About this ebook
"Brimming with color and magic." —New York Times Book Review
★ New York Times bestseller!
★ Featured on "Late Night with Seth Meyers," NPR, TIME, and Entertainment Weekly
★ A Kirkus Reviews Best Book of the Year
★ A Shelf Awareness Best Book of the Year
★ A Chicago Public Library Best Book of the Year
★ Los Angeles Times and Publishers Weekly Holiday Gift Guide selections
Inspired by her childhood love of books like A Secret Garden and The Chronicles of Narnia, bestselling author Tahereh Mafi crafts a spellbinding new world where color is currency, adventure is inevitable, and friendship is found in the most unexpected places.
There are only three things that matter to twelve-year-old Alice Alexis Queensmeadow: Mother, who wouldn’t miss her; magic and color, which seem to elude her; and Father, who always loved her. The day Father disappears from Ferenwood he takes nothing but a ruler with him. But it’s been almost three years since then, and Alice is determined to find him. She loves her father even more than she loves adventure, and she’s about to embark on one to find the other.
But bringing Father home is no small matter. In order to find him she’ll have to travel through the mythical, dangerous land of Furthermore, where down can be up, paper is alive, and left can be both right and very, very wrong. It will take all of Alice's wits (and every limb she's got) to find Father and return home to Ferenwood in one piece. On her quest to find Father, Alice must first find herself—and hold fast to the magic of love in the face of loss.
“Tahereh Mafi is a maestro of words, and Furthermore the most magical painting that ever existed, bursting with color and heart and humanity. I wanted to stay inside this masterpiece forever.” – Marie Lu, New York Times bestselling author of the Legend and The Young Elites series
"A place so full of enchanting beauty and topsy-turvy adventure, it even calls to mind Wonderland and Oz.... Friendship, family and self-acceptance. What makes this book truly sing is the lush world Mafi has created, brimming with color and magic." —New York Times Book Review
★ “Furthermore by Tahereh Mafi is a surprising, sensuous, delicious fantasy to devour.” –Shelf Awareness, starred review
★ "A fast-paced, funny, and richly imaginative story that embraces and celebrates individuality." —Publishers Weekly, starred review
★ "Rich, luscious, clever prose." —Kirkus, starred review
Tahereh Mafi
Tahereh Mafi is the #1 New York Times bestselling, #1 international bestselling, and National Book Award–nominated author of over a dozen books, including Shatter Me: Series One and Shatter Me: Series Two, the Woven Kingdom series, A Very Large Expanse of Sea, and An Emotion of Great Delight. Her books have been translated into more than thirty languages. She lives in Southern California with her husband, fellow author Ransom Riggs, and their family. Visit her online at taherehmafi.com.
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Reviews for Furthermore
144 ratings13 reviews
- Rating: 5 out of 5 stars5/5
May 6, 2025
Fun fun fun reading, into a land of whimsy, adventure and friendship. - Rating: 4 out of 5 stars4/5
Sep 17, 2024
Fun and whimsical, with stunningly magical worlds, yet I struggled to connect to the characters. - Rating: 4 out of 5 stars4/5
Oct 15, 2021
I enjoyed this book a lot. As many have said, the writing is very whimsical and pretty and flowing, which I admit, I did not enjoy for the first 30 page. Once I had the time to sit down and read a larger chunk of this story, I enjoyed it a lot more. I have been extremely busy with various work over the last couple of days or I would have finished much more quickly. I read 370 pages of this 400-page book in 2 days. I could tell that this book was more of a middle-grade book, but that didn't take anything away from my enjoyment. I really liked the world building in this world. The premise is basically a uncolorful girl living in a colorful world who has to go on an adventure to another land to find her father with a boy. Even though this is an adventure with a boy and a girl who are 13 and 12 respectively, it really is just about friendship and I didn't view their relationship as romantic. I think the relationships in this book were portrayed very well. It showed how family relationships and friendships can be very complicated. One way I could tell it was more middle grade was because of the fact the morals are hit over your head a little bit, but I don't think it is done poorly. The characters and their relationships sort of had to grow on me but by the end of the story, I was completely sold. The plot was also quite interesting and I found myself really enjoying all the twists and turns as Alice and Oliver traveled through unknown lands as well as Alice in particulars journey of self-discovery. As someone who hasn't read middle grade or whimsical writing in a while, I was definitely able to enjoy this lovely story. - Rating: 4 out of 5 stars4/5
