India Becoming: A Portrait of Life in Modern India
By Akash Kapur
3.5/5
()
About this ebook
A New Yorker Contributors' Pick 2012
A portrait of incredible change and economic development, of social and national transformation told through individual lives
The son of an Indian father and an American mother, Akash Kapur spent his formative years in India and his early adulthood in the United States. In 2003, he returned to his birth country for good, eager to be part of its exciting growth and modernization. What he found was a nation even more transformed than he had imagined, where the changes were fundamentally altering Indian society, for better and sometimes for worse.
To further understand these changes, he sought out the Indians experiencing them firsthand. The result is a rich tapestry of lives being altered by economic development, and a fascinating insider's look at many of the most important forces shaping our world today. Much has been written about the rise of Asia and a rebalancing of the global economy, but rarely does one encounter these big stories with the level of nuance and detail that Kapur gives us in India Becoming.
Among the characters we meet are a broker of cows who must adapt his trade to a modernizing economy; a female call center employee whose relatives worry about her values in the city; a feudal landowner who must accept that he will not pass his way of life down to his children; and a career woman who wishes she could "outsource" having a baby.
Through these stories and many others, Kapur provides a fuller understanding of the complexity and often contradictory nature of modern India. India Becoming is particularly noteworthy for its emphasis on rural India-a region often neglected in writing about the country, though 70 percent of the population still lives there. In scenes reminiscent of R. K. Narayan's classic works on the Indian countryside, Kapur builds intimate portraits of farmers, fishermen, and entire villages whose ancient ways of life are crumbling, giving way to an uncertain future that is at once frightening and full of promise. Kapur himself grew up in rural India; his descriptions of change and modernization are infused with a profound-at times deeply poignant- firsthand understanding of the loss that must accompany all development and progress.
India Becoming is essential reading for anyone interested in our changing world and the newly emerging global order. It is a riveting narrative that puts the personal into a broad, relevant and revelational context.
Akash Kapur
Akash Kapur is the author of India Becoming: A Portrait of Life in Modern India and the editor of an anthology, Auroville: Dream and Reality. He is the former Letter from India columnist for the international New York Times, the recipient of a Whiting Grant, and has written for various leading publications. He grew up in Auroville and returned there to live with his family after boarding school and college in America.
Read more from Akash Kapur
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Reviews for India Becoming
51 ratings16 reviews
- Rating: 5 out of 5 stars5/5
Apr 21, 2015
Akash Kapur in his recent book "India Becoming" examines the complexities of contemporary India. Kapur tells two major stories in his fascinating book. First is the story of progress in India. Kapur, in his recent return to India after years abroad in the United States,"sees a new sense of purpose and direction" in a country that had lost faith in itself. Secondly, Kapur sees a darker tale of the "destruction and disruptions" caused by economic development. Kapur writes about this incredible growth in profit and possibility and its inherent dangers as "one process, two outcomes." Kapur, through a series of personal excursions across India and the richly nuanced interviews that he conducted with individuals from all walks of Indian life, sees and hears painful stories of loss and "of banishment from a way of life established over centuries." Kapur almost seems to rationalize these changes as a form of necessary collateral damage. But he pulls back and instead sees the rapid change in contemporary India as a story of loss and renewal. A tale of ruin and reinvention. These dualities define the Indian condition in the early 21st century. India is on a journey. Kapur's India is an exciting and at times dangerous rush into the future. An important book for global understanding. - Rating: 3 out of 5 stars3/5
Apr 30, 2013
I picked up this book from the library. I thought that I would learn something new, or gain a new insight, something that would help me talk to foreigners about what is happening in India. As per my kids, I belong to the dinosaur generation. Yet, there is one advantage that I have - I am in the middle of three generations. My parents witnessed the splintering of India into three countries. They were the generation that tasted freedom. I am the generation that started to go out into the world. My kids are the new India. Yet, India remains the same.
I like the anecdotes in the book. They make for interesting reading, yet after a while the anecdotes pall on me. It is a good book for people who don't know India. But, for people who know India, like me, it is an opportunity gone. There is so much that is happening in India, and this is not possible for one person to cover in one book. Yet, just a little more would have been much nicer, and much more satisfying. - Rating: 3 out of 5 stars3/5
May 31, 2012
Akash Kapur grew up in India and the United States; in 2003, finding America stagnant and India in the middle of something new and exciting, he relocated back to India. India Becoming is largely anecdotal, as he follows the stories of various people he has gotten to know: Sathy, from an old zamindar (landlord) family, whose wife is more comfortable in the economic boom of Bangalore; Veena, an ambitious woman trying to balance her own ambitions with cultural expectations; Hari, a young gay man struggling to be comfortable with his identity in a traditional culture; Jayvel the cow broker, seeing his field become obsolete; and Selvi, a young woman come from the country to work in one of the many booming call centers. Kapur teeters between celebration and critique, admiring the energy in the new India at the same time he deplores the environmental and social costs of India's deregulation and economic boom. As a result, the book feels somewhat wishy-washy; every time I expected him to bear down on some social problem, he instead flipped things around and saw the other side. An interesting book, but unfocused. - Rating: 4 out of 5 stars4/5
Mar 22, 2012
Up close and personal account of modern-day India provided by an India-born, Harvard & Oxford educated family man. Kapur returns to his native land after working in New York and starts examining the sharp contrast between the semi-socialist, primarily agrarian culture of decades past with the rapidly expanding urban culture generated by India's booming information technology and service industry sector during the last 2 decades. I found the author provided a balanced account of both the pros (easing of the caste system) and cons (overcrowding, increased violent crime) associated with the tumultuous sociological and economic shift that India is currently experiencing. I was particularly impressed by way he used years of interviews with a wide variety of citizens from far-reaching demographics to personalize the topic for his readers. Additionally, I was pleased he addressed the serious environmental impacts of their rapid growth and transformation to a consumer culture. A very enlightening and thought-provoking book on an emerging superpower. I am so glad Early Reviewers provided me the opportunity to digest this important information and I would highly recommend this book to anyone interested in cultural affairs, public health, urban planning, international law and finance, globalization, environmental studies, sociology, human rights, agribusiness, emerging markets, and related fields. - Rating: 3 out of 5 stars3/5
Mar 20, 2012
Note: I won this book on LibraryThing Early Reviewers.
