For Lack of a Dictionary
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About this ebook
Poetry that weaves personal narratives with deep political insights, masterfully exploring the intricate intersections of history, philosophy, and emotion
In this debut collection, renowned scholar Rosalind Morris spans the lyrical landscapes of personal experience and global political dilemmas. Organized into four distinct sections, each featuring seven poems that vary in style and content, For Lack of a Dictionary reflects the diverse facets of human complexity and the struggle to find a language capable of addressing them. Beginning with a mythopoetic exploration of the self and progressing through varied voices and forms—from the epistolary and the erotic to the elegiac—the collection navigates the absences and presences that shape our interpersonal connections. From Homer’s Iliad to Hobbes’s Leviathan, and from the intimate letters of the Rosenbergs to the television broadcasts of lunar landings, Morris revisits epic figures of classical literature with a contemporary voice, concluding with poignant reflections on personal loss and the seductive allure of magical thinking in times of grief.
In the tradition of Adrienne Rich and Muriel Rukeyser, Morris engages in a dialogue that challenges and enlightens, positioning For Lack of a Dictionary as a profound commentary on the intersections of personal and political realms.
Rosalind Morris
Rosalind Morris, Professor of Anthropology at Columbia University, is a prolific writer and scholar. Her recent books include Unstable Ground: The Lives, Deaths, and Afterlives of Gold in South Africa and Accounts and Drawings from Underground, co-created with William Kentridge. Recognized with Rockefeller and Guggenheim fellowships, a Berlin Prize, and residencies at prestigious institutions, as well as film festival prizes, Morris’s academic and creative works traverse disciplinary boundaries with artfulness, courage, and precision. Visit www.rosalindcmorris.com for more.
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For Lack of a Dictionary - Rosalind Morris
If I Am
If I Am Six
If I am six years old
I know the days are longest in summer,
that night expands in winter
like ink on wet paper, that darkness leaks
and is said to contain evil.
At six years old, the relativity of time consists
in summer’s latelight, the long tri-tone song of crickets.
If I am six years old, the bull rushes are measured
by me. I know the blue heron has two legs, but not
that two dragonflies, attached and arched
in awkward flight, are suffering a need
which I have not yet called desire,
only that flight is dangerous at the best of times.
A mosquito whines and stops whining.
I have learned to wait for this absence of sound
before slapping.
If I am six years old, I wait
in patience
attend the dark and dewcool,
listen for the sound of leaf unfurling, the stalk bending,
eyelashes brushing against each other as my heart thuds
like the windshield wipers on Daddy’s car.
Already I know the pleasure of survival, the thrill
of lasting longer than everything else.
Now: in the greenlight,
above still water,
a movement:
leaf descending, stem arching as though to break.
The tree frog
launches itself horizontal
and my hand stabs the air.
Even before beginning its descent
in hunger
my hand
flung like a bullet
finds its mark, clasps desperately
not knowing that clasping is a gesture
of desire
or affection
or grief,
as when a lover has left
or a child has died, unfairly.
Awful this sensation: heart of another beating
in my own hand, tiny but sharp, striking palm
as though my flesh enclosed it, was second skin,
my hand a cage of ribs.
Horrible too, this cessation,
this breaking of a heart
in my own hand
and the quiet of it.
If I Am Seven
If I am seven years old
my father and I are sitting
on the balcony,
closest to roof-top without danger,
and I am under his great arm
following the finger not broken
to the loyalist star in the universe —
Sirius: at the heel, under sword.
This is the place where
once (then)
ancient people mapped themselves
ideal, and found familiars
to stave off the humiliation
of a sky unresponsive
and so much larger than any empire.
My father tells me that light comes
from afar and takes time