Nov 22, 2021
If there is something else that I should emphasize, and which is extremely important to me, it is the all-knowing narrator. Moreover, he is funny and approachable; it's as if someone were sitting next to you, guiding you through each episode. This is why FURTHERMORE has become one of my most enjoyable young adult stories of the year, for people who are enjoying this type of book, where they will encounter dangers, chases, and magic. Meanwhile, we are in search of something very important: love, friendship, and personal growth will be the most important elements, wonderful ingredients that make this a delight for me. Tahereh Mafi was not known to me before, but I have seen that she has more works, and I need to know everything she has; she has captivated me. Happy reading! (Translated from Spanish) - Rating: 4 out of 5 stars4/5
Sep 30, 2020
4.5/5 stars. Will write more later but I just wanted to say I just loved the relationship between Alice and Oliver. These two were definitely my favorite characters. - Rating: 4 out of 5 stars4/5
Jan 10, 2020
This was a Santathing Book from a few years ago. A children's book, written in a fairytale sensibility, with a great heroine. The author has a way with words, that is both matter of fact, and beautiful. However, I found the book a bit simplistic at times. The end just happened and once Alice got back home, life went back to normal.
I know that I would have loved this book as a kid, but as an adult, its not one I would read again. - Rating: 3 out of 5 stars3/5
Jan 13, 2018
The narrator has a very odd voice - very unique. Similar in style to Douglas Adams or Terry Pratchett - conversational with the audience. This took me a chapter or two to get used to, but I found it exceptionally enjoyable once I did get used to it.
From the first chapter, I found myself very invested in the innumerable questions this story brought up - who, and how and why? So many mini-mysteries with answers getting parcelled out sparingly. However, those questions keep piling up on top of each other under I was crushed under their weight and I simply stopped caring. Once the adventure kicks into gear, the quality of the story plummets. It becomes a journey of the two most stubborn people in their world. Alice won't listen to anything Oliver tells her despite him proving again and again he knows what he's talking about. Oliver won't answer any of Alice's questions despite Alice proving time and time again she will &^%* everything up with her naivete. I was disappointed with such a promising book. - Rating: 4 out of 5 stars4/5
Nov 27, 2017
Furthermore caught me up right from the second set of opening lines: "The sun was raining again. Soft and bright, rainlight fell through the sky, each drop tearing a neat hole in the season." (To be fair, I was intrigued by the little prelude, too.) It is a magical setting, a bit of a Wonderland but mostly just completely other-worldly, where metal coins grow on bushes, sunlight can rain down in drips and drops, and there are 632 planets mixed in with the stars in the night sky. Well, and also, a place where everyone has a little big of magic in them. The vocabulary and evocative phrases do justice to this setting by never settling for the prosaic and always picking words or metaphors that are at ninety-degree angles to the usual - not completely outrageous, but definitely unexpected.
I was enjoying the oddly skewed writing and the "Dear Reader" cozy-narrator voice, then stopped short when one of the major themes of the book was introduced in the following lines: [Alice] wanted Mother to grow up—or maybe grow down—into the mother she and her brothers really needed. But mother could not unbecome herself, so Alice was resigned to loving and disliking her just as she was, for as long as she could bear it." -- that "could not unbecome herself" phrase spoke volumes while being a little silly or whimsical on the surface. But that is, ultimately, the theme here: Alice is 12 years old and must grow into herself, and in the process learn that her parents are their own people, too. Well, she also must learn that other people are people, too, all with their own secret thoughts and conflicting interests, just like herself.
Another theme in the book is about friendship and family, and that it's possible to care deeply about other people while being frustrated with them or even disliking them. I don't know that this theme was quite so well executed, because the adventuring companion who is meant to illustrate it never endeared himself to me. Oliver has the golden tongue gift of persuasion, which he uses all the time out of childish selfishness, but also he was an enormous bully to Alice partly because of that magical talent, and I never felt that he redeemed himself (even when he explained why he was so cruel).
