IMDb RATING
6.9/10
7.3K
YOUR RATING
The life of a suburban American family is scarred after a nuclear attack.The life of a suburban American family is scarred after a nuclear attack.The life of a suburban American family is scarred after a nuclear attack.
- Nominated for 1 Oscar
- 2 wins & 6 nominations total
Rossie Harris
- Brad Wetherly
- (as Ross Harris)
William G. Schilling
- Pharmacist
- (as William Schilling)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaKevin Costner has said that he has never forgotten this film and the powerful influence it has had on him. Costner would later star during the 1990s in such post-apocalyptic movies as Waterworld (1995) and The Postman (1997).
- Quotes
Mary Liz Wetherly: [Remember] the morning I walked in on you and Dad?
Carol Wetherly: Yes.
Mary Liz Wetherly: What's it like?
Carol Wetherly: What's what like?
Mary Liz Wetherly: Making love. Don't play mother with me.
Carol Wetherly: That's what I am.
- SoundtracksAll My Loving
(1963)
By John Lennon and Paul McCartney
Produced by Andrew Dorfman
Performed by Mitch Weissman
Courtesy of Mac Len Music
Featured review
a distictly female look at Nuclear War
All of the comments i have read about this film focus on it's bleakness, on it's difficultly - due to subject matter, and many of them also quite rightly applaud the performance of Jane Alexander in the Central role. What none of them mention, and what seems so clear to me, is that this is a film that could only have been made by women.
There is no BIG EVENT here. No mass hysteria, violence, rape, disfigurement or any of those other factors that are paraded as horrifying in the majority of Nuclear War films - I am thinking specifically of Threads and The Day After Here.
In Testament we actually see humanity. We see how one family, one community copes with the devastation of just that - their family and their community.
This is what is so tragic, compelling and ultimately horrifying about this film. It is not a panache, it is not a broad canvas. It is about people not about issues and as such the humanity shines through.
I am not saying the other films aren't powerful in their way. They are - and both Threads and The Day After gave me nightmares. But Testament was so far beyond them in terms of simple courage and purpose. There was no grandiose, no glamour or tacked on love story. This was not hollywood, was life or the end of it, and all the more frightening for it.
Testament is one of the main reasons why we should see more women making politic films - and perhaps running a few more countries.
There is no BIG EVENT here. No mass hysteria, violence, rape, disfigurement or any of those other factors that are paraded as horrifying in the majority of Nuclear War films - I am thinking specifically of Threads and The Day After Here.
In Testament we actually see humanity. We see how one family, one community copes with the devastation of just that - their family and their community.
This is what is so tragic, compelling and ultimately horrifying about this film. It is not a panache, it is not a broad canvas. It is about people not about issues and as such the humanity shines through.
I am not saying the other films aren't powerful in their way. They are - and both Threads and The Day After gave me nightmares. But Testament was so far beyond them in terms of simple courage and purpose. There was no grandiose, no glamour or tacked on love story. This was not hollywood, was life or the end of it, and all the more frightening for it.
Testament is one of the main reasons why we should see more women making politic films - and perhaps running a few more countries.
Helpful•5716
- vampiresan
- Oct 10, 2002
- Permalink
Details
Box office
- Gross US & Canada
- $2,044,892
- Opening weekend US & Canada
- $317,996
- Nov 6, 1983
- Gross worldwide
- $2,044,892
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