India Becoming is a book about India in transition, especially after the economy was liberalised in 1991. It's written by Akash Kapur, who grew up in India, spent his early adulthood in the United States, and then returned to live in India. His hometown and the surrounding areas and cities have changed a lot, and he talks to a bunch of different people to figure out how their lives have changed. Sathy is a landowner in a village, which was formerly a position of power, but is quickly becoming irrelevant. Banu, his wife, is struggling to balance her career and her family. Hari and Selvi are recent college graduates from small villages, finding their place in a Westernised corporate world. Veena is an ambitious career woman that is flouting tradition by divorcing her husband and living with a boyfriend. There are a few more people interviewed, like Jayevel the cow-broker and Das the Dalit businessman.
The book is divided into two parts. The first focuses on the good; the burgeoning middle class, the proliferation of women in the workplace, the new businesses and construction and culture. The second part talks about the destruction and disarray that accompanied them – for instance, people's livelihoods and homes getting destroyed, people that are unsure of their place in the new world.
The stories made interesting reading, but I don't think they were more than a series of vignettes. It's true that India is rapidly changing. This means that people can aspire to much more than the government jobs that used to be the only recourse in socialist India, and that Western culture is pervasively affecting Indian youth. India's economic development is completely ignoring sustainability and damage to the environment. There is still enormous poverty, despite more and more people being successful. I think that's what Kapur aims to show us with all these stories.
I'm not entirely sure why this book left me so ambivalent. I did enjoy reading about the people. I guess I was hoping for more insight or theories about how India might evolve in the future. I already know that there is a lot of change in India, both constructive and destructive, so I didn't really learn much from the book. I know that we are neglecting our poor, but that we're also becoming more individualistic and free, all because of globalisation. Kapur didn't offer any analysis of this – just platitudes about how nothing is what it seems to be like on the surface. He doesn't offer any answers or suggestions as to how India might achieve a better balance, he just points out the flaws.
The blurb for this book says:
India Becoming is essential reading for anyone interested in our changing world and the newly emerging global order. It is a riveting narrative that puts the personal into a broad, relevant and revelational context.
I don't think I'd take it quite so far, but it's a decent portait of a few lives coping with a country that is rapidly changing.
Originally posted on my blog. - Rating: 4 out of 5 stars4/5
Mar 18, 2012
Quick view: If you are interested in India Today, you will enjoy this book in which you will meet some people who are working their way through the enigma that India is. A land where modernity and the weight of tradition battle each other.
Having had an American mother and an Indian father, and having grown up in India to age 16 and having been educated from that time through his his PhD in the United States and Britain, Akash Kapur has a unique position enabling him to understand India and it's culture and communicate it to the West.
He returned to India to live about 16 years after he left and spent 7 years talking with a variety of people in order to see where the country was going (p 174). With 1 billion people, India is not definable in simple terms. Consider these facts that Kapur lists (p173):
* In a land where there are millionaire art collectors one half of rural children are underweight
* The India aspiring to global financial centers is the country where more people have cell phones than have access to toilets
* Confident, smooth, upcoming bankers and other business people share the nation with 300 million who live on less than one dollar a day
As Kapur talks more deeply with the people he has come to know, he sees problems that are overwhelming, and yet a nation that is perpetually in a state of reinvention. (p.243)
Each of the people he talks to who are on the move in their lives from tradition to modern growth, go through heart searching times, trying to figure out what is most important to them. (The people he chooses to highlight are in extreme transition from traditional Indian life.) Some of the outcomes will surprise you.
