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Between the World and Me
Between the World and Me
Between the World and Me
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Between the World and Me

Rating: 4.5 out of 5 stars

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#1 NEW YORK TIMES BESTSELLER • NATIONAL BOOK AWARD WINNER • NAMED ONE OF TIME’S TEN BEST NONFICTION BOOKS OF THE DECADE • PULITZER PRIZE FINALIST • NATIONAL BOOK CRITICS CIRCLE AWARD FINALIST • ONE OF OPRAH’S “BOOKS THAT HELP ME THROUGH” • NOW AN HBO ORIGINAL SPECIAL EVENT

Hailed by Toni Morrison as “required reading,” a bold and personal literary exploration of America’s racial history by “the most important essayist in a generation and a writer who changed the national political conversation about race” (Rolling Stone)

NAMED ONE OF THE NEW YORK TIMES’S 100 BEST BOOKS OF THE 21ST CENTURY • NAMED ONE OF THE MOST INFLUENTIAL BOOKS OF THE DECADE BY CNN • NAMED ONE OF PASTES BEST MEMOIRS OF THE DECADE • A KIRKUS REVIEWS BEST NONFICTION BOOK OF THE CENTURY • AN OPRAH DAILY BEST NONFICTION BOOK OF THE PAST TWO DECADES

ONE OF THE TEN BEST BOOKS OF THE YEAR: The New York Times Book Review, O: The Oprah Magazine, The Washington Post, People, Entertainment Weekly, Vogue, Los Angeles Times, San Francisco Chronicle, Chicago Tribune, New York, Newsday, Library Journal, Publishers Weekly


In a profound work that pivots from the biggest questions about American history and ideals to the most intimate concerns of a father for his son, Ta-Nehisi Coates offers a powerful new framework for understanding our nation’s history and current crisis. Americans have built an empire on the idea of “race,” a falsehood that damages us all but falls most heavily on the bodies of black women and men—bodies exploited through slavery and segregation, and, today, threatened, locked up, and murdered out of all proportion. What is it like to inhabit a black body and find a way to live within it? And how can we all honestly reckon with this fraught history and free ourselves from its burden?

Between the World and Me is Ta-Nehisi Coates’s attempt to answer these questions in a letter to his adolescent son. Coates shares with his son—and readers—the story of his awakening to the truth about his place in the world through a series of revelatory experiences, from Howard University to Civil War battlefields, from the South Side of Chicago to Paris, from his childhood home to the living rooms of mothers whose children’s lives were taken as American plunder. Beautifully woven from personal narrative, reimagined history, and fresh, emotionally charged reportage, Between the World and Me clearly illuminates the past, bracingly confronts our present, and offers a transcendent vision for a way forward.
LanguageEnglish
PublisherRandom House Publishing Group
Release dateJul 14, 2015
ISBN9780679645986
Author

Ta-Nehisi Coates

Ta-Nehisi Coates (Baltimore, 1975) es editor en la revista The Atlantic, donde escribe artículos sobre cultura, política y temas sociales. Su labor periodística ha sido premiada en varias ocasiones. Anteriormente, había trabajado en The Village Voice, Washington City Paper y Time, y había colaborado con The New York Times Magazine, The Washington Post, The Washington Monthly y O Magazine entre otras publicaciones. Es autor del libro de memorias The Beautiful Struggle y de Entre el mundo y yo (Seix Barral, 2017), ganador del National Book Award 2015 de no ficción y en la lista de más vendidos del New York Times desde su publicación, además de ser considerado «uno de los diez mejores libros del año» por las publicaciones más prestigiosas.

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Rating: 4.371710457894737 out of 5 stars
4.5/5

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  • Rating: 5 out of 5 stars
    5/5

    Nov 16, 2024

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  • Rating: 5 out of 5 stars
    5/5

    Oct 23, 2024

    Ta-Nehisi Coates is a powerful writer. And an eloquent witness to what the iconcept of "race" means to the lives of people assigned to "less than human " status (that is to say, "not white") here in America. Coates: "The mettle that it takes to look away from the horror of our prison system, from police forces transformed into armies, from the long war against the black body, is not forged overnight............To acknowledge these horrors means turning away from the brightly rendered versions of your country as it has always declared itself and turning toward something murkier and unknown.It is still too difficult for most Americans to do this. But that is your work. It must be, if only to preserve the sanctity of your mind." I could not put this book down-I wish that it would be required reading.
  • Rating: 4 out of 5 stars
    4/5

    Oct 23, 2024

    "Between the world and me" is written as an African American man's letter to his adolescent son. It is a profound work which deals with the angst of an educated black man and his attempt to answer the questions on racism.