The first half of the book was all about setting up these themes and indulging in descriptions of the magical Ferenwood. The chatty narrator made it a lot of fun to read. But then Alice and Oliver go to Furthermore and the story is less fun. The land of Furthermore is like a series of video game levels that must be passed through to get to the next, and then finally (presumably) to defeat the boss at the end and discover Alice's father. While each level, or town, was interesting and suspenseful, the video game impression made it tedious and frustrating. Oliver has been through Furthermore before and knows all the rules, but he never tells Alice anything. (To be fair, she doesn't want to talk to him.) My active interest in reading the book began to wane, and I only kept going out of hope that it would pick up again.
Ultimately, the ending was a bit anticlimatic for a video game plot (though the last level was excellent, and the constant threat of death made things more interesting), but I was very satisfied with how most of the themes were addressed and wrapped up.
For all that the middle of the book got wearisome, I enjoyed the writing style throughout and the themes seemed very appropriate for middle grade reading alone or for reading out loud with kids of any age. I would have certainly liked it when I was 10 or 11. I love Alice a lot and enjoyed spending time with her, and I had fun reading about the different towns in Furthermore and Ferenwood. - Rating: 3 out of 5 stars3/5
Oct 11, 2017
Furthermore is an adventure, fantasy novel.
Alice lives in the city of Ferenwood, a beautiful place of color. Magic lives within the natural world, so they eat flowers and other natural resources to feed themselves with magic. When one turns twelve, one displays his/her magic to everyone in the Surrender ceremony and receives a task. It’s Alice’s turn--she’s now twelve. She’s excited about change because her life is not as she would like it. She has zero color. She feels as she is judged for being different. Her mother doesn’t help because she doesn’t treat Alice nicely. She expects her to find her ferenberries (which are near impossible to find) and bring them for supper. Her homelife is even sadder because her father disappeared three years ago, and no one knows where he is.
The day before Alice’s Surrender, Oliver appears. Alice does not like Oliver. He wants her to help him with his task he received a year ago. Alice has been looking forward to getting her task, finding her father, and moving on with her life. She does NOT want to see Oliver. Oliver asks her to forego her own task and help him. Afterall, his task is to find her father. Alice refuses and shares her talent in the Surrender. She chooses to go with Oliver to find her father. They must navigate the world/cities known as Furthermore.
Furthermore is a magical place as well, but it is far more dangerous that Ferenwood. Oliver has navigated it for the last year and promises he can get Alice through it and to her father. Unfortunately or fortunately, they end up on a different path and go different places than Oliver has been before. Moment by moment they are in danger, especially of being eaten. It’s a race to find Alice’s father before they lose their lives.
I liked the book for the most part; I just thought it could be shorter. The end was rather anti-climatic, but the world of Furthermore was very imaginative and interesting. It’s a solid middle school novel that I think many will like. It’s along the lines of Monstrous, Magic Mirror and Snicker of Magic, but I don’t think it’s as well-written. - Rating: 4 out of 5 stars4/5
Jun 21, 2017
Cute and silly and funny. Sometimes scary.
I love the cover. It's nice to read something a little different. - Rating: 4 out of 5 stars4/5
Feb 16, 2017
Furthermore is a fantasy MG book about a girl named Alice who lives in a land where color is everything. Magic is bought, and if you're poor you're out of luck. Alice's father has been gone 3 years, and she is determined to find him.
This book was a bit strange, which is not a bad thing, but the world wasn't fleshed out well enough. Everything was explained in a rush, and we don't really know what the heck is going on. It might be the author wanted us to sympathize with Alice, since she was in a strange world. A good book, it is very charming and funny. - Rating: 5 out of 5 stars5/5
Oct 22, 2016
More like a 4.5 Please Goodreads, give us the half star choice.
First of all, not sure if this book is suppose to be a retelling since it was very reminiscent of a few classic childhood tales, (although very original on its own spine) it did remind me of a few. So this is where my head was as I read it.
