[go: up one dir, main page]

Explore 1.5M+ audiobooks & ebooks free for days

From $11.99/month after trial. Cancel anytime.

Every You, Every Me
Every You, Every Me
Every You, Every Me
Ebook253 pages

Every You, Every Me

Rating: 3.5 out of 5 stars

3.5/5

()

Read preview

About this ebook

A picture is worth a thousand lies in this psychological thriller by bestselling author David Levithan (Every Day; Will Grayson, Will Grayson with John Green).
 
In this high school-set psychological tale, a tormented teen named Evan starts to discover a series of unnerving photographs—some of which feature him. Someone is stalking him . . . messing with him . . . threatening him. Worse, ever since his best friend Ariel has been gone, he's been unable to sleep, spending night after night torturing himself for his role in her absence. And as crazy as it sounds, Evan's starting to believe it's Ariel that's behind all of this, punishing him. But the more Evan starts to unravel the mystery, the more his paranoia and insomnia amplify, and the more he starts to unravel himself.
 
Creatively told with black-and-white photos interspersed between the text so the reader can see the photos that are so unnerving to Evan, Every You, Every Me is a one-of-a-kind departure from a one-of-a-kind author.
LanguageEnglish
PublisherKnopf Books for Young Readers
Release dateSep 13, 2011
ISBN9780375896217
Every You, Every Me
Author

David Levithan

David Levithan was not born in France, Milwaukee or Olympia, Washington. He did not go to Eton, Harvard Law School or Oxford University. He is not the author of War and Peace, Hollywood Wives: The New Generation or The Baby-sitters Club #8: Boy-crazy Stacey. He has not won the Newbery Medal, the Pulitzer Prize, the Bausch & Lomb Science Award or the race for eleventh-grade vice president. He currently does not live in Manhatten.

Read more from David Levithan

Related authors

Related to Every You, Every Me

YA Social Themes For You

View More

Reviews for Every You, Every Me

Rating: 3.6449704142011834 out of 5 stars
3.5/5

169 ratings22 reviews

What did you think?

Tap to rate

Review must be at least 10 words

  • Rating: 5 out of 5 stars
    5/5

    Feb 22, 2022

    I really loved the reflections that this book leaves you with, and honestly, I didn't have very high expectations for it, so yes, it left me amazed. (Translated from Spanish)
  • Rating: 3 out of 5 stars
    3/5

    Nov 24, 2021

    I am aware that if the author of this novel were not David Levithan, I probably wouldn't have read it. It is not the kind of title that catches my attention. Still, it wasn't the most spectacular thing I've read by him. It is a simple, light, quite original story. We see the evolution of a couple who meet online through words arranged alphabetically. We become acquainted with isolated situations that are part of both of their daily lives. It was an entertaining and curious read. (Translated from Spanish)
  • Rating: 3 out of 5 stars
    3/5

    Sep 28, 2020

    The Love Dictionary tells the love story of a couple who meets online, through definitions, as if it were a dictionary, for each letter of the alphabet. The author shares words that marked this relationship, giving us the opportunity to know small moments of their life together, both positive and negative.

    David Levithan, in a very original way, makes us immerse ourselves in this love story through lovely, unique, and sometimes heart-wrenching definitions.

    I really like this author, but I have to confess that this time I wasn't completely convinced; it is true that the format is original, his writing is excellent, it's a quick read, and there are phrases that I noted down, but I felt something was missing. I found the story very cold, very impersonal, with many loose ends, and being a dictionary, the events are out of sequence. There's no chronological order because the alphabetical order is more important.

    Even so, I recommend it, as I highlight the originality and the endearing phrases you will find. It can be read in about an hour, it makes for a nice time, but I wouldn’t recommend it as your first experience with David Levithan; it’s better to start with another book by the author. (Translated from Spanish)
  • Rating: 4 out of 5 stars
    4/5

    Apr 5, 2019

    A very quick read that originally tells you about one of the protagonist's relationships, giving you small details out of order so that you can piece it together little by little. (Translated from Spanish)
  • Rating: 3 out of 5 stars
    3/5

    May 29, 2018

    On other occasions, I have read some books by David Levithan and enjoyed them quite a bit, which is why I was encouraged to read this one, and the truth is that I was somewhat disappointed.

