Dover Architecture Series

Gustav Stickley pioneered a form of architecture based on beauty, simplicity, utility, and organic harmony. This inexpensive reprint of a very rare catalog testifies to the enduring charm of his designs. It comprises numerous architectural drawings and photographs of Mission-style homes, including floor plans and descriptive text. "Planned for comfort, convenience, and economy," each of these homes features a simple arrangement of rooms and sturdy structural features. Combining good taste with practicality, they offer openness for common household life, as well as sufficient seclusion for privacy. Models range from a two-family house of cement or stucco to a nine-room cottage of brick and shingles and a seven-room country bungalow. Restorers of old houses, preservationists, and students of American architectural history will prize this well-illustrated treasury of authentic plans and details.

Well arranged, logical, and aptly illustrated, this classic survey covers every aspect of the design process. It addresses architectural principles as well as their practical application, examining general questions of scale, balance, proportion, and symmetry and presenting detailed treatments of doors, windows, walls, stairways, columns, and other features. Long acknowledged as a valuable resource for students and teachers alike, this volume is unsurpassed in terms of the richness of its material and the consistency of its insights. It was written by Nathaniel Cortlandt Curtis, an influential designer and artist who served as the head of the Tulane School of Architecture. Curtis illustrated his work with nearly 250 line drawings that depict architectural elements from a splendid variety of periods and settings, from ancient Rome's temples and palaces to modern-day hotels and museums of Paris and New York.

John Henry Parker's remarkably timeless dictionary of architecture, first published in 1846, became such a success that he continued to revise it for several years. A profusely illustrated manual that is valuable as a reference or as a portable guide on visits to historical buildings, this authoritative glossary of nearly 500 words used in Greek, Roman, Italian, and Gothic architecture remains highly instructive and informative. Accurate engravings complement many of the author's incisive descriptions — from a buttress in Glastonbury Abbey to zig-zag mouldings in a Norman doorway. Extended entries cover arches, windows, tombs, and other architectural elements; while shorter notes define less commonly used terms such as cavetto, dado, and embrasure. An indispensable reference for architects and students of architecture, the text includes a topographical index to the illustrations, identifying the many British cathedrals, castles, and parish churches used as examples.

A treasure trove of measured drawings and photographs, this volume depicts wood fences, gates, and small garden houses of New England. Several of these elegantly detailed constructions were built between the Revolutionary War and 1825, and many of them no longer exist. Restorationists and preservationists will find this collection a valuable resource.

Cozy, charming, and distinctly Californian, the bungalow is an enduring architectural icon. Originally designed to survive earthquakes, the low, rambling structures combined grace, beauty, and comfort at minimum cost. Early in the twentieth century, Los Angeles architect Henry Wilson, who called himself "The Bungalow Man," compiled 112 of the most popular and economic bungalow blueprints of his time in a catalog for would-be homeowners. Complementing each set of prints was an illustration or photograph of the completed house, which most frequently contained two or three bedrooms with closet space, living and dining rooms, a kitchen with pantry, and a bath. An ideal reference for preservationists and restorers, this reprint of Wilson's rare catalog represents a wonderful time capsule and invaluable guide to a popular style of American domestic architecture.

