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Home Fire: A Novel
Home Fire: A Novel
Home Fire: A Novel
Ebook302 pages3 hours

Home Fire: A Novel

Rating: 4 out of 5 stars

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“Ingenious… Builds to one of the most memorable final scenes I’ve read in a novel this century.” —The New York Times

WINNER OF THE 2018 WOMEN'S PRIZE FOR FICTION


FINALIST FOR THE 2019 INTERNATIONAL DUBLIN LITERARY AWARD

LONGLISTED FOR THE MAN BOOKER PRIZE

The suspenseful and heartbreaking story of an immigrant family driven to pit love against loyalty, with devastating consequences, from the author of Best of Friends


Isma is free. After years of watching out for her younger siblings in the wake of their mother’s death, she’s accepted an invitation from a mentor in America that allows her to resume a dream long deferred. But she can’t stop worrying about Aneeka, her beautiful, headstrong sister back in London, or their brother, Parvaiz, who’s disappeared in pursuit of his own dream, to prove himself to the dark legacy of the jihadist father he never knew. When he resurfaces half a globe away, Isma’s worst fears are confirmed.

Then Eamonn enters the sisters’ lives. Son of a powerful political figure, he has his own birthright to live up to—or defy. Is he to be a chance at love? The means of Parvaiz’s salvation? Suddenly, two families’ fates are inextricably, devastatingly entwined, in this searing novel that asks: What sacrifices will we make in the name of love?
LanguageEnglish
PublisherPenguin Publishing Group
Release dateAug 15, 2017
ISBN9780735217706
Author

Kamila Shamsie

Kamila Shamsie is the author of eight novels: In the City by the Sea (shortlisted for the John Llewellyn Rhys Prize); Salt and Saffron; Kartography (also shortlisted for the John Llewellyn Rhys Prize); Broken Verses; Burnt Shadows (shortlisted for the Orange Prize for Fiction); A God in Every Stone, which was shortlisted for the Baileys Prize, the Walter Scott Prize for Historical Fiction and the DSC Prize for South Asian Literature; and Best of Friends, which was shortlisted for the Indie Book Awards 2023. Home Fire was longlisted for the Man Booker Prize 2017, shortlisted for the Costa Best Novel Award 2017, and won the Women's Prize for Fiction 2018. Three of her novels have received awards from Pakistan's Academy of Letters. Kamila Shamsie is a Fellow of the Royal Society of Literature and was named a Granta Best of Young British Novelist in 2013. She grew up in Karachi and now lives in London. @kamilashamsie

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Reviews for Home Fire

Rating: 4.09157522051282 out of 5 stars
4/5

546 ratings40 reviews

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  • Rating: 5 out of 5 stars
    5/5

    Apr 22, 2025

    I listened to this in audiobook format.

    This novel is about young love between an English-Pakistani woman and an English-Pakistani man--- problem is she is the daughter and sister of jihadi men and he is the son of a high ranking conservative government official. The story is told from various characters' perspectives and I think it adds a lot of nuance. There are strong parallels to the ancient Greek play Antigone, reinforcing the idea that the basic story is timeless and stateless. I liked the book a lot despite not really liking any of the main characters. It's a pretty gut-wrenching tale of naïveté, divided loyalties, and love of all kinds.
  • Rating: 4 out of 5 stars
    4/5

    Oct 31, 2022

    This novel follows two British families of Pakistani descent. Isma Pasha has parented her two siblings, twins Aneeka and Parvaiz, after the death of their mother. They have tried to avoid attention from the authorities, as they are children of a jihadist who died years ago. They never interacted much with their father, as he was fighting in various parts of the world and had essentially abandoned them. Karamat Lone, is a politician who has distanced himself from his Muslim roots and is seen as “strong on security.” His son, Eamonn, becomes involved with one of the daughters of the Pasha family. Parvaiz, seeking a father figure, falls prey to an ISIS recruiter, getting himself into a situation he is unprepared to handle.

    The story centers around issues of citizenship, identity, state power, and anti-immigrant sentiments. It examines loyalty to family, religion, and nationality. The book is told in five sections, each focused on one character: Isma. Eamonn, Parvaiz, Aneeka and Karamat. It gradually gains momentum and builds to a volatile climax. I thought the characters could have used a bit more depth, particularly with regard to motivations. This book is certainly topical and poses questions that would generate an interesting book club discussion.
  • Rating: 4 out of 5 stars
    4/5

    May 30, 2022

    Second novel I've read by this Pakistani/British author and this was by far a better novel than the first one I read. I enjoyed this book though maybe enjoy is the wrong word as this is a heartbreaking tale. It is apparently a retelling of Antigone set in modern times of ISIS terrorists. It looks at what it is like to be Muslim and British and not a terrorist.

    Home Fire won the Women's Prize for Fiction 2018, and was longlisted for the Man Booker Prize 2017 and shortlisted for the DSC Prize for South Asian Literature 2018.
  • Rating: 4 out of 5 stars
    4/5

    May 19, 2022

    What an interesting book! Jihadis and anti-Muslim populism written by a Muslim. And she can write - the narrative and the characters grow in the telling. My only reservation was in the telling of the love affair at the centre of the story - it seemed a little one dimensional and flat. I later realised that this may have been a conscious choice by the author, but not sure it worked. But this is a tiny quibble set against the heft of a book that was easy to read, told a compelling story, and makes the reader think again about stereotypes. And what a masterstroke - the populist Home Affair Minister is a lapsed Muslim!
  • Rating: 3 out of 5 stars
    3/5

    Jul 15, 2021

    audiobook (8 hours), fiction (Pakistani Muslim immigrants in England, love story complicated by brother's having been recruited by terrorist extremists)

    Not sure I like the overly dramatic ending, but I guess it goes along with the messily complicated circumstances of the story.
  • Rating: 4 out of 5 stars
    4/5

    Mar 31, 2021

    All Aneeka wants is to bring her twin brother's body to England from Pakistan, but her father's history and the British Home Secretary's politics stand in the way.

