About this ebook
Mila has an exceptional talent for reading a room—sensing hidden facts and unspoken emotions from clues that others overlook. So when her father’s best friend, Matthew, goes missing from his upstate New York home, Mila and her beloved father travel from London to find him. She collects information about Matthew from his belongings, from his wife and baby, from the dog he left behind and from the ghosts of his past—slowly piecing together the story everyone else has missed. But just when she’s closest to solving the mystery, a shocking betrayal calls into question her trust in the one person she thought she could read best.
Meg Rosoff
Meg Rosoff is a hugely versatile novelist for children and adults and has won the Branford Boase Award, the Carnegie Medal, the Guardian Children’s Fiction Prize and the Printz Award. Her post-apocalyptic How I Live Now was made into a major motion picture starring Saoirse Ronan and Picture Me Gone was shortlisted for the National Book Award in the USA. Originally from Massachusetts, Meg now lives in London.
Read more from Meg Rosoff
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Reviews for Picture Me Gone
109 ratings12 reviews
- Rating: 2 out of 5 stars2/5
Jul 3, 2021
Realistic fiction (main character is a teen, but is not your typical, fast-paced teen book). Aside from the awful cover (which turns out to refer to the emptiness felt within a Frank Lloyd Wright-designed house, rather than a girl who runs away from home and disappears into a Mondrian painting), the story is sparse and slow--more about the observation of silences and absences than about things happening or actions being done. If one is patient and interested enough to stick it out, it's supposedly very interesting to discover Mila's unique perspective on the differences among the families, but this is definitely not one I'd recommend to a general teen audience. - Rating: 3 out of 5 stars3/5
Aug 3, 2017
Mila has some abilities to sense people's moods and reading a room. She and her dad, Gil, embark on a trip to the United States from London to visit Matthew, Gil's best friend from childhood. The day before their departure, they get a call from Suzanne that Matthew has gone missing, apparently walking out of his life. The two decided to take the trip anyway and spend their time in America trying to find Matthew and put together the pieces of his life.
An interesting read. I don't know the appeal it will have for middle school students. But it kept surprising me with revelations and some really heavy stuff that the adults in the book were dealing with, not always very well. - Rating: 4 out of 5 stars4/5
Nov 18, 2015
This definitely made me eager to check out Rosoff's other work, particularly How I Live Now. It was a tense sort of mystery story with a well-drawn (if almost too precocious) narrator trying to make sense of the ineffable world of adulthood. - Rating: 2 out of 5 stars2/5
Sep 28, 2014
Liked the voice of the narrator, but found the story dragged and didn't have enough oomph in the climax to satisfy me. The big betrayal mentioned on the back jacket blurb wasn't as shocking as I'd anticipated and overall the book just left me with nothing memorable except the fresh description provided by Mila. - Rating: 3 out of 5 stars3/5
Sep 12, 2014
12 year old Mia finds herself trying to solve the mystery of a missing person when she and her father, Gil, fly from London to visit Matthew, her father's friend from the past who lives in New York. They find he has just disappeared, seemingly unharmed, leaving his wife Suzanne and baby alone. While Gil is kind of the absent-minded professor type, Mia is his rock taking note of everything with an understanding deeper than her 12 years. Rosoff's writing is intriguing, bringing in many details throughout the novel to help solve the mystery of the missing man. The more details she learns though, the more confusing it is for Mia to determine just what is going on. She grows up a lot as she finds out there is a lot more to adulthood than she previously thought. Recommended for girls in grades 8 & up. - Rating: 3 out of 5 stars3/5
Jun 6, 2014
My VOYA: 3Q 3P
Mila and her father travel from London to New York in search of her father’s best friend, who has gone missing. Although well-written, I never quite entered into this story. Having read other works by Rosoff, Picture Me Gone never captivated me in the way something like How I Live Now did. It was still interesting and the characters were strong, but not the storyline did not keep me reading. - Rating: 3 out of 5 stars3/5
Feb 17, 2014
Likes: Meg Rosoff has a unique writing style for YA. Mila is a smart and perceptive heroine. I loved the family dynamic between Mila and her mom and dad. Great descriptions. A quick read. It's a coming of age story in which coming of age means realizing that the world sucks and your parents lie. Also, road trip!
Dislikes: Some aspects of the writing style I did not appreciate, such as the lack of quotation marks to enclose dialogue. This is also a depressing book with an ambivalent ending. See "world sucks" above. Also, it's a mystery, but not a very mysterious one.