In the end Kapur realizes that life is "more complicated than the postcard version offered by the cities" (p. 274) that seem confident and optimistic. While "ancient certitudes were crumbling...a new world was rising to take its place" (p 287). Kapur concludes: "India was in the midst of one of the most momentous transitions ever undertaken by mankind." (p 286)
Even though you now know his conclusions, reading about the lives of these real people in a growing and turbulent nation will fascinate you. - Rating: 3 out of 5 stars3/5
Mar 18, 2012
In 2003, the author Akash Kapur returns to his homeland of India after making a life for himself in the US. This is a well-written first hand account of a land, culture and people who live in extremes. At some points, it was difficult to read and I ultimately thought the book ended on a rather depressing note. The author laments the dying of old India and the rebirth of a nation obsessed with the new and disposable. Mr. Kapur perseveres however, in his quest for understanding these changes. You can read his frustrations and, at several points, I thought he was going to move back to the relative ease and cleanliness of the West. He does stay and I look forward to a follow up book. - Rating: 4 out of 5 stars4/5
Mar 17, 2012
What price progress? [India Becoming] is not one mans story about life in India; it is stories from some of the people that the author has met in search of what is happening in India. How life is changing and what that means to some of the people who live there.
Progress tears down the old rules, and brings chaos. What are the new rules? Who defines them? Who has power? Is it the family? Is it the individual? The village or town? What part does the family play in this new life? What parts of the old life should you keep? What should be left behind? These are just some of the questions that people living in India face.
[[Akash Kapur]] does a good job giving the reader insight into what is going on in India and some of the problems that people face there. There are people who live in unspeakable poverty who live in hope, there are village girls who have moved to the city and are trying to stay true to the values that they grew up with. There are others who are blazing new trails and wonder if they are on the right path.
Anyone interested in India or in the process of a country becoming more modern should find this book an interesting read. - Rating: 2 out of 5 stars2/5
Mar 13, 2012
The book's subtitle, "A Portrait of Life in Modern India," is accurate. As he visits different places in his homeland Kapur constantly finds contradictions and admits that predictions are impossible. (I could not help matching his impressions with the films "Outsourced" and "Slumdog Millionaires." His accounts validate them.)
Perhaps the heart of the book lies in these sentences: "For all India's modernity, the weight of tradition was still formidable. For all the enthusiasm of my homecoming, there was still so much in my home I couldn't relate to."
The fact that the cup of coffee he drinks is "filtered in the South Indian style, made with fresh milk from a cow tied to a post in the courtyard," catches our attention but seems normal to him is a clue to understanding this book. Modern India is in transition and Kapur tells us what he experienced there. - Rating: 3 out of 5 stars3/5
Mar 13, 2012
Akash Kapur returns to India after years in the United States to observe the changes wrought on the rapidly modernizing country and tells the story of a changing India by focusing on a handful of individuals who Kapur tracks over the course of several years. Kapur does a good job of showing the impact that a rapidly rising India has on its citizens, both good and bad. Former untouchables are granted status and can even obtain wealth, youth pour into the call centers of the major cities and farmer get wealthy off of selling their land. At the same time, Kapur shows the costs of this rapid progress - families are divided, cultural divides between the city and the rural parts of India increasingly clash, and environmental damage grows unchecked.
Kapur's book also traces his own hopes and fears for India. When Kapur is optimistic about India's modernization we hear from those who have benefited from India's rapid rise. Similarly, when Kapur begins to worry about the impact India's changes are making on its social structure we hear from hopeless farmers who see no future for themselves. This focus, on Kapur's own reactions to India, as told through interviews with select individuals, is the best and worst part of the book. Kapur provides a very human face to modern India. However, the reader is left wondering how much of the narrative is being driven by Kapur's own fears. Is there truly a loss of optimism falling over Chennai or is Kapur merely reflecting his own disillusionment? It is very hard for a reader to tell.
Telling the story of a billion people is probably impossible so it is hard to criticize Kapur's choice to tightly limit his narrative in this way. But without a larger sense of India it is hard to tell how much what Kapur depicts is an accurate reflection of modern India. - Rating: 4 out of 5 stars4/5
Mar 4, 2012
The saying "You can never go home' is reinforced in this book. The author returns to India, the land of his birth, to find the neighborhoods he remembered as a child have changed or simply disappeared. Muddy paths are now paved highways, villages and farms have been bulldozed to create high rises. Initially he believes that is part of progress. After all, the country must move into the 21st century. But as he begins to look beyond the shiny glass buildings he wonders if progrss means the character of his country is changing, and not always for the better.
This book is disquieting. As India works to develop its economy the author discovers what it is losing in the process. - Rating: 4 out of 5 stars4/5
Mar 2, 2012
Akash Kapur was raised in Southern India near Chennai, leaves for the West for many years, and then returns with his family to live and work. He has written a memoir/literary journal/portrait of the new modern India which seeks to explore all the beauty and beastliness of this ancient and provocative nation.
He paints many individual character portraits of men and women caught in the crosshairs of change: a young gay man struggling with his identity, a young woman who divorces and then chooses to live with her boyfriend and not marry, another young woman who moves to the city to take advantage of all the amazing work opportunities, but chooses to retain a very traditional lifestyle regarding dating, a man from the dalit caste who defies local customs, a farmer and his wife living apart: country mouse and city mouse. All these stories he follows over several years.
Part II of this book is kind of character study of India itself: a painting of the price of progress. He profiles the immense poverty that still exists in the cities that sits on the backs of the new Indian elite, the huge problem with waste and pollution that plagues even him and his family, the disorganized state of the police and the vast contempt for the rule of law, and finally the state of India once hard times hit the newly prosperous nation.