    Kamila Shamsie's reimagining of Sophocles' play "Antigone" takes an interesting look at the treatment of British Muslims, tackling racism and terrorism and how they impact the lives of a Pakistani family trying to honor their brother. I enjoyed getting involved with all the political machinations and the well-drawn characters, each with their own particular point of view. And it presents a worthy interpretation of the original material.

    Definitely worth reading.
  • Rating: 4 out of 5 stars
    4/5

    Dec 28, 2020

    A very close Pakistani family, an older sister and younger twins, but they are drawn apart when the twin brother becomes radicalized and goes to join Al Qaeda. A fascinating story. I did feel that the author could have used some editing of her awkward sentence structure.
  • Rating: 5 out of 5 stars
    5/5

    Nov 22, 2020

    Captivating from page one. Well written, does not dip into sentimental schmuck even when it veers toward becoming a love story (stick with the book, it rights itself and gets on track and you discover none of it is by accident). I love the shifting perspectives that only enhance the story and move it forward, never retracing unnecessarily. That the book also offers me a perspective into a culture and experience so vastly different than my own is more than just icing on the cake.
    I am glad I did not catch the Antigone inspiration so that I was able to read the story without expectations of where it would go or how it would end. It is just excellent.
  • Rating: 4 out of 5 stars
    4/5

    Sep 22, 2020

    Rating this one a 3.5 stars. The language was overly descriptive in some places. The structure seems like a relay race, with each character introduced, then largely abandoned for the next who picked up the plot and moved on. The plot and thematic development moved along but the character development seemed sacrificed for the plot. Interesting take on the struggle between family loyalty and societal expectations. Haunting final scene. Listened to the audiobook for this.
  • Rating: 4 out of 5 stars
    4/5

    Feb 21, 2021

    Divided into five parts, each featuring a different character, we get to know the Pasha and Lone families. The first, which takes on more weight, is made up of Isma, the eldest sister and head of the family of Aneeka and Parvaz since their father passed away years ago, and the social difficulties they have to face due to their Muslim origins despite being British citizens.

    I liked the change of characters to better understand their perspectives—something I found vital in a book like this—through the omniscient narrator. The pace is slow and doesn’t present very complex vocabulary, making it an easy read, though I must say that the plot builds up towards the end, and I can't say it was really gripping or captivating me. That said, the ending left me quite shocked and even made me consider raising the rating I had originally planned.

    It's a book that can make you reflect, and as a conclusion to all the themes that the author touches on, among the most notable being prejudice, racism, and terrorism, what I take away is that the latter also leaves invisible—or not, also rejected—victims in society, namely the families of terrorists who have nothing to do with or no reason to support the decisions they make. (Translated from Spanish)
  • Rating: 3 out of 5 stars
    3/5

    Jan 15, 2021

    I am reading it in Spanish "The Exiled" and I can say it is one of those books that, although it may seem dense at first due to its theme, as the reading progresses, it unveils its message. The author addresses the issue of terrorism from the stance of alleviating its stigmatization. I also have to say that what is interesting about the book is the review and redefinitions of "The Myth of Antigone" by Sophocles from a contemporary perspective. (Translated from Spanish)
  • Rating: 5 out of 5 stars
    5/5

    Apr 19, 2020

    A very powerful book (well everyone says that). The account of how ordinary people can become terrorists is very valuable - and chilling. Definiteloy anyone interested in our times should read
  • Rating: 5 out of 5 stars
    5/5

    Mar 29, 2020

    I had heard that this book was very good. After all it won the 2018 Women's Prize for Fiction. It still took me by surprise at how relevant and well-written the book was.

    In a part of London near Wembley stadium three children were raised by their mother as their father was off being a Muslim freedom fighter. Isma is the oldest and she raised the twins, Aneeka and Parvaiz, after their mother dropped dead of a heart attack. She got a job in a dry cleaning outfit and managed to pay bills and look after the twins until they reached adulthood. Now she can return to her studies and she has been offered a place in an American university where a former professor now works. Parvaiz left home soon after he graduated from high school. He was supposed to be going to Pakistan where the family had relatives but he never showed up there. He is occasionally online and his twin has heard from him but he doesn't contact Isma. Aneeka is going to law school at the London School of Economics (she is only 19 and in Canada she wouldn't be accepted into Law School until she had at least 2 years of University but I checked the LSE website and they do accept students with top notch high school grades) and she is staying with the woman who is their neighbour, Aunty Naseem. Isma meets a fellow Brit at a coffee shop she frequents and she recognizes him as Eamonn Lone, the son of a prominent Tory politician. Although the Lones are Muslim they do not practise the faith and Karamat Lone has made a name for himself as being hard on British-born Muslim terrorists. Isma knows Mr. Lone and his family because she appealed to him to learn more about her father's death after being captured by Americans and sent to Guantanamo. Mr. Lone refused to do anything for the family. Nevertheless Isma finds herself drawn to Eamonn and she eventually tells him of her father and how Eamonn's father let them down. When Eamonn returns to London he goes to visit Aunty Naseem and Aneeka and soon he and Aneeka are involved in a passionate love affair. Aneeka has not told Eamonn about her brother but when he proposes to her she reveals that she started seeing him because she thought he might be able to influence his father to let Parvaiz come home. Parvaiz has become disillusioned with ISIS and wants to return but they are holding his passport. Will Mr. Lone, who is now Home Secretary, help? I can't reveal more but I will say that the ending is dramatic and surprising.