"I would much rather build than write about building, but when I am not building, I will write about building — or the significance of those buildings I have already built." — Frank Lloyd Wright Frank Lloyd Wright built a body of works and drawings to illustrate and explain his work: collections of designs with commentary that temperamentally parallel that work: irascible, radical, powerful and dense, astonishing and simple in its clarity. One of his earliest published works illustrates the parallel, preserving  thought and design at a prophetic moment, shortly before Wright's genius and fame captured two continents and many converts. The Wasmuth portfolio of drawings (named after the original German publisher) is reproduced here from an extremely rare first edition (1910). Wright's polemical preface indicates the importance he attached to the drawings and their publication: ". . . the work illustrated in this volume, with the exception of the work of Louis Sullivan, is the first consistent protest in bricks and mortar against this pitiful waste [academic, inorganic styles]. It is a serious attempt to formulate some industrial and aesthetic ideals that in a quiet, rational way will help to make a lovely thing of an American's home environment. . . ." "Home environment" for Wright was the Midwestern plain; these these drawings, perhaps his earliest experiments in organic design, partake of the Illinois, Indiana, Michigan and Wisconsin prairie with their emphasis on the horizontal ("the line of domesticity") and the environmental motif: "A beautiful elm standing near gave the suggestion for the mass of the building," Wright says of the Winslow house in River Forest, Illinois, a dwelling he cites as the first embodiment of many of his ideas. Elegant full-page architectural drawings and plans show Wright's atelier in Oak Park, Illinois, many homes, cottages, banks, a burial chapel, Unity Church temple, a concrete house designed for Ladies' Home Journal and numerous studies for buildings, treated as problems in design, that were never built. The republication of this rare work gives access again to what has been called "the single most important collection of work published by Frank Lloyd Wright." Students of American architectural genius will find here the seeds of Wright's greatness.

In 1916, New York City enacted zoning laws that mandated the building of “set-back” structures so that light and air would be more freely admitted into the streets below. This concept was first proposed by Louis Sullivan in his 1891 article, “The High-Building Question” (inspired by William Le Baron Jenney’s recently completed Manhattan Building in Chicago.) Hugh Ferriss (1889-1962), American draftsman and architect, studied architecture at Washington University in St. Louis where the Beaux Arts school was favored. Early in his career he worked as a draftsman in the office of Cass Gilbert until he became a freelance delineator. In 1922, Ferris took part in a series of zoning envelope studies that sought to comply with the earlier city legislation. Such were the key ingredients that gave rise to the book at hand. In The Metropolis of Tomorrow, 49 stunning illustrations depict towering structures, personal space, wide avenues, and rooftop parks — features that now exist in many innovative, densely populated urban landscapes. Ferriss uses metaphors from nature that lend his text a poetic quality. It is no wonder that the work inspired critics of the time to remark: “As a creative entity, as a symbol of the American spirit, it is superb” (Survey), and as “magically stirring as a prophecy” (Albert Guerard in Books). With its eloquent commentary and powerful renderings, The Metropolis of Tomorrow is an indispensable resource for students, architects, and anyone else with an interest in American architecture.

Volume 2 of monumental 3-volume classic offers comprehensive and detailed coverage of architectural terms, individuals and national styles. Total in set: over 100 photographs and more than 1000 illustrations. Bibliography.

Originally published in 1878, this now-rare collection of designs supplies views of a remarkable variety of modestly priced structures: houses, villas, cottages, many others. Handsome drawings of perspective views and elevations, some of which include floor plans, plus suggestions for interior design. 98 black-and-white illustrations.

This vintage volume offers a treasure trove of floor plans, elevations, and details of residences and public buildings. Artists, architects, and historians alike will find it an endless source of inspiration. Featured buildings include villas, cottages, and farm houses as well as churches, schools, banks, and many other structures. Eighty-one remarkably detailed illustrations capture the elaborate, distinctive beauty of Victorian-era cornices, staircases, gables, verandas, doors, dormers, and other architectural elements. In addition, a fascinating "Specifications" section highlights construction guidelines for masons, bricklayers, and carpenters.

In this profusely illustrated book the reader will "journey through a wide section of the South with an architect as … companion: from Lexington to Nashville, then along the Natchez Trace and down the great Mississippi River to New Orleans, with little by-way excursions to homes set back from the main highways." Embracing a variety of styles — from pioneer cabins to French Provincial and Neoclassic revivals — the houses described here recall a bygone era of gracious living and aristocratic privilege. Over 100 detailed illustrations, including 36 floor plans, depict such venerable residences as The Hermitage, Andrew Jackson's white-pillared homestead near Nashville; Annandale, a Mississippi mansion in the Italian Renaissance style; Rosedown, the Greek-revival state in Louisiana where John James Audubon completed Birds of America; Belle Alliance, a splendid plantation house of wrought iron and white pillars; the lovely Gothic chapel of Old Jefferson College, and many more. The author has provided a rich commentary on each house, offering colorful historical anecdotes and perceptive architectural analysis, along with additional material on carpentry, masonry, the portico, staircases, and other topics. Architects will find this an especially revealing tour of the building styles and technical features of the great homes of the Old South. But general readers will also find it an insightful and absorbing look at a time long past in the lower Mississippi Valley, when the stately white-pillared mansions of the well-to-do graced the Southern landscapes and provided a bastion of security, comfort, and prosperity in a vast and promising new land.

