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Butcher's Crossing
Butcher's Crossing
Butcher's Crossing
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Butcher's Crossing

Rating: 4 out of 5 stars

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Now a major motion picture starring Nicolas Cage and directed by Gabe Polsky.

In his National Book Award–winning novel Augustus, John Williams uncovered the secrets of ancient Rome. With Butcher’s Crossing, his fiercely intelligent, beautifully written western, Williams dismantles the myths of modern America.

It is the 1870s, and Will Andrews, fired up by Emerson to seek “an original relation to nature,” drops out of Harvard and heads west. He washes up in Butcher’s Crossing, a small Kansas town on the outskirts of nowhere. Butcher’s Crossing is full of restless men looking for ways to make money and ways to waste it. Before long Andrews strikes up a friendship with one of them, a man who regales Andrews with tales of immense herds of buffalo, ready for the taking, hidden away in a beautiful valley deep in the Colorado Rockies. He convinces Andrews to join in an expedition to track the animals down. The journey out is grueling, but at the end is a place of paradisal richness. Once there, however, the three men abandon themselves to an orgy of slaughter, so caught up in killing buffalo that they lose all sense of time. Winter soon overtakes them: they are snowed in. Next spring, half-insane with cabin fever, cold, and hunger, they stagger back to Butcher’s Crossing to find a world as irremediably changed as they have been.
LanguageEnglish
PublisherNYRB Classics
Release dateMar 30, 2011
ISBN9781590174241
Butcher's Crossing
Author

John Williams

John Williams (Texas, 1922 – Arkansas, 1994) é un novelista e poeta que traballou en prensa e radio antes de enrolarse nas forzas aéreas dos Estados Unidos en 1942, destinado á India e Birmania. Tras a guerra, estudou na Universidade de Denver. Nesta época publicou a súa primeira obra de ficción, Nothing But The Night (1948) e de poesía, The Broken Landscape (1949). Xusto despois, comezou a dar clase na Universidade de Missouri, onde se doutorou en 1954. Deixou publicados dous poemarios e catro novelas, unha das cales, Augustus, obtivo o National Book Award.

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Rating: 4.141048779385172 out of 5 stars
4/5

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  • Rating: 4 out of 5 stars
    4/5

    Oct 4, 2024

    A young man is inspired by the words of Waldo Emerson and heads west. The tale that ensues is one of both a grueling journey and the wonders of nature that are found in the west. The young man, Will Andrews, experiences the slaughter of buffalo and a difficult winter before returning to the world of Butcher's Crossing. John Williams excels as an author.
  • Rating: 5 out of 5 stars
    5/5

    Jan 27, 2024

    A young Harvard graduate searches for meaning in the white, white snow of the Colorado mountains in 1873. He is joined by three seasoned - in buffalo hunting or whiskey - men who are each also searching (for God, for money, for power). But in the end, only the search for meaning allows for any hope of salvation...

    The writing is fluid and vivid, the characters are well drawn and the plot pulls you along while allowing plenty of wide open spaces of meditation.
  • Rating: 4 out of 5 stars
    4/5

    Oct 20, 2023

    A quintessential "man vs nature" western at the twilight of the buffalo hunting era. At times very evocative of place, less so of men. Feels like the author watched Treasure of Sierra Madre recently, but it doesn't quite make it to those heights.
  • Rating: 4 out of 5 stars
    4/5

    Oct 30, 2023

    Really good read, slow and methodical, yet just as it should be!
    Will Anderson, young and looking for adventure, travels out from Boston and Harvard, to the West, to end up in the town of Butcher's Crossing. He puts up money for a buffalo hunt, and he and three others set off. All three end up getting more than just the hunt!
    It's a nice ol' western story, full of descriptive details and scenery. At times, I felt saddle sore and dust covered as I read along. Could almost smell the gunpowder too! Strong sense of place on each and every page.

    Good last line too! "He rode forward without hurry, and felt behind him the sun slowly rise and harden the air." Ahh...
  • Rating: 4 out of 5 stars
    4/5

    Apr 7, 2024

    Butcher's Crossing, by John Williams

    Here is the first novel written by John Williams, whose work I had the pleasure of reading before, first his novel "Nothing But the Night" and then his wonderful "Stoner," which will always have my heart ❤️ Butcher's Crossing was recently reissued by Lumen but did not return to Uruguay. When I discovered its existence, I waited for it eagerly... but it wasn't until my dear @charogordi sent it to me that I could finally read it.
    I was very surprised that it was a western. But it is not in the classic style of cowboys and shootouts in the main street. It aligns more with the premise of a coming-of-age novel and follows the journey of young Will Andrews, who arrives in Butcher's Crossing in the second half of the 19th century. His intention is to establish a connection with nature, and the right way to do so presents itself in the figure of Miller, a buffalo hunter who yearns to embark on the biggest hunt he has been planning for years. Will’s enthusiasm, and especially his money, decide him to set off, and along with his colleague Andrews and Schneider, they soon begin their journey. They head to an inhospitable area where buffaloes abound... and the butchery begins. Amidst the trek, ambition, and the fever to kill, these four men spend a considerable amount of time taking down hundreds of animals in a systematic and frenzied task that promises to make them rich. But they do not count on the winter being just around the corner, and when disaster strikes, it hits them hard.
    Williams delves into descriptions and shares with us a naturist philosophy that sometimes hits hard because, in my opinion, beyond the temporal difference, massacring animals does not have much to do with experiencing nature... However, he manages to transport us and immerse us fully in that harsh world and make us empathize with the characters.
    It is a world away from "Stoner," but it remains a great read that brings us closer to the beginnings of a fascinating writer.

    #johnwilliams #lumen #books (Translated from Spanish)
  • Rating: 4 out of 5 stars
    4/5

    Jul 1, 2023

    quite good. reviews I have found do not compare it to heart of darkness.
  • Rating: 4 out of 5 stars
    4/5

    Jan 14, 2023

    Butcher's Crossing is an anti-western about one man's journey into the American West in the 1800s. Protagonist Will Andrews is a Harvard dropout with wanderlust. He travels to Butcher's Crossing, a small town in western Kansas, looking for one of his father’s acquaintances, named McDonald, who runs a trading company. McDonald introduces him to Miller, an accomplished hunter. Miller convinces Will to fund an expedition to Colorado Territory, where he once discovered a valley populated by thousands of bison.