All of the stories are varied, interesting, often disturbing, and well written. I felt that he could have spent some more research time on some of his topics. He seemed to rely almost solely on anecdotes told by friends, and friends of friends, to make points about poverty and pollution. A few facts and figures could go a long way to bolstering some of the portraits of people and problems.
All in all, a great read. Mr Kapur reminded me somewhat of an Indian Malcolm Gladwell. This was enjoyable. I plan to share it widely. - Rating: 4 out of 5 stars4/5
Mar 1, 2012
I really liked this. I have never been to India but I grew up outside of the country I am from and it is interesting to return to the country that I grew up in as an adult. Although I must say that the changes are less drastic there.
I liked the multiple stories of both success and failure. It was interesting to see how people adapt and don't adapt. It must be hard for people who are used to a whole way of life to see that changing like that. - Rating: 4 out of 5 stars4/5
Feb 28, 2012
While a very readable book, I did not find it particularly thought-provoking. Those who have spent time in India over the past several decades are most likely to find it of interest -- those who know little about India's social and cultural history, less so. I will be lending it to an Indian colleague and look forward to getting his reaction. A more comprehensive and scholarly approach to examining the impact of development on a nation like India (and such volumes do exist) would be more informative...This book offers a small and limited sampling of how things have changed in India. - Rating: 4 out of 5 stars4/5
Feb 24, 2012
Akash Kapur is a prolific writer who has written for several of the world's leading publications, including The New Yorker, The New York Times, The Economist and Granta. He was born in India, was educated at Harvard and Oxford, and worked in New York for over a decade before he and his wife returned to India in 2003.
Starting in 1991, India underwent a dramatic transformation in response to financial crisis, from a socialist system plagued by nepotism, corruption and underdevelopment to a Western based capitalist system, in which government and private investors worked together to create a rapidly growing economy based largely on information technology, start up companies and real estate development in large cities such as Bangalore and Chennai, and in suburbs and smaller cities.
Kapur describes the transformed country in India Becoming through the lives of several people: Sathy, the descendant of a powerful landowning family, whose influence and importance wane as his region changes from an agricultural economy to one based on real estate and the purchase of cows for consumption; his wife Banu, a well educated woman who moves to Bangalore to take advantage of better schools for their children and to work as a professional; Das, a Dalit man born in extreme poverty as a member of the untouchable class, who became an independent businessman and rose to the middle class; Hari, a young man who uses his education and knowledge of English to flourish in the booming IT based economy and finds freedom as a gay man in the city; and Selvi, a naïve young woman from a rural town who works at a call center for American credit card holders, who experiences independence and tragedy in her daily struggles.
Through them, other characters, and Kapur's personal accounts, we learn about the often devastating effects that the new India has upon individuals, towns and cities, and the environment. The country's agriculture and small farmers suffer mightily, as farmers are forced out of business and their lands are purchased by real estate developers, who employ mobs of young men to intimidate and assault those who aren't willing to sell their property. Disputes are increasingly settled by violence and murder, as the police are ineffective or collusory and village leaders no longer command respect. Cheap disposable plastic is used increasingly by residents of large cities and is burned in large landfills in smaller towns, whose residents, including Kapur, suffer from the fumes they generate. Worst of all, the plight of the most impoverished does not improve, as the new economy favors the most entrepreneurial and well educated individuals.
Kapur's initial excitement and optimism about the new India are progressively dampened with time, and many of the individuals chronicled in the book suffer as a result of the decline of global economy in the late 2000s.
India Becoming is a superb and enlightening look into the new India, whose narrative style and interesting characters captivated me from the first page onward. The people that Kapur features are mainly privileged middle class people and educated young professionals, and it is not until the end that he describes, briefly, the life of several people who live alongside the landfill that spews toxic fumes onto his community. - Rating: 3 out of 5 stars3/5
Feb 18, 2012
This is a well-written and interesting memoir of a life journey from India and back again by a very thoughtful man -yet it somehow lacks the bright passion and strong narrative that I expected.While many stories images and characters stuck with me, the overall effect was quite underwhelming. It seemed like a New Yorker piece stretched into a book undeservedly. The strangest part for me was the very lengthy attention paid to a young gay Indian. I suppose the author sees him as somehow emblematic of the changes that India is going through as the Western economic and cultural world collides with its ancient traditions and life but I don't think it was a very good choice. Or, more to the point, this very sympathetic young man should have been given less space so that others could be presented as part of his narrative of clash and change. In the end, I would recommend this book to a limited audience of old-hand journalists and Indian-watchers but certainly not as an introduction to anything - India, economic or cultural shifts, or even how to structure a story. Sorry.
Book preview
India Becoming - Akash Kapur
PROLOGUE
The East Coast Road has changed. Twenty-five years ago, when I was a child growing up at its edge, it was a potholed tar road that meandered across the South Indian countryside, cutting through rice fields and coconut plantations and sleepy fishing villages. The views were stunning—a rippled ocean, the gray waters of the Bay of Bengal, shimmering under the harsh coastal sun.
Sometime in the nineties, government contractors descended upon the road. They surveyed neighboring fields and farms, they bulldozed surrounding huts. Villages were cut in half, families were uprooted. Hundreds of ancient trees were brought down. Activists protested, but they were told the social and ecological disruption was the price of progress.