Bridges serve a practical purpose, providing passage over rivers, valleys, roads, railroad tracks, and other obstacles to transportation. But many bridges are also works of art. This splendid archive by an expert on the history of bridges and civil engineering amply illustrates the art of good bridge design, as exemplified by ancient and modern constructions. Wilbur J. Watson's study ranges far and wide, and his text — accompanied by 200 rare photographs and illustrations — contains vivid descriptions of many of the Old and New World's finest bridges, as well as historical data, and considerable literary and legendary lore. Bridges of all purposes and sizes are considered—from stone viaducts in Roman Iberia and Chinese masonry arches of the Han dynasty to the pontoon spans of Asia Minor and the modern steel and concrete suspension bridges in Geneva, Switzerland, and in New York. Here also are views of the Old London Bridge (1209), the Karlsbrücke in Prague, the imposing 14th-century Valentré bridge in Cahors, France, and scores more. A fact-filled pictorial guide, this volume will be welcomed by students of engineering and architecture, and anyone who has ever marveled at the size and grandeur of a well-built bridge.

Spurred by a rapidly expanding economy and abundant resources of land, building materials and skilled labor, the dream of building and owning one's own home became a reality in America in the 1920s. With the beginning market for small- to medium-sized one-family dwellings came a succession of innovative home designs that transformed American domestic architecture. This outstanding book presents 500 small-home designs of the 1920s as they appeared in a major architectural publication of 1923. Many are by leading domestic architects of the period. Each design is presented in a handsome perspective drawing or photograph, along with floor plans and a description of its principal features. The designs reflect many variations on the basic themes of American colonial architecture, updated by new construction technology and the design aesthetics of the post‒World War I era. The Bungalow and semi-bungalow were perhaps the biggest design news of the times, and they are generously represented in this huge collection. Because of the practicality and good looks of the best of these designs, and perhaps for the nostalgia they evoke, many are being revived today by builders and buyers in communities across America. Architects, architectural, and social historians, students and enthusiasts of architecture and design will find in these pages a rich selection of small-home concepts that once set the standard for a new era in American home design, and that still form an integral part of our landscape many decades after their first inspiration.

At the turn of the twentieth century, George F. Barber ran a successful architectural firm. Today, surviving examples of Barber's signature designs are the pride of their communities. This architectural snapshot from 1901 features working floor plans and fine drawings of more than eighty of Barber's distinctive dwellings. Specializing in serving a mail-order clientele, Barber's company produced catalogs "giving floor plans of a convenient and practical character, and exterior designs of artistic merit in the various prevailing styles." Prepared from long, practical experience, the handsome designs and plans range from the modest to the magnificent, including stately Georgians and colonials as well as snug country homes and seaside cottages. Loaded with spacious kitchens and double parlors as well as porches and balconies of beautiful classic design, this authentic guide will fascinate architectural historians, preservationists, and home restorers, along with anyone interested in Victorian-era architecture.

Volume 1 of an unabridged reprint of extremely influential work by great 19th-century architect, champion of the Gothic Revival. Coverage of Greek and Roman architecture, Byzantine architecture, teaching of architecture, monumental sculpture, domestic architecture, much more. Over 230 engravings and woodcuts (most by Viollet-le-Duc) enhance the text. Republication of rare English edition (1877—1881).