I was that kid who was scared watching or reading those classic childhood stories, not all, just want make that clear, a few, I'm not that much of a scaredy-cat. The one that scared me most was Alice In Wonderland, (oh and The Wizard Of Oz too). Great, why am I sharing this, yeah I know these are things I should keep to myself.
Now that I'm all grown up I can read all those stories and all the re-imaginings out there to my hearts content, but I might still be a little scarred from my childhood experiences with these stories. I still haven't read Alice In Wonderland to the end to this day. And I seem to be trying really hard to find retellings of these stories that will make me want to say, "Yes, I want to know how it ends". Well, I haven't had much luck with that, not until now, maybe. The thing is, I truly enjoyed Furthermore, I was worried for a tiny minute that I might not, but thankfully I did. Scarred I tell you, scarred and not much luck with retellings too.
Okay, so back to what I was saying, I love Furthermore so much and I still don't feel the urge to read the originals, at least not at the moment, or maybe I should just move on but I still think about it often as a reader.
So maybe I should say something about Furthermore. The story was as colorful as it's book cover. I felt like I was watching a movie, which made me try and picture it as one. I could see it so vividly, as an animated flick, or a live action one. I loved the writing style, it was as descriptive and creative as Tahereh Mafi's writing can be, but I liked that it was still so different from her other books. Love the characters and how strange the people in both worlds are.
I like Alice, even though she had some flaws that can come across as annoying (like dealing with difficult stuff) I liked her feistiness, and her adventurous spirit. Oliver too had his faults and even though I was frustrated with him about his information and secret hoarding, he did grow on me. But my favorite person that was a part of this book was (the) Narrator even though he/she is really horrible at chapter titles, (if there were any), I really liked his/her humor. The sort of "chapter" titles got funnier and funnier and would either elicit a, "You got that right", or a "I completely agree", etc. statement from me.
As they say (whoever "they" is), not wanting to give too much away I will sum up by saying that this story, concept, characters and world took me on a magical, non-scary adventure that I won't ever forget. But the bad was that I didn't very much like, which I saw coming a hundred or so pages away was the abrupt ending, much like this review. - Rating: 4 out of 5 stars4/5
Sep 12, 2016
Great book. Perfect for middle school and up. The story takes place in a magical land called Ferenwood. Fifteen year old Alice feels like she does not fit in. Everyone around her is beautifully colorful with a useful talent. Alice has no color, she is a shade of white and although it takes a while for the reader to discover her talent, Alice is ashamed of it.
Alice goes on a quest with a young boy named Oliver to find her father who has been missing for three years. This story reminds me of a modern version of Alice in Wonderland in that strange unexplained things are found on Alice's adventure. Ultimately the story is about finding friendship.
When I first started reading, I was thinking the plot/characters are too "strange", but I kept reading and feel into the spell of a wonderfully creative, well written book!
Book preview
Furthermore - Tahereh Mafi
Once upon a time, a girl was born.
It was rather uneventful.
Her parents were happy enough, the mother glad to be done carrying it, and the father glad to be done with the mystery of it all. But then one day they realized that their baby, the one they’d named Alice, had no pigment at all. Her hair and skin were white as milk; her heart and soul as soft as silk. Her eyes alone had been spared a spot of color: only just clinging to the faintest shade of honey. It was the kind of child her world could not appreciate.
Ferenwood had been built on color. Bursts of it, swaths of it, depths and breadths of it. Its people were known to be the brightest—modeled after the planets, they’d said—and young Alice was deemed simply too dim, even though she knew she was not. Once upon a time, a girl was forgot.
AND SO IT BEGINS
The sun was raining again.
Soft and bright, rainlight fell through the sky, each drop tearing a neat hole in the season. Winter had been steady and predictable, but it was quite poked through now, and spring was peeking out from underneath it. The world was ready for a change. The people of Ferenwood were excited for spring, but this was to be expected; they had always been fond of predictable, reliable sorts of changes, like night turning into day and rain turning into snow. They didn’t much care for night turning into cake or rain turning into shoelaces, because that wouldn’t make sense, and making sense was terribly important to these people who’d built their lives around magic. And squint as they might, it was very difficult for them to make any sense of Alice.
