comes and goes effortlessly-not particularly good or bad, but definitely light. It mostly feels like a cash grab from Netflix with the spooky season as justification, especially with the original film's voice cast absent. Still, the new cast performs well, with Mallory Low standing out as she masterfully captures Awkwafina's vibe as Tarantula.
For fans looking for another adventure with these characters, this movie offers a simple and enjoyable treat.
6/10.
Joker: Folie à Deux (2024)
The tragic story of Arthur Fleck
Joker: Folie Á Deux
Joker: Folie à Deux brings up plenty of questions, but the biggest may be about how we should approach it. Should we focus solely on what this new installment presents, or should our perspective be shaped by what the first film established?
In this sequel, we find Joker, or Arthur Fleck, on trial for the crimes he committed in the first film. Amidst this, he encounters and begins a relationship with fellow inmate, Lee Quinzel. The story unfolds as a tug-of-war between Joker and Arthur, keeping us uncertain about whose perspective-or purpose-the film truly serves. While this approach isn't without its flaws, it undeniably offers an intriguing twist.
Given how the first film concludes, this sequel defies expectations in every way. It's a bold and polarizing continuation, but that's precisely its strength. It doesn't aim to satisfy; instead, it intentionally challenges conventions-even if not always successfully-bringing a distinct character to the story. The film's self-awareness shines through in moments like Lee's final rejection of Arthur, which serves as a pointed commentary on the film itself.
The film's flaws emerge as it alternates between rushed and dulling sequences; overall, the plot doesn't move forward smoothly and mostly lulls around. The musical elements work half and half, sometimes they're very fitting and during these times are absolute gold, but when they don't fit, it's a distracting earsore.
Joaquin Phoenix brings his acting talents from the first movie. With how the previous movie ended this performance feels more subdued but that's exactly fitting with how the story meanders. The contrast between his calmer and more explosive moments is definitely applaudable. Lady Gaga counterbalances Joaquin's performance and although she is a little underused, she still provides a potent performance.
Joker: Folie Á Deux isn't about the Joker, it's about Arthur Fleck. Arthur was never the Joker, he was only a man pushed beyond his limits that became a beacon to people. This sequel closes the tragic story of Arthur Fleck, suggesting that the true Joker may be who we see at the end-or anyone willing to take up the mantle.
7/10.
The Wild Robot (2024)
As the director stated, "A Monet painting set in a Miyazaki forest"
The Wild Robot
In The Wild Robot, Roz, a service robot, is stranded on a remote island after a shipwreck. With no prior knowledge of survival in the wilderness, she must adapt to her new environment. During her journey, Roz accidentally causes the death of a goose and takes in the orphaned gosling, Brightbill, becoming his unlikely mother. Together, they form a bond that helps Roz learn the ways of the wild.
This animation excels in two key areas: a deeply moving, heartfelt story and a visually stunning animation style. Described by the director as "a Monet painting set in a Miyazaki forest," the art elevates the simplicity of the story into something truly magical. Themes of found family, motherhood, and the feeling of being an outsider are explored with nuance.
The voice acting here is superb. Oscar winner Lupita Nyong'o gives a wonderful performance as Roz, and if the Academy awarded Oscars for voice acting, her portrayal would undoubtedly be a top contender. Pedro Pascal and Kit Connor round out the lead trio perfectly as Fink and Brightbill respectively.
The Wild Robot is a family pleaser that'll engage audiences of all ages with an experience that's as emotional as it is visually captivating.
8.5.
Woman of the Hour (2023)
Anna Kendrick! Autumn Best!
Woman Of The Hour
Woman of the Hour is a crime thriller inspired by the chilling true story of serial killer Rodney Alcala. The film follows a struggling actress who, in a twist of fate, becomes a contestant on the popular TV show The Dating Game. Among the three bachelors vying for her attention is none other than Alcala himself, hiding behind a charming façade as Bachelor Number 3. What begins as a lighthearted game show appearance soon turns into a dangerous encounter, with her unknowingly stepping into the orbit of a notorious killer.
Anna Kendrick pulls double duty as both lead actress and director, delivering a tour de force in this thriller. Through the lens of a real-life serial killer case, Kendrick skillfully explores themes of misogyny-both societal and systemic-while capturing the pervasive dread women face. Her direction brings a sharp and unsettling edge to the story.
The pacing is expertly crafted, and the seamless switch between timelines builds toward a powerful and satisfying conclusion. What truly stands out is the film's delicate handling of violence. In stories about real-life crimes, there's often a risk of exploitation, but here the depiction is measured and purposeful, avoiding unnecessary sensationalism. The balance strikes a rare and commendable restraint, allowing the gravity of the subject matter to resonate without crossing into excess.