    In the acknowledments section the author says that a friend suggested she adopt the story of Antigone in a contemporary context. I suppose if I knew my Greek myths better then the ending would not have been a surprise. However, I am rather glad I didn't know this because I did read that section before I finished the book and I think that would have taken away from the drama of the ending.

    If you have ever wondered how young people get influenced to leave home and join terrorist organizations then this book will explain it. It is truly an insidious process.
  • Rating: 4 out of 5 stars
    4/5

    Jun 29, 2019

    Allusions in modern texts are always a hit for me. Home Fire loosely parallels the Greek myth Antigone which I read every year with sophomores. Shamsie's writing is engaging and thought-provoking. Using a terrorist and having empathy for him, wouldn't seem possible. An excellent novel even if you're unfamiliar with Antigone.
  • Rating: 5 out of 5 stars
    5/5

    Jun 18, 2019

    When the Booker longlist was announced, this was one of the books that most interested me, because I really enjoyed Shamsie's previous two novels (A God in Every Stone and Burnt Shadows). I was a little nervous when I read that this is a modern retelling of Antigone, because my knowledge of the classics is very limited, but it is a fine book and another one which would make a worthy winner.

    The book is in five sections each of which focuses on a different character. I found the first slow going - we are introduced to Isma as she travels from Britain to Massachusetts to pursue her academic career. Isma is an orphan who has been looking after her younger twin siblings (Aneeka and Parvaiz), and her father was a jihadi fighter in Chechnya and Afghanistan who only returned occasionally. She meets another Briton from a Pakistani family, Eamonn, who is the son of the home secretary (Karamat) and is in America on holiday. This section is primarily a scene setter - the real action starts when Eamonn returns to London and meets Aneeka. They embark on a clandestine affair.

    In the third part we learn more about Parvaiz. He is a drifter more interested in sound recording than working who is left at a loose end when Isma leaves for America and Aneeka starts a law degree. He gets entangled with, and radicalised by Farooq, who turns out to be a recruiter for IS and who persuades him to head for Syria, with the promises that he will find out more about his father and his death while being transported to Guantanamo, and that he will lead a privileged life in the media arm of the organisation.

    Things heat up when Parvaiz decides he wants to return to Britain, and the remainder of the book plays out the tragedy that ensues.

    I won't comment in detail about how this relates to the Sophocles play or the Anouilh version of the story - I will leave that to more expert critics. What I will say is that as a modern parable it works surprisingly well and becomes a very compulsive story. The Prime Minister and Chancellor are obviously modelled on Cameron and Osborne, so it is clear that Shamsie did not foresee the upheavals of the Brexit vote, but all of the other political content is chillingly plausible, and Shamsie paints a very nuanced picture of the difficulties faced by the Muslim community in dealing with their own extremists on one side and intolerance and misunderstanding on the other.

    Perhaps slightly flawed in places, but the best parts are very good indeed.
  • Rating: 4 out of 5 stars
    4/5

    Feb 28, 2019

    Isma has raised her twin siblings, Parvaiz and Aneeka, since she was a young adult. Now, the twins are 19, and Isma is leaving England for America to resume her studies. The Pasha family are originally from Pakistan, but are now UK citizens. Their late father, however, was involved with ISIS, putting the family under some suspicion. When the brother, Parvaiz, also joins a terrorist group, his sisters struggle in very different ways to get him out of that organization and home.

    This novel is very timely and addresses issues of today. In the novel, the British Home Secretary wants to remove citizenship from UK citizens who join terrorist groups, something we see discussed by governments today. The idea of leaving people stateless is something that disturbs me. The author has shown what families will do to protect loved ones -- whether by assimilation, working with authorities or other more controversial means. Very well written and thought-provoking.
  • Rating: 4 out of 5 stars
    4/5

    Feb 9, 2019

    I was trepidatious as the book started a little slow, posing as a domestic soap opera, but it just kept building momentum as it incorporated prejudice against Muslims, Muslim extremism, the Islamic state and British politics, all the time keeping family at the center as it heads toward its devastating, beautiful ending. Recommended.
  • Rating: 4 out of 5 stars
    4/5

    Jan 13, 2019

    Brainwashing.
    Well, I could have done without this being a contemporary reselling of Antigone, as I'm really not a fan of rehashing the old fables in modern form. Still, I was pretty much able to ignore the comparisons and take the story at face value - a tragic tale of fundamentalism and its disastrous effects on a family.

    I read this because the author was attending our local Lit Fest, and I'm glad I did. It depicted the struggles of an immigrant family that, to all intents and purposes, had become British, yet their beliefs and values still undermined their every move and influenced their thoughts.