    It is beautifully written, filled with striking descriptions of the rugged terrain, intense weather patterns, and a barebones lifestyle. It is not for the faint of heart, as it includes gruesome scenes of rampant slaughter and butchering of animals (which is realistic to what actually happened and is sickening). The characters are easy to picture. It is a combination of coming of age, quest, and indictment of the ravaging of natural resources. It definitely does not romanticize the Old West.
  • Rating: 5 out of 5 stars
    5/5

    Sep 25, 2022

    Written in a spare, almost King James Bible kind of language, with a focus on every small detail and element that matters, this tale of hunting buffalo is one of the greatest westerns ever composed. An absolute masterpiece.
  • Rating: 5 out of 5 stars
    5/5

    Jul 21, 2021

    It's not his most well-known work, but I liked it as much or more than Stoner, which is saying something, the epic of some bison hunters in the snow, which drives them to the brink of madness.

    I felt the cold and the wind on my face while reading it.

    I give it 5 stars without hesitation. (Translated from Spanish)
  • Rating: 3 out of 5 stars
    3/5

    Jun 1, 2021

    I found this book mildly interesting, and historically instructive in its graphic detail, with a mostly realistic plot, but I wasn't enamored with the writing. That to the point of pulling my hair out over the verbosity of superfluous descriptive filler, finding it disruptive of an attempt at a flowing storyline.

    All in all, a good part of the storyline struck me as yet another depressing example of humankind's ongoing unquenchable pleonexia that is diminishing the biosphere. A redeeming aspect to me were times where ignorance and the sway of Nature countered man's hubris.

    "...Epicureans supposed that animals and plants could not have been created for human use, because so many people are fools..." -- Pan's Travail

    Yet, I suppose others may find the adventure entertaining.
  • Rating: 4 out of 5 stars
    4/5

    Nov 25, 2020

    In 1960, John Williams made his literary debut with a western. Yes, a real western. A story of unfulfilled dreams, tenacity, life blindness, survival (above all, spiritual), buffalo hunters, and a lot of soul. One of those stories that invite us to reflect on who we are and who we want to be. And as Williams would later demonstrate with his best-known work, "Stoner," the human condition is exceedingly complex.

    In 1870, Will Andrews, a final-year student at Harvard, decides to abandon his career, his family, and his hometown of Boston to embark on an escape to the American west, a land filled with buffaloes, boring towns (of alcohol and prostitution), and vast railroad lines seeking to discover places to establish new towns and cities. A land where opportunists of all kinds try to fulfill dreams that often end in nightmares.

    The young man arrives in Butcher's Crossing, a small town with a single street where he will begin to live an experience that borders on the epic but also on madness. His escape into the wild will lead him to meet Miller, an experienced buffalo hunter who claims to know a place where they can acquire enough skins to get rich; Charley Hoge, his loyal companion, a voracious reader of the Bible and a heavy drinker of whiskey; and Fred Schneider, a quick and bold skinner who loves good food and women.

    Together, the four men embark on a journey in which John Williams reveals the most interesting methods of survival under the harshest conditions, the world of buffalo hunting, and how to cook with little more than beans and flour. I have no doubt that the brilliant writer must have thoroughly researched such a complicated subject that is difficult to explain with words alone.

    The four adventurers will face various extreme situations throughout a story masterfully tackled with one of the most realistic, beautiful, yet austere prose rich in vocabulary that the writer has ever read in his life. At various points, it seems they will all perish, but Miller's experience always emerges to help them escape situations into which their own greed has led them.

    Descriptions of environments, characters, and animals aside – all superb – I have been captivated by the relationship between Miller and Schneider, who clash practically at every decision point as they delve into the heart of the still unexplored American west of the 19th century. The first's greed, security, and recklessness contrast with the second's coherence and common sense. That struggle between "wanting always more" and "a bird in the hand is worth two in the bush" has seemed to me one of the best aspects of the novel. Not to overlook the old Hoge, a devout Christian and great cook and steward of expeditions, and the young Andrews, the true soul of the plot, with his insecurities and his certainties (more or less erroneous).

    And what can be said about nature! Those readers who love descriptions of mountains, rivers, prairies, and plains will enjoy the reading. Because nature becomes the fifth member of the expedition. From the riverbeds to the high peaks of the mountains; from the scorching heat of summer to the snowy depths of winter; from buffaloes to wolves. And how Will Andrews lives and feels all of this constitutes another important part of the story created by Williams.

    However, beyond all of the above, the work underlies a certain philosophical background about the human condition, initiation into life, and the selfishness or goodness of the souls of its protagonists. It would not be surprising if Jon Krakauer, author of "Into the Wild," was inspired by "Butcher's Crossing" as a starting point for his story. Personally, at various moments, Will Andrews has reminded me of Christopher McCandless (for all the differences). The solitude of their hearts amidst the vast wilderness has allowed me to draw this kind of parallel between them.

    In conclusion, we are faced with another masterpiece from this unknown American author who undoubtedly deserves his work (unfortunately very short) to be worthy of analysis by all young university students of English language and literature. Like "Stoner," "Butcher's Crossing" is highly recommended. And I strongly suggest reading it. (Translated from Spanish)
  • Rating: 4 out of 5 stars
    4/5

    Aug 11, 2020

    Will Andrews goes on a buffalo slaughter in the 1870’s to find the Wilderness & to find his true self.
    Written in the 1960’s surprisingly by a college professor. John Williams gives a cinematic, finely-detailed & well-researched account of the hard trip to Colorado, the dreadful slaughter, getting trapped by a winter of snow, to a fatal river-crossing, and a return to a frontier post that is dying with the buffalo massacre.

    Beautifully written, but I found the subject-matter made me reluctant to keep reading. Greed brings its downfall, but William’s writing is so superb & spare that I was actually wishing for a happy ending for these harsh, troubled men.
  • Rating: 4 out of 5 stars
    4/5

    Nov 30, 2019

    John Williams (Clarksville, Texas, August 29, 1922 - Fayetteville, Arkansas, March 3, 1994) was an American writer whom I suppose most of us got to know through the remarkable work that is STONER. Butcher's Crossing is a novel from 1960 set in the Old West, about a world dying from the advancement of the railroad. NOTE that this is in Spanish with the same title. Butcher’s Crossing basically revolves around a young William Andrews who arrives in a small frontier town in the American West after leaving his family home in Boston and joins an expedition aiming to find a mythical valley in Colorado, where the last great herd of bison exists. It is a story with few characters, five in total, very well narrated, showcasing the writer's notable craft. Like in STONER, the author tries to delve into the characters' interior lives; it is not just a mere description of the landscape, which he does very well indeed. The only female character, Francine, is very interesting as she confronts him with his internal search. If you enjoy the works of Cormac McCarthy, Williams had already gotten ahead of him with this highly interesting work. A magnificent text. HIGHLY RECOMMENDED. (Translated from Spanish)
  • Rating: 5 out of 5 stars
    5/5

    Nov 23, 2019

    John Williams is such a good writer. He has taken a subject I should have been revolted by and turned it into a book I would highly recommend.