An intriguing examination of classic colonial houses, this fact-filled foray explores with remarkable concision the "medieval period" of American architecture. The treatise takes for its examples the first houses built along the Atlantic coast in the seventeenth century. While these early structures were usually based on traditional English and Dutch styles, their design and methods of construction soon acquired a unique character of their own. Geographically remote from the stylistic restrictions of Europe, American architects used new plans and construction elements to create fresh new dwellings with individual beauty and charm.  Early American Houses includes over 100 photographs and illustrations that highlight the architecture of young America, with a particular focus on the Tudor and late Gothic styles that ultimately shaped the distinctive house designs of today. Original floor plans and sketches abound — including interior and exterior treatments, elevations, and framing — partnered with detailed descriptions that breathe life into each construction. Accompanying this work is a comprehensive Glossary of Colonial Architectural Terms. Originally published separately, it provides definitions for everything from "arch" to "wainscot," and it is reprinted here to enhance the overall value of the companion volume.

From the golden age of American architecture comes this splendid survey, documenting scores of masterpieces built between 1900 and 1930. More than 260 illustrations include plans, sections, exterior and interior details, and photographs. A sampling of featured buildings include Lincoln Memorial, Boston Public Library, Tribune Tower, and Woolworth Building.

Victorian architecture, with its quirky diversity, eclectic origins, and exuberant ornamentation, continues to exert a strong attraction on today's architects, builders, and homeowners. For those interested in restoring, preserving, or even re-creating Victorian homes, authentic plans and designs are invaluable. This volume, meticulously reproduced from a rare nineteenth-century publication, offers an exceptionally rich pictorial record of actual mid- to late-Victorian designs. Extremely clear and detailed engravings — drawn to scale — present elevations, floor plans, perspectives, and other drawings (in some cases, complete framing plans) for country houses and cottages in a variety of styles: Queen Anne, Eastlake, Elizabethan, Colonial, Jacobean, Southern, Californian, and more. There are even designs for several store and office fronts, with counters, shelving, etc. Supplementing the large number of complete designs are nearly 700 large-scale drawings of virtually every architectural detail, many embodying the unique "gingerbread" that characterizes Victorian buildings. Included are clear, precise renderings of balusters, brackets, dormers, fireplaces, finials, gables, mantels, moldings, newels, porches, rafters, rosettes, staircases, transoms, verandahs, wainscoting, windows, and hundreds of other features. Restorers of old houses, preservationists, students of American architectural history, admirers of Victoriana, and anyone interested in the Victorian Gothic styles that dominated American domestic architecture in the late 1800s will want to have this inexpensive treasury of authentic century-old plans and details.

For almost 20 years, Sears, Roebuck and Company purveyed the materials for complete prefabricated houses, providing thousands of Americans with attractive and comfortable low-cost dwellings. Many of these homes are still a common feature in cities and towns across America. The present volume, a meticulous reproduction of a rare Sears, Roebuck catalog of 1926, provides a thorough, accurate record of the company's "Honor Bilt Modern Homes." Over 300 photographs and illustrations, with full descriptions, offer views of 86 different houses and cottages of widely varying sizes and designs. Readers may recognize familiar architectural styles in designs such as the cozy six-room "Homewood" bungalow or the elegant "Lexington," a nine-room, green-shuttered colonial. Also shown are several room interiors for each of 14 homes, along with photographs and plans for nine garages and a hunter's cabin. In addition to visual documentation, the catalog provides extensive, detailed construction information, ranging from the grade of exterior siding to the type of wood used for flooring, windows, and trim. An invaluable primary source illustrated for anyone engaged in the study, authentication, or restoration of antique homes or furnishings, this period catalog will also be of special value to architectural and social historians, Americana enthusiasts, and general readers.

An annual publication intended as a reference work for contractors, suppliers, architects, and homeowners, the 1929 Home Builders Catalog offered a beautifully illustrated look at a variety of homes. Painstakingly reproduced from a rare edition, this volume offers old-house restorers, preservationists, and lovers of 1920s architecture an authentic view of American homes of the era.

Splendid pictorial record of architectural style strongly influenced by Bauhaus movement. Over 300 illustrations show interiors, exteriors. Details on construction, site, cost, more.

