About this ebook
On a sunny day in Berkeley, California, in 1942, a woman sees a sign in a post office window, returns to her home, and matter-of-factly begins to pack her family's possessions. Like thousands of other Japanese Americans they have been reclassified, virtually overnight, as enemy aliens and are about to be uprooted from their home and sent to a dusty incarceration camp in the Utah desert.
In this lean and devastatingly evocative first novel, Julie Otsuka tells their story from five flawlessly realized points of view and conveys the exact emotional texture of their experience: the thin-walled barracks and barbed-wire fences, the omnipresent fear and loneliness, the unheralded feats of heroism. When the Emperor Was Divine is a work of enormous power that makes a shameful episode of our history as immediate as today's headlines.
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Reviews for When the Emperor Was Divine
680 ratings54 reviews
- Rating: 5 out of 5 stars5/5
Nov 12, 2024
This is a well-trod subject for me, but I have fresh tears of anger, sorrow, and bitterness for it every time.
The book, with its numerous hard-hitting details, speaks for itself.
R. I. P., White Dog. We barely knew ye. - Rating: 4 out of 5 stars4/5
May 20, 2022
When the Emperor was Divine by Julie Otsuka tells the story of the internment of a Japanese-American family during World War II. The author based her story on her own family history and has created a small gem of a story, with her careful yet precise prose which highlights the unjust treatment of a people whose only crime was to look different.
When the book opens, the father of the family has already been arrested and sent to a camp in New Mexico. Now it has been decided to round up all Japanese-Americans and we follow the mother, her daughter and son as they are sent to the Topaz Camp in Utah. The author captures the confusion and lack of understanding that the characters experienced. One day they were American citizens, accepted members of the community, but overnight they become aliens that are untrustworthy and dangerous. For almost three years they live in a camp in the desert never knowing when or even if they would ever return to their home in California.
While the topic of When the Emperor was Divine is emotional and heartbreaking, the author chooses to tell the story simply without embellishment resulting in a haunting evocation and, without pointing any fingers, this book becomes a lesson for us all. This subtle, lyrical story shines a light on a difficult period in history and although short packs quite the punch. - Rating: 5 out of 5 stars5/5
Feb 19, 2019
I try to make a point to read from authors who come from a different space than I do in order to learn broadly. Julie Otsuka’s memoir/novel about her San Francisco – based family’s relocation to the Japanese internment camps during World War II was brilliant. It’s told through a few periods of time and from the perspective of an adolescent experiencing this relocation, and told from her family’s history. It’s not in-your-face political challenge, but it’s a powerful story because it is true and real. - Rating: 3 out of 5 stars3/5
Jan 20, 2019
California, 1942 - a woman and her son and daughter are evacuated from their home and brought to an internment camp. Their experiences, in a series of descriptive impressions and memories, follow them through the war years and returning home afterward.
This short novel packs a powerful punch. Otsuka is deliberate in every detail of her craft, from the images she evokes to what she leaves out or only mentions in passing, to the shifts in points of view. The lack of characters' names distances them, yet at the same time, presents an almost universal example of what the experience was like for a family. And that example is so heartbreaking, cringe-inducing, all the more powerful for the spare writing style. It makes for a very uncomfortable reading experience - which is, of course, precisely what it's meant to be. I can't fault Otsuka for flawlessly executing the story she set out to write. I admire it, but I don't like it. - Rating: 4 out of 5 stars4/5
Oct 31, 2018
A short, beautifully written novella about one Japanese-American family's experience during World War II and the internment camps. The narrative switches between the two children and their mother, and the final segment is in the father's voice. He has been a mostly absent figure in the story, as he was removed from their home right after Pearl Harbor and treated as an enemy alien. His short "confession" at the end is incredibly powerful.
The lovely, spare prose stands in stark contrast to the disgraceful story it tells. Nicely narrated by Elaina Erika Davis. - Rating: 4 out of 5 stars4/5
Aug 1, 2018
Another short, beautifully written book. The book is narrated by each of the members of this family sent to Japanese interment camps. Very spare writing, a quick but moving read. The author manages to convey so much with few, carefully curated words. - Rating: 4 out of 5 stars4/5
Jul 2, 2018
While Otsuka’s book tells a story, has a plot, features complex characters, and evokes universal themes, I’m hesitant to call it a novel. It’s really more of a prose poem. When a mere 144 pages of words can evoke such powerful feelings through imagery and symbolism, the novel rises to the level of poetry.