By the time I moved back to India, in the winter of 2003, after more than a decade in America, the country road I knew as a child had become a 160-kilometer highway. Politicians extolled it as a model for modern India—an ambitious collaboration between government and private companies, the kind of infrastructure the country needed to develop its economy.
The surface of the East Coast Road is now a smooth mix of tar and powdered rock. The road is adorned with dividers that glow in the dark, signs for emergency services, and toll counters that light up the night with their halogen lamps and bright metal booths. Some of the rice fields remain, and the views are still beautiful. But much of the countryside has given way to the promised development—beach resorts, open-air restaurants, movie theaters, and scores of small tea shops catering to the tourists that throng the road on weekends.
At the top of the East Coast Road, outside the city of Chennai, the capital of the state of Tamil Nadu, tourist attractions lead into urban congestion. Traffic is denser, the crowds swell off the sidewalks and onto the streets, and the ocean breeze is obstructed by tightly packed shops and office buildings.
The East Coast Road joins Rajiv Gandhi Salai, Chennai’s technology corridor. The change here is even more striking. Twenty-five years ago, Rajiv Gandhi Salai was itself a country road, a little-used path that carried tourists from Chennai to the seaside town of Mahabalipuram. Like the East Coast Road, it was bordered by farms and plantations; well into the nineties, when the software and outsourcing companies began setting up shop, you could see the occasional tractor, maybe even a bullock cart, on the road.
Today, Rajiv Gandhi Salai, also referred to as the Old Mahabalipuram Road—as if to distance it from the present, to demarcate it as a relic from a different moment in the nation’s history—is a showcase of the new India. The farmland has become fertile terrain for steel-framed and glass-paneled office buildings. These buildings house the technology companies driving India’s economic boom—the Yahoo!s and PayPals and Verizons that have rushed into the country over the last couple of decades, but also local upstarts like Infosys, Satyam, and Wipro that have for the first time put India on the map of global business.
Employees of these companies—men in tightly tucked shirts and khakis, women more likely to be dressed in pants than saris—swarm to work in the mornings, jamming the highway with their motorcycles and scooters. At noon, they break for lunch on well-maintained gardens, expansive lawns adorned with transplanted palm trees, like something out of Southern California. These are the foot soldiers of India’s surging economy; with their confidence, their enthusiasm, their willingness to work long hours, they are driving the emergence of a new nation.
It was to this new nation—this country where rice fields were giving way to highways, farmland to software complexes, and saris to pants—that I returned in 2003. I was coming home, but in many ways it was to a home I didn’t recognize anymore.
I landed in Chennai on a December morning. It was just before dawn. The sky was a dark blue, the air was cool but heavy. I remember being surprised by the humidity.
Outside the airport, amid the touts and baggage handlers, the commotion of a crowd whose crush I had almost forgotten, I caught an air-conditioned car. I was going to Auroville, the town where I had grown up, about a three-hour drive from Chennai.
I took the East Coast Road. In Chennai, I crawled through congested streets where traffic had once flowed easily, and I drove past the towers of Rajiv Gandhi Salai, their cubicles lit up even at that early hour. Outside the city, with the ocean gleaming on the horizon, I passed through the urban sprawl of gated communities and plotted-out fields.
In the village of Kadapakkam, about an hour and a half from the airport, I stopped for a coffee in a tea shop by the side of the road. The owner of the tea shop was a skinny, garrulous man. He stood over a kerosene stove and told me about his life. He said he was born poor, the son of a landless laborer. The road had changed everything for him.
He talked about the taxis and buses that stopped in at his tea shop, about the new house he had built, about the motorcycle he had bought himself. He talked about the private school where he sent his children.
He talked and talked and then, while he was talking, an older man sitting in front of me, a customer, interrupted. He told the owner he was wrong; the road had ruined many lives. He spoke about families that had lost their houses to government acquisition, about all the development that had spoiled the area, about the accidents.
Just last month, the customer said, a boy, the relative of someone he knew, was run over and killed outside this village.
Their conversation turned into an argument; a few others joined in. I listened for a while, and then I turned away. I was jet-lagged, still taking in the familiar yet strangely unfamiliar sounds and smells of my childhood. But I heard enough to know that I was with the owner: I welcomed the change. I found what was going on in India exciting, even intoxicating.
In America, I had been living in New York. I loved New York—loved the nightlife, loved the parks, loved the diversity of the city—but increasingly, I had found life there stifling. America, I felt, was in a kind of fog. The war in Iraq was turning sour, the economy was sputtering. The country was depressed, consumed with forebodings of decline.
India was so different. India was emerging from its depression, a centuries-long misadventure of colonialism, poverty, and underdevelopment. Now, on its way to what was surely a better future, the country was giddy, exuberant. Bookstores were filled with titles like India Arriving, The Indian Renaissance, and India Booms. Newspapers and magazines regularly ran surveys showing that India was the most optimistic country in the world.
In America, my friends were worried about losing their jobs; they held on to what they had. But in India, people I knew were quitting their jobs, casting aside the safety of well-established careers for the excitement—and potential riches—of starting their own business. Every other person I met dreamed of being an entrepreneur; they were willing to take a bet on the future.