An architect who excelled at transforming an architectural fantasy into a practical, livable home, Addison Mizner was one of the most original and influential designers America has produced. The houses, clubs, and shops he built for the wealthy of Palm Beach and Boca Raton, Florida, evince a brilliant grasp of how to blend a building with the environment, how to adapt it to the climate and how to situate it in order to make the best use of the elements of sea, light, and air. This lavishly illustrated volume recaptures the genius of Addison Mizner. It contains over 180 photographs — both interiors and exteriors — depicting more than 30 residences, including Mizner's own, plus those of Harold Vanderbilt, Rudman Wanamaker, A. J. Drexel Biddle, Jr., Edward Shearson, Mrs. Hugh Dillman, and many more. Also covered are such landmark Mizner creations as the Everglades Club, Via Parigi, the Singer Building, The Cloister at Boca Raton, the Riverside Baptist Church at Jacksonville, and many others. A superb appreciation by author and journalist Ida M. Tarbell offers fascinating glimpses into Mizner's early life and background, and how it prepared him to develop architecture that "belonged" in the Florida landscape. Inspired by the beauty and charm of the villas and palaces of the Mediterranean, Mizner designed in a Spanish Colonial style far better suited to the subtropical sun and climate of Florida than the transplanted houses of the North at first so common in the state. A new Introduction by Mizner scholar Donald W. Curl offers an additional appreciation of the architect and his innovative and imaginative conceptions, which continue to win new admirers among connoisseurs of classic design. Reproduced from a rare edition much sought after by collectors, this inexpensive volume will be welcomed by architects, students and historians of architecture — and anyone interested in the life and achievements of Addison Mizner.

The famous American architect's fascinating look at the early years of his pioneering work, which led to his being called the "father of the skyscraper." Far from an ordinary document of records and dates, Sullivan's passionate book crystallizes his insights and opinions into an organic theory of architecture. Includes a wealth of projects and evaluations, as well as 34 full-page plates.

Once affordable only among the wealthy, brick homes became more easily available to the average American in the early years of the twentieth century. This book, originally published in 1920 by a member of The Common Brick Manufacturers' Association, served as a practical guide for prospective homeowners from working class families. Many soon found that attractive, durable, and comfortable homes--made from nature's own building material--were easily within their financial reach. Thirty-five sets of floor plans, elevations, and specifications in this excellent reproduction of that now-rare volume depict a wide variety of brick houses, bungalows, cottages, garages, and multi-dwelling buildings--from the four-bedroom Pocatello to the handsome Saratoga, featuring a wraparound porch and two bathrooms. This practical guide will appeal to anyone wanting to buy or renovate an existing home of the period. It will also serve as a how-to manual for all desiring to build their own homes today with authentic materials and techniques. For those who love fine, old buildings, Small Brick Houses of the Twenties offers a charming view of American homes from that era.

Throughout the early Victorian period, American domestic architecture was dominated by the ideas and designs of Andrew Jackson Downing (1815‒52). Downing, who was America's first important landscape architect, was instrumental in establishing a well-styled, efficient, yet low-priced house that offered many features that previously only mansions could provide. His designs were widely spread both by his books and by periodical republication. Downing's most important work was his Architecture of Country Houses (1850), which passed through nine editions by 1866 and served as the stylebook for tens, perhaps hundreds of thousands of homes throughout the Eastern United States. It contains 34 designs for model homes (country house in this context simply meaning a separate house, as opposed to a town house), with elevations, floor plans, and discussion of design, construction, and function. The English country house of the period is the ground style, upon which other styles are overlaid; designs showing Gothic, French, Italian, and Elizabethan styles allow the user considerable choice. In many ways these designs form one of the first steps toward the modern house, with avowed emphasis on function and convenience, expression of personality, Catholicism of taste, and concord with environment. Decoration, of course, was not frowned upon. Most valuable today is the author's full, thorough discussion of many other aspects of the early Victorian house: aesthetic concerns of architecture, adjustment to locality, materials, construction, costs, floor plan, roofing, shingling, painting, chimneys, and fireplaces, interior woodwork, wallpapering, decoration, furnishing, ventilation, sanitation, central heating, and landscaping. Since most of the houses concerned have been destroyed or altered, and practically no living situations have been preserved, this book is indispensable to everyone interested in early American culture, interior decoration, restoration, or Victorian architecture. It is far and away the richest source for the period.