The story of Otsuka’s unnamed Japanese-American family is told from multiple perspectives. The first part is told from the mother’s limited third-person point of view; soon after the bombing of Pearl Harbor, the mother, her son, and her daughter are notified that they will be relocated from Berkeley, California to an internment camp. The second section, seen through the daughter’s eyes, relates the family’s train journey to a camp in Utah after their brief stay at Tanforan, a former horse stable that’s now a shopping mall. The son provides the lens for the novel’s third section, which describes the family’s daily life in camp. Upon returning home in the fourth section, a first-person narrator (it’s unclear whether the narrator is the son or the daughter) tells of the family’s permanent sense of unease and the lasting emotional damage their 3+ years in custody has wrought. Even after the father returns (he had been apprehended by authorities before the family’s relocation) and the family is reunited, they are still incomplete—forever marred by their oppression. The father narrates the brief but potent final section of the novel, entitled “Confession.”
Set in the 1940s and written in 2002, Otsuka’s novel is—regrettably—impossibly timely, considering this year’s (2018) separation of immigrant families at the border. Few novels resonate this strongly with the past and with the future, showing us how little progress we have made on the scale of humanity and kindness. - Rating: 3 out of 5 stars3/5
Mar 23, 2018
A deep and haunting account of the Japanese-Americans during WWII and their experiences in the internment camps. - Rating: 5 out of 5 stars5/5
Feb 11, 2017
This story centers on a Japanese-American family and starts the day the notices went up, ordering all Americans of Japanese descent to report for Internment. Told from different points of view, mother, father, brother, sister, each placing a portion of the story into place, giving the reader an all-encompassing view of the emotions, the sorrow, the endurance, the loss, which these people suffered. It’s heartbreaking. Some, like the father, never recover. Some, like the children, have their life irrevocably altered, leaving behind whoever they might have been and becoming someone else. And some, like the mother, simple accept what comes, without complaint, like a rock at the edge of the sea. Otsuka’s prose, simple and evocative, create images that do not easily leave the mind. One can almost taste the dust of the camp, feel the biting wind, and smell the desert. A must-read, particularly in today’s social and political climate. - Rating: 1 out of 5 stars1/5
Jan 27, 2017
A wonderfully written account of the Japanese camps during WW II. The boy's father is sent to a different camp. The story is told basically by a young boy who spends three years in a camp with his mother and sister to only come home to a ruined house and people who hated his family. Their ordeal in the camp is harrowing but if they were left in their house is could have been worse because of the hatred around them for the Japanese. You decide which would have been better. - Rating: 5 out of 5 stars5/5
Dec 28, 2016
This story needs to be told more often than it is. Japanese internment is an issue that is close to my family, as my grandfather served in the army during the Korean war and was living in Japan. My mother tells us stories about how she heard of these camps, but how everyone forgot about them, which people should never do. Our knowing what happened to Japanese Americans was very important to her and this book tells the story beautifully. It is short, but it is touching in so many ways. A must read for its beautiful writing style and important historical significance. Readers might even be able to feel a little of what it was like to have lived this experience. - Rating: 4 out of 5 stars4/5
Mar 26, 2016
Love, love, love this book. A sparingly written story about the Japanese internment camps of WWII. This book is very short but it packs a big story with it's brilliant use of words. I was especially touched by the last chapter. The book starts out with the mom reading the evacuation order stapled up all over town. I can't imagine having my life ripped out from under me. How would one endear such circumstances? Each family member tells a part of the story from their point of view. Anyone who is interested in WWII should read this book. This would be a great book club selection, the conversation topics are unlimited. - Rating: 4 out of 5 stars4/5
Jan 17, 2016
It is spring of 1942, in the early days of WWII. Evacuation orders for over 100,000 Japanese Americans living on the West Coast have been posted. Japanese Americans who’ve done nothing wrong, whose only crime is their ancestry, are suddenly enemy aliens and ordered to leave their homes to reside in internment camps far away. The first chapter is told from the mother’s perspective. Her husband was taken away one night for “questioning” and now she is making painful choices and preparations for the rest of the family to leave their home in California. The next chapter is from the perspective of the eleven year old daughter, on the train and then later on a bus toward their destination in Utah. The next two chapters are told by the eight year old boy during the family’s time at camp and are filled with a kids view of the heat, the hunger, the boredom, the cramped quarters, the barbed wire and the armed guards.