It was as if my world had come full circle. I had grown up between India and America, the son of an Indian father and an American mother. I always considered both countries home. In 1991, at the age of sixteen, I moved to America in search of better education and more opportunities. Like so many before me, I was escaping the economic and social torpor of India—the austerity imposed by the nation’s socialist economy, the fatalism and bureaucracy that blocked all creative impulse and even a hint of entrepreneurial energy.
The India of my youth felt cut off, at the edge of modernity. When I boarded that plane in Chennai, trading the heat of coastal South India for the bitter winters of boarding school in Massachusetts, I felt like I was entering the world.
Now, twelve years later, India was at the center of the world. It was India, with its resurgent economy, high savings rates, and young, educated workforce, that beckoned with the sense of a brighter future; it was India that offered the promise of a country and an economy on the upswing. Einstein once wrote of America that its people were always becoming, never being,
but it was in India now that I felt that sense of newness, of perpetual reinvention and forward momentum that I had felt when I first moved to America.
Almost half a century ago, R. K. Narayan, that great chronicler of Indian life in a slower, less complex time, traveled through the United States. In a book he later wrote about his journey, he noted the apparently irreconcilable gaps that separated the two nations. America and India are profoundly different in attitude and philosophy,
he wrote. Indian philosophy stresses austerity and unencumbered, uncomplicated day-to-day living. America’s emphasis, on the other hand, is on material acquisition and the limitless pursuit of prosperity.
Indians, Narayan added, cultivate a certain otherworldliness.
Americans have a robust indifference to eternity.
A typical American works hard and earnestly, acquires wealth and enjoys life. He has no time to worry about the afterlife.
By the time I returned home, India was determinedly shedding the abstemiousness and detachment that had defined it since independence. Material acquisition
was no longer the preserve of Americans. The otherworldliness
of an earlier era—a certain apathy, a charming if ultimately unproductive indifference—was being replaced by the energetic (and often ruthless) ambition of a new generation.
A great reconciliation was taking place. As a boy, my two worlds had often felt very far apart. India and America were literally—but also socially, culturally, and experientially—on opposite sides of the planet. Now, for better and for worse, in ways that both excited and at times frightened me, I felt as though India was co-opting the very qualities that defined America.
India’s transformation began in 1991, when a financial crisis forced the government to lower import barriers, ease foreign exchange controls, and allow a greater degree of private investment. These reforms unleashed the nation, spurring economic growth from an anemic 3.5 percent or so (what economists derisively referred to as the Hindu rate of growth
) to around 8 or 9 percent. They transformed a closed, socialist—or at any rate semi-socialist—nation into a country that was far more willing to accept and even embrace global capitalism.
The change was most evident in the cities, in urban metropolises like Chennai and Bangalore and Mumbai, which were the first to feel the impact of the reforms. On the green lawns of software parks, in the corridors of new shopping malls, crowded with young consumers clutching cell phones and bags of cosmetics and DVDs, and in the bars and clubs where men and women mingled freely, I felt that India was being redefined. The nation was widening its horizons, experimenting with fresh ideas and ways of living.
But even in rural India, where I had grown up, and to which I was now returning, the reinvention was palpable.
Auroville is in the countryside; it is surrounded by five villages. In the fields around me, farmers who had once gone to work in bullock carts without tires now drove shiny tractors. Down at the beach, fishermen were trading catamarans for diesel-powered motorboats. Satellite dishes were ubiquitous, and even a couple of ATMs had sprouted up between the older thatch huts and the new concrete buildings.
In both city and country, in shopping malls and on farms, what struck me most about India was not so much the cell phones and satellite dishes and other physical manifestations of change. I was impressed by something less tangible, something in the spirit of the nation.
Middle-class children, sons and daughters of parents who had aspired to nothing so much as a secure government job, were planning careers as software entrepreneurs; they envisioned themselves as the next Bill Gates. Farmers and fishermen were setting up restaurants and guesthouses; their ambition challenged the social order that had for so long pinned them to poverty and illiteracy.
For the first time—the first time in my life, but arguably in India’s history, too—people dared to imagine an existence for themselves that was unburdened by the past and tradition. India, I felt, had started to dream.
Later, after I had spent more time in the country, when I had traveled around and met more people, I began to question aspects of that dream. The self-confidence I began to see as a kind of blindness, an almost messianic conviction in the country’s future. The unrelenting optimism was often delusional, a blinkered faith that ignored the many problems—the poverty, the inequality, the lawlessness, the environmental depredation—still facing the nation.
I grew less impressed with the shopping malls and shiny office complexes, with the fancy bars and the variety of cocktails they served. I began to feel that the country was being engulfed in its encounter with capitalism, swallowed by a great wave of consumerism and materialism that threatened to corrode the famous Indian soul.
Nothing is free. The more time I spent back home, the more it became apparent to me that India would have to pay a price for its prosperity—that new money was being accompanied by new forms of inequality, that freedom and opportunities were opening the floodgates, too, to disorder and violence.
Millions of Indians have risen out of poverty since the nation’s economic reforms. But millions more remain in poverty, and millions, too, are being subjected to the psychological dislocation of having their world change, of watching a social order that has given meaning to them—and their parents, and their grandparents before them—slip away.