Anna Kendrick and Daniel Zovatto adequately lead this movie, with Daniel's portrayal oozing charm and evil. But the star here is Autumn Best who delivers a beautiful performance as the hero of the movie.
Woman of the Hour serves as a stark reminder that behind charm and charisma, unspeakable evil can hide in plain sight. It also sheds light on how society, both in the past and today, can enable predators to thrive. The film explores the unsettling truth of how these individuals slip through the cracks, highlighting the complicity and blind spots that still exist in modern culture.
9/10.
The Substance (2024)
Bonkers from start to finish!
The Substance
The Substance tells the story of Elizabeth Sparkle, a celebrity at 50 who's about to be washed out of the industry. An accident leads her to get a substance that can make a newer younger version of her. However, there's a catch: both versions of Elizabeth-the seasoned star and her youthful counterpart-can exist, but only one can be active at a time, alternating on a weekly basis.
At its core, The Substance delves into the theme of aging. As someone who often reflects on this aspect of life, I find it a fascinating and nuanced exploration. The plot of The Substance is bonkers, fresh, and singular.
The bonkers story of The Substance is elevated by its striking visuals. Here, the visuals are raw and obscene, and definitely not for the squeamish. The camera angles transport from jittery sequences to intimate ones, all enhanced by a gripping auditory experience that pulls the viewer deeper into the film's unsettling world.
The performances here are nothing short of splendid. Demi Moore anchors The Substance, and she's absolutely perfect in her portrayal. To start, Demi is a bombshell, and seeing the journey she takes in this movie one has to ask, if a character with the build and beauty that Demi possesses goes through this, what hope do the rest of us have? Margaret Qualley matches Demi breath for breath, stride for stride. Dennis Quaid's portrayal of a repulsive, horrible boss is nailed with an almost unnerving ease.
For all the praises that The Substance will garner, from the performances to the makeup and the cinematography, the ending is a letdown. Metaphorically, it's poignant and significant, but if we're judging the sequences based on the literal events that occur, the walls begin to crumble.
In all, The Substance is a thrilling ride and a grand entry for body horror.
8/10.
Inside Out 2 (2024)
Oh, Anxiety!
Inside Out 2
In this exciting sequel, puberty arrives, bringing with it a whirlwind of new emotions.
Many will approach this film with one burning question: how will it measure up to its predecessor? This coming-of-age sequel skillfully honors the legacy of the original, weaving in beautiful callbacks while introducing fresh storylines, resulting in a truly captivating continuation.
Bing Bong's sacrifice remains one of the most poignant moments from the original film, and while the filmmakers could have easily retconned his erasure, the tribute paid to his character in this sequel is beautifully done. The adventure the familiar emotions embark on is equally thrilling, with Anger, Disgust, and Fear bringing a dynamic energy to the journey. What truly shines, though, is the increased focus on Riley and her world. Her story is given equal weight to the emotions' journey, allowing for a richer exploration of the coming-of-age theme. The introduction of new emotions, Riley's physical changes, and the tough decisions she faces all contribute to this theme, creating a layered story. Although Riley's parents take a backseat to her developing friendships, the film still touches on the delicate balance parents must strike in guiding a teenager through this turbulent time.
Where the first movie centered on Joy learning the importance of Sadness, this sequel dives deep into the impact of Anxiety and the turmoil it creates when it overwhelms. The film also explores the importance of accepting negative experiences and memories as essential to shaping a balanced person. It emphasizes that, no matter how much we try to bury them, these memories will inevitably resurface, and the only way to truly move forward is to face them head-on.
Watching Riley spiral further and further was very taut but the conclusion is truly rewarding as she ultimately regains her sense of self, her true self-one that isn't dictated by her meddling emotions. It's a powerful moment where Riley reconnects with who she truly is.
On a technical level, Inside Out 2 excels across the board. The visuals are breathtaking, the score perfectly complements the story, and the voice cast delivers outstanding performances. Newcomers, particularly Ayo Edebiri and Maya Hawke, shine alongside the returning cast, with Hawke's portrayal of Anxiety standing out as pitch-perfect.
Creating a sequel to a masterpiece like Inside Out was always going to be a challenge, but Inside Out 2 rises to the occasion with commendable success.
8.5/10.
Nimona (2023)
Metal!