I thought the author did a great job of bringing the reader into the story with her short and matter of fact chapters. The simplicity with which the story is told turned out to be a very moving historical fiction look at one of America's most shameful moments. - Rating: 4 out of 5 stars4/5
Jun 15, 2015
This is the story of one Japanese family in California after the outbreak of World War II. The father is snatched away one night. Then a couple of days later the mother and the two children are sent to a holding area in a stable and then on to Utah to an internment camp. This is a testament to a shameful period in our U.S. history. I certainly did not learn about this in my history classes. This is something that should be acknowledged and discussed. We are given no character names, but yet we come to know the characters well in the story. We learn of the poor treatment and the poor conditions that these people were forced to endure as Japanese-American citizens. These people were good hard-working every day people who were now held suspect.
I found this to be well written. Since it is short and thought provoking it would be great for book clubs. It is fast paced and moves right along. Great book for a U.S. history class, because it is easy to follow and understand. How would you feel if you were taken away from your family, friends, home and possessions for years to return home to nothing? That had to be devastating and painful both emotionally and financially. Giving them 25 dollars a person does not make up for the shame, loss of respect and poor treatment that they endured!! I give this book a 4 out of 5 stars. - Rating: 5 out of 5 stars5/5
Jun 29, 2014
WHEN THE EMPEROR WAS DIVINE, by Julie Otsuka, is a starkly evocative look at the way Japanese-American citizens were treated - or, perhaps more accurately, MIStreated - during the Second World War. Camp Topaz, in the Utah Desert, was just one of many internment, or 'relocation,' centers where whole families were kept locked up behind barbed wire fences with armed watchtowers surrounding them. Such internment camps have often been compared to concentration camps, but I'm not sure that's a fair comparison. Nevertheless, a whole group of Americans were rounded up, dispossessed and imprisoned for 3-4 years simply because of their ethnic heritage.
Otsuka's novel is perhaps even more effective because her protagonists - four members of one family - are never named. They are simply, the mother, the father, the boy and the girl. The unnamed family members could be any Japanese-American family of that time. The father is spirited away in the night; the rest of the family is given only a few days to pack their suitcases and leave their homes, transported first to processing centers - in stables - and then to a desolate desert camp in Utah. The psychological, physical and emotional effects of this callous uprooting are devastating. Otsuka's eye for detail and ear for dialogue are simply superb. Her novel is a microcosmic look at what happened to tens of thousands of families across the western U.S.
I was immediately reminded of the excellent YA classic, FAREWELL TO MANZANAR, which I read many years ago, one of many books about the relocation camps. But Otsuka's WHEN THE EMPEROR WAS DIVINE is especially stunning and unique in its multiple and anonymous points of view. This is an outstanding fictional look at a shameful episode in our country's history. Highly recommended. - Rating: 5 out of 5 stars5/5
Mar 15, 2014
The internment of Japanese immigrants and Japanese-American citizens during World War II is a disturbing chapter in American History, that doesn't receive much attention. Thousands of ethnic Japanese citizens and families were stripped of their freedom, homes, businesses, and sense of security overnight. Limited to what they could carry in a single suitcase, they were ushered from homes to temporary living facilities in horse stalls to their final destinations, tent cities in the harsh, remote desert regions of our country. If that wasn't shameful enough the government forced everyone to take loyalty tests, which if answered honestly could result in separation or deportation. They lost everything they had built before the war and during the war they lost their dignity. For their trouble each person was given a train ticket home and $25.00 (the same package given to convicted felons upon release) with which to start their lives over again. And yet their really isn't much written about this period.
When the Emperor was Divine is the story of one family as they struggle to prepare, adjust to live within the camp, and come home from a internment camp in the Utah desert. The story is told from the perspective of members of the family in alternating chapters. The first chapter is told from the mother's point of view as they are forced to prepare for the evacuation. The fear of the unknown and the struggle to maintain their pride is palpable. The second chapter is told by the daughter as they travel to their new home, and dealing with their loss sense of identity. The third chapter is from the young son's perspective as they adjust and learn to live within the camp. The final chapter is told from either a more mature son's perspective or a combination of both the boy and girls voices telling of a once proud father, who is now just a broken paranoid shell and a family struggling to put their life together in a world they are now very unfamiliar to the world they left.
Each chapter is unique and distinct. Normally a story told like this can be choppy, but here they flow together with no harsh transitions. This book is unrelentingly depressing and dark. The family makes the best of their situation, but they are clearly broken and they are never too far from crumbling under the stress. The only thing holding them together are their bonds. Hope is in short supply.