    The eldest member of the family, Isma, has been caring for her younger siblings since their mother died. Now that they are older, Isma finally has the opportunity to do something for herself; to accept an invitation to carry out research in America under a much respected mentor. However, she still worries about her younger sister, Aneeka, and Aneeka's twin brother, Parvais. Aneeka can be reckless and foolish, while Parvais has been missing, believed to be attempting to follow in his father's fanatical footsteps.
    When Isma meets Eamon, son of a powerful MP, and sends him to her family with a package to post, she opens up a can of worms that has no lid.
    The fall-out from this event is cataclysmic, as the characters spiral downwards into their own black holes and Isma tries desperately to hold the family together.

    Definitely a powerful read, a book of our times.

    Also read, by the same author: Burnt Shadows (5*)
  • Rating: 4 out of 5 stars
    4/5

    Dec 18, 2018

    A powerful read although I was a little disappointed with the ending.

    Isma has taken her mother's place for years. Now she can accept the invitation to study in America. Still she is concerned about Aneeka, her lovely sister in London, and their brother, Parvaiz, who is following his own dream. Alas his dream is to follow his jihadist father. Then Eamonn comes into their lives and all hell breaks loose.

    Strong writing, strong characters, and a bomb of an ending. A good read for those struggling to understand ISIS and a good book for those who like a powerful story.
  • Rating: 3 out of 5 stars
    3/5

    Dec 5, 2018

    An interesting look at being a Muslim in UK. It's meant to be based on Antigone. I think I might need to go and find what the storyline of that is to better appreciate this storyline.
  • Rating: 3 out of 5 stars
    3/5

    Oct 14, 2018

    Although quite interesting, I would this book to be a bit contrived and all improbable. The story of the boy's indoctrination is believable, but I could not see how he or any member of his family would have been able to travel as they did, given the fact that their father was a convicted terrorist who died in Guantamino Bay.
  • Rating: 3 out of 5 stars
    3/5

    Jun 16, 2018

    A story that explores the controversial subject of the indoctrination of the ISIS philosophy into a sympathetic yet ultimately misguided populace.

    Isma Pasha followed her dream to America leaving behind her elegant sister Aneeka and her vulnerable yet impressionable brother Parvaiz. Eamonn, the son of outspoken Home Secretary Karamat Lone, becomes captivated by the beauty that is Aneeka. Does Aneeka reciprocate this love or is she merely using Eamonn to help rescue her twin brother Parvaiz who has since travelled to Syria but very quickly lives to regret this decision.

    There is a nice balance in this novel between the Pasha family whose father Adil, had been a jihadi and had gone to Afghanistan to fight with the Taliban and died for his beliefs, and Home Secretary Karamat Lone a traditionalist and yet a reformer. He loathed those citizens irrespective of beliefs or culture..."who treated the privilege of British citizenship as something that could be betrayed without consequences"...and further..."I hate the Muslims who make people hate Muslims"......

    I can understand why Home Fire was the winner of the Women's Prize for fiction 2018 and whilst the first part of this novel was a little reticent and slow to impress the second half presented neatly formulated ideas and beliefs all leading to a very sudden unexpected conclusion. Home Fire is a story of the modern world and shows what happens when the corrupt and misguided prey on the weak and receptive.
  • Rating: 4 out of 5 stars
    4/5

    Jun 14, 2018

    I was drawn to this story because it gave a small insight to the plight of muslims living today. This is the story of two families that are changed forever because of the love affair between two members of each family. The story is told from the perspective of 5 different members of the family so you get to know these characters well. The ending was unexpectedand I found the story to get better toward the end.
  • Rating: 4 out of 5 stars
    4/5

    May 31, 2018

    First, I'm such a disappointment as an English major. Halfway through the book I read some reviews to learn that this is a retelling of Antigone. Since I have no memory of Antigone even though I think I read it twice and saw it on stage, this knowledge didn't give away any plot except I knew it would be tragic, and that it was.

    The story revolves around 2 British families whose parents immigrated from Pakistan. The conflict comes when they cross paths. In one family a young son becomes a jihadist and in the other they are giving up all their roots as much as possible. The first half of the novel is so deeply rooted at the character level while the second half becomes becomes more about the community and their place in a world of turmoil.
    I can't give away the ending but I've got questions! If anyone has read it I want to discuss.
  • Rating: 4 out of 5 stars
    4/5

    May 28, 2018

    This modern retelling of Antigone sucked me in. The narrative switched points of view and at times I felt more connected to certain characters than others, but the overall effect was enthralling.

    “For girls, becoming women was inevitability, for boys, becoming men was ambition.”
  • Rating: 5 out of 5 stars
    5/5

    Mar 29, 2018

    This excellent new book is a retelling of Antigone set in the present day. The story revolves around two Pakistani families in London. Isma, the older sister of Aneeka and Parvaiz, raises her siblings after her mother dies suddenly. Their father had never been a part of their lives, having left the family as a jihadi. The sisters both encounter Eammon, whose father is a famous, rising politician who has taken a hard line on Pakistanis who do not fully integrate into British culture. When Parvaiz leaves his family to go to Syria, following in his father's footsteps, a crisis ensues.

    I was hesitant to read this book because, honestly, I rarely enjoy reading fiction based around current, politically-charged events. It's too new and too emotional and too uncomfortable, and I generally read to escape current events. But Shamsie really does this well. I think that even though I was barely knowledgable about the Antigone story, it still really works to ground and focus the book. And she does a great job of presenting the moral complexities that all of the characters portray without beating the reader over the head with them or making the writing feel trite or obvious.