Nimona
I wonder why it's taken me this long to see this animation, especially as an animation lover who thinks animations are one of the best genres of movies. I didn't know what to expect from this movie but I can easily say any expectations I could have had were exceeded.
Based on the 2015 graphic novel of the same name, Nimona tells the story of a knight who pairs with a mischievous teen to clear his name after he was framed for killing the queen of his land.
Nimona stands out with its originality and exceptional quality, distinguishing it from other recent animations. The characters are well-crafted, and the plot masterfully balances heart and humor. Nimona herself is captivating, but it's her dynamic with Ballister that truly elevates the story. The film thoughtfully explores themes of acceptance, equality, gender identity, and the nature of good and evil, making it profoundly engaging. Despite tackling heavy themes, Nimona never forgets to be wild, comical, and fun.
The movie maintains a steady pace with no filler moments, driving the story forward to a memorable finish. I found myself wanting more when it ended and was surprised by how much was packed into its runtime. The seamless pacing is a testament to its solid storytelling.
Recent animations often strive for a unique style, and Nimona excels in this regard. The visually stunning medieval-futuristic world it presents, combined with its blend of art styles, makes it feel like a graphic novel brought to life, which is fitting given its origins.
The voice cast delivers thrilling performances, but Chloe Grace Moretz deserves especial praise. Her vocal work perfectly aligns with her character and grounds the movie. Additionally, the soundtrack is fitting.
Overall, Nimona is a visually captivating and emotionally resonant film that stands out in the animation genre. With its unique art style, strong voice performances, and a compelling blend of humor and heart, it offers a refreshing take on familiar themes. This movie is a must-watch for animation enthusiasts and anyone looking for a story that's both entertaining and thought-provoking.
9/10.
All of Us Strangers (2023)
A profound exploration of grief
All Of Us Strangers
"All Of Us Strangers" is a profound exploration of grief and human feelings. The story follows Adam, a lonely screenwriter, who begins a relationship with his neighbor. Meanwhile, Adam also experiences vivid visions in which he reconnects with his deceased parents.
The storytelling in "All Of Us Strangers" is brilliant, as it deftly navigates a multitude of themes: loss and grief, sexuality, bullying, missed opportunities, closure, loneliness, mental illness, and depression. The film intertwines a dual narrative of a budding romance and Adam's reconnection with his deceased parents. The love story gradually fosters Adam's healing, helping him confront the long-standing pain of his parents' loss. This relationship symbolizes hope, but the film delivers a gut-wrenching twist that takes it all away. The final sequence is both memorable and poignant, with a touch of beauty in the end shot, despite the surrounding pain. Adam must heal again, find hope anew, or possibly continue living through vivid visions and explorations.
This is an intimate film with a small cast, and the performances are outstanding. Andrew Scott, Paul Mescal, and Jamie Bell all shine, but it was Claire Foy who left a lasting impression on me. Foy's performance is nothing short of phenomenal, and her scenes with Andrew Scott are the film's highlight. I could have watched the entire movie with just the two of them.
Overall, "All Of Us Strangers" is a masterfully crafted film that explores complex emotions and themes with a memorable and heartbreaking conclusion that'll linger long after the credits roll.
8.5-9/10.
Challengers (2024)
An excellent blend of tennis and cinema!
Challengers
In this movie, a professional tennis champion endeavors to make a comeback, supported by his wife, a former tennis star who retired due to an injury. His primary rival is his former best friend, who also happens to be his wife's ex-boyfriend.
With the trio of Zendaya, Mike Faist, and Josh O'Connor, Challengers was bound to deliver solid performances, but the main star of this movie is the writing. The storytelling here is keen and focused, also striking a perfect balance between sexy and sensual. Challengers is about tennis and all through the 131 minutes of runtime it makes sure to stamp that.
Characterization is another strength of Challengers. The characters here are complex and developed with proper care. Watching their motives gradually unfold as the timeline alternates is truly delightful.
The exploration of themes such as friendship, obsession, love, and passion is breathtaking in its originality. There's nothing cookie-cutter here, the perspectives trailed are fresh and unique whilst fitting perfectly with the story being told.
The performances delivered by the lead trio are some of the best of the year. Zendaya has shown in the past her acting finesse but her take as Tashi Duncan is probably her most complex role to date. Her mannerisms and subtle facial changes are the crown jewel of her performance here. Josh O'Connor, as always, delivers a mesmerising performance. This is the first project I've seen Mike Faist in, and I'm eager to see more from him.