    Coates does agree that parts of him acknowledges that a black person's very vulnerability brings him closer to the meaning of life.

    This book is a beautifully written personal narrative.
  • Rating: 5 out of 5 stars
    5/5

    Jun 5, 2025

    This book made me cry. The myths America tells itself leave out so much, and the American Dream leaves devastation in its wake.
  • Rating: 5 out of 5 stars
    5/5

    Oct 30, 2024

    Excellent. This reminds me of Baldwin's The Fire Next Time, but with more recent examples of the same old things. Black bodies being used to prop up systems of oppression, and a father who wants better for the next generation.
  • Rating: 4 out of 5 stars
    4/5

    Oct 11, 2024

    One of the interesting things we learn about Coates in this book is that he was trained from childhood to put his thought processes and feelings into words. That’s great training for a journalist! Through his gift of words, Coates speaks for a large segment of society with similar lived experiences. Reading (or in my case, listening) is the first step toward understanding.
  • Rating: 5 out of 5 stars
    5/5

    Mar 23, 2025

    A classic that should be a fixture in American high school/university literature and civics classes. That's all.
  • Rating: 4 out of 5 stars
    4/5

    Mar 13, 2024

    Eye-opening (if you're not black) account of what an intelligent man thinks of being a black American. Hard to read if you like to think of America as a fair society. Set as a letter to the author's teenage son, the author speaks mostly from his own experience, warning his son what to expect from America as an adult - it won't be entirely bleak, but it won't be pretty.
  • Rating: 5 out of 5 stars
    5/5

    Aug 10, 2024

    A brutally searing and honest account of what it means to live as a colored person in America. It was surprising that this book was written in 2015 and hence presented a not-too-distant past (I had thought it was written much earlier). The fear and injustice that an African-American feels and carries is ever-present. I am not an American but it got me thinking about whether the minorities in my country feel this way too.
  • Rating: 5 out of 5 stars
    5/5

    Mar 29, 2024

    From reviews and other secondary accounts, I'd gathered one of Coates's key positions here is that the American Dream is in fact a charade, allowing whites to continue abusing blacks even as they believe the reason(s) for the black nation's current situation lie entirely with the choices / lesser capabilities / beliefs made by those black people. After reading, this is indeed a major statement: the Dream relies upon exploitation, specifically that species pushed by White Supremacists.

    And this particular Dream relies too upon complicity: depends upon those who benefit from it, allowing it to continue. "The mettle that it takes to look away from the horror of our prison system, from police forces transformed into armies, from the long war against the black body, is not forged overnight. This is the practiced habit of jabbing out one's eyes and forgetting the work of one's hands." [98]

    Coates does not frame the point as the American Dream depending in principle upon racial terror in order to work, merely that it does so in fact. A key question for me, then: Is the American Dream feasible, workable for all people, without the underpinnings of racial terror or even racial inequality? (And: is racial inequality ever pragmatic without racial terror? They are separate, to be sure, but can the one effectively exist without the other, given human nature? To replace "racial inequality" with any other basis for inequality, remains substantially the same question.)

    //

    Rhetorically clever of Coates to address the essay to black people, and pointedly to his son. If economically successful, the book would be read by more white people than black, this would have been abundantly clear to Coates. I find myself on the margins of a conversation never addressed to me, yet just as clearly intended for me. The observations, criticisms, characterisations ... I can take offense, of course: readers always have open to them any reaction whatsoever. But a moment's reflection makes it clear, these barbs land only if I steer them toward myself. (A white body.) They were not thrown my way. It lends another layer of significance to any sufficiently self-aware reader.