    Butcher's Crossing is a small western town on the brink of great things in the mid 1800s. Will Andrews arrives there from his comfortable life in Boston looking for an adventure. He meets a man named Miller who has been waiting a decade for someone to fund his next great adventure, traveling back to a Colorado valley where he saw thousands of buffalo ripe for the slaughter to gain their skins.

    The two set out with a skinner, Schneider, and a wagon driver/cook, Charley Hoge. They have a tough journey out there, but arrive to find the promised herd. What follows is multiple chapters of details of the slaughter. It will turn your stomach. And then you realize that this is a story of greed and obsession. This greed has consequences. The men get snowed in to the valley for the entire winter. The second half of the book answers whether all of their work will be rewarded or if the trip is a bust.

    I really liked this, despite the hunting. In fact, I thought the hunting scenes were an honest look at what could have driven white men to slaughter an entire species. Williams doesn't trivialize or sanction his characters' actions.
  • Rating: 4 out of 5 stars
    4/5

    Apr 26, 2018

    This is my second book by this author, and I'm having a hard time imagining him writing anything not worth reading. This is a real craftman of the art. The story this time is a great American Western. Think of a recent Robert Duvall movie. Yet, I'll tell you it leaves out American Indians, gunfights, beef cattle, and range wars, and STILL it has plenty left over to engage the reader and set it firmly in the genre. At least one reader called it a Western Moby Dick, and I can see the rationale, though, that comparison did not jump out at me. The ending is not what is expected...both to the characters and to the reader. There will be avid readers that will not like this book, but they will not be readers who read for either the craftsmanship or for the depth of the narrative.
  • Rating: 5 out of 5 stars
    5/5

    Apr 10, 2018

    The best western that's not Blood Meridian.
  • Rating: 4 out of 5 stars
    4/5

    Oct 30, 2017

    A solid novel about a city slicker seeking a new meaning for his young life in the Wild West, and learning its true cost. Doesn't get quite as deep as it could, but it's a fine read.
  • Rating: 5 out of 5 stars
    5/5

    Sep 17, 2017

    after reading Stoner by Williams, which I loved I was afraid to read this novel. I was afraid it would not be as good and I would be disappointed. I am glad to report I was not disappointed! This a powerful novel of 5 characters and of survival in a world that is indifferent.
  • Rating: 4 out of 5 stars
    4/5

    Aug 24, 2017

    Stumbled upon another juggernaut of a novel in research for my upcoming short story collection. “Butcher’s Crossing” is yet again a Western that subverts expectation, rises above its genre while comfortably immersing you in its world. There’s no real antagonist, no great revelation, no pretense to be “the great American novel”. Whenever tragedy looms, it most likely will get sidestepped. When you meet the naïve narrator, you clench teeth against the inevitable exploitation—it never comes. Even the prostitute doesn’t have a heart of gold as much as a desire to hold someone close before the whipping winds of life harden the skins of young men. The butchery of the buffalo hunt, the methodical skinning and gutting, is more akin to “Moby Dick” than anything in literary Westerns. Even the Ahab-esque obsession that Miller exhibits is more doomsday of the soul than extermination of a species. I consider it a great blessing to have read something so unique yet familiar, gorgeous and grotesque, heartfelt and heartless. And I’m glad that my stumbling over this virtually unknown classic will only help to influence the story in my own collection.

    “During the last hour of the stand he came to see Miller as a mechanism, an automaton, moved by the moving herd; and he came to see Miller’s destruction of the buffalo, not as a lust for blood or a lust for the hides or a lust for what the hides would bring, or even at last the blind lust of fury that toiled darkly within him—he came to see the destruction as a cold, mindless response to the life in which Miller had immersed himself.”

    And this bit of wisdom:

    “I always save the balls,” he said. “They make mighty good eating, and they put starch in your pecker. Unless they come off an old bull. Then you better just stay away from them.”

    —Butcher’s Crossing by John Williams

    Alas, this paragon has only given us four novels
  • Rating: 5 out of 5 stars
    5/5

    Apr 2, 2017

    Ein hervorragendes Buch, das mir noch weitaus besser gefallen hat als „Stoner“! Und auch als Hörbuch, gelesen von Johann von Bülow, sehr empfehlenswert!
    Der junge Will Andrews gibt sein Studium in Harvard auf und möchte im wilden Westen sich selbst finden. Er kommt in den Ort Butchers Crossing, wo er sich recht schnell dem Büffeljäger Miller anschließt, dem er durch seine Finanzierung ermöglich, seinen lang gehegten Traum zu erfüllen, eine mehrere tausend Tiere umfassende Büffelherde zu jagen. Das Buch schildert grandios den existentiellen Kampf der vier Männer ums Überleben, gibt jedem der vier Männer seine eigene Persönlichkeit, seine eigene Art, mit der Resignation vor dem unabwendbar scheinenden Schicksal umzugehen. Die Beschreibungen sind grandios- wie sie ohne Wasser die Prärie überqueren, wie Miller die Tiere mit den letzten Resten tränkt, wie an einem wunderschönen Herbsttag der Winter einbricht ("Sanft wie eine Vogelfeder sank langsam eine einzelne große, weiche Schneeflocke vom Himmel herab."). Eine wahnsinnig spannende Szene beschreibt, wie die Männer mit ihrem fellbeladenen Wagen den Fluss überqueren. Williams lässt sich Zeit, er beschreibt präzise und genau darin liegt die gnadenlose Kraft. Ich fand das Hörbuch absolut hervorragend.
    Es ist eine Mischung aus vielen Elementen (ich musste an Moby Dick, der alte Mann und das Meer und natürlich alte Western denken.) Und es hat viele Themen: Mensch und Natur, Leben in der Natur, Selbstfindung, Liebe, Veränderung. Wunderbar.
  • Rating: 4 out of 5 stars
    4/5

    Jan 5, 2017

    A tiny 4 stars. This novel does not come near Stoner unfortunately. It reminded me of Moby Dick in its very detailed descriptions of the buffalo hunt. But it is difficult to identify with the main character as the author does not give away much about him. His entire background in a wealthy Boston family is only hinted at.
  • Rating: 5 out of 5 stars
    5/5

    Oct 23, 2016

    Butcher's Crossing is a town in the West. It consists of a hotel, a saloon, a dry goods store, stables and a few other houses. The railroad has not yet come to Butcher's Crossing, but the local hide seller, McDonald, strongly believes it will and that the town will flourish then. So far, only few people live in Butcher's Crossing, many of them hunters who provide the hides for McDonald to sell. This is the setting of John Williams' Butcher's Crossing. Enter Will Andrews, the protagonist. He leaves Harvard and sets out to to go west to Butcher's Crossing. Soon after he arrives he meets with McDonald, who is an aquaintance of Will's father. In search of a new way of living, Will Andrews asks McDonald where to go in town and whom to talk to. This is how Andrews learns about Miller, a buffalo hunter. Miller and his companion, Charley Hoge, are soon found in the saloon. After a short talk Andrews agrees to Miller's proposition to go further west to find a buffalo herd in a hidden valley in Colorado and hunt them for their hides. With the help of Andrews' money, Miller is able to buy everything they need for the trip and hire a skinner, Schneider.

