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    POSE!: 1,000 Poses for Photographers and Models
    POSE!: 1,000 Poses for Photographers and Models
    POSE!: 1,000 Poses for Photographers and Models
    Ebook630 pages1 hour

    POSE!: 1,000 Poses for Photographers and Models

    By Mehmet Eygi

    5/5

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    Read preview

    • Photography

    • Modeling

    • Posing

    • Body Language

    • Fashion

    • Practice Makes Perfect

    • Family Portrait

    • Parental Love

    • Family Bonding

    • Show, Don't Tell

    • Big Beautiful Woman

    • Art of Posing

    • Sexy Pose

    • Love Triangle

    • Friends to Lovers

    • Poses

    • Clothing

    • Pose

    • Posture

    • Posing Techniques

    About this ebook

    Whether you’re the photographer behind the camera or the model in front of the lens, chances are you could use some help with posing, which is one of the biggest challenges when it comes to portrait photography. POSE! provides the knowledge and the inspiration you need to make your next photo shoot a success.

    With over 1,000 different looks for you to recreate and experiment with, the book covers a wide range of poses and subject matter in an easily accessible and visually dynamic layout. Photographer and author Mehmet Eygi demonstrates exactly how to get the right pose—from hand and leg placement, to a subtle tilt of the chin, to engaging with props and the environment around you.

    Each pose covered consists of a main pose followed by three variations on that pose. Organized by subject matter, POSE! covers:

    • WOMEN: Portrait, Beauty, Fashion, Lingerie, Implied Nude, Curvy, Curvy Boudoir, Sports, Business, Wall
    • MEN: Portrait, Fashion, Implied Nude, Sports, Business, Wall
    • COUPLES: Portrait, Fashion, Implied Nude, Sports
    • MATERNITY: Mother, Couple
    • FAMILY: Parents and Baby, New Family, Children

    Whether you use POSE! as an educational tool to explore the art of posing, or you simply use it as a look-book to find photographic inspiration or to help you direct a model, you’ll quickly improve your portrait photography starting with your very next shoot.

    LanguageEnglish
    PublisherRocky Nook
    Release dateAug 22, 2018
    ISBN9781681984308
    POSE!: 1,000 Poses for Photographers and Models
    Author

    Mehmet Eygi

    Mehmet Eygi is an entrepreneur, photographer, creative director, and consultant based in Cologne, Germany. After studying communications, product design, and photography, he worked for large international photo studios as a consultant and creative director. One of his responsibilities was to review photo shoots with clients. What began as a means of quality control soon developed into a passion for people photography. After photographing nearly a thousand different subjects, Mehmet began to recognize a common problem: photographers and models each have their own level of posing skills, and this determines the results of a photo shoot. Mehmet decided to develop standardized practices for posing techniques. He self-published an eBook to teach these essential lessons, and the book immediately took off. His approach proved to be so successful that book publishers have brought the book to market it German, French, and now English. With his new company, Sedcard24.com, Mehmet has created a specialized marketing tool for models and actors: printed and digital comp cards for use as a quick presentation of their portfolios. He is currently building a search engine for models, which will make it easy for photographers all over the world to find models nearby.

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    Reviews for POSE!

    5/5

    8 ratings2 reviews

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    • 4/5

      Jul 12, 2023

      Great book! With good posing guides for great portraiture. Thank!
    • 4/5

      Feb 5, 2023

      Ótimo guia pra abrir a mente pra explorar sua criatividade na hora dos ensaios ????????

    Book preview

    POSE! - Mehmet Eygi

    WOMEN

    Portraits | Beauty | Fashion | Lingerie | Implied Nude | Curvy | Curvy Boudoir | Sports | Business | Wall

    PORTRAITS

    Always accentuate a model’s most attractive attributes, and work with the characteristics that make each individual special.

    # 001

    LEGS TOGETHER

    Poses with legs and feet close together have a soft, feminine feel. Once you have positioned the model’s legs, concentrate on her torso and arms. Combined with a good head position and an appropriate facial expression, you will end up with a nice soft pose. A straight back is just as important here as it is in the more masculine version (see #002).

    # 002

    A TOUGH ATTITUDE

    Compare the difference between this pose and #001. With her legs apart, the model presents a more confident, masculine look. This is because the pose is more rigid and the model commands more space. The model can rest her hands or elbows on her thighs, or try out different positions for her hands.

    # 003

    THE ESSENCE OF COOL

    This is a classic pose for creating cool-looking portraits. While sitting with the back of a chair facing the camera, the model can vary the position of her arms, hands, head, and back. If your model is leaning on a chair, on another model, or on any hard surface, make sure she doesn’t lean too hard—models with fuller arms tend to produce unsightly dimples or skin folds.