    //

    Various quotes from Baldwin reinforce my intention to read his essays. "The people who believe they are white." [42, 133]

    Title borrowed from a Richard Wright poem, and Coates uses the opening lines as epigraph. These were new to me, and an ugly shock. I imagine they are familiar to many black Americans.

    Originally the idea was to create a review exclusively from selected quotations: my notes identify enough to do this, still would be worthwhile.
  • Rating: 5 out of 5 stars
    5/5

    Feb 21, 2024

    A genuinely amazing read. It is rare for me to realize that a book will occupy my thoughts for many years to come when I still in the process of am reading it. This book has many ideas that I will be chewing over and fitting against everyday life for a very long time.
  • Rating: 5 out of 5 stars
    5/5

    Dec 19, 2023

    This book explores race as cultural mythology, as an environmental hazard, as a lifeline. I was captivated by the blending of historical analysis and memoir and Coates' intellectual rigor in dealing with emotionally charged subject matter.

    I especially recommend the audiobook, read by the author.
  • Rating: 3 out of 5 stars
    3/5

    Jul 4, 2023

    Honestly I really struggled with how I feel about this book, and Coates in general. This book made me think a lot about society and race relations in the 21st century, and for that, I'm grateful. But I do have a lot of issues with it. As an author, I think he's a great writer, in the sense that his writing is evocative, but feels a little unfocused, and ultimately pointless.

    This book is more of the same. The premise is that this is a letter to his son, to explain his perspective on the world. However it constantly flakes between self indulgent rant, and formal argument trying to convince the readers of his logic.

    But what is he trying to convince his son/readers? That the world sucks? That racism is real, and affects black peoples' perception of the world? That isn't something that a reader interested in this book doesn't already know.

    Coates asks a lot of really interesting and important questions, but does not attempt to answer any of them. Instead he just rants and complains about the fact that the world is the way it is that one needs to ask these questions.

    To make no comments on the class disparity and class struggle of black people, and to make no critique on the ultra-capitalistic society that perpetuates and promotes this systemic racism, is frankly baffling. All the while speaking/pandering to white people, and making a lot of money doing so, makes me look him differently.

    Side note: but while looking at reviews and attempting to formulate some of my thoughts on this book, I noticed that every review that amounted to "10/10, this book is a masterpiece and an important look at race in the 21st century" was always written by a white person, and every review that was highly critical of Coates and his writing was written by a black person. No idea why this is or what it implies, but I thought it was interesting and worth mentioning.
  • Rating: 5 out of 5 stars
    5/5

    Jul 1, 2023

    Between the World and Me was recently added to our county English curriculum, after entering the national conversation on race through its incendiary take on 9-11, police brutality, and the rhetoric about the war on the black body.

    Toni Morrison's blurb mentions James Baldwin, but I think more of Ralph Ellison and the "Battle Royale" scene from Invisible Man. The risk of violence to the black body is the central motif in both texts. Coates refers to "The Dreamers" as "those who believe that they are white", as those people whose beliefs perpetuate our particular form of racial violence and oppression. Whiteness as a concept perpetuates the American mythology of race. Coates ends with an apocalyptic connection between the symbol of the automobile and the Dreamers' fear and violence against blacks, saying "It is the flight from us that sent them sprawling into the undivided woods. And the method of transport through these new subdivisions, across the sprawl, is the automobile, the noose around the neck of the earth, and ultimately, the Dreamers themselves."

    2nd reading; even more powerful. How can we find redemption from our original sin of white supremacy?
  • Rating: 5 out of 5 stars
    5/5

    Jan 5, 2023

    I don't know that I can add anything that hasn't already been said by just about any of the reviews I've seen about this book.