    In the second part of the novel, the reader follows the group of men on their trip to Colorado. After they almost die of thirst, Miller finally manages to find water and soon afterwards the group arrives in the valley where they find a huge herd of buffalo. Miller is set on killing all the animals which delays the group's return to Butcher's Crossing. They camp in the valley for so long that they are surprised by a blizzard and are snowed in, struggling for survival in the cold. Unable to leave the valley in the snow they have to wait till spring which delays their return to Butcher's Crossing for over six months. The second part ends with Schneider dying while crossing a river and the group losing all their hides, that is everything they had worked for for so long. Back in Butcher's Crossing it becomes obvious that the railroad has not come. Andrews, Miller and Charley Hoge find the town almost completely deserted and run down, which leaves Andrews to reflect on his life and what has and will become of him.

    The novel works with a rather small set of characters and it is exactly the interplay of those characters that I liked. Williams did an excellent job of describing the landscape and capturing the characters in their surroundings. This is especially true for the character of Will Andrews, a young man who sets out to discover a new way of living. Through an omniscient third-person narrator we learn what Andrews thinks about the persons that surround him and how he feels on the trip to Colorado. To my mind the following quotation (p. 176) shows Williams' skill quite well. It describes how Andrews feels about hunting, skinning and cutting up buffalo. In the end, it is also a good comparison to the way Andrews feels about his new way of living.

    "It came to him that he turned away from the buffalo not because of a womanish nausea at blood and stench and spilling gut; it came to him that he had sickened and turned away because of his shock at seeing the buffalo, a few moments before proud and noble and full of the dignity of life, now stark and helpless, a length of inert meat, divested of itself, or his notion of its self, swinging grotesquely, mockingly, before him. It was not itself; or it was not that self that he had imagined it to be. That self was murdered; and in that murder he had felt the destruction of something within him, and he had not been able to face it. So he had turned away."

    Butcher's Crossing is a perfect novel, superbly written and highly readable. 5 stars.
  • Rating: 3 out of 5 stars
    3/5

    Apr 6, 2016

    I loved 'Stoner', John Williams' recently rediscovered classic novel, and I'm generally a fan of Western novels, so this has been on my 'to read' list for some time. For most of the book, it is like a survival guide. As we follow the four men on their epic journey across the Colorado plains in the 1870s, we learn how to survive in hot arid conditions with little or no water; and then, how to survive a winter snowed up in a mountain pass (it helps to have piles of buffalo hides). It's a novel consisting mostly of dramatic, poetic descriptions of landscape and weather with only occasional moments of drama. You will also learn everything you need to know about how to shoot large numbers of buffalo while still keeping the herd together so you can shoot more, and how to skin and butcher them (eating the raw liver is particularly recommended for its magical properties - if you can stomach it). There is no doubting the authenticity of this novel.
    The characters would easily fit in to a John Ford western - the whore with a heart of gold, the grizzled, bible-bashing, whiskey-soaked wagon driver with one hand, the wise old superman-type leader who is more than slightly unhinged, the angry rebellious buffalo skinner who clashes with the leader. However, for me, the problem was the main character, Will Andrews. He's very much the same kind of almost anonymous dreamer with no clear vision of what he wants from life as Stoner. But whereas that eponymous character, against all the odds, worked brilliantly, the same type of character doesn't cut it in a Western. One example of why I found him annoying - when they start shooting and skinning buffalo, he finds it repulsive, destructive and wasteful and empathises with them - but he quickly gets over it and gets on with the job!
    Despite these reservations, it's by no means a bad read. It's just that, if you want to read a really exciting Wild West novel which mixes myth with authenticity, go with anything by Larry McMurtry - especially 'Lonesome Dove'.
  • Rating: 5 out of 5 stars
    5/5

    Oct 19, 2015

    Another amazing book by John Williams, who I first encountered reading his much-buzzed-about Stoner. Butcher's Crossing is an earlier book, and a bit rougher for it. It's best experienced knowing nothing about the plot—not even reading the back cover—so I won't discuss it at all, suffice to say that the final portion of the book is absolutely amazing. John Williams does introspection like no other author I've read (though I'll admit to not having read some of the touchstones of that mode, like Henry James).

    Seriously, read Stoner and this book. ASAP.
  • Rating: 4 out of 5 stars
    4/5

    Aug 27, 2015

    The best book I've read that I hadn't heard of prior to this year. Spare, unblinking portrayal of the end of the buffalo hunts. My only complaint was that I was surprised the 'snowed-in' portion of the novel - which was close to eight months in duration - was completely glossed over in a few pages. They had no fuel or food prepared for winter. That would have not been able to be glossed over in reality.
  • Rating: 4 out of 5 stars
    4/5

    Nov 11, 2014

    Would recommend this to anyone who enjoyed Stoner. It is an unsentimental and bleak description of the futility of buffalo hunting, but it is beautifully written, spare and gripping.
  • Rating: 5 out of 5 stars
    5/5

    Dec 29, 2013

    Williams was happy with three of his novels, and wrote four overall. There's more good writing, intellectual effort, emotional depth and social commentary in any one of the three approved novels than in all 18897874006836789308746739489764 items of Rothdike's oeuvre. And yet, this is relegated to cultish status, while even your great-great-grandma Ethel has probably read at least one of the Rabbit series.

    My general grumpiness aside, this is amazing. The best comparison is Flaubert, another author who wrote, meticulously, a small number of novels that have almost nothing in common with each other except their excellence. Stoner is Williams' 'Bovary,' a novel that relies on the reader being able to empathize with either the main character or the narrator. 'Butcher's' is his 'Sentimental Education': not as well crafted (though still better crafted than anything else you'll come across), but probably appealing to a broader range of people. Also, a bit slow.