    I liked the premise of the book; it consists of small fragments of stories arranged in alphabetical order, each crowned by a word, and I found that very original. However, it was also the point that disappointed me because it seemed somewhat chaotic, and I finished the book without really knowing what the story was about. They were beautiful snippets but, for me, disconnected.

    It's a book I do not recommend, unless you take it as isolated fragments. (Translated from Spanish)
  • Rating: 5 out of 5 stars
    5/5

    Apr 2, 2018

    So many words to define just one. This shows that it's not easy to fall in love without knowing what Love is. (Translated from Spanish)
  • Rating: 4 out of 5 stars
    4/5

    Mar 18, 2018

    A fresh view of what any couple experiences: reunion, understanding, love, pain, routine, settling in, stress, anger, sighs. Among emotional highs, devastating questions, and unforgettable chapters, this writer creatively and sentimentally marks the different stages of romantic relationships. (Translated from Spanish)
  • Rating: 3 out of 5 stars
    3/5

    Jan 5, 2018

    Kate: “Every You, Every Me” was my choice for Book Club this time around, and it was my gut reaction when I got the 700s (aka The ARTS!) of the Dewey Call Numbers. I knew that this book was written by David Levithan, but that the photos that were interspersed throughout the book were taken by Jonathan Farmer and given to Levithan as he was writing the story. Levithan wouldn’t know what the next photo would be, and then would have to fit it into the narrative. The concept of this was a fascinating one to me, and I thought that the photos angle fit into the Dewey theme. I haven’t had a lot of luck with ‘concept’ novels such as these, as I was one of those folks who didn’t absolutely adore “Miss Peregrine’s Home for Peculiar Children” and decided to give a hard pass to the “Asylum” series. But my reasoning was that hey, it’s David Levithan.

    That said, this wasn’t the thrilling mystery with appropriate and aching teen pathos that I had hoped it would be. There was a great idea here, and glimmers of that idea shined through from time to time, but all in all I felt that “Every You, Every Me” never quite evolved beyond a concept. Evan is our narrator, and he is telling this story through stream of consciousness diary entries and through the photos that he is receiving from an anonymous source. He is set up as an unreliable narrator from the jump, with parts of his diary entries crossed out (but not enough that the reader can’t read the redacted thoughts). It was a little heavy on the crossing out, but I felt that it was a fairly effective way of showing his personal struggles instead of him literally saying ‘I AM CONFLICTED ABOUT ALL OF THIS AND DON’T KNOW HOW TO FEEL OR WHAT ROLE I PLAYED’. Evan himself was both interesting and maddening. Maddening in that goodness gracious was he the epitome of emo teen angst kid, so much so that our book club joked about how much My Chemical Romance and Evanescence would be on his iPod.

    But along with Evan being so hopelessly angsty, he was also very fascinating as a character, mostly because I felt that Levithan did a VERY good job of portraying the mind of someone who has gone through a very upsetting trauma. No deep spoilers here, but what I will say is that Evan has lost his closest friend Ariel, and he thinks that it is all his fault. While Evan is the narrator and protagonist, this story is really about the mysterious Ariel; who she was, how she was, and where she has gone (which is the main mystery of this book). They have a deep and codependent friendship, and the more you learn about Ariel and how she treated Evan, the more, I think, you get to understand why he is so, so warped and moody in this whole thing. I definitely found Evan to be more sympathetic as time went on, but also stopped caring about what happened to Ariel and who is harassing Evan BECAUSE my opinions of Ariel changed so much. Which is a bit callous of me, within the context of the book, but the sheer manipulation within that relationship just made me uncomfortable and angry and uncaring towards her endgame.

    The ending, though. Again, I don’t want to go into deep deep spoilers here, but it felt so tacked on and so clunky that it kind of threw the book off kilter for me. I know that it kind of harkens back to one of the bigger themes in this book (i.e. no one really knows every side of a person), but it almost felt a bit TOO unrealistic in how it all played out. I’m fine with a huge twist coming through, but I want at least SOME groundwork for that twist to be laid out.

    So while I was kind of disappointed with “Every You, Every Me”, I did like the characterization that Levithan created for his main players. The concept is unique enough that I would say pick it up just to see how this neat writing exercise turned out, but don’t expect to be super blown away by it.