    The author's voice - both written and spoken - is clear and authentic and powerful. As a white woman who grew up in a racial diverse family in a racially diverse area, there were some things in the book that I absolutely recognized but even more that I'll never experience. I highly recommend this book to everyone.
  • Rating: 4 out of 5 stars
    4/5

    Jan 3, 2023

    The writing was lyrical, poetic, and forceful - but I didn't love the book. I like this kind of writing in fiction and it's also fine in a memoir, which is what this book partly is. But the book also goes into history and anthropology and social analysis - and in this case I'm completely undone by emotional and metaphorical writing. When the topic is reality I need some clear explication of facts that are provably right or wrong. Is it a fact that Coates feels the way he feels? Sure, I'll grant that. But is what he says about how society has been working (and works today) true in an objective way? He hasn't made the case, and didn't even try to make the case. That's his right of course, but it left me without much to go on besides "this is how Coates feels about society" and truthfully I'm just not that fascinated by how any one person views the world -- I want to learn more about the world itself, as much as I can anyway.
  • Rating: 5 out of 5 stars
    5/5

    Jan 2, 2023

    As a father, this book hits home.

    Beautiful black bodies.
    People who want to be white.

    Coates touches on so many aspects of the lived experience of racialized person that you catch yourself nodding at the familiarity of his text.
  • Rating: 5 out of 5 stars
    5/5

    Sep 13, 2022

    I listened to this book narrated by the author, Ta-Nahisi Coates. I had read Coates’ book “We Were Eight Years in Power: An American Tragedy” and knew immediately that he was a major American writer. His writing is nothing short of masterful. Having said that, I must say, getting through “Between the World and Me” was difficult, but I’m glad I did. Coates apologizes for nothing related to his race, nor should he. In fact he holds much of what the nonviolent civil rights fighters’ stood for in disdain. His heroes were his father’s Black Panther brothers. Brothers like Malcolm X. Coates’ theme through out this book, which is a letter to his son, is that the capture and control of a Black person’s body is as much a threat today as it was in the South during slavery. He can’t help but see his son in the Black men of the past couple of decades who have died because they were Black: Trevon Martin, Michael Brown, and enough others to fill an entire Wikipedia page. In fact, there are so many Wikipedia has to separate them by the year they were slain. And the one that struck Coates to the quick: Prince Jones. Jones was undoubtedly the Perfect Black Man at Howard University, Coates’ alma mater. Jones’s death affected Coates in a life-changing way, a way that caused him to fear for his son’s life as he grew up. Coates’ faith in his country and his people’s ability to make it in this world was shaken to its core by Jones’s death at the hands of the police. The book will shake anyone’s faith in this country, and leave that person with a doubt about whether the promise of Dr. Martin Luther King can ever be realized. This is an important book for people of all races but most especially people of the White race.
  • Rating: 4 out of 5 stars
    4/5

    Oct 31, 2022

    This book is a memoir in the form of a letter to the author’s teenage son. Coates provides his perspective about what it means to have a black body in the United States. He believes that the desire to hate requires an “other” perceived as inferior. He goes into the history of how this perspective originated in slavery and its follow-on effects in today’s society.

    The book is structured in three parts. The first describes his childhood, his college years at Howard University, and how his views on race have changed over time. The second covers the killing of Prince Jones, one of his classmates at Howard, by police. The third describes Coates’ visit to Prince Jones’ mother, Dr. Mable Jones.

    This book discusses violence, fear, and the gap in the American Dream. It gets at the crux of Black Lives Matter. The writing is eloquent and filled with literary and musical references. I found it enlightening and moving.
  • Rating: 5 out of 5 stars
    5/5

    Mar 20, 2022

    I chose this book to read in my quest to read more books by black authors. it is written as a letter from Ta-Nehisi Coates to his son about the divide between the black and white worlds. Sadly, I think he has this right. This is a powerful and depressing book, leaving me in tears at the end, because the struggle continues.

    This to me is a fascinating and eye-opening read. Over the years I have tried to understand the black culture in various ways, but I think Coates puts it all out there with the idea that no black man’s body is ever safe. I knew this partially, but his description of life as a child in west Baltimore, where I grew up in the 1950s and 1960s in what I considered a safe Jewish community, is nothing like the dangerous and violent black community in which he grew up during the 1980s. Oddly enough, we both ended up in Chocolate City, a name that used to be applied to Washington, DC. We are a generation apart. I felt a need to be part of the civil rights movement in the 1960s, but I was afraid of Malcolm X because of his rage. To Coates, Malcolm X was a hero because his rage was an outgrowth of his experience and his knowledge. I now feel a need to revisit Malcolm X’s world. Being that I am not black, I don’t anticipate being able to fully understand it, but I want to try. He did equate Martin Luther King with the Dream (or the white experience).