Alice was a young girl and, naturally, she was all the things you’d expect a young girl to be: smart and lively and passionate about any number of critical issues. But Alice was also lacking a great deal of something important, and it was this—her lack of something important—that made her so interesting, and so very unusual. More on that soon.
The afternoon our story begins, the quiet parts of being alive were the busiest: wind unlocking windows; rainlight nudging curtains apart; fresh-cut grass tickling unsocked feet. Days like this made Alice want to set off on a great adventure, and—at almost twelve years old—she’d very nearly figured out how to fashion one together. The annual Surrender was only a single pair of days away, and Alice—who was determined to win—knew it was her chance to set sail for something new.
She was on her way home now, occasionally peeking over her shoulder at the glittering town in the distance. The village square was undergoing no small transformation in honor of the upcoming festivities, and the clamor of instruction and construction rang out across the hills. Alice jumped from flagstone to flagstone, her face caught in the rainlight glow, her hands grasping for a touch of gold. The town’s excitement was contagious, and the air was so thick with promise Alice could almost bite into it. She smiled, cheeks appled in delight, and stared up at the sky. The light was beginning to spark and fade, and the clouds were still hard at work weaving together, breaking and building as they had been all week. One more day of this, Alice thought, and everything would change.
She couldn’t wait.
She’d moved on to the main road now, a dirt path flanked by green. She held tight to her basket as neighbors passed, nodding hello and waving good-bye, happy to have remembered her clothes today. Mother was always bothering her about that.
Alice plucked a tulip from her pocket and bit off the top. She felt the petals pressing against her tongue; she could taste the velvet, the magenta of it all. She closed her eyes and licked her lips before biting into the stem. Not quite green but brighter, more vibrant; there was a song in that color and she could feel it singing inside of her. She bent down to greet a blade of grass and whispered, Hello, me too, me too, we’re still alive.
Alice was an odd girl, even for Ferenwood, where the sun occasionally rained and the colors were brighter than usual and magic was as common as a frowning parent. Her oddness was evident even in the simplest things she did, though most especially in her inability to walk home in a straight line. She stopped too many times, wandering off the main path, catching deep breaths and holding them, too selfish to let them go. She spun until her skirts circled around her, smiling so wide she thought her face would break and blossom. She hopped around on tiptoe, and only when she could stand it no longer would she exhale what wasn’t hers to keep.
Alice would grow up to be a wildflower, Father once said to her. A wildflower in flowing skirts, braided hair dancing from head to knee. She’d always hoped that he was right, that maybe Mother had gotten it wrong, that Alice was never meant to be such a complicated thing with all these limbs and needs. She often wanted to plant herself back into the earth to see if she’d grow into something better this time, maybe a dandelion or an oak tree or a walnut no one could crack. But Mother insisted (the way she often did) that Alice must be a girl, and so she was.
Alice didn’t like Mother very much. She found her a bit old and confusing, and didn’t like the way Mother worried about walls and doors and the money that put them there. But Alice loved Mother, too, in the way that children did. Mother was soft and warm, and Mother’s smiles came easily when she looked at Alice. Anger and tears, too, but those Alice never cared for.
Alice gripped her basket tighter and danced down the road to a song she found in her ear; her toes warmed the earth, and her hair, too heavy for her head, tried to keep up. Her bangles mimicked the rain, simple melodies colliding in the space between elbows and wrists. She closed her eyes. She knew this dance the way she knew her own name; its syllables found her, rolled off her hips with an intimacy that could not be taught.
This was her skill, her talent, her great gift to Ferenwood. It was her ticket to greatness. She’d been practicing for years and years and was determined that it would not be for nothing.
It would not b—
Hey there! What are you doing?
Alice startled. Something tripped and fell, and she looked around in dismay to realize it had been her. Crumpled skirts and silent bangles, the rainlight gone from the sky. She was late. Mother would be upset again.
Hey!