Readalikes: If someone likes this, I'd definitely recommend Rosoff's other books, the best of which is How I Live Now. - Rating: 4 out of 5 stars4/5
Jan 8, 2014
A very unique character in a unique situation. It is a quick read and I was thoroughly engaged throughout. - Rating: 4 out of 5 stars4/5
Dec 16, 2013
Smart & sassy narrator in an interesting situation. A quick & enjoyable read. - Rating: 5 out of 5 stars5/5
Oct 30, 2013
Finalist for the Youth National Book Award. Magnificent story of a 12 year old from London , traveling in upstate NY with her father. Dad is intending to see an old friend from his youth. Not all is as it appears and the trip exposes both father and daughter to reexamining their relationships with others and with themselves. Beautifully written with such perfectly tuned emotions. Because I know upstate NY in snow and storms, I loved the descriptions. They rekindled all my memories. Middle school read for an advanced reader. - Rating: 5 out of 5 stars5/5
May 25, 2013
Author Meg Rosoff has written an adventure that kept me up until I finished the book at 2 A.M. Being able to read a room myself, I was fascinated by Mila's ability to do the same and to use this talent to help her father find his missing friend, Matthew.
When Matthew went missing, Mila and her dad go to N.Y. from London to try to collect information as to where he may be and why he disappeared. Mila see things that others don't and pieces together the mystery of the disappearance. Betrayal enters the picture and the author did a great job in keeping this issue until the very end of the book. Trust in the one person she trusted is shattered.
To find out the shocking ending, buy and enjoy this great book by Ms. Rosoff. - Rating: 4 out of 5 stars4/5
May 19, 2013
I'm not even sure how to rate or review this book. The plot is a plot in the most basic sense but the main character's voice is so strong and so different that I didn't mind when she was describing the most mundane of things. I will be interested to see how readers react to this title because it's not an easy book to explain but is a quick, enjoyable read. Also, although coded YA in galley form, the main character seems young for YA but the situations are too old for MG so, another question mark.
Book preview
Picture Me Gone - Meg Rosoff
one
The first Mila was a dog. A Bedlington terrier. It helps if you know these things. I’m not at all resentful at being named after a dog. In fact, I can imagine the scene exactly. Mila, my father would have said, that’s a nice name. Forgetting where he’d heard it. And then my mother would remember the dog and ask if he was absolutely sure, and when he didn’t answer, she would say, OK, then. Mila. And then, looking at me, think, Mila, my Mila.
I don’t believe in reincarnation. It seems unlikely that I’ve inherited the soul of my grandfather’s long-dead dog. But certain traits make me wonder. Was it entirely coincidence that Mila entered my father’s head on the morning of my birth? Observing his daughter, one minute old, he thought first of the dog, Mila? Why?
My father and I have been preparing for a journey to New York, to visit his oldest friend. But yesterday his friend’s wife phoned to say he’d left home.
Left home? Gil asked. What on earth do you mean?
Disappeared, she said. No note. Nothing.
Gil looked confused. Nothing?
You’ll still come? said the wife.
And when Gil was silent for a moment, thinking it through, she said, Please.
Yes, of course, Gil said, and slowly replaced the phone in its cradle.
He’ll be back, Gil tells Marieka. He’s just gone off by himself to think for a while. You know what he’s like.
But why now? My mother is puzzled. When he knew you were coming? The timing is . . . peculiar.
Gil shrugs. By this time tomorrow he’ll be back. I’m certain he will.
Marieka makes a doubtful noise but from where I’m crouched I can’t see her face. What about Mila? she says.
A few things I know: It is Easter holiday and I am out of school. My mother is working all week in Holland and I cannot stay at home alone. My father lives inside his head and it is better for him to have company when he travels, to keep him on track. The tickets were bought two months ago.
We will both still go.
I enjoy my father’s company and we make a good pair. Like my namesake, Mila the dog, I have a keen awareness of where I am and what I’m doing at all times. I am not given to dreaminess, have something of a terrier’s determination. If there is something to notice, I will notice it first.
I am good at solving puzzles.
My packing is nearly finished when Marieka comes to say that she and Gil have decided I should still go. I am already arranging clues in my head, thinking through the possibilities, looking for a theory.
I have met my father’s friend sometime in the distant past but I don’t remember him. He is a legend in our family for once saving Gil’s life. Without Matthew there would be no me. For this, I would like to thank him, though I never really get the chance.