The only real problem with this book is that it is far too short. The four chapters only cover the first few months of the war and the aftermath for this one family. It's not enough to explore the entirity of the effects of forced relocation on the family. This book calls for a much more in depth exploration of internment. But really this is only a minor defect of a well written book, that I'm glad I was able to snipe off the wishlist. - Rating: 5 out of 5 stars5/5
Dec 14, 2013
This book is so short is can be easily read on a long car ride. If you take it, plan to not want to be interrupted by stops or scenery.
It is a book that is "historical fiction" but mirrors what happened to thousands (? not sure of the numbers) of Japanese Americans in US and Canada. Yes, Canada has internment camps for the possible traitors.
I loved this story and would like to reread this another time. - Rating: 5 out of 5 stars5/5
Jun 3, 2013
Incredibly powerful story about the interment of Japanese citizens in the US during WW II. - Rating: 5 out of 5 stars5/5
Apr 4, 2013
This spare novel is emotionally charged and brought me to tears at the end. - Rating: 5 out of 5 stars5/5
Mar 31, 2013
This was my introduction to Julie Otsuka and it was amazing. As your average reader, I can’t figure out how Otsuka was able to tell such an evocative story in such a slim novel, using such (deceptively) simple language. I usually fall hard for novels that are maximalist to the hilt—crammed full of characters, sights, sounds, tangential stories, postmodern tricks and winks. The more flowery and complex the sentences are, the more likely I’ll love it. When the Emperor was Divine is a far cry from that kind of book.
It’s a quiet story that nonetheless packs an emotional punch. I didn’t realize that I was holding my breath (figuratively speaking) until the last chapter, when we heard from the father. In a NYTimes review, Michiko Kakutani said that this last chapter marred what was an excellent novel, but I totally disagree. All the throughout the book, but most poignantly after they return to their house, the protagonists have to walk on eggshells, keep their heads lowered, don’t cause trouble, don’t make eye contact. That last chapter is the opposite of the preceding chapters—it’s not quiet at all. Yet this change wasn’t jarring; it actually provided a cathartic release.
I didn’t even actively seek out this book even though I was aware that Otsuka was well-respected. It was on sale for a ridiculous price at the bookstore, so I just picked it up on a whim and then let it sit on my shelf. The story of that disturbing period in American history when Japanese Americans were held in internment camps didn’t hold any allure for me. I ended up reading it because I needed a quick read as a palate cleanser to a huge chunkster that I’d just finished. I’m so glad I did, because finding five-star reads is so hard for this picky reader. - Rating: 4 out of 5 stars4/5
Dec 24, 2012
A short novel told mostly from the perspective of a young boy of 8 but also his older sister and mother. All remain nameless (perhaps reflecting the anonymity with which they were regarded by the U.S. government - just a number). The story chronicles the last days of freedom of a Japanese-American family, the mother's and children's internment in a camp in Utah for 3 years during work War II (the father was taken away by the FBI the day Pearl Harbor was bombed and sent to a prison in Texas) and the eventual reunification of the family at war's end. All of this unfolds gently, sadly, indirectly, through childlike perceptions and observations and dialogue. The final chapter, Confessions, is an angry and poignant denouement told from the father's point of view that stands in stark contrast to the mother's resignation and the book's overall tone. This book covers a shameful chapter of American history in which fear and ignorance caused the State to strip its citizens of rights, property and dignity. Published a year after 911 it's a stark and timely warning to us all of the continuing poison of prejudice (now directed more at Muslim-Americans) and the precariousness of the freedoms we hold dear. - Rating: 5 out of 5 stars5/5
Oct 26, 2012
wonderful writing - simple, but moving story - Rating: 4 out of 5 stars4/5
Oct 17, 2012
Interesting how she doesn't name the characters. The woman, the girl, the boy, the man. Perhaps because it refers to so many. Theirs is not a unique story. So disturbing. Interesting how they came back. I wonder if that is harder in a way. But it must be better to at least have a house. But let's not compare. They had armed guards and someone got shot. And the desert rather than the mountains. And the complexity of Japan being involved. - Rating: 5 out of 5 stars5/5
Apr 13, 2012
One of the best books about the internment of the Japanese in the US during World War II. - Rating: 5 out of 5 stars5/5
Mar 18, 2012
When the Emperor was Divine traces the experiences of a fictional Japanese American family through their relocation in internment camps during World War 2. The father had already been taken away for questioning when the story begins. The mother, son, and daughter then are sent to a camp in Utah and held for the duration of the war. After the war ends, they are then allowed to return home and wait for the father's return.