    I love the part of this book that describes Howard University as a Mecca. It is such an amazing part of Washington, DC, and I enjoyed reading about the author’s experiences there.

    The second part of the book in which Coates talks about experiences with his young son made me fear for all black parents of young children, especially those with sons. The author puts his personal terror into words which make the reader feel it. To those who never felt such terror, such as myself, it will be my duty going forward to understand it and act on it in a positive way.

    I am hoping to be able to read The Beautiful Struggle, the memoirs of the author, in the future.
  • Rating: 5 out of 5 stars
    5/5

    Mar 15, 2022

    Ta-Nehisi Coates writes with a rhythm and a lyricism that is like poetry or song, and that makes this book about a very difficult subject very easy, and almost pleasant, to read. I did not agree with everything he said, but more than once he made me think differently about a subject--race in America--that I already thought I was fairly well educated about. And from the start, he challenged me, in an uncomfortable but ultimately rewarding way. This book was published in 2015, but as the backlash to Black Lives Matter continues to whip itself into a frenzy, attacking imaginary demons like "critical race theory," I think it's more important than ever that we are made to feel uncomfortable, because people who are comfortable do not change.
  • Rating: 2 out of 5 stars
    2/5

    Mar 15, 2022

    With all that's been said about this book, I had high expectations that weren't met. At times the prose was unintellible.
  • Rating: 4 out of 5 stars
    4/5

    Feb 28, 2022

    Coates is certainly a talented writer. I was moved by this account, which similar to the classic The Fire Next Time, takes the form of a letter from a father to his son.

    I do not recall ever reading an entire book in a single day. That says all I feel I need to say about this one.
  • Rating: 5 out of 5 stars
    5/5

    Feb 25, 2022

    If I could give this 10 stars, I would. As Toni Morrison blurbed, "This is required reading." I borrowed it from the library but plan to buy my own copy. I want to read it again and annotate. This would be an excellent choice for One Book, One Community, should Champaign-Urbana ever decide to do that again.
  • Rating: 5 out of 5 stars
    5/5

    Feb 11, 2022

    Powerful and poetic essays from a father to his son. The audiobook was especially moving.
  • Rating: 5 out of 5 stars
    5/5

    Jan 1, 2022

    Read this. And as you read, don't judge, don't think of counter-arguments, even if what you are reading is uncomfortable for you. If it is uncomfortable for you, imagine how it felt for Coates to live and process and write this book. Read and listen and try to understand. I loved every eye-opening sentence.
  • Rating: 4 out of 5 stars
    4/5

    Dec 7, 2021

    Ta-Nehisi takes you through his very interesting childhood and young adulthood, guided by a father who runs an African bookstore. His life and writing and struggles are intriguing. It offers an easy to read perspective on his life as a young black man. Race is not the only theme or reason to read the book. It's a terrific story. It's short, and I'm OK with short books !
  • Rating: 4 out of 5 stars
    4/5

    Nov 11, 2021

    Coates' prose is lovely.
  • Rating: 5 out of 5 stars
    5/5

    Oct 11, 2021

    Powerful. So intense that I had to set the book aside so I could process what I just read and take a moment to collect myself. Accessible, intelligent, passionate, heart wrenching writing. This book really opened my eyes and I'd recommend it to everyone.
  • Rating: 4 out of 5 stars
    4/5

    Sep 5, 2021

    I listened to the Audio version of this book read by the author. It is a short book with a profound message that cannot be taken lightly. I listened and re-listened to some passages to get as much as possible of the references.

    The book is a letter from the author to his Samari, it details the singularity of the black experience in America and emphasizes the struggle to protect the "black body" from plunder. It is an important piece of writing that should be read by anyone who needs to know why the slogan "black lives matter" is important.

    Even for someone from a completely different background, the author makes you feel deeply what it is like to be born black. Young people who hide behind swagger talk and violence, to compensate for their own vulnerability. The tragedy of those promising lives cut short by the prejudice of a police force (white and black) that shoots first and asks questions later. Anyone who has been subjected to injustice can relate to this and it is an important testimony to the enduring struggle of African Americans.