    This is an excellent book and one I highly recommend. I'm interested in reading more of Shamsie's writing and glad to see she's written several other books already.
  • Rating: 3 out of 5 stars
    3/5

    Mar 26, 2018

    I haven't read Antigone. I don't know whether it would have helped or not if I had. Home Fire is the story of three siblings from a British Muslim family who each react to the disappearance and death of their jihadi father in their own way. One takes on responsibility for the family after their mother and grandmother die, putting her own dreams on hold. Another becomes absorbed in her relationship with her twin brother. And the twin brother becomes a jihadi himself. It's a clever story and kept me gripped in terms of the plot, but I didn't think any of the characters had enough depth. For all the drama, there was a detachment about them. I wanted to feel their passion, to find a deeper analysis of why young British Muslims choose to fight for terrorist organisations or become 'jihadi brides'. Instead it all felt a bit surfacey.
  • Rating: 5 out of 5 stars
    5/5

    Mar 13, 2018

    This devastating novel has echoes of the Greek tragedy Antigone (but you don't need it as a prequel), with two sisters caught between their brother, their father's past, a powerful politician, and his son. It's set in the US, Britain, Pakistan, and Syria, and opens with the American life of Isma, elder sister to twins Aneeka and Parvaiz, all three children of Muslim fighter Adil, who died in Bagram, Afghanistan, after being tortured. Isma and Aneeka seem to have escaped the violent politics of their father, but son Parvaiz, an unambitious sound engineer, falls under the influence of a jihadist and runs away to join ISIS. When Aneeka meets Eammon, the son of the British Home Secretary Karamat, she tries to rescue Parvaiz via the arrogant politician, who has advanced his own career by advocating only for "good" Muslims. Isma, Eammon, Aneeka, and Karamat each hold forth in sections of the narrative. The approaching doom is so menacing that the reader hesitates to turn the concluding pages. The intense emotion and delusion underlying each character make this an unforgettable novel of torture and obsession.
  • Rating: 4 out of 5 stars
    4/5

    Feb 10, 2018

    This modern retelling of Sophocles’ Antigone features three British siblings of Pakistani descent variously haunted by the ghost of their jihadist father. Given the current political milieu, the novel can’t help but have a certain “ripped from the headlines” feel. But Shamsie’s plot is driven by far more ancient and enduring tragedies – the tragedy of children deprived of their parents, the tragedy of the death of a sibling, the tragedy of true love thwarted by families on opposite sides of an ancient feud, the tragedy of blind nationalism, the tragedy of sons desperate to live up to the ideals of their fathers, the tragedy of minority communities torn apart by internal dissent over their own complicity in the stereotypes they inspire.

    Antigone is of course the obvious subtext, but what struck me were the parallels between the Muslim politician/minister in this tale and free negro abolitionists in pre-Civil War U.S., both struggling to resolve an impossible moral dilemma: is the “correct” path to assimilation through forceful insistence upon equal treatment, or is it through embracing law & order, even if it means abiding by laws that penalize one’s own race? The Pakistani-heritage British minister in this case chooses the later course, with predictably tragic consequences – predictable because, of course, Antigone is one of Sophocles’ great tragedies, so anyone going into this hoping for a “happily ever after” would have to be sadly naive.

    Shamsie literally steps back and lets the characters tell their own tale, turning over each chapter to a different player in the tragedy who narrates their portion of the tale in first person. Which doesn’t mean Shamsie isn’t shaping the way we perceive the tale in more subtle ways: the language and setpieces she evokes are laden with connotation, from the opening chapter in which the eldest girl, Isma, debates whether emptying her suitcase in neat piles or dumping the clothes out haphazardly will seem less suspicious to the airport security personnel who are detaining her as she tries to enter the U.S. on a student visa, to the novel’s aching conclusion in which a grieving sister wailing over the body of her dead brother seems to summon up from the earth a howling dust storm.

    I whizzed through this relatively short but powerful novel in less than a day, which I haven’t done in a long time; more than that, however, this is proving one of those books that inspires connections with real events and provokes different ways of perceiving familiar ideas. The fact that I find that surprising probably means that I’m the one that’s sadly naïve: whether the year is 441 BC or 2020 AD, it shouldn’t surprise me that tragedy is one literary theme that never ceased to haunt us.
  • Rating: 5 out of 5 stars
    5/5

    Feb 9, 2018

    More of a "thriller" than I usually read, I greatly enjoyed this story of two British families of Pakistani immigrants being influenced by their families' backgrounds.
    The story is grippingly told though five family narrators in a relatively sequential manner and works well at conveying the issues experienced which others will not think about.
    My reservation is that the story is told to tell the author's specific story, rather than letting the story develop more organically from the characters and because of this, although the characters are well described, they come across as somewhat representative, rather than individual.

    There are many vivid images and quotable passages, but I especially liked this about bushy beards:
    "ecosystem beards (Aneeka had named them): large enough to support an ecosystem"

    Well worth reading, but difficult to describe without spoilers.

Book preview

Home Fire - Kamila Shamsie

Cover for Home Fire

Also by Kamila Shamsie

In the City by the Sea

Salt and Saffron

Kartography

Broken Verses

Burnt Shadows

A God in Every Stone

Riverhead Books

An imprint of Penguin Random House LLC

375 Hudson Street

New York, New York 10014

Copyright © 2017 by Kamila Shamsie

Penguin supports copyright. Copyright fuels creativity, encourages diverse voices, promotes free speech, and creates a vibrant culture. Thank you for buying an authorized edition of this book and for complying with copyright laws by not reproducing, scanning, or distributing any part of it in any form without permission. You are supporting writers and allowing Penguin to continue to publish books for every reader.

