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A short story from the Classic Shorts collection: The Happy Failure by Herman Melville
Herman Melville
Herman Melville nasceu a 1 de agosto de 1819 em Nova Iorque, numa prestigiada família de ascendência escocesa. Depois da morte do pai, teve vários empregos para ajudar a sustentar a numerosa família. Aos 18 anos, depois de frequentar, intermitentemente e enquanto trabalhava, o curso de Latim, Melville embarca no navio mercante St. Lawrence como ajudante e, dois anos depois, junta-se à tripulação do baleeiro Acushnet, de que deserta quando este chega às ilhas Marquesas para viver com os nativos, uma experiência que descreverá no seu livro Typee, de 1846. Ainda em 1841, a bordo do baleeiro Lucy Ann, Melville tomou parte num motim de tripulantes que o levou à cadeia, no Taiti, de onde conseguiu fugir pouco depois. O relato desta experiência, deixa-o em Omoo, publicado em 1847. Estes dois livros foram êxitos de vendas e da crítica e Melville tornou-se um reconhecido escritor e aventureiro. Em 1847, casou com Elizabeth Shaw, com quem teve quatro filhos e, em 1849, publicou Redburn, romance semiautobiográfico onde descreve os últimos dias do pai. Em 1851 é publicada a sua obra-prima Moby Dick. A receção e as vendas desastrosas deste livro ditaram o declínio do escritor nas décadas seguintes. Em 1856, publicou The Piazza Tales, uma coletânea de seis contos anteriormente publicados na Putnam’s Monthly Magazine, entre os quais se encontra Bartleby, o Escrivão, apontado como um dos melhores contos jamais escritos. À datada sua morte, a 28 de setembro de 1891, Melville era considerado um vulto menor das letras americanas, cuja obra se encontrava praticamente fora de circulação. O reconhecimento da importância de Melville, romancista, poeta e escritor, para a literatura americana e mundial chegaria apenas no século XX, em 1919, por ocasião da celebração do centenário do seu nascimento.
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I and My Chimney - Herman Melville
I and My Chimney
Short Story
Herman Melville
Contents
Begin Reading
About the Author
Copyright
About the Publisher
I AND MY CHIMNEY
I and my chimney, two gray-headed old smokers, reside in the country. We are, I may say, old settlers here; particularly my old chimney, which settles more and more every day.
Though I always say, I and my chimney, as Cardinal Wolsey used to say, I and my King, yet this egotistic way of speaking, wherein I take precedence of my chimney, is hardly borne out by the facts; in everything, except the above phrase, my chimney taking precedence of me.
Within thirty feet of the turf-sided road, my chimney—a huge, corpulent old Harry VIII of a chimney—rises full in front of me and all my possessions. Standing well up a hill-side, my chimney, like Lord Rosse’s monster telescope, swung vertical to hit the meridian moon, is the first object to greet the approaching traveler’s eye, nor is it the last which the sun salutes. My chimney, too, is before me in receiving the first-fruits of the seasons. The snow is on its head ere on my hat; and every spring, as in a hollow beech tree, the first swallows build their nests in it.
But it is within doors that the pre-eminence of my chimney is most manifest. When in the rear room, set apart for that object, I stand to receive my guests (who, by the way, call more, I suspect, to see my chimney than me), I then stand, not so much before, as, strictly speaking, behind my chimney, which is, indeed, the true host. Not that I demur. In the presence of my betters, I hope I know my place.
From this habitual precedence of my chimney over me, some even think that I have got into a sad rearward way altogether; in short, from standing behind my old-fashioned chimney so much, I have got to be quite behind the age, too, as well as running behind-hand in everything else. But to tell the truth, I never was a very forward old fellow, nor what my farming neighbors call a forehanded one. Indeed, those rumors about my behindhandedness are so far correct, that I have an odd sauntering way with me sometimes of going about with my hands behind my back. As for my belonging to the rear-guard in general, certain it is, I bring up the rear of my chimney—which, by the way, is this moment before me—and that, too, both in fancy and fact. In brief, my chimney is my superior; my superior by I know not how many heads and shoulders; my superior, too, in that humbly bowing over with shovel and tongs, I much minister to it; yet never does it minister, or incline over to me; but, if anything, in its settlings, rather leans the other way.
My chimney is grand seignior here—the one great domineering object, not more of the landscape, than of the house; all the rest of which house, in each architectural arrangement, as may shortly appear, is, in the most marked manner, accommodated, not to my wants, but to my chimney’s, which, among other things, has the centre of the house to himself, leaving but the odd holes and corners to me.
But I and my chimney must explain; and, as we are both rather obese, we may have to expatiate.
In those