It seems so long ago that we left London. Back then I was a child.
I am still, technically speaking, a child.
two
I know very little about Mila the dog. She belonged to my grandfather when he was a boy growing up in Lancashire. Dogs like Mila were kept for ratting, not pets.
I found a dusty old photo of her in an album my father kept from childhood. Mostly it contains pictures of people I don’t know. In the photo, the dog has a crouchy stance, as if she’d rather be running flat out. The person on the other side of the camera interests me greatly. Perhaps it is my grandfather, a boy who took enough pride in his ratting dog to keep a photo of her. Lots of people take pictures of their dogs now, but did they then? The dog is looking straight ahead. If it were his dog, wouldn’t it turn to look?
This picture fills me with a deep sense of longing. Saudade, Gil would say. Portuguese. The longing for something loved and lost, something gone or unattainable.
I cannot explain the feeling of sadness I have looking at this picture. Mila the dog has been dead for eighty years.
Everyone calls my father Gil. Gil’s childhood friend has walked out of the house he shared with his wife and baby. No one knows where he went or why. Matthew’s wife phoned Gil, in case he wanted to change our plans. In case he’d heard something.
He hadn’t. Not then.
We will take the train to the airport and it is important to remember our passports. Marieka tells me to take good care of myself and kisses me. She smiles and asks if I will be OK and I nod, because I will. She looks in Gil’s direction and says, Take care of your father, too. She knows I will take care of him as best I can. Age is not always the best measure of competence.
The train doors close and we wave good-bye. I settle down against my father and breathe the smell of his jacket. He smells of books, ink, old coffee pushed to the back of the desk and wool, plus a hint of the cologne Marieka used to buy him; one he hasn’t worn in years. The smell of his skin is too familiar to describe. It surprised me to discover that not everyone can identify people by their smell. Marieka says this makes me half dog at least.
I’ve seen the way dogs sniff people and other dogs on the street or when they return from another place. They want to put a picture together based on clues: Where have you been? Were there cats there? Did you eat meat? So. A wood fire. Mud. Stew.
If I were a dog and smelled books, coffee and ink in a slightly tweedy wool jacket, I don’t know whether I’d think, That man translates books. But that is what he does.
I’ve always wondered why humans developed so many languages. It complicates things. Makes things interesting, says Gil.
Today, we are going to America, where we won’t need any extra languages. Gil ruffles my hair but doesn’t actually notice that I’m sitting beside him. He is deep in a book translated by a colleague. Occasionally he nods.
My mother plays the violin in an orchestra. Scrape scrape scrape, she says when it’s time to practice, and closes the door. Tomorrow she will set off to Holland.
I narrow my eyes and focus on a point in the distance. I am subtle, quick and loyal. I would have made a good ratter.
Saudade. I wonder if Gil is feeling that now for his lost friend. If he is, he is not showing any sign of it.
three
Marieka is from Sweden. Gil’s mother was Portuguese-French. I need diagrams to keep track of all the nationalities in my family but I don’t mind. Mongrels are wily and healthy and don’t suffer displaced hips or premature madness.
My parents were over forty when they had me but I don’t think of them as old, any more than they think of me as young. We are just us.
The fact that Gil’s friend left home exactly when we were coming to visit is hard to understand. The police don’t believe he’s been murdered or kidnapped. I can imagine Gil wandering out the door and forgetting for a while to come back, but ties to Marieka and me would draw him home. Perhaps Matthew’s ties are looser.
Despite being best friends, Gil and Matthew haven’t seen each other in eight years. This makes the timing of his disappearance quite strange. Impolite, at the very least.
I look forward to seeing his wife and starting to understand what happened. Perhaps that’s why Gil decided to take me along. Did I mention that I’m good at puzzles?
There is no need to double-check the passports; they are zipped into the inner pocket of my bag, safe, ready to be presented at check-in. Gil has put his book down and is gazing at something inside his head.
Where do you think Matthew went? I ask him.
It takes him a few seconds to return to me. He sighs and places his hand on my knee. I don’t know, sweetheart.
Do you think we’ll find him?
He looks thoughtful and says, Matthew was a wanderer, even as a child.
I wait to hear what he says next about his friend, but he says nothing. Inside his head he is still talking. Whole sentences flash across his eyes. I can’t read them.
What? I say.
What, what? But he smiles.
What are you thinking?