What truly holds this movie together is the incredible direction from Luca Guadagnino. He masterfully handles the story and characters, drawing out the best in his cast. His use of callbacks is superb. The editing choices, the artistic structure, and the way he handles the metaphoric nature of the story are brilliant. The score, cinematography, and camera work just make everything that's great even better.
I had times where I had to pause the movie, times I had to rewind, times I screamed, times I laughed... Challengers is a complete cinematic experience.
9-9.5/10.
Quiz Lady (2023)
Sandra Oh is brilliant!
Quiz Lady
Quiz Lady tells the story of estranged sisters that go on a quiz show to save their dog, after a moblord abducts the dog because of unpaid debts by their runaway mother.
This movie thrives on the undeniable chemistry between its leads. Awkwafina, renowned for her exaggerated comedic style, brings a refreshing touch to her role as a laid-back, reclusive game show whiz. Conversely, Sandra Oh, typically known for her calm, dramatic performances, shines as an effervescent and free-spirited character, delivering a breathtaking portrayal. The delightful switch in the leads' usual roles adds to the enjoyment of the film.
The sister duo brings heart and sisterly warmth to this movie, especially Sandra Oh's character. The comedy isn't always spot-on but for most parts it's good. The story isn't grand or special and during the first half I felt it may amount to nothing but by the time the end credits rolled I found the entire movie to be well worth my time and honestly wanting more from the sister duo. There are some silly and eye-roll-inducing moments but given the movie's style, these are forgivable.
Once again, Sandra Oh is just brilliant in this movie and I want to see her in more comedic roles.
6.5-7/10.
The Idea of You (2024)
A good love story with the allure of boy bands
The Idea Of You
Dubbed The Harry Styles fanfiction movie, we get a romantic movie about a 40-year-old single mother who finds herself in a passionate relationship with the young lead singer of a boy band. What could possibly go wrong?
These days, many romantic comedies fail to captivate audiences, often due to uninspired plots or mediocre acting. However, "The Idea Of You" doesn't transport viewers back to the golden era of romcoms, yet it distinguishes itself from the generic ones flooding the market today.
We get a story that's solid and engaging even though there are storylines that are left unexplored such as the tension among band members upon the relationship's revelation and a more gradual development of the romance. The ending may not please everyone. I found the darker false ending, suggesting the relationship as a catalyst for Solene's break from her routine life, more compelling than the actual conclusion. Ending on this note would have been more impactful because we get that the relationship has made Solene primed for more romance with other people. Realistically, this would have been a tough relationship to carry on.
In the final act, Solene's daughter, Izzy, gives her support to her mother but when the full weight of that decision crashes on her she withdraws her support. This element infuriated me because I loved how understanding and mature she was, but upon reflection, that decision the plot takes is one of the best. It portrays the complexity of doing what's right. It also shows the fickleness of our minds and the challenge of sticking to our decisions when it's difficult, and also the necessity of letting go.
Anne Hathaway is the linchpin that makes The Idea Of You work. She brings as much dedication to this role as she would a grander performance, and it shows. The chemistry she shares with Nicholas Galitzine is also undeniable, brimming with sensuality and ease. Nicholas Galitzine is slowly building a reputable repertoire as an actor.
Looking for a good love story? How about the allure of boy bands and their electrifying performances? Add in stunning leads with undeniable chemistry and an emotionally vulnerable male protagonist, and "The Idea Of You" becomes the ideal choice.
6.5/10.
Champagne (2014)
A product of its time
Champagne
Seeing this a decade after its release, there's just so much that is wrong technically. These issues might not have been as noticeable upon its initial release, but given the higher standards of quality today, they are quite jarring.
Champagne tells the story of a married couple that resorts to extramarital affairs to support their family financially. Initially, we see the husband engaging in this act before his wife forces him to stop. However, faced with financial strain and mounting bills, the wife reluctantly engages in an extramarital affair when a wealthy man takes interest in her.
For its time, I'd acknowledge that the open-marriage theme, albeit driven by financial motives in this instance, was relatively groundbreaking for Nigerian cinema. However, the film ultimately adopts a sexist perspective, portraying the husband as emotionally detached during his affairs while his wife develops feelings. While this serves the narrative, it lacks the nuance necessary for a more insightful portrayal. Additionally, the subplot involving the side man's relationship with his girlfriend in the US, though intended to add suspicion to his character, feels largely unnecessary.
From a technical standpoint, the film suffers from odd camera angles, abrupt transitions, audio-video mismatches, and an overall sense of poor direction.