Development, I came to understand, was a form of creative destruction. For everyone whose life was being regenerated or rejuvenated in modern India, there was someone, as well, whose life was being destroyed.
This book really contains two stories. One is a story of progress, of the sense of purpose and direction that rapid economic growth can bestow on a nation that had in many ways lost faith in itself. The other is a darker story; it tells of the destruction and disruptions caused by the same process of development.
One process, two outcomes. India is a complex country. Sometimes the creativity and the destruction, the good and the bad, were hard to disentangle.
I didn’t see this complexity when I first came back. My understanding of the country I had known only as a boy was superficial. When I landed on that winter morning in Chennai and took the East Coast Road back to Auroville, I saw just the optimistic side of India.
I suppose I saw what I wanted to see. After years of feeling alienated, never quite belonging in America, I was desperate to find a home. This book is in part a story of that homecoming—of how I embraced and found myself revitalized in the new India, of how I rejoiced in the nation’s economic progress; and then of how, after a few years, I learned to see the many edges, more than a few jagged, of that strange phenomenon called development.
Most of all, this book is the story of the people I met after returning to India. These people allowed me to glimpse, and at least partially understand, the complexity and nuance of this exceptionally layered country. I have come to know India again through the men and women who shared with me their life stories, who allowed me into their families and their homes. Many of these people have become friends; their friendship has allowed me to write this book.
I have been back in India, now, for a little over nine years. A lot has happened in my life during that time. I have built a house, married, had two children. Sometimes I watch my boys—Aman, age six, and Emil, age four—play in the same forests I did as a child, run through the same fields and villages I knew when I was just a little older than they are. It makes me happy, warms me in a place that I didn’t know I had until they were born, that their childhood memories will occupy the same landscape as mine.
But I know, also, that that warm feeling is a little bit of wishful thinking—that though the forests and fields and villages remain, and though my children are growing up, as I did, in rural India, nothing is really as it was. The world I knew as a boy doesn’t exist anymore.
Most of the time, I’m at peace with that reality. I celebrate the new India. But there are moments when all I can focus on is the sense of loss—the memory of a time before software parks and shopping malls, the sobriety and moral purpose of a country before it succumbed to the bland homogenizations of twenty-first-century capitalism.
I know that the great transition under way now is inevitable, and probably even desirable. I know, too, that it is unstoppable. The forces at work in modern India are part of the great sweep of history. All I can do is watch them, understand them, and maybe, through understanding, learn to accept them.
I’d like to think of this book as a step in that direction. It represents my effort to come to terms with the forces remaking my home.
Part I
GOLDEN TIMES
"We used to ride across these fields on horses," R. Sathyanarayanan, or Sathy, as he called himself, told me.
I remember it so well. We’d ride from that mountain over there, where my uncle lived. My father had a gun, a Webley & Scott pistol from Birmingham he’d inherited from my grandfather. He’d shoot it in the air to announce our arrival. The whole village knew we were coming. Our cook would warm up the food.
We were standing in an empty field outside Sathy’s village of Molasur. It was summer. The land was hard and dry. Sathy was dripping with sweat.
He pointed to the gray mountain on the horizon by which his uncle still lived. He said all the land between that mountain and where we were now standing, thousands of acres, had once belonged to his family. They were zamindars, feudal lords. Not too long ago, just a few decades, they had ruled over the land and the villages on it like country nobility.
We walked through the flat fields, along irrigation channels, up an embankment overlooking a village reservoir. The reservoir was empty. Ancient granite steps led down the embankment. Sathy sat on one of the steps and talked about fishing and swimming in the reservoir with his brothers when they were boys.
Back then, he said, the reservoir was always full. Now it was full only after the rains, when the monsoons brought muddy water from the fields and surrounding hills. But Sathy never went swimming anymore, and he never let his children fish in the reservoir. It was too dirty, he said; villagers used the area as a toilet. They lined up in the mornings, crouched around the reservoir, and used the water to clean themselves.
It’s disgusting,
Sathy said, and he shook his head and wrinkled his nose. The reservoir had been built a thousand years ago. For a thousand years, it nurtured the village—irrigated the fields, provided bathing and drinking water to homes. People had forgotten all of that, Sathy said; now they defecated in the water.
People don’t care anymore,
he said. Before, there was respect, there was decency. Now all that’s gone. Who knows what people believe in anymore?
He wiped the sweat from his brow. He pressed down on his mustache, flattening it with the sweat off his palms. Sathy had a big mustache. It curled up at the corners. Sometimes, when he pressed on it, settled it down, I thought he was trying to maintain a degree of control.
I met Sathy about a year after returning to India. He was forty-one years old. We were introduced by a relative of mine who ran an equestrian academy not far from Molasur. Sathy brought his children—his son, Darshan, age eight, and his daughter, Thaniya, age seven—to learn from her. He no longer kept horses in the village, but he wanted his children to know the old ways.
When my relative first told me about Sathy, she said he was a talkative man. She knew I was writing a book. She thought I might find some of his stories interesting.