    He takes on most of the themes you'd expect in a Western: nature, violence, solitude, heroism, and death. But there's more here than in a standard revisionist "it wasn't all cowboys and love stories" western. Rather than worrying away at the Western tradition, Williams uses those themes to worry away at America's soul and it's poorly aligned goals of getting back to our 'natural, authentic selves,' and commercial gain. Getting back to nature (which is a violent, deadly place) will, in the end, drive you mad. And commercial gain will turn you to nihilism. Given those options, it's impressive that Williams manages to give us an unsilly and ambivalent conclusion. A lesser author would have been forced into Sartre territory.

    Finally, despite superficial similarities (long horse-riding scenes; long technical descriptions of lost arts), B'sC has nothing important in common with Blood Meridian. BM is a sophisticated, deeply moral satire, that is ultimately concerned with questions of good and evil; it uses its 19th century setting to criticize 20th century life. B'sC has much more in common with Moby Dick, as other reviewers have pointed out: it's not engaged with the westward course of empire, but with the terrifying real-world consequences of the American philosophical tradition, from Emerson to the present.

    Definitely one to give to friends who are either flag-wavers or want to 'get back to nature.'
  • Rating: 5 out of 5 stars
    5/5

    May 26, 2013

    Somewhere in my travels around LT I read a posting that said in effect, when it came to westerns, Butcher’s Crossing by John Williams was one of the best . Wow, thought I, that’s a western that I have never heard about and immediately went about tracking it down. Now I owe a big thank you to that unidentified poster for pointing me in the direction of this book.

    This isn’t a big action packed story, instead it tells a simple tale of a young man who comes to the west sometime in the late 1870’s looking for that unknown something that young men search for. He hooks up with an older man, a buffalo hunter who tells him of a valley that he once stumbled upon. A valley nestled up against the Rocky Mountains with lush grass, water, plenty of game and, uncounted buffalo. Together with two other men they set out to find this valley and hunt the buffalo who take refuge there.

    With characters that are complex and memorable, the author weaves his story together with sparse yet picturesque writing. Partly a coming of age story, partly a ecological essay, Butcher’s Crossing captures the essence of a land on the brink of change, the hunter’s time almost over, the buffalo having been brought to the edge of extinction. It will soon be the time of the railroads, as they move in and open up the land for ranching and farming. I don’t understand why this work isn’t better known with it timeless writing and it’s very current themes. I know that I found it to be a wonderful read and for me, helps to define what a revisionist western is meant to be.
  • Rating: 4 out of 5 stars
    4/5

    Mar 31, 2013

    A memorable book. One could reasonably make a comparison to Cormac McCarthy, not because of the writing style (they are opposites, and each good in their own way) but because of the vast and awe-inspiring setting. Man vs. Nature, in capital letters.
  • Rating: 4 out of 5 stars
    4/5

    Feb 18, 2012

    I didn't enjoy this as much as Williams' other novels, Stoner and Augustus, which were both two of my absolute favorite books I read this year, but it was nonetheless a very good read despite some slow going for me through the first half. It was really hard for me to get engaged in this book at first for some reason, but that was probably more my fault than the book's; I just don't think I was in the mood for a western when I started it, but I was definitely craving more Williams, so that kept me going. Once the characters found themselves in true jeopardy, snowbound in the mountains, that was where the rubber hit the road for me, and from that point on the rest was gripping. Even through the slow parts, though, Williams' fine prose sustains you. For those looking for a revisionist western/back-to-nature/survival novel that is also a well written piece of literature, you can't go wrong here. I could see it making a fine film adaptation, which it is slated to be in 2013. I look forward to that, if only for the reason that it will garner some more attention for this under-recognized novelist.

Book preview

Butcher's Crossing - John Williams

PART ONE

I

The coach from Ellsworth to Butcher’s Crossing was a dougherty that had been converted to carry passengers and small freight. Four mules pulled the cart over the ridged, uneven road that descended slightly from the level prairie into Butcher’s Crossing; as the small wheels of the dougherty entered and left the ruts made by heavier wagons, the canvas-covered load lashed in the center of the cart shifted, the rolled-up canvas side curtains thumped against the hickory rods that supported the lath and canvas roof, and the single passenger at the rear of the wagon braced himself by wedging his body against the narrow sideboard; one hand was spread flat against the hard leather-covered bench and the other grasped one of the smooth hickory poles set in iron sockets attached to the sideboards. The driver, separated from his passenger by the freight that had been piled nearly as high as the roof, shouted above the snorting of the mules and the creaking of the wagon:

Butcher’s Crossing, just ahead.

The passenger nodded and leaned his head and shoulders out over the side of the wagon. Beyond the sweating rumps and bobbing ears of the mules he caught a glimpse of a few bare shacks and tents set in a cluster before a taller patch of trees. He had an instantaneous impression of color—of light dun blending into gray set off by a heavy splash of green. Then the bouncing of the wagon forced him to sit upright again. He gazed at the swaying mound of goods in front of him, blinking rapidly. He was a man in his early twenties, slightly built, with a fair skin that was beginning to redden after the day’s exposure to the sun. He had removed his hat to wipe the sweat from his forehead and had not replaced it; his light brown hair, the color of Virginia tobacco, was neatly clipped, but it lay now in damp unevenly colored ringlets about his ears and forehead. He wore yellowish-brown nankeen trousers that were nearly new, the creases still faintly visible in the heavy cloth. He had earlier removed his brown sack coat, his vest, and his tie; but even in the breeze made by the dougherty’s slow forward progress, his white linen shirt was spotted with sweat and hung limply on him. The blond nap of a two-day-old beard glistened with moisture; occasionally he rubbed his face with a soiled handkerchief, as if the stubble irritated his skin.

As they neared town, the road leveled and the wagon went forward more rapidly, swaying gently from side to side, so that the young man was able to relax his grasp on the hickory pole and slump forward more easily on the hard bench. The clop of the mules’ feet became steady and muffled; a cloud of dust like yellow smoke rose about the wagon and billowed behind it. Above the rattle of harness, the mules’ heavy breathing, the clop of their hooves, and the uneven creaking of the wagon could be heard now and then the distant shout of a human voice and the nickering of a horse. Along the side of the road bare patches appeared in the long level of prairie grass; here and there the charred, crossed logs of an abandoned campfire were visible; a few hobbled horses grazed on the short yellow grass and raised their heads sharply, their ears pitched forward, at the sound of the wagon passing. A voice rose in anger; someone laughed; a horse snorted and neighed, and a bridle jingled at a sudden movement; the faint odor of manure was locked in the hot air.