Most of the performances here aren't special, they're just enough to keep the plot going. But Majid Michael delivers a solid performance, infusing his character with effortless sweetness and a little dose of suspicion which ultimately blossoms at the end.
Champagne reflects the era in which it was made and coupled with it being a directorial debut, there's undeniable room for improvement in its execution.
2.5-3/10.
Immaculate (2024)
Sydney Sweeney!!!
Immaculate
In Immaculate, we're given a nunsploitation story. Sister Cecilia relocates to an Italian convent following the closure of the one where she was raised in America. Soon after her arrival, she becomes pregnant and this is tagged an immaculate conception seeing as she's still a virgin.
The film explores the concept of women's bodily autonomy and challenges the perception of women solely as vessels for reproduction.
This psychological religious horror is mostly good but the religious aspects could have gotten more emphasis. The social commentary on faith could have been explored better. However, it delivers a satisfying amount of scares and builds to a pulsating final act. The restraint we'd gotten in the previous acts is tossed in the final act, and here is where the movie shines best. The pacing is good even though it does take time to get to the juicy parts but with the limited runtime, it avoids being tedious. The creepy atmosphere also effectively carries the film through its initial stages.
Sydney Sweeney delivers as sister Cecilia. Remarkably, she auditioned for the role at just 17 years old before the project was shelved. Years later, as a producer, she secured financing for the film, demonstrating her dedication to the project. This dedication is palpable in the performance she gives.
In conclusion, Immaculate is a solid psychological religious horror and although it falters in some areas, particularly in its underexplored themes, the film's gripping final act and Sweeney's impassioned portrayal make it a worthy watch for horror enthusiasts.
7/10.
Migration (2023)
Cuckoo, wild, and fun.
Migration
In this animated comedy, a flock of ducks embarks on a migration journey from New England to Jamaica.
Migration follows a very simple premise but it weaves a very thrilling journey into it. Mack, the father of the flock, is very guarded and just wants his family to live out their life in their pond. But his wife and son yearn for adventure and coax him into giving in to the migration. Kim, the young daughter, is willing to go with whatever the family decides, and with the family deciding on migration, she convinces Uncle Dan, Mack's uncle, to join on this trip.
Looking for sibling squabbles, heartfelt family dynamics, and an adventure about embracing life's challenges? "Migration" delivers all that and more. Mack's desire to protect his family sometimes hampers their freedom, echoing the struggle many parents face in balancing care with independence. Dax and Kim yearn for more autonomy and opportunities to explore life's possibilities.
The love between the parents, Pam and Mack, is so sweet and can rival most live-action movies. The sibling love here is also beautiful.
Much praise should be given to the voice actors, with Tresi Gazal as Gwen being the most notable. She manages to be the heart of the movie, and her adorableness is just infectious.
The animation style is fitting and the style of comedy used is very typical of other illumination animations. The runtime is simply perfect, it delivers its message and ends before it can get tiring, with this, it's hard to find fluff scenes.
Migration is cuckoo, fun, and wild. I'd like to see more adventures from this flock of ducks.
So gather your flock and embark on this heartwarming journey.
8/10.
Dune: Part Two (2024)
Hungry for more!
Dune: Part Two
This sequel to Dune: Part One continues from where the first one ended. It follows Paul Atreides alongside the Fremen people in their fight against House Harkonnen.
Dune: Part One had criticisms of runtime and pacing, and even though Dune: Part Two tries to improve on these, the issues are still present.
The grandness of Dune is very evident. From the score to the cinematography to the world-building, this is a movie with ambition that seeks to thrill.
This sequel places greater emphasis on the story, yet even as Dune: Part Two reaches its conclusion, it's the journey itself that remains paramount.
Dune: Part Two explores several themes, prominently Fate versus Free Will. Paul Atreides grapples with the concept of his predetermined destiny as a messiah, attempting to resist it but eventually succumbing, despite foreseeing its detrimental consequences. The white saviour narrative is stoked and exposed for what it is; how charismatic leaders are ultimately dangerous. However, the film's deliberate ambiguity leaves the question of Fate versus Free Will unanswered by its conclusion.
Religion plays a key role in Dune, it aids colonial control. Paul's mother skillfully manipulates the longstanding myth propagated by the Bene Gesserit to support her son. At first, Paul is very unreceptive but when he seeks revenge he plays into the myth.
Themes of commerce and capitalism are also used in Dune. It's evident that these economic forces serve as the underlying catalysts for the issues depicted in the story (mirroring real-life colonial undertakings.)