The writing in this novel is superb. In some areas, the details are minimal yet the feelings are strongly evoked. This book is like a Japanese rock garden -- minimum is maximum.
I did not like the very end and it would be hard to explain without ruining the story for others. Let me just say, I didn't think the tone fit with the story.
Overall, this is a powerful and disturbing book about prejudice and hate. The emotions evoked are not easy to deal with, but being challenged is a wonderful thing at times. - Rating: 4 out of 5 stars4/5
Mar 17, 2012
I was prompted to read this debut novel by Julie Otsuka after reading her second book "Buddha in the Attic" which had amazed me by its boldness and honesty. The two books are of the similar theme, that of the treatment of people of Japanese origin in US during the Second World War. "When the Emperor was Divine" is a fine novel as well, and touched me by its profound sadness, disappointment, and helplessness on the part of the main characters, but was less of a triumph, as far as writing, in my view, compared to "Buddha in the Attic" - except, I would say, for the last chapter called "Confession", which caused goose bums on my skin, as I was reading it. We need to know these things - thanks to the writer for bringing it to our attention with such clarity and skill. - Rating: 3 out of 5 stars3/5
Jan 26, 2012
I read this immediately following Unbroken. This short, vivid story tells of a American Japanese family that was moved to the camps. An interesting point of view after reading about the Americans living in the Japanese POW camps. - Rating: 4 out of 5 stars4/5
Dec 5, 2011
After Pearl Harbor was attacked by the Japanese in WWII, thousands of American Japanese were arrested and held for questioning or made to board up their businesses and homes, taking only what they can carry and put on trains which took them to internment camps set up around the country.
The author concentrates on the lives of 1 American Japanese family during this period. The father, a successful businessman, was taken away in his bathrobe and slippers one night after men knocked on the door of their family home. He writes cheerful letters to his children and wife, not letting on what tortures and questionings he was subjected to. Months later, his family are made to board a train that would take them to an internment camp in the desert with other American Japanese.
This slim volume is told through separate narratives by the wife, their teenage daughter and their young son. The stark narratives provide intense poignancy into their physical and emotional stress, not only during the period leading up to and during their 4 year confinement, but also to what they had to endure when they returned to their home without so much as an apology from the government and with merely $25 with which to restart their abruptly disrupted lives.
Some lives were irretrievably damaged while others found hidden strengths to overcome the trials in their paths. - Rating: 4 out of 5 stars4/5
Nov 17, 2011
Several years ago I enjoyed reading Obasan by Joy Kogawa, a novel about the wartime internment of Japanese-Canadians living on the West coast. I was shocked to read how well-educated and refined people were robbed of their rights, livelihoods and independence and assigned hard manual labour in rough places such as beet farms and abandoned mining towns. Poetic and political, Obasan is imbued with Japanese culture.
As short as Obasan is long, When the Emperor Was Divine, tells a similar tale, this time about Japanese-Americans in California. A family of four is irrevocably harmed by government acts which send the father to prison (he is arrested in his robe and slippers, a detail the son can never forget) and mother, son and daughter to an internment camp in Nevada where they freeze in the winter,roast in the summer and starve year round for three years. Ms Otsuka writes sparely, staccato dialogue bare of inflection, almost like a short story where less is more and you find scant exposition. Yet it sounded to me as poetic as the long lines of Ms Kogawa.
I think Julie Otsuka’s purpose was not to expose the racist/xenophobic soul of the average American. I think she meant to show how, given the right circumstances, the average person could turn on/turn in their neighbour. The family in this book could be any family; Otsuka describes little about them that would brand them as Japanese. The father, in particular, speaks in slang and clichés that make him sound like Bob Hope. Their neighbours watch from front windows or porches as the father is pushed into a car and taken away, and later watch the rest of the family lock up their home and walk to the train station where they will be escorted by military personnel to their internment camp.
I’ll be honest: I don’t understand the significance of the title. This family was like any American family. If they could be betrayed by the government (their government) and by the people around them, Ms Otsuka seems to be saying that it could happen to any of us. - Rating: 4 out of 5 stars4/5
Oct 4, 2011
Eloquent novelization of a tragic time in history. At times I felt I was reading not a narrative, but a poem. Yet it doesn't detract from the power of the story. If you loved Hotel on the Corner of Bitter and Sweet, you'll love this.