Butcher’s Crossing could be taken in almost at a glance. A group of six rough frame buildings was bisected by a narrow dirt street; there was a scattering of tents beyond the buildings on either side. The wagon passed first on its left a loosely erected tent of army drab with rolled-up sides, which held from the roof flap a flat board crudely lettered in red, JOE LONG, BARBAR. On the opposite side of the road was a low building, almost square, windowless, with a flap of canvas for a door; across the bare front boards of this building were the more carefully executed letters, in black, BRADLEY DRY GOODS. In front of the next building, a long rectangular structure of two stories, the dougherty stopped. From within this building came a low, continuous murmur of voices, and there could be heard the regular clink of glass on glass. The front was shaded by a long overhang of roof, but there was discernible in the shadow over the entrance-way an ornately lettered sign, in red with black edging, which said: JACKSON’S SALOON. Upon a long bench in front of this place sat several men lethargically staring at the wagon as it came to a halt. The young passenger began to gather from the seat beside him the clothing he had doffed earlier in the heat of the day. He put on his hat and his coat and stuffed the vest and cravat into a carpetbag upon which he had been resting his feet. He lifted the carpetbag over the sideboard into the street and with the same motion lifted a leg over the boards and stepped onto the hanging iron plate that let him descend to the ground. When his boot struck the earth, a round puff of dust flew up, surrounding his foot; it settled on the new black leather and on the bottom of his trouser leg, making their colors nearly the same. He picked up his bag and walked under the projecting roof into the shade; behind him the driver’s curses mingled with the clank of iron and the jingling of harness chain as he detached the rear doubletree from the wagon. The driver called plaintively:

Some of you men give me a hand with this freight.

The young man who had got off the wagon stood on the rough board sidewalk watching the driver struggle with the reins that had tangled with the harness trace. Two of the men who had been sitting on the bench got up, brushed past him, and went slowly into the street; they contemplated the rope that secured the freight and began unhurriedly to tug at the knots. With a final jerk the driver managed to unsnarl the reins; he led the mules in a long diagonal across the street toward the livery stable, a low open building with a split-log roof supported by unpeeled upright logs.

After the driver led his team into the stable, another stillness came upon the street. The two men were methodically loosening the ropes that held the covered freight; the sounds from inside the saloon were muffled as if by layers of dust and heat. The young man stepped forward carefully upon the odd lengths of scrap board set directly on the earth. Facing him was a half-dugout with a sharply slanting roof at the near edge of which was a hinged covering, held upright by two diagonal poles, which let down to cover the wide front opening; inside the dugout, on benches and shelves, were scattered a few saddles and a half dozen or more pairs of boots; long strips of raw leather hung from a peg that jutted out of the sod wall near the opening. To the left of this small dugout was a double-storied structure, newly painted white with red trimmings, nearly as long as Jackson’s Saloon and somewhat higher. In the dead center of this building was a wide door, above which was a neatly framed sign that read BUTCHERS HOTEL. It was toward this that the young man slowly walked, watching the street dust pushed forward in quick, dissipating jets by his moving feet.

He entered the hotel and paused just beyond the open door to let his eyes become accustomed to the dimness. The vague shape of a counter rose in front of him to his right; behind it, unmoving, stood a man in a white shirt. A half dozen straight leather-seated chairs were scattered about the room. Light was given from square windows set regularly in the three walls he could see; the squares were covered with a translucent cloth that billowed slightly inward as if the dimness and comparative coolness were a vacuum. He went across the bare wood floor to the waiting clerk.

I would like a room. His voice echoed hollowly in the silence.

The clerk pushed forward an opened ledger and handed him a steel-tipped quill. He signed slowly, William Andrews; the ink was thin, a pale blue against the gray page.

Two dollars, the clerk said, pulling the ledger closer to him and peering at the name. Two bits extra if you want hot water brought up. He looked up suddenly at Andrews. Be here long?

I’m not sure, Andrews said. Do you know a J. D. McDonald?

McDonald? The clerk nodded slowly. The hide man? Sure. Everybody knows McDonald. Friend of yours?

Not exactly, Andrews said. Do you know where I can find him?

The clerk nodded. He has an office down by the brining pits. About a ten-minute walk from here.

I’ll see him tomorrow, Andrews said. I just got in from Ellsworth a few minutes ago and I’m tired.

The clerk closed the ledger, selected a key from a large ring that was attached to his belt, and gave the key to Andrews. You’ll have to carry your own bag up, he said. I’ll bring up the water whenever you want it.

About an hour, Andrews said.

Room fifteen, the clerk said. It’s just off the stairs.

Andrews nodded. The stairs were unsided treads without headers that pitched sharply up from the far wall and cut into a small rectangular opening in the center level of the building. Andrews stood at the head of a narrow hall that bisected the long row of rooms. He found his own room and entered through the unlocked door. In the room there was space only for a narrow rope bed with a thin mattress, a roughly hewn table with a lamp and a tin wash basin, a mirror, and a straight chair similar to those he had seen below in the lobby. The room had one window that faced the street; set into it was a light detachable wood frame covered with a gauzelike cloth. He realized that he had seen no glass windows since he had got into town. He set his carpetbag on the bare mattress.

After he had unpacked his belongings, he shoved his bag under the low bed and stretched himself out on the uneven mattress; it rustled and sank beneath his weight; he could feel the taut ropes which supported the mattress against his body. His lower back, his buttocks, and his upper legs throbbed dully; he had not realized before how tiring the journey had been.

But now the journey was done; and as his muscles loosened, his mind went back over the way he had come. For nearly two weeks, by coach and rail, he had let himself be carried across the country. From Boston to Albany, from Albany to New York, from New York—The names of the cities jumbled in his memory, disconnected from the route he had taken. Baltimore, Philadelphia, Cincinnati, St. Louis. He remembered the grinding discomfort of the hard coach chairs, and the inert waiting in grimy depots on slatted wooden benches. All the discomforts of his journey now seeped outward from his bones, brought to consciousness by his knowledge of the journey’s end.

He knew he would be sore tomorrow. He smiled, and closed his eyes against the brightness of the covered window that he faced. He dozed.

Some time later the clerk brought up a wooden tub and a bucket of steaming water. Andrews roused himself and scooped up some of the hot water in the tin basin. He soaped his face and shaved; the clerk returned with two more buckets of cold water and poured them in the tub. When he had left the room, Andrews undressed slowly, shaking the dust from his garments as he drew them off; he laid them carefully on the straight chair. He stepped into the tub and sat down, his knees drawn up to his chin. He soaped himself slowly, made drowsy by the warm water and the late afternoon quiet. He sat in the tub until his head began to nod forward; when at last it touched his knees, he straightened himself and got out of the tub. He stood on the bare floor, dripping water, and looked about the room. Finding no towel, he took his shirt off the chair and dried himself.