Book preview

Between the World and Me - Ta-Nehisi Coates

I.

Do not speak to me of martyrdom,

of men who die to be remembered

on some parish day.

I don’t believe in dying

though, I too shall die.

And violets like castanets

will echo me.

SONIA SANCHEZ

Son,

Last Sunday the host of a popular news show asked me what it meant to lose my body. The host was broadcasting from Washington, D.C., and I was seated in a remote studio on the far west side of Manhattan. A satellite closed the miles between us, but no machinery could close the gap between her world and the world for which I had been summoned to speak. When the host asked me about my body, her face faded from the screen, and was replaced by a scroll of words, written by me earlier that week.

The host read these words for the audience, and when she finished she turned to the subject of my body, although she did not mention it specifically. But by now I am accustomed to intelligent people asking about the condition of my body without realizing the nature of their request. Specifically, the host wished to know why I felt that white America’s progress, or rather the progress of those Americans who believe that they are white, was built on looting and violence. Hearing this, I felt an old and indistinct sadness well up in me. The answer to this question is the record of the believers themselves. The answer is American history.

There is nothing extreme in this statement. Americans deify democracy in a way that allows for a dim awareness that they have, from time to time, stood in defiance of their God. But democracy is a forgiving God and America’s heresies—torture, theft, enslavement—are so common among individuals and nations that none can declare themselves immune. In fact, Americans, in a real sense, have never betrayed their God. When Abraham Lincoln declared, in 1863, that the battle of Gettysburg must ensure that government of the people, by the people, for the people, shall not perish from the earth, he was not merely being aspirational; at the onset of the Civil War, the United States of America had one of the highest rates of suffrage in the world. The question is not whether Lincoln truly meant government of the people but what our country has, throughout its history, taken the political term people to actually mean. In 1863 it did not mean your mother or your grandmother, and it did not mean you and me. Thus America’s problem is not its betrayal of government of the people, but the means by which the people acquired their names.

This leads us to another equally important ideal, one that Americans implicitly accept but to which they make no conscious claim. Americans believe in the reality of race as a defined, indubitable feature of the natural world. Racism—the need to ascribe bone-deep features to people and then humiliate, reduce, and destroy them—inevitably follows from this inalterable condition. In this way, racism is rendered as the innocent daughter of Mother Nature, and one is left to deplore the Middle Passage or the Trail of Tears the way one deplores an earthquake, a tornado, or any other phenomenon that can be cast as beyond the handiwork of men.

But race is the child of racism, not the father. And the process of naming the people has never been a matter of genealogy and physiognomy so much as one of hierarchy. Difference in hue and hair is old. But the belief in the preeminence of hue and hair, the notion that these factors can correctly organize a society and that they signify deeper attributes, which are indelible—this is the new idea at the heart of these new people who have been brought up hopelessly, tragically, deceitfully, to believe that they are white.

These new people are, like us, a modern invention. But unlike us, their new name has no real meaning divorced from the machinery of criminal power. The new people were something else before they were white—Catholic, Corsican, Welsh, Mennonite, Jewish—and if all our national hopes have any fulfillment, then they will have to be something else again. Perhaps they will truly become American and create a nobler basis for their myths. I cannot call it. As for now, it must be said that the process of washing the disparate tribes white, the elevation of the belief in being white, was not achieved through wine tastings and ice cream socials, but rather through the pillaging of life, liberty, labor, and land; through the flaying of backs; the chaining of limbs; the strangling of dissidents; the destruction of families; the rape of mothers; the sale of children; and various other acts meant, first and foremost, to deny you and me the right to secure and govern our own bodies.

