A confined but troubled rock star descends into madness in the midst of his physical and social isolation from everyone.A confined but troubled rock star descends into madness in the midst of his physical and social isolation from everyone.A confined but troubled rock star descends into madness in the midst of his physical and social isolation from everyone.
- Won 2 BAFTA Awards
- 3 wins & 2 nominations total
Margery Mason
- Teacher's Wife
- (as Marjorie Mason)
Storyline
Did you know
- TriviaIn his autobiography "Is That It?", Bob Geldof says that his agent first told him about the project while he was riding in a taxi, and that he said that he didn't want to do it because he didn't like the music of Pink Floyd. Roger Waters knows this story, not because he read it in Geldof's book, but because the taxi driver was actually Waters' brother.
- GoofsWhen Pink throws the television out the window before he cuts his hand, he mouths "Take that, fuckers!", but what is heard is "Next time, fuckers!" (This is corrected in the DVD release of "The Wall".)
- Alternate versionsThe final shot in the "Another Brick In The Wall, part 2" sequence, showing Young Pink and the Islington Green School class of 1951 throwing the Teacher into the bonfire, was deleted from the UK theatrical and Canadian VHS versions of the film, out of concern that actual children would try the stunt at home.
- ConnectionsEdited into Pink Floyd: Hey You (1982)
- SoundtracksWhen the Tigers Broke Free
(separated into two sections)
Written by Roger Waters
Performed by Pink Floyd
Featured review
Wow. this is truly a work of art. No, that isn't doing this movie justice. This is a masterpiece. No other rock opera, or most movies in general, can top the insanity that is this movie. This movie peers into the mind of an over protected, reclusive, and sometimes violent rock star, who has taken enough of life and the people in it.
This is the story of Pink, poor old Pink, who's father left him one morning in black 44', and who's mother was so protective she smothered him with her love and all of her fears; who's wife tried so hard to open his heart, but found that nobody was home; and who eventually built a wall so high that he could not break free, and eventually his seclusion from the outside world brought out a side of Pink that he, nor the rest of the world, would wish to ever see. Soon his sadistic, Hitler-esc side takes control of the world, with help from his zombie like fans who follow any command that is thrown at them.
But by the time the dictator is mentally faded away by Pink, and he is able to see that shielding himself from the world with his now endless wall is only driving him crazier, it could be too late. So goes the quote above, taken from "The Trial", which is the end of the Wall, and Pink's last chance for freedom from his Wall.
This is just an outstanding movie. Everything works in this movie, the twisted live action, the animation that probably is what being insane is like, and, most of all, the music that is, in my opinion, the greatest album ever created (to Hell with Dark Side of the Moon, it was good, but it doesn't even compare to "The Wall"). Pink Floyd is my favorite band (along with The Who and The Rolling Stones, an odd combination, I know), and when their best album was made into a movie, I knew that Hollywood had at least a little common sense, even though Hollywood shunned it, and most of the reviews I've read here are negative, but I don't care, I'm watching it and enjoying for me, and no other opinion matters.
My favorite songs off of this movie/album are "Mother", "One of My Turns", "There's Nobody Home", "Comfortably Numb" (probably my favorite song, actually), and, of course, "The Trial". One last thing, if you are ever in a position where you have to choose between this and "Tommy", pick this, because "Tommy" wasn't very good. In-fact, if it didn't have the great music of The Who in it, I would say it blew. Just a quick reminder. 10/10
This is the story of Pink, poor old Pink, who's father left him one morning in black 44', and who's mother was so protective she smothered him with her love and all of her fears; who's wife tried so hard to open his heart, but found that nobody was home; and who eventually built a wall so high that he could not break free, and eventually his seclusion from the outside world brought out a side of Pink that he, nor the rest of the world, would wish to ever see. Soon his sadistic, Hitler-esc side takes control of the world, with help from his zombie like fans who follow any command that is thrown at them.
But by the time the dictator is mentally faded away by Pink, and he is able to see that shielding himself from the world with his now endless wall is only driving him crazier, it could be too late. So goes the quote above, taken from "The Trial", which is the end of the Wall, and Pink's last chance for freedom from his Wall.
This is just an outstanding movie. Everything works in this movie, the twisted live action, the animation that probably is what being insane is like, and, most of all, the music that is, in my opinion, the greatest album ever created (to Hell with Dark Side of the Moon, it was good, but it doesn't even compare to "The Wall"). Pink Floyd is my favorite band (along with The Who and The Rolling Stones, an odd combination, I know), and when their best album was made into a movie, I knew that Hollywood had at least a little common sense, even though Hollywood shunned it, and most of the reviews I've read here are negative, but I don't care, I'm watching it and enjoying for me, and no other opinion matters.
My favorite songs off of this movie/album are "Mother", "One of My Turns", "There's Nobody Home", "Comfortably Numb" (probably my favorite song, actually), and, of course, "The Trial". One last thing, if you are ever in a position where you have to choose between this and "Tommy", pick this, because "Tommy" wasn't very good. In-fact, if it didn't have the great music of The Who in it, I would say it blew. Just a quick reminder. 10/10
- cocaine_rodeo
- Nov 9, 2002
- Permalink
Details
- Release date
- Country of origin
- Language
- Also known as
- Pink Floyd: Devor
- Filming locations
- Saunton Sands, Devon, England, UK(bunker scenes)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- £12,000,000 (estimated)
- Gross US & Canada
- $22,244,207
- Gross worldwide
- $22,274,148
- Runtime1 hour 35 minutes
- Color
- Aspect ratio
- 2.39 : 1
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