    Serena: I have read a few David Levithan books before this one and have mostly enjoyed them. He is particularly strong at writing believably complex teenage protagonists who are not only relatable to teens themselves, but also to adult readers. Other than this knowledge of the author, all I knew about this book was a vague understanding of it being a concept book with the photographs being sent to him as he wrote the book. I, like Kate, have never particularly loved the concept books I’ve read in the past. Too often I feel that the author ends up relying on the images to depict much of the drama of their story, thus paying less attention to, or becoming simply lazy with, their own written descriptions. Powerful writing doesn’t need the support of photographs, and while they can serve as a nice backdrop, I don’t love the idea of a story becoming dependent on them.

    For the most part, I think that Levithan walked a nice line with the art in this book. The photographs were interesting and he managed to (mostly) tie them in nicely with the overarching plot of the book. There’s a great theme of what it means to know someone that runs throughout the story, and this concept ties neatly with a conversation that seems to always swirl around the small glimpses of a person that are caught in specific photographs. I loved this idea, that like photographs, we’re only ever seeing small glimpses of an entire person. And that another person (another photograph) will see/capture an entirely different side of that individual. These themes were probably my favorite part of this book.

    Other than this, I did struggle with the story. Evan is not the type of narrator that typically appeals to me. He’s conflicted and self-questioning to the point that his angst and confusion are more off-putting than sympathetic. I wanted to shake him at multiple times during the story, and frankly had a hard time taking him seriously. As we learn the truth behind his concerns, I could better understand his reasons for feeling the way he does. But that doesn’t wave away the execution of those feelings that presents him as a whiny, overly emotional teen boy who is hard to invest oneself in.

    Further, I was not a fan of the crossing out text tool that was used so much in this book. Not only did it negatively play into the already annoyingly self-involved angst machine that was Evan, but at many points in the story the basic function of cross out text seemed to be misunderstood. In some ways, yes, it makes sense for a story like this with a semi-unreliable narrator like Evan to cross out some parts of the text and through these reconsidered aspects of his writing, get a better understanding of his thoughts and character. But at times, especially towards the end of the book, huge sections of the story were crossed out and the format was being used more to indicate a flashback than to highlight a questioned thought of Evan’s. I think the format read as a bit pretentious, and by the end of the story, I was so distracted by it and how it was being used that it was actively throwing me out of the story.

    I also agree with Kate about the ending. Without spoiling anything, the explanation of the photographs seemed to come out of left field and a lot of hand waving and hoop jumping was done to explain portions of the mystery. It felt tacked on and unearned.

    Lastly, as this entire mystery revolves around Ariel, we learn a lot about her and need to understand the role that she played to all of these friends, specifically Evan, who are all so distressed by her loss. And, like the character of Evan, I couldn’t really get behind the appeal of Ariel. At Book Club, we all had a bit too much fun coming up with all the crazy explanations for why all of these characters seemed so obsessed with Ariel. None of our explanations were favorable to her.

    Ultimately, I think this book touched on some very important themes, specifically those having to do with the fact that people are made up of multitudes and that no one person can ever fully know another. But the execution was shoddy with the crossed out text, and Ariel and Evan were pretty unlikable all around. Add to that the fact that this isn’t a favorite genre of mine (no fault of the book’s), and I didn’t end up loving this one. Alas, they can’t all be winners!
  • Rating: 3 out of 5 stars
    3/5

    Jan 23, 2016

    Something different from David Levithan. . . a psychological drama involving high schoolers Evan, Jack and Ariel. Ariel is gone and Evan feels guilt and loneliness, until a series of mysterious photos appear.
  • Rating: 4 out of 5 stars
    4/5

    Jan 3, 2015

    How do you preserve the memories of a relationship when your best friend is gone? Levithan and Farmer craft a haunting story of two high school boys who have a tenuous bond with each other through the anguished girl they lost. But this ambiguous relationship is about to be tested as Evan begins to find puzzling photographs that unravel his grasp on his relationships (past and present) and reality… almost. Incorporating strikeout text and Farmer’s photographic images Levithan only wrote the cryptic passages as he received the photographs. Unaware of Levithan’s developing story, Farmer continued to create the enigmatic images of his own design. Through their partnership the ensuing mystery created itself. At times a psychological thriller and at times a love story, “Every You, Every Me” will appeal to young adult readers who struggle with growing relationships as they begin to understand that everyone has a secret self that they might not be ready to share.
  • Rating: 4 out of 5 stars
    4/5