The same voice as before. What are you—
Alice gathered her skirts and fumbled in the dark for her basket, reaching blindly as panic set in. Don’t talk to strangers, Mother had always said—especially strange men. Being afraid meant it was okay to forget your manners. If you’re afraid, you never have to be nice. Do you understand?
Alice had nodded.
And now Mother was not here and she could not explain why, exactly, but Alice was afraid. So she did not feel the need to be nice.
The stranger wasn’t much of a man at all, it turned out. More like a boy. Alice wanted to tell him very firmly to go away, but she’d somehow gotten it into her head that being quiet meant being invisible and so she prayed that her silence would somehow make him blind, instead of louder.
Unfortunately, her wish seemed to work on both of them.
The sun had folded itself away and the moon was in no hurry to replace it. Darkness engulfed her. Alice’s basket was nowhere to be felt or found.
She was very worried.
Suddenly Alice understood all about being worried and she promised herself she would never judge Mother for being worried all the time. Suddenly she understood that it is a very hard thing, to be afraid of things, and that it takes up so much time. Suddenly she understood why Mother rarely got around to doing the dishes.
Does this belong to you?
Alice turned just a bit and found a chest in her face. There was a chest in her face and a heart in that chest and it was beating quite hard. She could hear the pitters, the patters—the blood rushing around in ebbs and flows. Don’t be distracted, she told herself, begged herself. Think of Mother.
But, oh.
What a heart.
What a symphony inside that body.
Alice gasped.
He’d touched her arm, so, really, she had no choice but to punch him. Her bangles were helpful in this regard. She punched and kicked and screamed a little and she wrenched her basket from his hands and she ran all the way home, out of breath and a little excited, so glad the moon had finally decided to join her.
Alice never did get to tell Mother her story.
Mother was so upset Alice was late that she nearly bit off her daughter’s hands. She didn’t give Alice a chance to explain why her skirts were dirty or why the basket had broken (only a little bit, really) or why her hair was so full of grass. Mother made a terrible face and pointed to a chair at the table and told Alice that if she was late one more time she would knot her fingers together. Again.
Oh, Mother was always threatening her.
Threatening made Mother feel better but made Alice feel bored. Alice usually ignored Mother’s threats (If you don’t eat your breakfast I will whisk you into an elephant, she once said to her, and Alice half hoped she really would), but then one time Alice took her clothes off at the dinner table and Mother threatened to turn her into a boy, and that scared her so dizzy that Alice kept on her outerthings for a whole week after that. Since then, Alice had often wondered whether her brothers had been boys to begin with, or whether they’d just been naughty enough to deserve being tricked into it.
Mother was unpacking Alice’s basket very carefully, paying far more attention to its contents than to any of her four children sitting at the worn kitchen table. Alice ran her hands along its weathered top, the bare boards rubbed smooth from years of use. Father had made this table himself, and Alice often pretended she could remember the day he built it. That was silly of course; Father had built it long before she was born.
She glanced toward his place at the table. His chair was empty—as it had grown accustomed to being—and Alice dropped her head, because sadness had left hinges in her bones. With some effort she managed to look up again, and when she did, she found her brothers, whose small forms took up the three remaining chairs, staring at her expectantly, as though she might turn their tunics into turnips. On any other occasion she would’ve liked to, had she been so inclined, but Mother was already quite mad and Alice did not want to sleep with the pigs tonight.
Alice was beginning to realize that while she didn’t much like Mother, Mother didn’t much like her, either. Mother didn’t care for the oddness of Alice; she wasn’t a parent who was predisposed to liking her children. She didn’t find their quirks endearing. She thought Alice was a perfectly functional, occasionally absurd child, but on an honest afternoon Mother would tell you that she didn’t care for children, never had, not really, but here they were. (There were plenty of nice things Mother had said about Alice, too, but Mother was never very good at making sure she said those things out loud.)
Alice picked out a blossom from her dinner and dropped it on her tongue, rolling the taste of it around in her mouth. She loved blossoms; one bite and she felt refreshed, ready to begin again. Mother liked dipping them in honey, but Alice preferred the unmasked taste. Alice liked truth: on her lips and in her mouth.