Exquisitely detailed, exceptionally handsome designs for an enormous variety of attractive city dwellings, spacious suburban and country homes, charming "cottages" and other structures — all accompanied by perspective views and floor plans with measurements. Invaluable to architects, home restorers and preservationists; of immense interest to lovers of Victorian architecture.

In this 1929 classic, the great architect Le Corbusier turned from the design of houses to the planning of cities, surveying urban problems and venturing bold new solutions. The book shocked and thrilled a world already deep in the throes of the modern age. Today it is revered as a work that, quite literally, helped to shape our world. Le Corbusier articulates concepts and ideas he would put to work in his city planning schemes for Algiers, São Paulo, Rio de Janeiro, Buenos Aires, Barcelona, Geneva, Stockholm, and Antwerp, as well as schemes for a variety of structures from a museum in Tokyo to the United Nations buildings. The influence it exerted on a new generation of architects is now legendary. The City of To-morrow and Its Planning characterizes European cities as a chaos of poor design, inadequate housing, and inefficient transportation that grew out of the unplanned jumble of medieval cities. Developing his thesis that a great modern city can only function on a basis of strict order, Le Corbusier presents two imposing schemes for urban reconstruction — the "Voisin" scheme for the center of Paris, and his more developed plans for the "City of Three Million Inhabitants," which envisioned, among other things, 60-story skyscrapers, set well apart, to house commercial activities, and residential housing grouped in great blocks of "villas." For those who live in cities as well as anyone interested in their planning, here is a probing survey of the problems of modern urban life and a master architect's stimulating vision of how they might be solved, enlivened by the innovative spirit and passionate creativity that distinguished all of Le Corbusier's work.

In 1927, the Chicago Tribune sponsored a competition for "trained men of talent, incorporating into the small home ideas of real worth, types of rare charm, and the best possible plans for comfort and convenience." This collection spotlights the challenge’s top results, presenting the nineteen prize-winning designs for five- and six-room houses, plus eighty additional sets of the best architectural plans. A new introduction by Daniel D. Reiff, Ph.D., adds interesting detail about the competition and the competitors. These fascinating snapshots of American domestic architecture of the 1920s include glimpses of New England and Southern colonials, Normandy cottages, stately Italianate dwellings, and other styles. Each of the designs features a floor plan and exterior views of the house. Architects, architecture buffs, and historians will prize these authentic renderings of the leading designs in American architecture of nearly a century ago.

Profusely illustrated volume by 19th-century pioneer of professional art criticism offers valuable information on how to furnish a home tastefully and affordably. Charming, lucidly written text covers everything from firescreens, curtained archways, and Grandmother's cupboard to Tyrolian tables and chairs, a Dutch bedstead, and a French bureau with fine brass mounts.

This inexpensive archive of handsome turn-of-the-century designs reprinted directly from a rare late Victorian volume contains plans for a variety of suburban and country homes that are both aesthetically appealing and moderate in cost. Included are plans for 24 cottages and houses in a wide range of styles, among them Queen Anne, Eastlake, and Colonial. Over 130 illustrations — floor plans, elevations, perspective views, and more — enhance the text, which is further supplemented by two informative and useful articles: "Suggestions on House Building," by A. W. Cobb, describes the process of building a home, from the first sketches offered by the architect to his client, to property selection, scale drawings, and details of construction. “How to Plumb a Suburban House,” by Leonard D. Hosford, provided the late Victorian era homeowner with valuable advice about sewage disposal. Restorers of old houses, preservationists, and students of American architectural history will welcome this treasury of authentic century-old plans and details. Students of social history will also find it an excellent reference.