User reviews

"Avant L'Hiver" (2013 release from France; 105 min.) brings the story of a married couple, Paul and Lucie (played by Daniel Auteuil and Kristen Scott Thomas, respectively). As the movie opens, we get to know Paul as a successful neurosurgeon who spends too much time focusing on his job and not enough time on his wife. Then one day Paul runs into Lou, a bartender whom he had treated once when she was a young child. It is not long before it becomes clear that Lou (played by Leïla Bekhti) has a strong interest in Paul. Will Paul reciprocate? Meanwhile Lucie needs to deal with her unstable sister Mathilde, and Paul's business partner in his private practice, Gerard, seems to have an unusual interest in Pau's wife Lucie. To tell you more of this plot-heavy movie would surely ruin your viewing experience, you'll just have to see for yourself how it all plays out.

Couple of comments: this is a fairly straight-forward relationship drama, focusing on whether the marriage of Paul and Lucie can survive all of the commotions. Contrary to another reviewer here, I did not experience this movie as a "thriller", slow-burning or not... That aside, I absolutely enjoyed the acting performance of Daniel Auteuil from start to finish. He has a natural ability for these types of roles.

I saw this movie during a recent family visit to Belgium, where it had just opened. The screening I saw this at, a week day matinée, was reasonably well attended. No idea if this movie will ever get a release in the US, be it in theatres or on DVD/Blu-ray, but if you have a chance to see this, I would readily recommend this movie to you.

Before the Winter Chill, a domestic drama from three-time writer / director Philippe Claudel (I've Loved You So Long), is immediately watchable for its leads, casting Daniel Auteuil and Kristin Scott Thomas as husband and wife in a story woven around their relationships with each other and those around them. The tale is reasonably diverting, and there is enough going on to keep the viewer engaged for the running time, but the material does not aim much higher than movie-of-the-week melodrama. This it does very well certainly, and Leïla Bekhti gives an affecting performance, but it's unlikely that you'll be raving about Avant l'hiver (the film's original title) to your friends and family. Enjoy 'Before the Winter Chill' for the central performances of Auteuil and Scott Thomas, then check out Guillaume Canet's 'Little White Lies' for some real Gallic fireworks.

This film has many fine elements, but suffers from the same ennui as the couple it portrays. I picked this up at my library, and knew immediately I had seen it before, but couldn't remember the end, and had to ride the "fast forward" to get through it! It didn't get better with a second viewing! A bored neurosurgeon "hits a rough patch" with his trophy wife, who sublimates her loneliness with her trophy home and garden! It reminds me of a flaccid remake of Haneke's "Cache", with Auteuil reprising his role as the stone-walling husband, who is smitten by a young Moroccan woman, who may be stalking him with roses instead of surveillance! Kristin Scott Thomas plays the long-suffering wife, instead of Juliette Binoche.

The film also has a couple of disparate elements that could easily have been cut, mainly Lucie's psychotic sister, and a Polish patient's Holocast survival story.

This is a fine distraction, if you have nothing else to watch!

Philippe Claudel's film 'Before the Winter Chill' begins as if it's going to be a drama about a stalker. It then changes tack, and becomes more of a story about a middle aged man becoming involved with a younger woman. He's not exactly looking for an affair, but his interest in her clearly stems from unhappiness in his marriage, which obviously does not benefit from his behaviour. Yet his "care" for the girl is superficial; his real interest is in the effect she is having on him, and he misses things he might have observed. Yet just as this plotline plays out to its conclusion, the movie reveals a final twist. The problem is that all three stories seem weak and underdeveloped; the strength of feelings on display never quite sufficient to wholly motivate the plot. It's not implausible; but its more a film about the absence of feelings, than the presence of them.

Altman's The Player had a similar idea: the hero receives messages from a man he believes has a grudge against him, then starts to investigate... The doctor in this film receives flowers every day, and comes to believe that they come from a woman who, he thinks, harbors some grievance. Soon he starts to slump in surgery, his supervisor orders him to take time off, and he finds he has no appetite for anything. I admired Daniel Auteuil's performance very much; he has put on some weight and his eyes have that distant look that means he can't focus on the essential things. His wife, his son and daughter-in-law have needs and he is oblivious to all of it.

Kristin Scott Thomas gives one of her finest performances; she is both suspicious that Paul is cheating and sure that he isn't (not really a paradox). Her eyes are wonderfully expressive. Leila Bekhti didn't really fit in with the story: I didn't get a feeling of menace from her. Richard Berry as the man who never tires of carrying a torch is excellent.

I saw this film at the Leiden film festival 2013 (LIFF). This could have been the umpteenth story about a middle aged man courting a younger woman, thereby endangering not only his marriage but also risking the health of his patients while slacking off his daily job as a surgeon. But luckily it is much more, due to some complications interwoven in the script that make it interesting nevertheless.

The daily package of red roses that are delivered throughout the running time of the film, seems important and thus are we eager all the time to know who is behind it. In the end we still wonder who is sending the roses, however, but it does not really matter in hindsight as many other sub-plots take over and keep us interested.

A possible minus point is the shallow role of the surgeon's wife. She has typically not enough on her hands other than waiting for her husband to come home. Her garden is her only daily occupation that keeps her from complete boredom, so it seems. I had assumed more initiative from her side, as she is obviously not the unlearned and meek kind of woman.