Library of Congress Cataloging-in-Publication Data

Names: Shamsie, Kamila [date], author.

Title: Home fire : a novel / Kamila Shamsie.

Description: New York : Riverhead Books, 2017.

Identifiers: LCCN 2017003238 | ISBN 9780735217683 (hardcover)

Subjects: LCSH: Families—Fiction. | Domestic fiction. | Political fiction. | BISAC: FICTION / Family Life. | FICTION / Political. | FICTION / Cultural Heritage. | GSAFD: Love stories.

Classification: LCC PR9540.9.S485 H66 2017 | DDC 823/.914—dc23

LC record available at https://lccn.loc.gov/2017003238

p. cm.

Ebook ISBN: 9780735217706

This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead, businesses, companies, events, or locales is entirely coincidental.

btb_ppg_148317615_c0_r2

For Gillian Slovo

Contents

Also by Kamila Shamsie

Title Page

Copyright

Dedication

Epigraph

Isma

Chapter 1

Chapter 2

Eamonn

Chapter 3

Chapter 4

Parvaiz

Chapter 5

Chapter 6

Aneeka

Chapter 7

Karamat

Chapter 8

Chapter 9

Acknowledgments

About the Author

The ones we love . . . are enemies of the state.

—Sophocles, Antigone

(translated by Seamus Heaney)

Isma

1

Isma was going to miss her flight. The ticket wouldn’t be refunded, because the airline took no responsibility for passengers who arrived at the airport three hours ahead of the departure time and were escorted to an interrogation room. She had expected the interrogation, but not the hours of waiting that would precede it, nor that it would feel so humiliating to have the contents of her suitcase inspected. She’d made sure not to pack anything that would invite comment or questions—no Quran, no family pictures, no books on her area of academic interest—but even so, the officer took hold of every item of Isma’s clothing and ran it between her thumb and fingers, not so much searching for hidden pockets as judging the quality of the material. Finally she reached for the designer-label down jacket Isma had folded over a chair back when she entered, and held it up, one hand pinching each shoulder.

This isn’t yours, she said, and Isma was sure she didn’t mean because it’s at least a size too large but rather it’s too nice for someone like you.

I used to work at a dry-cleaning shop. The woman who brought this in said she didn’t want it when we couldn’t get rid of the stain. She pointed to the grease mark on the pocket.

Does the manager know you took it?

I was the manager.

You were the manager of a dry-cleaning shop and now you’re on your way to a PhD program in sociology?

Yes.

And how did that happen?

My siblings and I were orphaned just after I finished uni. They were twelve years old—twins. I took the first job I could find. Now they’ve grown up; I can go back to my life.

You’re going back to your life . . . in Amherst, Massachusetts.

I meant the academic life. My former tutor from LSE teaches in Amherst now, at the university there. Her name is Hira Shah. You can call her. I’ll be staying with her when I arrive, until I find a place of my own.

In Amherst.

No. I don’t know. Sorry, do you mean her place or the place of my own? She lives in Northampton—that’s close to Amherst. I’ll look all around the area for whatever suits me best. So it might be Amherst, but it might not. There are some real estate listings on my phone. Which you have. She stopped herself. The official was doing that thing that she’d encountered before in security personnel—staying quiet when you answered their question in a straightforward manner, which made you think you had to say more. And the more you said, the more guilty you sounded.

The woman dropped the jacket into the jumble of clothes and shoes and told Isma to wait.

That had been a while ago. The plane would be boarding now. Isma looked over at the suitcase. She’d repacked when the woman left the room and spent the time since worrying if doing that without permission constituted an offense. Should she empty the clothes out into a haphazard pile, or would that make things even worse? She stood up, unzipped the suitcase, and flipped it open so its contents were visible.

A man entered the office, carrying Isma’s passport, laptop, and phone. She allowed herself to hope, but he sat down, gestured for her to do the same, and placed a voice recorder between them.

Do you consider yourself British? the man said.

I am British.

But do you consider yourself British?

I’ve lived here all my life. She meant there was no other country of which she could feel herself a part, but the words came out sounding evasive.

The interrogation continued for nearly two hours. He wanted to know her thoughts on Shias, homosexuals, the Queen, democracy, The Great British Bake Off, the invasion of Iraq, Israel, suicide bombers, dating websites. After that early slip regarding her Britishness, she settled into the manner that she’d practiced with Aneeka playing the role of the interrogating officer, Isma responding to her sister as though she were a customer of dubious political opinions whose business Isma didn’t want to lose by voicing strenuously opposing views, but to whom she didn’t see the need to lie either. (When people talk about the enmity between Shias and Sunnis, it usually centers on some political imbalance of power, such as in Iraq or Syria—as a Brit, I don’t distinguish between one Muslim and another. Occupying other people’s territory generally causes more problems than it solves—this served for both Iraq and Israel. Killing civilians is sinful—that’s equally true whether the manner of killing is a suicide bombing or aerial bombardments or drone strikes.) There were long intervals of silence between each answer and the next question as the man clicked keys on her laptop, examining her browser history. He knew that she was interested in the marital status of an actor from a popular TV series; that wearing a hijab didn’t stop her from buying expensive products to tame her frizzy hair; that she had searched for how to make small talk with Americans.