So we met, one afternoon, in Pondicherry, a former French colony near Auroville, an elegant town of tree-lined streets and high-ceilinged villas by the ocean. We met in the courtyard of a hotel. We had coffee under a mango tree. Sathy talked a lot. He seemed jittery. I thought he was trying to impress me.
He told me all about his family at that first meeting—about their noble background, about the land they had owned, about the way they had dominated Molasur and the roughly seventy-five villages around it. He said they were Reddiars, members of a warrior caste that had migrated from the north some eight centuries ago and become the biggest landowners in the area.
He told me about a childhood of status and privilege. One of his ancestors, he said, was a famous chief minister of Madras Presidency, an amalgamation of South Indian states during colonial rule. He had grown up in the biggest house in Molasur. His family owned the only car in the village. Whenever they left home, villagers would line the roads and bow their heads in respect.
For centuries, the Reddiars had ruled over the countryside, making a comfortable living off agriculture, extracting labor and taxes from semi-indentured workers. They had proven to be adaptable rulers. Wave after wave of invaders—the great Chola dynasties, who controlled much of South India until the thirteenth century; the Mughals, who swept down from the north around the seventeenth century; and the British—came through. But the Reddiars always managed to hold on to their power.
Sathy talked a lot about his family’s land that afternoon—about the fields and forests that were their main source of wealth, about the hundreds of acres he still cultivated with rice and peanuts. Farming was in his blood, he said, and I could see he was excited, exuberant in a way that was almost childish, when he remembered the times he had spent with his father in the fields, burning under the sun or soaking in the rain, planting and plowing and reaping from their land.
It was harder to make a living off farming now, Sathy said. He leaned forward, as if he was letting me in on a secret. He emptied his third cup of coffee. He said that the land around Molasur was less fertile; it had been poisoned for too long by chemical fertilizers and pesticides. The water table, overextended and overpumped, was in decline.
Agriculture is a difficult business these days,
Sathy said, and for the first time since we met, his confidence seemed to sag a little. He said it was a challenge to keep the farm running. He hinted that the family’s financial position wasn’t quite what it had once been.
It was just a little crack in the façade. There would be many more. But on that afternoon, Sathy pulled back quickly. He started talking about real estate. He said he’d been thinking about developing his land. There were fortunes to be made.
He’d been considering building some homes, maybe selling them to technology workers from the cities looking for country retreats. Or maybe he’d build a golf resort. He asked if I knew people with money; he invited me to join him in the resort project.
People in Chennai and Bangalore are big into golf these days,
he said. It’s the new fashion. I’m sure they’d travel to my village if I had a world-class resort.
I wasn’t interested in building a golf course with Sathy. But I was interested in knowing more about his world. Sometimes Sathy seemed excited about the changes in Molasur, all the wealth and opportunities presenting themselves to my people
(as he always referred to them). Other times he seemed less positive, even downcast. He worried about his loss of status, about the way the social order he had known as a boy was disappearing. He said that villagers were losing their values, succumbing to the temptations of money, turning into liars, cheats, and murderers.
People are lost,
Sathy said to me one time. They no longer know who they are. All the money has taken them away from themselves.
I thought Sathy was himself a little lost. He seemed disoriented, maybe confused. I knew that his discomfort was in many ways cause for celebration, part of the great emancipatory wave sweeping across India. The old feudal order was crumbling; as the fortunes of the Reddiars declined, thousands of men and women in and around Molasur were rising.
Still, I couldn’t help feeling a little sympathetic. Molasur was around thirty kilometers from Auroville. My childhood was very different from Sathy’s, but I grew up in the same rural landscape. By the time I met him, it had become apparent to me that the world I had known was also disappearing. The change was overwhelming—and, in many ways, bewildering.
Once, the villages around Auroville had been a jumble of thatch huts, fetid ponds, mud roads, and cashew plantations. Malnourished children, their bellies bloated and their skin pulled tight against their faces, so that they looked like old men, played naked by the side of the road. Few houses had running water or electricity.
Now, a little more than a decade later, the villages were transformed. Mud roads had been tarred, and cashew plantations turned into restaurants, coffee shops, and yoga centers. Streets were jammed with mopeds and motorcycles and even cars. In the evenings, the restaurants were busy, buzzing. The prosperity, the sense of progress, was hard to deny.
But I knew, also, that below the shine of new money, below the easy confidence and optimism, the villages around my home were wounded places. The wealth that had flowed into the area had swept away existing hierarchies and power structures. It had led to new resentments, and new feelings of entitlement. It had demolished a long-standing social structure that held the villages together.
In the years before I returned to India, the villages in my area were wracked by gang warfare. More than ten people were killed. One of them was pulled off his motorcycle and hacked up in broad daylight. Another was chased through the streets, into a home where he took refuge, and cut into pieces. Someone I knew was kidnapped, bound with his son for several days before ransom was arranged.
Once, the panchayats, traditional assemblies made up of village elders, would have been able to control the violence. They functioned as local courts and law enforcement bodies. But young men in the area, flush with new money and a sense of empowerment, no longer feared their elders. The panchayats still met, under banyan trees and in temple courtyards, but they were mostly toothless. The village elders were intimidated by their youth; they didn’t dare assert their authority.
There was a woman I