The performances in Dune: Part Two are brilliant. Timothee Chalamet finally brings his range to Arrakis. The subtle changes he possesses in the course of the movie can only be done by a seasoned actor. Having gotten very little screen time in the first Dune, Zendaya shines as Chani in this sequel. She possesses a great level of expression control in the final act. Rebecca Ferguson delivers yet another captivating performance as always. This sequel brings a host of new cast members but Austin Butler and Florence Pugh stand out prominently. Austin brings a menacing and effective villainy to his portrayal of Feyd-Rautha, and is an absolute scene-stealer.
Dune: Part Two adequately builds and surpasses its predecessor. It solidly brings the ambition of the filmmaker to life. It is a visual treat that'll leave audiences hungry for the next instalment, Dune: Messiah.
8/10.
The Boys in the Boat (2023)
A solid sports biopic
The Boys In The Boat
This sports biopic chronicles the 1936 Summer Olympics journey of the University of Washington's rowing team.
Most movies in this genre will rather go for theatrics and hone in on effective drama, but this biopic remains rather simple and traditional. The storytelling is clear and rows smoothly to its conclusion.
The movie falls short in character development. With numerous characters appearing, many are sidelined, and even the main ones lack proper exploration. This is honestly what sports biopics are about, the drive and push that offers the eventual success, and this movie doesn't pack a lot of that.
The Boys In The Boat authentically captures the era it portrays. The setting, wardrobe, cinematography, and overall atmosphere of the movie vividly bring this period to life.
The cast of Joel Edgerton, Callum Turner, Hadley Robinson, and Thomas Elms bring their best to what they're offered.
The Boys In The Boat had the potential to be great, but it still makes for an enjoyable and straightforward watch.
6.5-7/10.
Irish Wish (2024)
A comfortable kind of bad
Irish Wish stars Lindsay Lohan in a fantasy romantic comedy. Here, Lindsay's character, Maddie Kelly, is a book editor in love with the author she works with. When he falls in love with her best friend and they subsequently get engaged, she makes a wish to live her best friend's life a few days before their wedding.
The plot of Irish Wish is very predictable but the leads manage to infuse as much interest to keep it engaging. Lindsay Lohan's revival deserves more than what her recent movies offer but she still brings her charm to them. Ed Speelers also brings a cute chemistry to the dynamic between him and Lohan.
There's nothing special or groundbreaking about Irish Wish but it ends up being a comfortable easy watch that banks on the lead performances and the Irish setting.
5/10.
This Is Me... Now: A Love Story (2024)
Jennifer Lopez epitomises audacity
This is Me... Now: A Love Story
This is a romantic musical that accompanies Jennifer Lopez's album, This is Me... Now.
Is it a biopic? A musical? A visual album?
Ultimately, this film doesn't firmly establish its identity, and it's possible the filmmaker isn't certain either. However, what it unmistakably offers is a chaotic exploration of Jennifer Lopez's romantic experiences.
Only someone with immense audacity could conceive of a film like this, and Jennifer Lopez epitomizes audacity. It's an amalgamation of numerous ideas, not all flawlessly executed, yet each capable of standing alone to make this an enjoyable watch.
Jennifer Lopez is a romantic and that's fully on display here. We're transported into the careless chaotic mind of J Lo with visuals that are nothing short of breathtaking. Many big-budget productions would find it challenging to match the visual splendor of this film. Each landscape we encounter is both stunning and distinct. The zodiac signs embodied by superstars are a welcome highlight in this movie, and after the novelty of their presence wears off, the bouncy dialogues they have helped sustain the film's energy.
Jennifer Lopez is a performer and she keys into that with the choreography. Musical numbers are accompanied by well-thought-out choreos.
The biggest letdown about this movie is the music. Jennifer Lopez has never been a capable vocalist but she's always been able to create groovy songs. But that's absent here. Most of the songs aren't interesting; from the phrasing to the melodies to the sonics, all that's present is music that isn't imaginative, and even when she tries to switch up with a rap flow, it all ends up being jaded. The lyrics aren't that profound and sometimes don't necessarily sync with the visuals or storyline. Now, even though the music isn't sonically imaginative, the cohesion found is solid. There's nothing jarring or incongruent to upset the flow of the songs.
Jennifer Lopez's performance here is applaudable. She's a romantic lead aficionado so the territories here are very familiar, but there's also a freshness to the performance she delivers.
This is Me... Now: A Love Story would have been a splendid musical movie/visual album if not for the accompanying music. However, despite this drawback, the movie still stands as a grand and bold ride.
6.5/10.