Book preview
When the Emperor Was Divine - Julie Otsuka
EVACUATION ORDER NO. 19
The sign had appeared overnight. On billboards and trees and the backs of the bus-stop benches. It hung in the window of Woolworth’s. It hung by the entrance to the YMCA. It was stapled to the door of the municipal court and nailed, at eye level, to every telephone pole along University Avenue. The woman was returning a book to the library when she saw the sign in a post office window. It was a sunny day in Berkeley in the spring of 1942 and she was wearing new glasses and could see everything clearly for the first time in weeks. She no longer had to squint but she squinted out of habit anyway. She read the sign from top to bottom and then, still squinting, she took out a pen and read the sign from top to bottom again. The print was small and dark. Some of it was tiny. She wrote down a few words on the back of a bank receipt, then turned around and went home and began to pack.
When the overdue notice from the library arrived in the mail nine days later she still had not finished packing. The children had just left for school and boxes and suitcases were scattered across the floor of the house. She tossed the envelope into the nearest suitcase and walked out the door.
Outside the sun was warm and the palm fronds were clacking idly against the side of the house. She pulled on her white silk gloves and began to walk east on Ashby. She crossed California Street and bought several bars of Lux soap and a large jar of face cream at the Rumford Pharmacy. She passed the thrift shop and the boarded-up grocery but saw no one she knew on the sidewalk. At the newsstand on the corner of Grove she bought a copy of the Berkeley Gazette. She scanned the headlines quickly. The Burma Road had been severed and one of the Dionne quintuplets—Yvonne—was still recovering from an ear operation. Sugar rationing would begin on Tuesday. She folded the paper in half but was careful not to let the ink darken her gloves.
At Lundy’s Hardware she stopped and looked at the display of victory garden shovels in the window. They were well-made shovels with sturdy metal handles and she thought, for a moment, of buying one—the price was right and she did not like to pass up a bargain. Then she remembered that she already had a shovel at home in the shed. In fact, she had two. She did not need a third. She smoothed down her dress and went into the store.
Nice glasses,
Joe Lundy said the moment she walked through the door.
You think?
she asked. I’m not used to them yet.
She picked up a hammer and gripped the handle firmly. Do you have anything bigger?
she asked. Joe Lundy said that what she had in her hand was the biggest hammer he had. She put the hammer back on the rack.
How’s your roof holding out?
he asked her.
I think the shingles are rotting. It just sprung another leak.
It’s been a wet year.
The woman nodded. But we’ve had some nice days.
She walked past the venetian blinds and the blackout shades to the back of the store. She picked out two rolls of tape and a ball of twine and brought them back to the register. Every time it rains I have to set out the bucket,
she said. She put down two quarters on the counter.
Nothing wrong with a bucket,
said Joe Lundy. He pushed the quarters back toward her across the counter but he did not look at her. You can pay me later,
he said. Then he began to wipe the side of the register with a rag. There was a dark stain there that would not go away.
I can pay you now,
said the woman.
Don’t worry about it,
said Joe Lundy. He reached into his shirt pocket and gave her two caramel candies wrapped in gold foil. For the children,
he said. She slipped the caramels into her purse but left the money. She thanked him for the candy and walked out of the store.
That’s a nice red dress,
he called out after her.
She turned around and squinted at him over the top of her glasses. Thank you,
she said. Thank you, Joe.
Then the door slammed behind her and she was alone on the sidewalk and she realized that in all the years she had been going to Joe Lundy’s store she had never before called him by his name. Joe. It sounded strange to her. Wrong, almost. But she had said it. She had said it out loud. She wished she had said it earlier.
She wiped her forehead with her handkerchief. The sun was bright and she did not like to sweat in public. She took off her glasses and crossed to the shady side of the street. At the corner of Shattuck she took the streetcar downtown. She got off at Kittredge and went into J. F. Hink’s department store and asked the salesman if they had any duffel bags but they did not, they were all sold out. He had sold the last one a half-hour ago. He suggested she try J. C. Penney’s but they were sold out of duffel bags there too. They were sold out of duffel bags all over town.