All in all, I can only moderately recommend this film. It is not a total failure, however, due to several sub-plots that keeps us interested. But that is all there is. This film ranked a moderate 26th place (out of 55) for the audience award.

I watched it to complete Leila's filmography but this movie is so far her worst participation. It's not that she's bad because for one time she acts beyond her roots but this movie is just meaningless. It collects all the same, old, abused and boring clichés of French drama as it's about the hollow life of a bourgeois couple: we have their total traits: the housewife, the prestigious doctor husband, the tennis matches, the opera, the on shoulders pull, the successful kids and even if they got all this, they feel empty, they are unable to communicate and they want to add fire to their « poor » life. Sure, every body shares this spleen for a perfect life, a life when dreams come true but on the other hand, i really don't care about the bed stories of the bourgeois. It's all the more painful here that practically all the scenes are totally useless as the characters sits, walks, drives alone and in the silence ! Maybe some appreciate this but sorry I skip it

They could've made so much more with this story, but it has no direction, it tries to be profound, but it ultimately fails to. The ending leaves you nowhere, and you ask why you've seen this film? For the cinematics? For the actors? Hmm... For sure not for the incomplete and lack of depth of the script.

small domestic scenes from a family's every day life. a meeting. and image of a profound crisis. a film who could have different definitions. thriller, crime, art film, psychological. but who remains admirable work for the impeccable performance of Kristin Scott Thomas and Daniel Auteuil. for the image of reality beyond the words. for a form of delicacy in define the events like a painting in water colors. a film about values and about fear to lost sense of life. a film who is really seductive not exactly for story but for details. the last scene is a good example. not different by many films with similar theme, it is really beautiful for the doses of drama and for the inspired use of silence. a film about a family. its crisis. and the hope.

Until the final 20 minutes I was watching this drawn by the two main characters. Kristen Scott Thomas and Daniel Auteuil are (as always) superb and their performances rather than the catalyst character, well played by, Leila Bekhti are what keep you engrossed. Scott Thomas and Auteuil are so subtle in their performance that you do feel the emotion, as your own, that which simmers and then manages to just about bubble in both their emotionally closeted worlds. These performances give the revelations revealed or hinted at in the final 20 minutes a lot more power and make what would have been another decent, and very watchable, film about a mature older man becoming obsessed by a young woman and his and his wives helplessness in doing anything about it after too many years wrapped in wealth and family comforts a rather very good film and one that leaves you thinking about consequences and the fallibility of love.

Director Philippe Claudel has also written the script which mixes film genres to great effect. He pulls it off with a most unlikely plot with the help of great acting work from Daniel Auteuil, Kristin Scott Thomas and the sad-eyed and lovely Leila Bekhti. This is a mystery without a crime and a romantic triangle of sorts completely without sex. That alone makes this film unwatchable for many and quite challenging for all. The main character as played by Auteuil is a surgeon of about 60 years whose life has been his work. A chance meeting, as it seems, with a lovely young woman rocks him off his tracks. Auteuil begins to doubt if his life has been meaningful at all and is drawn to the vitality of the young woman who appears to have similar traumas as he has had in his earlier life. At times the audience may be as lost as Auteuil's poor character, wondering what is going on and where on earth is Mr. Claudel taking us. The director was 51 when the film was made, and being about 60 myself I can't help thinking that this film is about aging of men and dealing with it more than anything else. Few have commented on the very difficult role of the tormented siren tempting the aging surgeon. I cannot imagine a better choice for this role than Leila Bekhti, who gives it much more credibility and much more a sense of mystery than it would have on paper. So the ninth point goes for her contribution. If you give Before the Winter Chill your full attention, it will stay on your mind and intrigue you for quite a while.

Daniel Auteuil plays a doctor and Kristin Scott Thomas plays his wife. They lead a rather secluded, rather upper-class existence, in a big house, with a very big garden. He works long hours, she does not. He starts getting flowers sent to him, and who is sending them and why, is the central mystery of the film.

This is a slow film, a very, very, slow film. It starts off slowly with domestic scenes and only picks up very slowly. We are unsure about the central mystery. Different indications suggest different answers and different roads to go down.

Around half-way through the film is an unexpected scene which seem to jar with the rest of the film. It is not the most important scene in the film. However it does introduce an important theme. Although having said this, it does not introduce a development in the plot. As such then, do not expect the little scene to have any greater significance than it has. Do not expect anything more.

Film is rather like real-life. Everyday domestic matters feature strongly in the film. Accidents can happen, mistakes can be made, situations can be misunderstood.

The fragility of life is a central theme of the film. So too are personal circumstances and change of circumstances. Film is about relationships, lies, lives and loves. There is passion but it is very pent-up.

It is a slow film, a little dark, with a few brief life-enhancing moments.

Tip: Opera buffs may understand a mistake. 8/10.

Daniel Autuiel, Kristin Scott Thomas and Leila Behkti head the cast of this unusual French drama/suspenser where a married, middle aged neurosurgeon (Autuiel) starts receiving anonymous deliveries of flowers at the same time as a young café assistant (Behkti) claims to recall him from an appendectomy operation in her childhood. The neurosurgeon's rather bored wife (Scott Thomas), much like the viewer, doesn't know what to make of it all.

An assured feature from Phillipe Claudel. Wouldn't mind checking out his previous film I've Loved You For So Long.

Paul keeps receiving wonderful red roses bouquets and wonders who sends them. But the mystery won't ever be lifted.