Madame Web (2024)
Better than the reviews stated
Madame web
Madame Web emerges as the origin tale of Cassie Webb. Her quest leads her to rescue three girls from the clutches of Ezekiel Sims, a ruthless figure intent on their demise to evade his own fate at their hands in the future.
Films in Sony's Spider-Man universe have received criticism, and Madame Web isn't exempt from that. However, contrary to many reviews, Madame Web is a straightforward and enjoyable superhero film. It doesn't aim for grandeur, which aligns well with its storyline. Despite uninspiring dialogue hinted at in trailers, the actual movie doesn't suffer from this. Though not particularly imaginative, the dialogue effectively propels the story forward.
The film effectively captures the nostalgia of its 2003 setting. The soundtrack plays a significant role in this, and the homage to Beyoncé's "Dangerously In Love" was a delightful touch.
Madame Web does indeed encounter several challenges. The unfolding of subplots relies too heavily on convenient occurrences, which can be frustrating for viewers. While the exploration of the titular character's powers is intriguing, it diminishes the suspense that should accompany this genre of film. As obstacles arise, the predictability of their resolution removes any sense of genuine tension or dread.
For a superhero movie where the principal characters are battling a villain palpably stronger and possessing no impressive powers of their own, the action scenes manage to be more effective than one would expect.
The performances in this film may not be stellar, but they are well-suited to their roles. Dakota Johnson portrays just the right balance of detachment and confusion required for her character. Her reluctance to embrace heroism is palpable and serves as a driving force throughout the movie. The rest of the cast also meet the expectations for their respective roles.
Numerous aspects of Madame Web require refinement and clarification but it's notable that the runtime isn't adversely affected. Surprisingly, the two-hour duration passes smoothly without feeling prolonged or dragged out.
Madame Web would benefit from better writing but overall it's a simple and decent movie that knows what it is and doesn't try to go beyond that.
5.5/10.
The Thundermans Return (2024)
Bring back the series!
The Thundermans Return
This film serves as a continuation of the beloved Nickelodeon series, "The Thundermans," and is sure to delight fans of the show. While some flaws, particularly in the CGI department, may be apparent from a critical perspective, it's important to consider that these elements are likely less noticeable to the film's target audience.
The acting remains consistent with that of the series, also mirroring its plot structure, set design, and overall tone of the series. This faithful adaptation effectively evokes nostalgia for fans of the original show. Considering the current landscape of Nickelodeon series, a potential reboot sparked by this film would be a welcome development.
5.5/10.
Poor Things (2023)
An experience that defines cinema
Poor Things
In filmmaking, injecting comedy can be a hit-or-miss endeavor, often feeling forced or overly contrived. However, "Poor Things" effortlessly sidesteps these pitfalls. Its comedy flows naturally, buoyed by sharp dialogue and standout performances. The dialogue is so captivating that I found myself hanging onto every word, fully engrossed in the film from start to finish.
Poor Things starts with pizzazz and even by the second half where the plot becomes more profound, its charm remains unbroken.
Poor Things earns applause on multiple fronts, starting with its exceptional costuming. Bella Baxter's character comes alive with vivid clarity, thanks to the impeccably structured and colorful dresses she wears, each one more stunning than the last. Another high mark to be found here is in the camera work and angling. Praise should also be given to the production designers, art and set decorators, and makeup department. All these are capped with a brilliant direction from Yorgos Lanthimos. The world he presents is picturesque, strange, and rich.
Many times movies serve style over substance but Poor Things is a delightful dose of both. With excellent pacing, it seamlessly transitions through tone shifts without sacrificing its essence. The film explores various themes, adeptly handling coming-of-age elements, and while its feminist messaging may not be flawless, it remains a commendable addition to the genre.
Emma Stone, already regarded as one of the finest actresses of her generation, continues to astonish with each new role she undertakes. In Poor Things, she fully embodies the character of Bella Baxter, showcasing her remarkable talent once again. Mark Ruffalo's onscreen suffering delivers some of the most memorable comedic moments in recent memory. Completing the ensemble, Willem Dafoe and Ramy Youssef deliver equally impressive performances, rounding out this stellar cast.
Poor Things is a rare gem, a bold and sensual journey that defies convention. Its unabashed portrayal of sexuality and audacious storytelling set it apart, making it an experience that defines cinema.
9.5/10.
Busanhaeng (2016)
Thrilling zombie action with a lot of heart
Train To Busan
One thing every survival movie needs is an emotional core; connecting to the characters is key and this is what Train To Busan brings.