A dimness had crept into the room; the window was a pale glow in the gathering murk, and a cool breeze made the cloth waver and billow; it appeared to throb like something alive, growing larger and smaller. From the street came the slowly rising mutter of voices and the sounds of boots clumping on the board walks. A woman’s voice was raised in laughter, then abruptly cut off.

The bath had relaxed him and eased the increasing throb of his strained back muscles. Still naked, he pushed the folded linsey-woolsey blanket into a shape like a pillow and lay down on the raw mattress. It was rough to his skin. But he was asleep before it was fully dark in his room.

During the night he was awakened several times by sounds not quite identified on the edge of his sleeping mind. During these periods of wakefulness he looked about him and in the total darkness could not perceive the walls, the limits of his room; and he had the sensation that he was blind, suspended in nowhere, unmoving. He felt that the sounds of laughter, the voices, the subdued thumps and gratings, the jinglings of bridle bells and harness chains, all proceeded from his own head, and whirled around there like wind in a hollow sphere. Once he thought he heard the voice, then the laughter, of a woman very near, down the hall, in one of the rooms. He lay awake for several moments, listening intently; but he did not hear her again.

II

Andrews breakfasted at the hotel. In a narrow room at the rear of the first floor was a single long table, around which was scattered a number of the straight chairs that appeared to be the hotel’s principal furniture. Three men were at one end of the table, hunched together in conversation; Andrews sat alone at the other end. The clerk who had brought his water up the day before came into the dining room and asked Andrews if he wanted breakfast; when Andrews nodded, he turned and went toward the small kitchen behind the three men at the far end of the table. He walked with a small limp that was visible only from the rear. He returned with a tray that held a large plate of beans and hominy grits, and a mug of steaming coffee. He put the food before Andrews, and reached to the center of the table for an open dish of salt.

Where could I find McDonald this time of the morning? Andrews asked him.

In his office, the clerk said. He’s there most of the time, day and night. Go straight down the road, toward the creek, and turn off to your left just before you get to the patch of cottonwoods. It’s the little shack just this side of the brining pits.

The brining pits?

For the hides, the clerk said. You can’t miss it.

Andrews nodded. The clerk turned again and left the room. Andrews ate slowly; the beans were lukewarm and tasteless even with salt, and the hominy grits were mushy and barely warmed through. But the coffee was hot and bitter; it numbed his tongue and made him pull his lips tight along his even white teeth. He drank it all, as swiftly as the heat would allow him.

By the time he finished breakfast and went into the street, the sun had risen high above the few buildings of the town and was bearing down upon the street with an intensity that seemed almost material. There were more people about than there had been the afternoon before, when he first had come into the town; a few men in dark suits with bowler hats mingled with a larger number more carelessly dressed in faded blue levis, soiled canvas, or broadcloth. They walked with some purpose, yet without particular hurry, upon the sidewalk and in the street; amid the drab shades of the men’s clothing there was occasionally visible the colorful glimpse—red, lavender, pure white—of a woman’s skirt or blouse. Andrews pulled the brim of his slouch hat down to shade his eyes, and walked along the street toward the clump of trees beyond the town.

He passed the leather goods shop, the livery stable, and a small open-sided blacksmith shop. The town ended at that point, and he stepped off the sidewalk onto the road. About two hundred yards from the town was the turnoff that the clerk had described; it was little more than twin ribbons of earth worn bare by passing wheels. At the end of this path, a hundred yards or so from the road, was a small flat-roofed shack, and beyond that a series of pole fences, arranged in a pattern he could not make out at this distance. Near the fences, at odd angles, were several empty wagons, their tongues on the earth in directions away from the fences. A vague stench that Andrews could not identify grew stronger as he came nearer the office and the fences.

The shack door was open. Andrews paused, his clenched hand raised to knock; inside the single room was a great clutter of books, papers, and ledgers scattered upon the bare wood floor and piled unevenly in the corners and spilling out of crates set against the walls. In the center of this, apparently crowded there, a man in his shirt sleeves sat hunched over a rough table, thumbing with intense haste the heavy pages of a ledger; he was cursing softly, monotonously.

Mr. McDonald? Andrews said.

The man looked up, his small mouth open and his brows raised over protuberant blue eyes whose whites were of the same shaded whiteness as his shirt. Come in, come in, he said, thrusting his hand violently up through the thin hair that dangled over his forehead. He pushed his chair back from the table, started to get up, and then sat back wearily, his shoulders slumping.

Come on in, don’t just stand around out there.

Andrews entered and stood just inside the doorway. McDonald waved in the direction of a corner behind Andrews, and said:

Get a chair, boy, sit down.

Andrews drew a chair from behind a stack of papers and placed it in front of McDonald’s desk.

What do you want—what can I do for you? McDonald asked.

I’m Will Andrews. I reckon you don’t remember me.

Andrews? McDonald frowned, regarding the younger man with some hostility. Andrews. . . . His lips tightened; the corners of his mouth went down into the lines that came up from his chin. Don’t waste my time, goddammit; if I’d remembered you I’d have said something when you first came in. Now—

I have a letter, Andrews said, reaching into his breast pocket, from my father. Benjamin Andrews. You knew him in Boston.

McDonald took the letter that Andrews held in front of him. Andrews? Boston? His voice was querulous, distracted. His eyes were on Andrews as he opened the letter. Why, sure. Why didn’t you say you were—Sure, that preacher fellow. He read the letter intently, moving it about before his eyes as if that might hasten his perusal. When he had finished, he refolded the letter and let it drop onto a stack of papers on the table. He drummed his fingers on the table. My God! Boston. It must have been twelve, fourteen years ago. Before the war. I used to drink tea in your front parlor. He shook his head wonderingly. I must have seen you at one time or another. I don’t even remember.

My father has spoken of you often, Andrews said.

Me? McDonald’s mouth hung open again; he shook his head slowly; his round eyes seemed to swivel in their sockets. Why? I only saw him maybe half a dozen times. His gaze went beyond Andrews, and he said without expression: I wasn’t anybody for him to speak of. I was a clerk for some dry goods company. I can’t even remember its name.

I think my father admired you, Mr. McDonald, Andrews said.

Me? He laughed shortly, then glowered suspiciously at Andrews. Listen, boy. I went to your father’s church because I thought I might meet somebody that would give me a better job, and I started going to those little meetings your father had for the same reason. I never even knew what they were talking about, half the time. He said bitterly, I would just nod at anything anybody said. Not that it did a damn bit of good.

I think he admired you because you were the only man he ever knew who came out here—who came west, and made a life for himself.

McDonald shook his head. Boston, he half whispered. My God!

For another moment he stared beyond Andrews. Then he lifted his shoulders and took a breath. How did old Mr. Andrews know where I was?