    # 004

    TURN AROUND

    Use your props and their posing potential to the full. If you are not getting the look you want, don’t give up too quickly but continue to experiment with different poses. Try to categorize poses using attributes such as the direction the model is facing. While you practice, you are sure to produce a lot of awkward shots, but awkward moments often lead to insights you simply can’t learn from a book.

    # 005

    WATCH YOUR BACK

    Is a straight back always exactly what you want in a pose? A straight back makes a model look strong, confident, and resolute, but what about poses that present a more emotional, casual, or thoughtful look? Compare the main image with variation #1 to see the difference that even a slightly slumped position produces. Changes like this enable you to control the energy level of a pose.

    # 006

    THE THINKER

    Portrait poses often involve resting one arm on the other. One hand, finger, or fist is sometimes positioned at the model’s temple, under her chin, or supporting her jaw. An experienced model’s free hand will also look good. Make sure your model doesn’t rest her elbow in the palm of her other hand, however, as this often looks unnatural and can easily spoil an image. Ideally, she should rest her elbow on or in front of her other wrist. Make sure she positions the fingers of both hands elegantly.

    # 007

    THINKING ABOUT . . .

    This a great, natural-looking pose. The model isn’t trying to strike a perfect pose that carries a message, but instead communicates an emotion. To help your model with expressions, try calling out adjectives such as surprised, contented, happy, disappointed, hurt, arrogant, or thoughtful. Everyone has memories of these kinds of feelings that they can call up and use to shape a pose.

    # 008

    ELBOWS ON LEGS

    In a sitting position, with her elbows on her legs, your model can let her hands fall loosely or draw them up and back toward her chin, neck, or hair. For this pose, it is important that the model leans forward while retaining a degree of tension in her torso so that she doesn’t droop. Make sure that hand contact with her chin or cheek is light to avoid producing dips or folds in her skin. The same applies to her arms and elbows if she rests them on her legs.

    # 009

    SHY GIRL

    If you want to communicate a mood that is playful, shy, or just plain cute, using an unusual stance can help accentuate the effect. In the main image, the model’s hands underscore the cute aspect of the pose. These kinds of things are usually personal habits that a model contributes to a pose without actually thinking about it. With a little practice, and with the help of a few instructions, you can get any model to play along. The important thing is getting her to vary her facial expression while keeping the expression subtle.

    # 010

    LEAN ON

    Ask your model to imagine that the chair is a window ledge or the rail on a balcony or bridge. On location, you can use the local infrastructure to create new and interesting poses. Whatever your model is leaning on, make sure she keeps her back straight. If you want to give this shot a sexy edge, you can include the model’s behind. If not, you can simply adjust your framing as required.

    # 011

    BARSTOOL

    The great thing about using a stool is that your model cannot lean back. If she did, it would bring her feet, legs, and tummy closer to the camera than her face. Decide how straight you want her back to be, and how it best suits your overall idea. You can then decide whether to have her pose her legs in a feminine, masculine, symmetrical, or asymmetrical way. Finish up by positioning her hands accordingly.

    # 012

    BARSTOOL II

    As in the previous pose, your model shouldn’t lean back—otherwise her legs will be closer to the camera than her face. In contrast, leaning forward works very well. The multi-angle icon is there for a reason. Apart from the positions of her arms and head, there are plenty of various camera angles and positions you can try out with this pose. In addition to moving around while you shoot, you can vary the height of the camera.

    # 013

    HEADS UP

    The model’s facial expression and head tilt is, of course, one of the main factors that determine the emotion communicated by an image. However, it is not always easy to get it right. The two upper variations show how tilting her head to the side or keeping it straight makes the difference between an emotional and a businesslike look. This may seem obvious, but it is an extremely important aspect of a pose. You will see later how it affects a whole range of poses.

    KEY LESSON

    CONNECT!

    The direction of your model’s gaze, and the way she positions her chin and shoulders, determine how the pose connects with the viewer. If all three point directly at the viewer, it creates a strong connection and gives each aspect equal weight. This is particularly clear in variation #2. In variation #1, the model’s averted gaze automatically attracts the viewer to her torso and/or her clothing. In the main image, her torso is turned to the side, but her chin and eyes point straight at the camera, thus putting more emphasis on her face.

    # 014

    GROUNDED

    This is one of the oldest and simplest poses, but it can still be used to create top-notch images if you get it right. Start with

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