You know, you don’t have to be so compliant about everything, Aneeka had said during the role-playing. Isma’s sister, not quite nineteen, with her law student brain, who knew everything about her rights and nothing about the fragility of her place in the world. For instance, if they ask you about the Queen, just say, As an Asian I have to admire her color palette. It’s important to show at least a tiny bit of contempt for the whole process. Instead, Isma had responded, I greatly admire Her Majesty’s commitment to her role. But there had been comfort in hearing her sister’s alternative answers in her head, her Ha! of triumph when the official asked a question that she’d anticipated and Isma had dismissed, such as the Great British Bake Off one. Well, if they didn’t let her board this plane—or any one after this—she would go home to Aneeka, which is what half Isma’s heart knew it should do in any case. How much of Aneeka’s heart wanted that was a hard question to answer—she’d been so adamant that Isma not change her plans for America, and whether this was selflessness or a wish to be left alone was something even Aneeka herself didn’t seem to know. A tiny flicker in Isma’s brain signaled a thought about Parvaiz that was trying to surface, before it was submerged by the strength of her refusal ever to think about him again.

Eventually, the door opened and the woman official walked in. Perhaps she would be the one to ask the family questions—the ones most difficult to answer, the most fraught when she’d prepared with her sister.

Sorry about that, the woman said, unconvincingly. Just had to wait for America to wake up and confirm some details about your student visa. All checked out. Here. She handed a stiff rectangle of paper to Isma with an air of magnanimity. It was the boarding pass for the plane she’d already missed.

Isma stood up, unsteady because of the pins and needles in her feet, which she’d been afraid to shake off in case she accidentally kicked the man across the desk from her. As she wheeled out her luggage she thanked the woman whose thumbprints were on her underwear, not allowing even a shade of sarcasm to enter her voice.


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The cold bit down on every exposed piece of skin before cutting through the layers of clothing. Isma opened her mouth and tilted her head back, breathing in the lip-numbing, teeth-aching air. Crusted snow lay all about, glinting in the lights of the terminal. Leaving her suitcase with Dr. Hira Shah, who had driven two hours across Massachusetts to meet her at Logan Airport, she walked over to a mound of snow at the edge of the parking lot, took off her gloves, and pressed her fingertips down on it. At first it resisted, but then it gave way, and her fingers burrowed into the softer layers beneath. She licked snow out of her palm, relieving the dryness of her mouth. The woman in customer services at Heathrow—a Muslim—had found her a place on the next flight out, without charge; she had spent the whole journey worrying about the interrogation awaiting her in Boston, certain they would detain her or put her on a plane back to London. But the immigration official had asked only where she was going to study, said something she didn’t follow but tried to look interested in regarding the university basketball team, and waved her through. And then, as she walked out of the arrivals area, there was Dr. Shah, mentor and savior, unchanged since Isma’s undergraduate days except for a few silver strands threaded through her cropped dark hair. Seeing her raise a hand in welcome, Isma understood how it might have felt, in another age, to step out on deck and see the upstretched arm of the Statue of Liberty and know you had made it, you were going to be all right.

While there was still some feeling in her gloveless hands she typed a message into her phone: Arrived safely. Through security—no problems. Dr. Shah here. How things with you?

Her sister wrote back: Fine, now I know they’ve let you through,

Really fine?

Stop worrying about me. Go live your life—I really want you to.

The parking lot with large, confident vehicles; the broad avenues beyond; the lights gleaming everywhere, their brightness multiplied by reflecting surfaces of glass and snow. Here, there was swagger and certainty and—on this New Year’s Day of 2015—a promise of new beginnings.


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Isma awoke into light to see two figures leaving the sky and falling toward her, bright colors billowing above their heads.

When Hira Shah had brought her to see this studio apartment, the morning after her arrival in America, the landlord had drawn attention to the skylight as a selling point to offset the dank built-in cupboard, and promised her comets and lunar eclipses. With the memory of the Heathrow interrogation still jangling her nerves, she had been able to think only of surveillance satellites wheeling through the sky, and had rejected the studio. But by the end of the day’s viewings it had become clear that she wouldn’t be able to afford anything nicer without the encumbrance of a roommate. Now, some ten weeks later, she could stretch out in the bed, knowing herself to be seeing but unseen. How slowly the parachutists seemed to move, trailing golds and reds. In almost all human history, figures descending from the sky would have been angels or gods or demons—or Icarus hurtling down, his father, Daedalus, following too slowly to catch the vainglorious boy. What must it have felt like to inhabit a commonality of human experience—all eyes to the sky, watching for something mythic to land? She took a picture of the parachutists and sent it to Aneeka with the caption Try this someday? and then stepped out of bed, wondering if spring had arrived early or if this was merely a lull.

Overnight the temperature had climbed vertiginously, melting the snow into a river. She had heard it at her first waking, for the dawn prayer, as it rushed down the gentle slope of the street. It had been a winter of snowstorms, more than usual, she’d been told, and as she dressed she imagined people exiting their homes and, on patches of ground glimpsed for the first time in months, finding lost items—a glove, keys, pens, and pennies. The weight of snow pressing familiarity out of the objects, so that the glove placed beside its former pair looked no more than a distant relative. And what then do you do? Throw away both gloves, or wear them mismatched to acknowledge the miracle of their reunion?