    Jun 27, 2014

    Let me get straight to the point okay? It was no Every Day but this book is still good because LEVITHAN. I love his writing. I love that style of his that really gets to your mind, heart and even your nerves. Like sometimes it frustrates me how I've never thought of that before but then I still love it. Anyways, I like this book because it showed deep and true emotions from the characters. It was a fast read because 1) the book is quite short and 2) i really want to get to the end of the story and find out who the mystery person is.
  • Rating: 4 out of 5 stars
    4/5

    Aug 26, 2013

    Review from library copy

    Very interesting concept. I liked that we didn't really know all of what was going on until the end.
  • Rating: 4 out of 5 stars
    4/5

    Apr 23, 2013

    David Levithan utilizes strike through to establish a doubtful narrator. The concept of how well you really know someone was interesting to find in a young adult novel. I also liked having the mystery surrounding the photographs instead of trying to tell the story through them.
  • Rating: 4 out of 5 stars
    4/5

    Apr 4, 2013

    I always anticipate reading Levithan because I know the writing will be unique and inventive. I found the use of the strike-through interesting and went well with the fractured storytelling and the unreliable narrator. I had some issues with the story overall, mostly in the characters. The structure of the story didn't allow for a clear picture of all the players, specifically Ariel. Not my favorite of his, (see The Lover's Dictionary) but still a very strong work about a kind of friendship many teens will recognize.
  • Rating: 4 out of 5 stars
    4/5

    Oct 4, 2012

    there's something special about art that can make you feel uncomfortable
  • Rating: 2 out of 5 stars
    2/5

    Jul 5, 2012

    I should have reviewed this book the day after I finished reading it. It was one of several that I grabbed off the shelf at my local library the day the TBR Double Dare ended April 1. I was attracted by the author, whom I've read before and enjoyed, and by the extensive use of very cool photographs throughout the book.

    Yes, I picked it up because it has pictures.

    I like the way Mr. Levithan mixed the use of narration and photographs in Every Me, Every You. They give the novel a puzzle element that it wouldn't have had otherwise and struck me as a fresh idea. (I know that several other authors have done this before, but this is the first time I've seen it in a Y.A. book, at least in this fashion.)

    The book's narrator is a young man in high school who is facing life without his best friend, a girl whose absence is unexplained until near the end of the novel. In the novel's opening chapters, he finds a strange photograph of a familiar scene. Who left it for him? Is it just some sort of coincidence or is someone trying to tell him something? Is that someone his missing friend?

    As he book continues, he finds more photographs, some of which include pictures of his missing friend doing things he never knew she did, living a life separate from the one they shared.

    So I liked the use of photographs.

    What I didn't like was the use of text that has been crossed out. Much of Every Me, Every You features passages that have been struck through. We're meant to know that the narrator decided he wouldn't include this information, but we get to see the information anyway. This is not a new idea either, it goes back to Lawrence Stern's, Tristram Shandy, at least. While the photographs added to my enjoyment of the novel, the crossed out passages annoyed me. One clever device felt fine, two felt precious. And I didn't think the fact that some passages were crossed out added to the overall mystery of the novel they was the photographs did.

    And there's a third gimmick to Every Me, Every You, in that we don't know what happened to the missing best friend until the closing pages of the book. We spend the novel wondering if she killed herself, if she was sent away for some reason, if she was the victim of a crime. At the end of the day, making us wonder what happened to her should have some sort of emotional pay-off. When I did finally find out what happened to her, it rang false to me and it made much of the preceding novel ring false as well.

    These three devices, the photographs, the crossed out narrative, the unexplained absence, pushed the book into too much narrative game playing when simply telling the story in a straightforward manner would have packed more emotional punch.

    But I did like the pictures.
  • Rating: 2 out of 5 stars
    2/5

    Feb 26, 2012

    When a mysterious photographer strategically plants pictures of him and his missing best friend Ariel where he will find them, Evan starts to unravel with paranoia, guilt and grief. He enlists Jack, his close friend and Ariel’s former boyfriend, to help find out who’s sending the photographs and why they’re being stalked.
  • Rating: 5 out of 5 stars
    5/5

    Oct 10, 2011

    WHOA. Dark, compelling, unbelievably haunting and unimaginably brilliant.
    I was dizzy from being inside Evan's mind. His character is so utterly palpable that it was scary. I've always loved anything that has to do with 'dangerous' girls. That sort of mysterious, dark and troubled female character that is just as messed up as she is magnetic. Sort of like Alaska in Looking for Alaska. And Ariel's character was mind-blowing. From inside Evan's head she was so many different things, so many different people and yet, I could just picture her perfectly. I was probably as drawn to her as any of the other characters.