The kitchen was warm and cozy, but only halfheartedly. Alice and Mother did their best in the wake of Father’s absence, but some evenings all the unspoken hurts piled high on their plates and they ate sorrow with their syrup without saying a word about it. Tonight wasn’t so bad. Tonight the stove glowed lavender as Mother stoked the flames and tossed in some of the berries Alice had collected. Soon the whole house smelled of warm figs and peppermints and Alice was certain that if she tried, she could lick the air right out of the room. Mother was smiling, finally content. Ferenberries always succeeded in reminding Mother of happier times with Father, of days long ago when all was safe and all was good. The berries were a rare treat for those lucky enough to find them (they were a fruit especially difficult to procure), but in Father’s absence Mother had become obsessed. The trouble was, she needed Alice to find the ferenberries (I’ll explain why later), and Alice always did, because life at home had been so much better since the berries. Alice had been late and she’d been lazy, messy and argumentative, but she had never not come home with the berries.
She almost hadn’t tonight.
Alice always felt Mother was using her for the berries; she knew they were the only medicine that helped Mother’s heart in Father’s absence. Alice knew Mother needed her, but she did not feel appreciated; and though she felt sad for Mother, she felt more sorry than sad. She wanted Mother to grow up—or maybe grow down—into the mother she and her brothers really needed. But Mother could not unbecome herself, so Alice was resigned to loving and disliking her just as she was, for as long as she could bear it. Soon, Alice thought, very soon, she would be on her way to something better. Something bigger. The seasons were changing in Ferenwood, and Alice had waited long enough.
She would win the Surrender and she would show Mother she could make her own way in the world and she would never need a pair of stockings again. She would be an explorer! An inventor! No—a painter! She would capture the world with a few broad strokes! Her hand moved of its own accord, making shapes in her honey-laden plate. Her arm flew up in a moment of triumph and her paintbrush fork flew from her hands only to land, quite elegantly, in her brother’s hair.
Alice ducked down in her chair, the future forgotten, as Mother came at her with a ladle.
Oh, she would be sleeping with the pigs tonight.
MORE CHAPTERS THIS WAY
The pigs weren’t so bad. They were warm and shared their straw and made little pig noises that helped Alice relax. She pulled her only two finks from her pocket and snapped one in half, saving the other, and suddenly the pigs smelled of fresh lemons and glass apples and soon there was nothing at all to be bothered by. The night was warm and fragrant, the sky sneaking through a few broken boards in the roof. The twinkles looked merry enough, but the planets were the true stars tonight: bright spots of color seducing the sky. Six hundred and thirty-two planets dotted Alice’s upside-down vision, spinning their bangles just as she spun hers.
Her two arms were bangles and bangles from elbow to wrist, her ankles similarly adorned. She’d collected these bangles from all over, from most every market in every neighborhill she’d ever climbed into. She’d traveled the whole of Ferenwood after Father left, knocking on door after door, asking anyone and everyone where he might’ve gone.
Anyone and everyone had a different answer.
All anyone knew was that Father took nothing but a ruler when he left, so some said he’d gone to measure the sea. Others said the sky. The moon. Maybe he’d learned to fly and had forgotten how to come back down. She never said this to Mother, but Alice often wondered whether he hadn’t planted himself back into the ground to see if maybe he’d sprout taller this time.
She touched her circlets of gold and silver and stone. Mother gave her three finks every month and she always spent one on a bangle. They weren’t worth much to anyone but her, and that made them even more precious; Father had been the one to give her the first bangle—just before he left—and for every month he stayed gone, Alice added another to her collection.
This week, she would have thirty-eight altogether.
Maybe, she thought, her eyes heavy with sleep, her bangles would help Father find her. Maybe he would hear her looking for him. She was sure that if he listened closely, he would hear her dancing for him to come home.
And then she rolled over, and began to dream.
Now, while our young Alice is sleeping, let us make quick work of important details.