She folded her pajamas and put them under her pillow, smoothed out the duvet. Looked around the clean, spare lines of her apartment—single bed, desk and desk chair, chest of drawers. She felt, as she did most mornings, the deep pleasure of daily life distilled to the essentials: books, walks, spaces in which to think and work.

When she pushed open the heavy door of the two-story stone-veneer house, the morning air was free of its hundred-blade knife for the first time. The thaw had widened the streets and sidewalks, and she felt—what was the word?—boundless! as she set off walking at a pace that didn’t worry about slipping on ice. Past double-storied colonial houses, past cars announcing all their political beliefs on bumper stickers, past vintage clothing, past antiques and yoga. She turned onto Main Street, where City Hall with its inexplicable Norman towers inset with arrow slits gave the vista an edge of hilarity.

She made her way into her favorite café and walked down the stairs with a mug in hand to the book-lined basement—a haven of warm lamplight, worn armchairs, and strong coffee. Punched keys on the keyboard to wake her laptop, barely registered from overfamiliarity the desktop picture of her mother as a young woman of the 1980s, big hair and chunky earrings, dropping a kiss on Isma’s infant scalp. As a matter of morning routine, she opened the Skype window to check if her sister was online. She wasn’t, and Isma was about to click out when a new name appeared on the online contacts list: Parvaiz Pasha.

Isma lifted her hands off the keyboard, set them down on either side of the laptop, and looked at her brother’s name. She hadn’t seen it here since that day in December when he’d called to tell them the decision he’d made for his life without any consideration of what it would mean for his sisters. Now he would be looking at her name, the green check mark next to it telling him she was available to chat. The Skype window was positioned so that her mother’s lips were touching it. Zainab Pasha’s slim, fine-boned features had skipped Isma and passed on to the twins, who laughed with their mother’s mouth, smiled with their mother’s eyes. Isma maximized the Skype window so it filled the entire screen, encircled her throat with the palms of her hands, and felt her heart’s reaction to the sight of his name in the high-speed propulsion of blood through her arteries. The seconds passed, and there was nothing from him. She kept watching the screen, just as she knew he was watching his, both for the same reason: waiting for Aneeka.

A few weeks earlier, at Hira Shah’s condo, a strange music had cut through the sound of Hira slicing potatoes—a whistling, high-pitched twang. Isma and Hira checked phones and speakers, placed ears against walls and floorboards, stepped out into the corridor, opened closets, entered empty rooms, and still it kept on, eerie loveliness, impossible to pinpoint as any known instrument, voice, or birdcall. A neighbor stopped by, looking for the source. Ghosts, he said with a wink before leaving.

Isma laughed, but Hira drew her shoulders in tighter, reached out to touch the evil eye that hung on her wall, which Isma had always assumed to be merely decorative.

The music kept on, coming from everywhere and nowhere, following them as they moved through the apartment. Hira, gripping her knife, whispered something that turned out to be the Lord’s Prayer—she’d been educated at a convent school in Kashmir. Finally, the supremely rational, razor-minded Dr. Shah said they should go out for dinner despite the unpleasant hail. Perhaps the sound would have stopped by the time they returned. Isma went upstairs to the bathroom to wash the grime of concealed corners off her hands. While standing at the sink, looking out of the window beside it, she saw the source of the music.

Running down, she caught Hira’s arm and pulled her out of the backdoor entrance, ducking her head against the hail. All along the redbrick building, end to end, icicles hung from the eaves, a foot or more in length. Against these broadswords, pellets rained down and made music. The acoustics of ice on ice, a thing unimaginable until experienced.

Pain swerved at her then, physical, bringing her to her knees. Hira moved toward her but Isma held up a hand, lay back in the snow, and allowed the pain to roil through her while the hail and icicles continued their synthetic-edged symphony. Parvaiz, a boy never seen without his headphones and a mic, would have lain out here for as long as the song continued, the wet of snow seeping through his clothes, the thud of hail beating down on him, uncaring of anything except capturing something previously unheard, eyes hazy with pleasure.

That had been the only time she had truly, purely missed her brother without adjectives such as ungrateful and selfish slicing through the feeling of loss. Now she looked at his name on the screen, her mouth forming prayers to keep Aneeka from logging on, the adjectives thick in her mind. Aneeka must learn to think of him as lost forever. It was possible to do this with someone you loved, Isma had learned that early on. But you could learn it only if there was a complete vacuum where the other person had been.

His name vanished from the screen. She touched her shoulder, muscles knotted beneath the skin. Pressed down, and knew what it was to be without family; no one’s hands but your own to minister to your suffering. We’ll be in touch all the time, she and Aneeka had said to each other in the weeks before she had left. But touch was the one thing modern technology didn’t allow, and without it she and her sister had lost something vital to their way of being together. Touch was where it had started with them—as an infant, Aneeka was bathed and changed and fed and rocked to sleep by her grandmother and nine-year-old sister while Parvaiz, the weaker, sicklier twin, was the one who suckled at their mother’s breast (she produced only enough milk for one) and cried unless she was the one to tend to him. When the twins grew older and formed their own self-enclosed universe, there was less and less Aneeka needed from Isma, but even so, there remained a physical closeness—Parvaiz was the person Aneeka talked to about all her griefs and worries, but it was Isma she came to for an embrace, or a hand to rub her back, or a body to curl up against on the sofa. And when the burden of the universe seemed too great for Isma to bear—particularly in those early days after their

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