    I think 'gripping' is an understatement. It was almost physically painful to pull myself out of the book. Such magnificent writing with a relatively simple plot, but it was given in these bits and pieces, photos and moments, memories of half-conversations, taunting the reader until the very last page.

    Some parts were even creepy, some pictures and scenes would give me goosebumps but just resulted in me being more and more invested. It was a delicious thrill-ride. I wish I had the time to read it in one sitting because it followed me around when I wasn't reading.

    If you like dark, life-shaking contemporary fiction or if you want to read a thriller that will keep you GLUED to it, read this!
  • Rating: 5 out of 5 stars
    5/5

    Oct 5, 2011

    I read this book in about two sittings. It was a surprisingly dark (almost harsh) book. I'm a huge fan of Levithan and I had somehow missed that this book even existed. I wasn't sure I was going to like the style (pictures + words crossed out), but I did. The pictures enhanced the book tremendously, especially when you read that Levithan had no say in what the pictures would (except the one on the cover, since he picked that) and nor did the photographer know what Levithan was writing until the novel was over. I especially liked the crossed out words because it led a frantic tone to the book, which I found to be essential to the telling of the story. In a way, it's like reading Evan's slow decline into a hole that he might not be able to find his way out of. I quite liked the book, as I do with most (though not all) of Levithan's works.
  • Rating: 2 out of 5 stars
    2/5

    Sep 3, 2011

    Every You, Every Me is an artistic endeavor that falls short. The idea of basing a story on random photos is intriguing and I was rooting for it to be an inspiring hit, but sadly I did not care very much for this work by David Levithan. Although I'm a fan of previous stories by the author, Every You, Every Me didn't provide the level of intrigue or mystery the synopsis promises. At no point did I truly believe Ariel was behind the scheme and although this had depth potential, the plot wavered along the surface. The voice of Evan was feminine sounding in the beginning, so much so, that I had to recheck if the narrator was male or female. I was not convinced I was in the mind of a male teen. After I put that aside, I tried to focus on the photos and was equally put off. Nothing seemed to gel, especially Ariel's dress in contrast to Dana, Alex and Evans. It was strangely out of place and not in a that's so retro sort of way. The strike-through in the text is distracting. Some readers may find it interesting, but I became quickly annoyed, especially in long passages that included crossed out words. Lastly, the battle of BFF's between Dana and Evan was bizarre to say the least. It was difficult to believe that neither the boyfriend or Evan knew anything about this 'secret' friendship -- even though they all attended the same school. The whole tale was a tad inconceivable and I simply didn't care for it. The media intention was commendable and deserved the attempt, but was not achieved. A quick read that can easily be finished in a day since many of the 240+ pages have photos or merely 1 to few sentences.
  • Rating: 5 out of 5 stars
    5/5

    Aug 29, 2011

    "Every You, Every Me" is an emotional tale about a high school student named Evan who is coming to terms with losing his very best (and mostly only) friend Ariel. Levithan slowly reveals what exactly happened to Ariel through pictures that Evan discovers being 'planted' for him by their photographer. While reading through the author's notes, I learned that Levithan worked with a photographer who would reveal the photos as the story was actually being written. The concept works amazingly well here and I was intrigued by the story throughout. But where this book really shines is in the emotional journey Evan takes as he is forced to face the Ariel he knew as well as the Ariel he didn't. Some of the reading became slightly uncomfortable as I began to question Evan's sanity right along with some of his other classmates. I feared for the end of the story because I very much wanted Evan to have some peace, some sense of hope. The characters are drawn so vividly that I imagine that most any pre-teen or teenager can relate to them. The language of the book is so pretty that sometimes it feels like reading poetry. One of my favorite lines from the book sees Evan remembering a kiss he witnessed between Ariel and her boyfriend. Evan wonders if Jack thinks about his time with Ariel, "I wondered what happened to kisses when they were over". This was a very quick read and although I love YA books I usually read the paranormal kind rather than reality-based fiction but "Every You, Every Me" certainly made an impression. Although my first book by this author, it certainly won't be my last.
  • Rating: 5 out of 5 stars
    5/5