A man from Bates and Durfee was passing through Boston. He mentioned you worked for the Company in Kansas City. In Kansas City, they told me you had quit them and come here.

McDonald grinned tightly. I have my own company now. I left Bates and Durfee four, five years ago. He scowled, and one hand went to the ledger he had closed when Andrews entered the shack. Do it all myself, now. . . . Well. He straightened again. The letter says I should help you any way I can. What made you come out here, anyway?

Andrews got up from the chair and walked aimlessly about the room, looking at the piles of papers.

McDonald grinned; his voice lowered. Trouble? Did you get in some kind of trouble back home?

No, Andrews said quickly. Nothing like that.

Lots of boys do, McDonald said. That’s why they come out here. Even a preacher’s son.

My father is a lay minister in the Unitarian Church, Andrews said.

It’s the same thing. McDonald waved his hand impatiently. Well, you want a job? Hell, you can have a job with me. God knows I can’t keep up. Look at all this stuff. He pointed to the stacked papers; his finger was trembling. I’m two months behind now and getting further behind all the time. Can’t find anybody around here to sit still long enough to—

Mr. McDonald, Andrews said. I know nothing about your business.

What? You don’t what? Why, it’s hides, boy. Buffalo hides. I buy and sell. I send out parties, they bring in the hides. I sell them in St. Louis. Do my own curing and tanning right here. Handled almost a hundred thousand hides last year. This year—twice, three times that much. Great opportunity, boy. Think you could handle some of this paper work?

Mr. McDonald—

This paper work is what gets me down. He ran his fingers through the thin black strands of hair that fell about his ears.

I’m grateful, sir, Andrews said. But I’m not sure—

Hell, it’s only a start. Look. With a thin hand like a claw he grasped Andrews’s arm above the elbow and pushed him toward the doorway. Look out there. They went into the hot sunlight; Andrews squinted and winced against the brightness. McDonald, still clutching at his arm, pointed toward the town. A year ago when I came here there were three tents and a dugout over there—a saloon, a whorehouse, a dry goods store, and a blacksmith. Look at it now. He pushed his face up to Andrews and said in a hoarse whisper, his breath sweet-sour from tobacco: Keep this to yourself—but this town’s going to be something two, three years from now. I’ve got a half dozen lots staked out already, and the next time I get to Kansas City, I’m going to stake out that many more. It’s wide open! He shook Andrews’s arm as if it were a stick; he lowered his voice, which had grown strident. "Look, boy. It’s the railroad. Don’t go talking this around; but when the railroad comes through here, this is going to be a town. You come in with me; I’ll steer you right. Anybody can stake out a claim for the land around here; all you have to do is sign your name to a piece of paper at the State Land Office. Then you sit back and wait. That’s all."

Thank you, sir, Andrews said. I’ll consider it.

"Consider it! McDonald released his arm and stepped back from him in astonishment. He threw up his hands and they fluttered as he walked around once in a tight, angry little circle. Consider it? Why, boy, it’s an opportunity. Listen. What were you doing back in Boston before you came out here?"

I was in my third year at Harvard College.

You see? McDonald said triumphantly. And what would you have done after your fourth year? You’d have gone to work for somebody, or you’d have been a schoolteacher, like old Mr. Andrews, or—Listen. There ain’t many like us out here. Men with vision. Men who can think to tomorrow. He pointed a shaking hand toward the town. Did you see those people back there? Did you talk to any of them?

No, sir, Andrews said. I only got in from Ellsworth yesterday afternoon.

Hunters, McDonald said. His dry thin lips went loose and open as if he had tasted something rotten. All hunters and hard cases. That’s what this country would be if it wasn’t for men like us. People just living off the land, not knowing what to do with it.

Are they mostly hunters in town?

Hunters, hard cases, a few eastern loafers. This is a hide town, boy. It’ll change. Wait till the railroad comes through.

I think I’d like to talk to some of them, Andrews said.

Who? McDonald shouted. Hunters? Oh, my God! Don’t tell me you’re like the other younguns that come in here. Three years at Harvard College, and you want to use it that way. I ought to have known it. I ought to have known it when you first came.

I just want to talk to some of them, Andrews said.

Sure, McDonald said bitterly. And the first thing you know, you’ll be wanting to go out. His voice became earnest. Listen, boy. Listen to me. You start going out with those men, it’ll ruin you. Oh, I’ve seen it. It gets in you like buffalo lice. You won’t care any more. Those men— Andrews clawed in the air, as if for a word.

Mr. McDonald, Andrews said quietly, I appreciate what you’re trying to do for me. But I want to try to explain something to you. I came out here— He paused and let his gaze go past McDonald, away from the town, beyond the ridge of earth that he imagined was the river bank, to the flat yellowish green land that faded into the horizon westward. He tried to shape in his mind what he had to say to McDonald. It was a feeling; it was an urge that he had to speak. But whatever he spoke he knew would be but another name for the wildness that he sought. It was a freedom and a goodness, a hope and a vigor that he perceived to underlie all the familiar things of his life, which were not free or good or hopeful or vigorous. What he sought was the source and preserver of his world, a world which seemed to turn ever in fear away from its source, rather than search it out, as the prairie grass around him sent down its fibered roots into the rich dark dampness, the Wildness, and thereby renewed itself, year after year. Suddenly, in the midst of the great flat prairie, unpeopled and mysterious, there came into his mind the image of a Boston street, crowded with carriages and walking men who toiled sluggishly beneath the arches of evenly spaced elms that had been made to grow, it seemed, out of the flat stone of sidewalk and roadway; there came into his mind the image of tall buildings, packed side by side, the ornately cut stone of which was grimed by smoke and city filth; there came into his mind the image of the river Charles winding among plotted fields and villages and towns, carrying the refuse of man and city out to the great bay.

He became aware that his hands were tightly clenched; the tips of his fingers slipped in the moisture of his palms. He loosened his fists and wiped his palms on his trousers.

I came out here to see as much of the country as I can, he said quietly. I want to get to know it. It’s something that I have to do.

Young folks, said McDonald. He spoke softly. Flat lines of sweat ran through the glinting beads of moisture that stood out on his forehead, and ran into his tangled eyebrows, which were lowered over the eyes that regarded Andrews steadily. They don’t know what to do with themselves. My God, if you’d start now—if you had the sense to start now, by the time you’re forty, you could be— He shrugged. Ahhh. Let’s get back out of the sun.

They re-entered the dim little shack. Andrews discovered that he was breathing heavily; his shirt was soaked with perspiration, and it clung to his skin and slid unpleasantly over it as he moved. He removed his coat and sank into the chair before McDonald’s table; he felt a curious weakness and lassitude descend from his chest and shoulders to his fingertips. A long silence fell

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