First: The magic of Ferenwood required no wands or potions you might recognize; no incantations, not really. Ferenwood was, simply stated, a land rich in natural resources, chief among them: color and magic. It was a very small, very old village in the countryside of Fennelskein, and as no one ever went to Fennelskein (a shame, really; it’s quite lovely in the summers), the people of Ferenwood had always kept to themselves, harvesting color and magic from the air and earth and building an entire system of currency around it. There’s quite a lot to say on the history and geography of Ferenwood, but I shouldn’t like to tell you more than this, lest I spoil our story too soon.
Second: Every citizen of Ferenwood was born with a bit of magical talent, but anything more than that cost money, and Alice’s family had little extra. Alice herself had never had more than a few finks, and she’d always stared longingly at other children, pockets full of stoppicks, choosing from an array of treats in shop windows.
Tonight, Alice was dreaming of the dillypop she would purchase the following day. (To be clear, Alice had no idea she’d be purchasing a dillypop the following day, but we have ways of knowing these things.) Dillypops were a favorite—little cheekfuls of grass and honeycomb—and just this once she wouldn’t care that they’d cost her the remainder of her savings.
It was there, nestled up with the pigs, dreaming of sugar, skirts up to her ears and bangled ankles resting on a nearby stool, that Alice heard the voice of the boy with the chest.
He said something like hello
or how do you do
(I can’t quite remember), and Alice was too irritated by the interruption to remember to be afraid. She sighed loudly, face still turned up at the planets, and pinched her eyes shut. I would not like to punch and kick you again,
she said, so if you would please carry on your way, I’d be much obliged.
I can see your underwear,
he said. Rudely.
Alice jumped up, beet-red and mortified. She nearly kicked a pig on her way up and when she finally managed to gather herself, she tripped on a slop bucket and fell backward against the wall.
Who are you?
she demanded, all the while trying to remember where she’d left the shovel.
Alice heard a pair of fingers snap and soon the shed was full of light, glowing as if caught in a halo. She spotted the shovel immediately, but just as she was crafting a plan to grab it, the boy offered it to her of his own accord.
She took it from him.
His face was oddly familiar. Alice squinted at him in the light and held the sharp end of the shovel up to his chin.
Who are you?
she asked again angrily. Then, And can you teach me how you did that just now? I’ve been trying to snaplight for years and it’s never worked for m—
Alice.
He cut her off with a laugh. Shook his head. It’s me.
She blinked, then gaped at him.
Father?
she gasped.
Alice looked him up and down, dropping the shovel in the process. Oh but Father you’ve gotten so much younger since you left—I’m not sure Mother will be pleased—
Alice!
The perhaps-stranger laughed again and grabbed Alice’s arms, fixing her with a straight stare. His skin was a warm brown and his eyes were an alarming shade of blue, almost violet. He had a very straight nose and a very nice mouth and very nice eyebrows and very excellent cheekbones and hair the color of silver herring and he looked nothing at all like Father.
She grabbed her shovel again.
Impostor!
Alice cried. She lifted the shovel above her head, ready to break it over his skull, when he caught her arms again. He was a bit (a lot) taller than her, which made it easy for him to intimidate her, but she wasn’t yet ready to admit defeat.
So she bit his arm.
Quite hard, I’m afraid.
He yelped, stumbling backward. When he looked up, Alice hit him in the legs with the shovel and he fell hard on his knees. She stood over him, shovel hovering above his head.
Goodness, Alice, what are you doing?
he cried, shielding his face with his arms, anticipating the final blow. It’s me, Oliver!
Alice lowered her shovel, just a little, but she wasn’t quite ready to be ashamed of herself. Who?
He looked up slowly. Oliver Newbanks. Don’t you remember me?
No,
she wanted to say, because she’d been very much looking forward to hitting him on the head and dragging his limp body inside for Mother to see (I’ve protected the family from an intruder! she’d say) but Oliver looked so very scared that it wasn’t long before her excitement gave way to sympathy, and soon she was putting down the shovel and looking at Oliver Newbanks like he was someone she should remember.
Really, Alice—we were in middlecare together!
Alice considered him closely. Oliver Newbanks was a name that sounded familiar to her, but she felt certain she didn’t know him until she noticed a scar above his left ear.
She gasped, this time louder than before.
Oh, she knew