    Aug 27, 2011

    Now THIS is what a young-adult thriller should be like. After being a bit disappointed at the mystery-thriller aspect of Susan Beth Pfeffer's Blood Wounds (but not disappointed in the book as a whole), Every You, Every Me was definitely a welcome surprise. I had expected the book to focus heavily on the gimmick and let the actual mystery plot, of what happened to Ariel and who's sending Evan those mysterious photographs, fall to the wayside. But it didn't. In fact, Every You, Every Me wouldn't have suffered one bit if it didn't include any of the photographs. It still would have been an intriguing story and one hell of a mystery. Yet the photographs do add something extra to it.

    Since I had an advanced reader's copy of Every You, Every Me, I didn't get the full effect of the photographs. Not that that part of the book was bad at all. The book was still pretty amazing, but the final released copy of Every You, Every Me is supposed to include full-length color photographs, while those with an ARC had small-ish black and white photos. But again, the photographs do add something extra. For me, it had me feeling that much more freaked out for Evan. The slashed out lines (that were still completely readable) were an interesting way to show what Evan was really thinking as opposed to what he was actually saying. So, the gimmicky parts of Every You, Every Me actually worked and were very well-done.

    Every You, Every Me was also superbly written. You can just feel how screwed up Evan is due to everything that happened to Ariel. You really do start to wonder about Evan's state of mind and that just intensifies the disturbing factor. Every You, Every Me just drives home the fact that we never really know someone completely. We just know one facet of them. Who they are when they're with you can be completely different than who they are when they're with someone else.

    So, I thought Every You, Every Me was a fantastic novel. Every single aspect of it worked wonderfully. I do think that it will be even more amazing as a finished product with the full-length cover pictures included. Either way, Every You, Every Me is highly recommended.

Book preview

Every You, Every Me - David Levithan

1

It was your birthday. The first one after you left vanished were gone.

When I woke up, I dreamed thought about other birthdays. Ones where we’d been together.

Like two years ago. Freshman year. When I had you all to myself. I asked you what you wanted and you said roses, and then you said, But not the flowers. So I spent weeks gathering presents: a polished piece of rose quartz, White Rose tea, a ceramic tile I’d bought at the White House in fourth grade featuring the Rose Garden. A novel called Rose Sees Red, a biography of Gypsy Rose Lee, a mix of songs by bands called Blue Roses, the Stone Roses, White Rose Movement. Then I rigged your locker with pulleys, so when you opened it, all the objects rose. I’m not sure you got that part, not until I told you. But you were so happy then. This was before happiness became so complicated. This was when you could ask me for something, I could give it to you, and the world would be right.

And then there was last year. You went out with Jack at night, but I at least had you for the afternoon. I asked you what you wanted and you said you didn’t want anything. And I told you I wasn’t planning on giving you anything; I was planning on giving you something. That whole week, we started to divide things into those two categories: anything or something. A piece of jewelry bought at a department store: anything. A piece of jewelry made by hand: something. A dollar: anything. A sand dollar: something. A gift certificate: anything. An IOU for two hours of starwatching: something. A drunk kiss at a party: anything. A sober kiss alone in a park: something. We ended up spending the afternoon walking around, pointing at things and labeling them anything or something. Should I have paid closer attention? Written them down? No, it was a good day. Wasn’t it? At the end, you pointed to me and said something. And I pointed back and said something. I held on to that.

Now it was a year later. I wished you a happy birthday. That word again. Happy. It’s a curse. The pursuit of happiness makes us deeply unhappy. It’s a trap.

Before anything else happened, there was me in bed, thinking of who you used to be.

I don’t want you to think I forgot.

1A

I see too many things at once. I notice shadows. Think about them. And while I do that, I miss other things. Important things. I can’t stop looking, even when I want to have to stop. I get lost in ifs. They are always there if if if if and I should only be able to tune in to them if I’m on the right frequency. But that’s the thing about me: The frequencies don’t divide.

That day was your birthday in my head, but it wasn’t really your birthday anywhere else. I wanted to tell people at school that it was your birthday but I didn’t want to get their reaction when I brought it up. I started to think it was like a surprise party, only they weren’t telling either of us. They were going to surprise both of us. I didn’t have this thought for long. It was really just there for a moment. I pretended like it was a normal day without you there. And like all other normal days, I made it through to the other end. It can be done, you see.

