Tumbling Toward the End
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About this ebook
"Budbill both informs and moves. He is, in short, a delight and a comfort." Wendell Berry
"David Budbill is a no-nonsense, free-range sage." Dana Jennings, The New York Times
"Looking at the reality closely, he sees parts move in a unisonsometimes graceless, sometimes ugly, always resolved in a human wholeness." Donald Hall
"David Budbill's . . . poetry is as accessible as a parking lot and as plain as a pair of Levis." Parnassus
Appearing frequently on Garrison Keillor's The Writer's Almanac, David Budbill's poems are deceptively simple and filled with light and longing. In this new book, he confronts the painful realities of aging, with both joy and mortality interweaving his sparse and brisk poems. Eschewing platitudes and easy answers, Budbill achieves a dynamic and delicate balance between deepening winter and filling out the seed-catalog order for the next garden.
Pare Everything Down to Almost Nothing
then cut the rest,
and you've got
the poem
I'm trying to write.
David Budbill is the author of six books of poems, eight plays, a novel, a collection of short stories, a picture book for children, and dozens of essays, introductions, speeches, and book reviews. He has also served as an occasional commentator on National Public Radio's All Things Considered. He lives in the mountains of northern Vermont where he tends his garden, woodpile, and website.
David Budbill
David Budbill (1940–2016) is the author of eight books of poems, seven plays, two novels, a collection of short stories, two picture books for children, and the libretto for an opera. He also served as an occasional commentator on National Public Radio’s All Things Considered. He is well known for his play Judevine, which is centered on the lives of people who live in a fictional Vermont town—a place of great beauty and sometimes tough living. His honors include an Honorary Doctor of Humane Letters from New England College, a Guggenheim Fellowship in Poetry, and a National Endowment for the Arts Fellowship. David lived a humble, engaged, and passionate life in the green mountains of Vermont with his wife of 50 years, the painter Lois Eby.
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Tumbling Toward the End - David Budbill
PART I
Earth’s the right place for love:
I don’t know where it’s likely to go better.
ROBERT FROST
Morning Meditation
Stand beside the woodstove,
hands on butt, palms turned out.
Face the window to the east.
What’s left of my tea in its
capped cup stays warm on
the stove behind me.
Stare out through the window:
at sunrise, snowfall, cloudy day,
branches of the apple tree,
birds moving to and from
the dooryard feeder.
Watch the day.
Empty mind,
empty self,
into which
this poem
now comes.
Whenever
Whenever I do the last things for the year,
like smoke the last bunch of sausages or
load the woodshed, or the first things of the
year like defrost the freezer on a subzero
night in January, as we did last night — we
put the freezer’s contents out on the porch
so they’ll stay colder than had they been in
the freezer at ten below — I wonder if this
will be the last time?
This Place
Whatever is produced by the help of another is likely to dissolve
and perish.
EKAI (1183–1260)
I came here almost fifty years ago well quit of the world, or so
I thought, and in retreat to these remote and lonely mountains
in imitation of my ancient Chinese brothers who also fled
the dark and dreck of political intrigue, the idiocies of arrogance and pretense,
all of us
fled small minds and pompous bearing to a world of natural simplicity in
which my
neighbors could be those who knew
the meaning of the turning seasons, of life and death, of drought
and plenty, who lived their lives and knew enough to take their dying
seriously, who
stayed alive and faced their deaths without excuse,
who suffered and let go. I came into this place and found a life
with people who would rather see you find out, find it, for yourself than lift a
hand to
help you, not out of arrogance or distance, but out
of modesty, respect, for your own self and for the impossibility
of ever telling anyone anything, born of their own hard-won experience,
which has taught
them all to know that nobody
learns anything they do not need,
and seek out by themselves, to know.
Vanity, Vanity, All Is Vanity
I’m full of aches and pains. The bottoms of my
feet hurt constantly, I’ve got arthritis in my
thumbs. My right arm is so weak I can’t