WHEN SHE GOT HOME the woman took off her red dress and put on her faded blue one—her housedress. She twisted her hair up into a bun and put on an old pair of comfortable shoes. She had to finish packing. She rolled up the Oriental rug in the living room. She took down the mirrors. She took down the curtains and shades. She carried the tiny bonsai tree out into the yard and set it down on the grass beneath the eaves where it would not get too much shade or too much sun but just the right amount of each. She brought the wind-up Victrola and the Westminster chime clock downstairs to the basement.
Upstairs, in the boy’s room, she unpinned the One World One War map of the world from the wall and folded it neatly along the crease lines. She wrapped up his stamp collection and the painted wooden Indian with the long headdress he had won at the Sacramento State Fair. She pulled out the Joe Palooka comic books from under his bed. She emptied the drawers. Some of his clothes—the clothes he would need—she left out for him to put into his suitcase later. She placed his baseball glove on his pillow. The rest of his things she put into boxes and carried into the sunroom.
The door to the girl’s room was closed. Above the doorknob was a note that had not been there the day before. It said DO NOT DISTURB. The woman did not open the door. She went down the stairs and removed the pictures from the walls. There were only three: the painting of Princess Elizabeth that hung in the dining room, the picture of Jesus in the foyer, and in the kitchen, a framed reproduction of Millet’s The Gleaners. She placed Jesus and the little Princess together facedown in a box. She made sure to put Jesus on top. She took The Gleaners out of its frame and looked at the picture one last time. She wondered why she had let it hang in the kitchen for so long. It bothered her, the way those peasants were forever bent over above that endless field of wheat. Look up
’ she wanted to say to them. Look up, look up!
The Gleaners, she decided, would have to go. She set the picture outside with the garbage.
In the living room she emptied all the books from the shelves except Audubon’s Birds of America. In the kitchen she emptied the cupboards. She set aside a few things for later that evening. Everything else—the china, the crystal, the set of ivory chopsticks her mother had sent to her fifteen years ago from Kagoshima on her wedding day—she put into boxes. She taped the boxes shut with the tape she had bought from Lundy’s Hardware and carried them one by one up the stairs to the sunroom. When she was done she locked the door with two padlocks and sat down on the landing with her dress pushed up above her knees and lit a cigarette. Tomorrow she and the children would be leaving. She did not know where they were going or how long they would be gone or who would be living in their house while they were away. She knew only that tomorrow they had to go.
There were things they could take with them: bedding and linen, forks, spoons, plates, bowls, cups, clothes. These were the words she had written down on the back of the bank receipt. Pets were not allowed. That was what the sign had said.
It was late April. It was the fourth week of the fifth month of the war and the woman, who did not always follow the rules, followed the rules. She gave the cat to the Greers next door. She caught the chicken that had been running wild in the yard since the fall and snapped its neck beneath the handle of a broomstick. She plucked out the feathers and set the carcass into a pan of cold water in the sink.
BY EARLY AFTERNOON her handkerchief was soaked. She was breathing hard and her nose was itching from the dust. Her back ached. She slipped off her shoes and massaged the bunions on her feet, then went into the kitchen and turned on the radio. Enrico Caruso was singing La donna è mobile
again. His voice was full and sweet. She opened the icebox and took out a plate of rice balls stuffed with pickled plums. She ate them slowly as she listened to the tenor sing. The plums were dark and sour. They were just the way she liked them.
When the aria was over she turned off the radio and put two rice balls into a blue bowl. She cracked an egg over the bowl and added some salmon she had cooked the night before. She brought the bowl outside to the back porch and set it down on the steps. Her back was throbbing but she stood up straight and clapped her hands three times.
A small white dog came limping out of the trees.
Eat up, White Dog,
she said. White Dog was old and ailing but he knew how to eat. His head bobbed up and down above the bowl. The woman sat down beside him and watched. When the bowl was empty he looked up at her. One of his eyes was clouded over. She rubbed his stomach and his tail thumped against the wooden steps.
Good dog,
she said.
She stood up and walked across the yard and White Dog followed her. The narcissus in the garden were white with mildew and the irises were beginning to wilt. Weeds were everywhere. The woman had not mowed the grass for months. Her husband usually did that. She had not seen her husband since his arrest last December. First he had been sent to Fort Missoula, Montana, on a train and then he had been transferred to Fort Sam Houston, Texas. Every few days he was allowed to write her a letter. Usually he told her about the weather. The weather at Fort Sam Houston was fine. On the back of every envelope was stamped Censored, War Department,
or Detained Alien Enemy Mail.
The woman sat down