There are things you decide and there are decisions you don’t even know you are making. That afternoon, I decided to cut through the woods on my way home. As I headed that way, I looked at the ground, not the branches or the sky. If I’d stopped to talk to someone after school instead of heading straight home—if I’d had someone to talk to—maybe someone else would have gotten there first. I didn’t decide to see the envelope. I saw the envelope sitting there on the ground. I should have left it alone. I should have been left alone. I was alone. I stopped and picked it up. From the weight, I knew there was something inside. I decided to open it.

I wasn’t thinking of you.

It was so small. I had to focus. I couldn’t focus without telling myself to focus. The eyes take in the colors and the shapes. The images go to the brain for translation. First I saw the trees, then the sky. It didn’t look familiar. The brain cross-checks the translation against the memories it’s stored. I fixed on the four bare trees, standing like orphaned table legs. I knew those trees—I looked away from the photo and there they were in real life, no more than twenty feet away from me. I walked over to the nearest tree, but that didn’t tell me anything. I looked at the envelope, but it was completely blank. No address, no name on the front. I looked. I almost put it back. But the sky was getting gray, almost as gray as the sky in the photo. Leaving it on the ground didn’t seem right. It was going to rain.

I saw the other trees. I held the photo up against real life, figured out my place in it. But there was something I was missing. Or maybe there was something extra. I was here. I was not in the photograph. Therefore the photograph was then, and I was now. Where was the photo taken from?

I turned around and saw my school. Its windows. Watching me.

Revealing nothing.

Anything? Something?

I put the photograph back in the envelope. I didn’t put the envelope back on the ground. I kept it. And I might have forgotten about it. I might have just thrown it out, or let it stay in my backpack until it became crumpled and torn and wrecked on the bottom with all the pieces of unchewed gum slipped loose from their wrappers. I might have just shown it to Jack or someone else the next day at school. In another time, I would have shown it to you first. We would have shrugged and moved on to the next thing. It would have been a short, short story.

Random, we would have said.

Random.

Meaning:

Completely without a pattern.

or

Completely without a recognizable pattern.

Meaning:

Either the event is outside any pattern.

or

We are unable to comprehend the pattern.

I folded the envelope in half, careful that the photo wasn’t caught in the crease.

(I try to be a careful person. Most of the time my carelessness is completely unintentional.)

I looked around one more time, stood in the center of the bare trees, at the exact center.

Then I headed home and I lost focus and the barrage in my head started again.

You will never be happy again. Why do you even think about it?

Five minutes after I picked up the photo, it rained.

This pain is all that you have.

I think:

If I’d been five minutes later, it would have been raining if it had been five minutes later, I would have been dashing through the rain, not noticing if I’d been five minutes later, the envelope and the photo would have been soaked, ruined.

I think:

If I’d been five minutes later, none of this would have happened.

I know:

It probably would have happened anyway. Just not like this.

1B

I woke up at two in the morning, feeling guilty that I hadn’t asked you what you wanted this year.

2

The next morning I returned to the same spot. I didn’t tell myself I was going to do it. I just walked there. It was still cloudy; the sun had risen, but I couldn’t really see it. It was like the day had no hours. I only knew it was morning because I was so tired.

I hadn’t really slept. I never really sleep anymore.

I didn’t expect there to be anything to find, so I was surprised when I saw the second envelope.

It wasn’t in the same spot as the first one. This time it was in the exact center of the four bare trees. Like someone had drawn an X between them, and the envelope marked the crossing point. The crosshairs.

The ground was still wet, and as I walked over it, my boots sank a little. Even though it was so close to school, nobody was around. It was too early for them. Everyone else was asleep. I was the morning watchman.

Only what could be safe with me? What could I protect? I hadn’t been able to stop harm. I’d harmed.

I picked up the envelope and looked at it. Still no address, no clue. Sealed blankness.

I wanted more of your handwriting. After you were gone, I realized how little of it I had.

I ripped open the envelope and shook the photo out into my hand.

This time, it was a much bigger surprise.

It was a picture of me.

I was the photo.

2A

Nobody ever took my picture. They didn’t want to. Or I wouldn’t let them.

You were the only exception.

2B

I looked all around. Into the woods. At the school.

Enjoying the preview?
Page 1 of 1