An unemployed visionary becomes the manager of a local television station. The station becomes a success, with all sorts of hilarious sight gags and wacky humor.An unemployed visionary becomes the manager of a local television station. The station becomes a success, with all sorts of hilarious sight gags and wacky humor.An unemployed visionary becomes the manager of a local television station. The station becomes a success, with all sorts of hilarious sight gags and wacky humor.
- The Kipper Kids
- (as Harry Kipper)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaFor the shot of the Spatula City billboard, the production bought a billboard on a remote stretch of highway. For months afterward, drivers taking the exit would ask nearby businesses about Spatula City. The ad was finally removed after the businesses complained.
- GoofsSince George's uncle valued the station at $75,000, George essentially sells off 100% of the station in the form of stock. If R.J. got intermediaries to quietly buy a controlling interest, he could shut the station down and save some money. As a cutthroat businessman, he should've realized that immediately.
- Quotes
Stanley Spadowski: [grinning as he spoofs "Network"] This is my new mop. George, my friend, he gave me this mop. This is a pretty good mop. It's not as good as my first mop. I miss my first mop, but this is still a good mop. Sometimes, you just hafta take what life gives ya, 'cause life is like a mop and sometimes life gets full of dirt and crud and bugs and hairballs and stuff... you, you, you gotta clean it out. You, you, you gotta put it in here and rinse it off and start all over again and, and sometimes, sometimes life sticks to the floor so bad you know a mop, a mop, it's not good enough, it's not good enough. You, you gotta get down there, like, with a toothbrush, you know, and you gotta, you gotta really scrub 'cause you gotta get it off. You gotta really try to get it off. But if that doesn't work, that doesn't work, you can't give up. You gotta, you gotta stand right up. You, you gotta run to a window and say, "Hey! These floors are dirty as hell, and I'm not gonna take it anymore!"
- Alternate versionsThe Comedy Central version deletes quite a little out of such a short film - mainly bits related to animal cruelty, such as much of the "Raul's Wild Kingdom" scene (involving teaching poodles how to fly) and the punchline of car commercial (the owner threatens to club a baby seal if buyers don't come). Among other bits deleted: a scene regarding gun nuts; part of the scene where Emo Phillips loses a finger in a saw; most of the first "Uncle Nutzy's Clubhouse" scene (probably because the final punchline involves a guy eating dog treats by accident); the part of the "Conan the Librarian" sequence where a guy says he has an overdue library book, and Conan bloodlessly cuts him in half with his sword; a sequence with an elderly lady who knees R.J. Fletcher in the crotch.
- ConnectionsEdited into 'Weird Al' Yankovic: The Videos (1996)
This movie made me laugh as a teenager, but it also makes me laugh as a fully grown adult. Does that mean the humor is dumb or sophomoric? Not necessarily. What exactly is "adult humor" anyway? Does it necessarily need to contain graphic depictions of sex and generous uses of profanity to be considered sophisticated and adult?? I contend that it does not, and I cite UHF as an example.
The laughs here are genuine, and they come from lack of pretentiousness and an honest feeling that one need not take oneself too seriously at any given moment. Al lets us know that it's OK to make fun of yourself as well as the rest of society. Much of what he does is self-deprecating, and UHF is no exception. He doesn't stand around making fun of others and establishing an air of superiority over the rest of society. As George Newman, he becomes the everyman, infusing much of his own personality along with his on-stage comedic persona. And he's not afraid to kick himself around and then proceed to pull himself up via his own bootstraps. Nobody else has to be hurt.
Plot has never been a big necessity in these spoof/parody movies. "The Naked Gun," "Airplane," "Top Secret," "Johnny Dangerously," and many others have had the most skeletal of plots. Cop must find and bring to justice bad guy who shot his friend. Burned out ex-pilot must save aircraft when crew dies. Rock and roll star must overthrow Nazi plot. Mobster must overcome those who wish to take him down. And in "UHF" we have Loser Man must save TV station from evil network exec. The plot is not important; it's just a vehicle to get us from laugh to laugh and set up the next joke.
UHF's comedy, though basic, rings true, and if you'll drop all of your pretentious airs, you'll get it. (We all know you're not nearly as sophisticated as you think you are anyway.) Who among us can keep from laughing while Raul teaches poodles to fly? Who can stifle a chuckle when Stanley is doing... well... doing just about everything he does in this film? Al admits in his commentaries and interviews that "UHF" is no "Citizen Kane." But that's the beauty of it. There's nothing complex here. It's all about the laugh, and there's where this movie really scores.
- velcrohead
- Sep 25, 2005
- Permalink
Details
Box office
- Budget
- $5,000,000 (estimated)
- Gross US & Canada
- $6,157,157
- Opening weekend US & Canada
- $2,251,831
- Jul 23, 1989
- Gross worldwide
- $6,157,157
- Runtime1 hour 37 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1