Nothing important. About my childhood. I knew Matthew as well as I knew myself. When I think of him he still looks like a boy, even though he’s quite old.
He’s the same age as you I say, a little huffily.
Yes. He laughs, and pulls me close.
Here is the story from Gil’s past:
He and Matthew are twenty-two, hitchhiking to France in the back of a truck with hardly any money. Then across France to Switzerland, to climb the Lauteraarhorn. Of the two, Matthew is the serious climber. It all goes according to plan until, on the second day, the temperature begins to rise. Avalanche weather. They watch the snow and ice thunder down around them. Mist descends toward evening, wrapping the mountain like a cloak. They burrow in, hoping the weather will change. Around midnight, the wind picks up and the rain turns to snow.
I’ve tried to imagine the scene hundreds of times. The first problem—exposure; the second—altitude. In the dead of night, in the dark and cold and wind and snow, Matthew notices the first signs of sickness in his friend and insists they descend. Gil refuses. Time passes. Head pounding, dizzy and irrational, Gil shouts, pushes Matthew off him. When at last he slumps, exhausted by the effort and the thin air, all he wants is to sit down and sleep in the snow. To die.
Over the next eleven hours, Matthew cajoles and drags and walks and talks him down the mountain. Over and over he tells Gil that you don’t lie down in the snow. You keep going, no matter what.
They reach safety and Gil swears never to climb again.
And Matthew?
He was in love with it, says Gil.
He saved your life.
Gil nods.
We both fall silent, and I think, And yet.
And yet. Gil’s life would not have needed saving if it hadn’t been for Matthew.
The risk-taker and his riskee.
When I think of the way this trip has turned out, I wonder if we’ve been summoned for some sort of cosmic leveling, to help Matthew this time, the one who has never before required saving.
Perhaps we have been called in to balance out the flow of energy in the universe.
We reach the airport. Gil picks up my bag and his, and we leave the train. As the escalator carries us up, a text pings on to his phone.
My father is no good at texts, so he hands it to me and I show him: Still nothing it says, and is signed Suzanne. Matthew’s wife.
We look at each other.
Come on, he says, piling our bags onto a cart, and off we trot for what feels like miles to the terminal. At the check-in I ask for a window seat. Gil isn’t fussy. We answer the questions about bombs and sharp objects, rummage through our carry-on bags for liquids, take our boarding passes and join the long snake through international departures. I pass the time watching other people, guessing their nationalities and relationships. American faces, I note, look unguarded. Does this make them more, or less approachable? I don’t know yet.
Gil buys a newspaper and a bottle of whisky from duty-free and we go to the gate. As we board the plane I’m still thinking about that night on the mountain. What does it take to half drag, half carry a disorientated man the size of Gil, hour after hour, through freezing snow and darkness?
He may have other faults, this friend of Gil’s, but he is not short of determination.
four
Suzanne meets us at international arrivals in New York. We are tired and crumpled. She spots Gil while he is trying to get his phone to work, and I nudge him and point. She’s not old but looks pinched, as if someone has forgotten to water her. There is a buggy beside her and in it a child sleeps, despite all the bustle and noise. His arms stick out sideways in his padded suit. He wears a blue striped hat.
Gil kisses her and says, It’s been too long. He peers down at the child. Hello, he says.
This is Gabriel, says Suzanne.
Hello, Gabriel, Gil says.
Gabriel squeezes his eyes together but doesn’t wake up.
And Mila, says Suzanne. You’ve changed so much.
She means that I’ve changed since I was four years old, when we last came to visit. That’s when I met Gabriel’s older brother, Owen. He was seven and I don’t remember much about him, though we are holding hands in the one photo Gil has of us.
I touch the side of my finger to Gabriel’s fist and he opens it and grabs on to me, still asleep. His grip is strong.
I’m sorry it’s turned out like this, she says, and shakes her head. Not much fun for you. She turns to Gil. Come on. We can talk in the car.
The car is noisy and they speak in low voices so I can’t catch most of what they’re saying. Gabriel’s in the back with me, fast asleep in his car seat. Occasionally he opens his eyes or stretches out a hand or kicks his feet, but he doesn’t wake up. I make him grab on to my finger again and hear Suzanne say, Well, I hope you’ve made the right decision. She says it in a way that suggests he hasn’t made the right decision at all, and I’m sure she’s talking about bringing me along.
It has started to rain.
I fall asleep in the car to the rhythmic whoosh of windscreen