The new people are not original in this. Perhaps there has been, at some point in history, some great power whose elevation was exempt from the violent exploitation of other human bodies. If there has been, I have yet to discover it. But this banality of violence can never excuse America, because America makes no claim to the banal. America believes itself exceptional, the greatest and noblest nation ever to exist, a lone champion standing between the white city of democracy and the terrorists, despots, barbarians, and other enemies of civilization. One cannot, at once, claim to be superhuman and then plead mortal error. I propose to take our countrymen’s claims of American exceptionalism seriously, which is to say I propose subjecting our country to an exceptional moral standard. This is difficult because there exists, all around us, an apparatus urging us to accept American innocence at face value and not to inquire too much. And it is so easy to look away, to live with the fruits of our history and to ignore the great evil done in all of our names. But you and I have never truly had that luxury. I think you know.

I write you in your fifteenth year. I am writing you because this was the year you saw Eric Garner choked to death for selling cigarettes; because you know now that Renisha McBride was shot for seeking help, that John Crawford was shot down for browsing in a department store. And you have seen men in uniform drive by and murder Tamir Rice, a twelve-year-old child whom they were oath-bound to protect. And you have seen men in the same uniforms pummel Marlene Pinnock, someone’s grandmother, on the side of a road. And you know now, if you did not before, that the police departments of your country have been endowed with the authority to destroy your body. It does not matter if the destruction is the result of an unfortunate overreaction. It does not matter if it originates in a misunderstanding. It does not matter if the destruction springs from a foolish policy. Sell cigarettes without the proper authority and your body can be destroyed. Resent the people trying to entrap your body and it can be destroyed. Turn into a dark stairwell and your body can be destroyed. The destroyers will rarely be held accountable. Mostly they will receive pensions. And destruction is merely the superlative form of a dominion whose prerogatives include friskings, detainings, beatings, and humiliations. All of this is common to black people. And all of this is old for black people. No one is held responsible.

There is nothing uniquely evil in these destroyers or even in this moment. The destroyers are merely men enforcing the whims of our country, correctly interpreting its heritage and legacy. It is hard to face this. But all our phrasing—race relations, racial chasm, racial justice, racial profiling, white privilege, even white supremacy—serves to obscure that racism is a visceral experience, that it dislodges brains, blocks airways, rips muscle, extracts organs, cracks bones, breaks teeth. You must never look away from this. You must always remember that the sociology, the history, the economics, the graphs, the charts, the regressions all land, with great violence, upon the body.

That Sunday, with that host, on that news show, I tried to explain this as best I could within the time allotted. But at the end of the segment, the host flashed a widely shared picture of an eleven-year-old black boy tearfully hugging a white police officer. Then she asked me about hope. And I knew then that I had failed. And I remembered that I had expected to fail. And I wondered again at the indistinct sadness welling up in me. Why exactly was I sad? I came out of the studio and walked for a while. It was a calm December day. Families, believing themselves white, were out on the streets. Infants, raised to be white, were bundled in strollers. And I was sad for these people, much as I was sad for the host and sad for all the people out there watching and reveling in a specious hope. I realized then why I was sad. When the journalist asked me about my body, it was like she was asking me to awaken her from the most gorgeous dream. I have seen that dream all my life. It is perfect houses with nice lawns. It is Memorial Day cookouts, block associations, and driveways. The Dream is treehouses and the Cub Scouts. The Dream smells like peppermint but tastes like strawberry shortcake. And for so long I have wanted to escape into the Dream, to fold my country over my head like a blanket. But this has never been an option because the Dream rests on our backs, the bedding made from our bodies. And knowing this, knowing that the Dream persists by warring with the known world, I was sad for the host, I was sad for all those families, I was sad for my country, but above all, in that moment, I was sad for you.

That was the week you learned that the killers of Michael Brown would go free. The men who had left his body in the street like some awesome declaration of their inviolable power would never be punished. It was not my expectation that anyone would ever be punished. But you were young and still believed. You stayed up till 11 P.M. that night, waiting for the announcement of an indictment, and when instead it was announced that there was none you said, I’ve got to go, and you went into your room, and I heard you crying. I came in five minutes after, and I didn’t hug you, and I didn’t comfort you, because I thought it would be wrong to comfort you. I did not tell you that it would be okay, because I have never believed it would be okay. What I told you is what your grandparents tried to tell me: that this is your country, that this is your world, that this is your body, and you must find some way to live within the all of it. I tell you now that the question of how one should live within a black body, within a country lost in the Dream, is the question of my life, and the pursuit of this

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