This South Korean action horror film follows passengers during a zombie apocalypse as they race to Busan aboard a train.
At the heart of the film is a father-daughter duo, as the father endeavors to fulfill his daughter's birthday wish by taking her to Busan to reunite with his estranged wife. Along their journey, a myriad of supporting characters are introduced to enrich the plot with depth and emotion. While melodrama is a staple in Korean cinema, it's skillfully balanced in this narrative.
The action and special effects present in this movie are riveting, and complemented by stellar performances from the cast.
While Train To Busan is engaging, it does have flaws. These include continuity issues, particularly in the inconsistent behavior of the zombies, and factual inaccuracies regarding train travel.
With its potent character development, Train To Busan stands out as one of the best zombie flicks. Though not flawless, it delivers an exhilarating ride from start to finish, culminating in a final scene guaranteed to tug at the heartstrings.
8-8.5/10.
May December (2023)
Retrospective, provocative and poignant
May December
This drama offers a fictionalized account inspired by the Mary Kay Letourneau scandal, exploring the couple's life two decades after the event.
Elizabeth Berry (an actress) arrives in Georgia to study a woman she's about to play in a movie. This woman, Gracie Atherton-Yoo, was caught having sex with 13-year-old Joe Yoo and sentenced to prison. While incarcerated, she gives birth to a child fathered by Joe, and upon her release, their relationship persists. Over 23 years, they raise three children together and are on the verge of becoming empty nesters when Elizabeth enters the picture.
A delicious tale of control, power dynamics, and manipulation unfolds as Elizabeth delves deeper into her research. She strives to understand the woman she's portraying, gradually absorbing the essence of her character. Gracie is mostly an enigma and as Elizabeth closes in she discovers that Gracie is always several steps ahead. In the end, Gracie remains elusive, leaving us with only glimpses of her true self. On the other hand, Elizabeth's integrity is called into question, revealing her inner complexities. It's ironically humorous that the movie she ultimately stars in is of poor quality, resembling nothing more than highbrow pornography.
May December is campy and highly subjective, inviting audiences to walk away with diverse interpretations of the film. This intentional ambiguity, orchestrated by director Todd Haynes, adds to its charm. While it's both uncomfortable and entertaining to watch, the experience is deliberately crafted to provoke thought and stir emotions.
The performances here are stellar. Natalie Portman skillfully takes us down this wild ride with Julianne Moore meeting her every step of the way. Their performance can be summed up in a mirror scene that sees them both fight to unseat the other, as they both admire one another. It's a sort of balanced act that's not easy to achieve. With the star power of Natalie Portman and Julianne Moore, it's crazy how Charles Melton is the one who steals the show. As they both struggle for control, he's by the side giving a nuanced portrayal of a man emotionally stunted, a 13-year-old boy trapped in the body of a 36-year-old man. We can't say his dreams were stolen as he wasn't even old enough to formulate any; he's a loving father but when put beside his kids it's obvious who's a child and who's an adult. Transitioning from "Riverdale" to this role marks a dramatic 180-degree turn in his career and has me excited for where he goes from here.
May December is wrapped up in soft cinematography, complemented by a campy score and impressive camera work. The pacing is also well-executed.
May December won't be an easy watch for everyone because of its subject matter but it's a poignant watch nonetheless. A movie that's retrospective and provocative and sure to leave audiences with questions worth pondering.
8.5/10.
Oppenheimer (2023)
Cinematic masterpiece
Oppenheimer
Oppenheimer follows the life of American Physicist, Robert Oppenheimer. This journey goes from his days as a student, through his pivotal role in developing the atomic bomb during World War II, to his security hearing in 1954.
Oppenheimer hails as the most visually stunning movie of 2023. Christopher Nolan delivers a brilliant feat of filmmaking in this movie, there's an undeniable triumph across the board. The film delves into humanity's fascination with destruction and our relentless pursuit to enhance the means to achieve it.
Character study is pivotal to the success of Oppenheimer, and a brilliantly layered examination is present here. This movie is mostly about Oppenheimer, and Cillian Murphy is up to the task as he delivers a brilliant lead performance. Robert Downey Jr exceptionally complements Murphy with a final act that shows him at his best. Matt Damon, Emily Blunt, and Florence Pugh round up this stellar cast.
Pacing isn't perfect here and that's impacted greatly by the extended run-time, but Oppenheimer weaves through a fragmented nonlinear plot that ends with a slam dunk.
Oppenheimer concludes as a brilliant biopic and a masterclass in filmmaking.
9/10.