[go: up one dir, main page]

Explore 1.5M+ audiobooks & ebooks free for days

From $11.99/month after trial. Cancel anytime.

Wuthering Heights Complete Text with Extras
Wuthering Heights Complete Text with Extras
Wuthering Heights Complete Text with Extras
Ebook480 pages8 hours

Wuthering Heights Complete Text with Extras

Rating: 4 out of 5 stars

4/5

()

Read preview
  • Social Class & Status

  • Revenge

  • Love & Relationships

  • Social Class

  • Family Dynamics

  • Star-Crossed Lovers

  • Forbidden Love

  • Dark & Stormy Night

  • Haunted House

  • Loyal Servant

  • Love Triangle

  • Innocent Child

  • Orphan

  • Power of Love

  • Enemies to Lovers

  • Isolation & Loneliness

  • Family Relationships

  • Power & Control

  • Childhood & Growing up

  • Family Conflict

About this ebook

I cannot live without my life!

I cannot live without my soul!

When Catherine and Heathcliff's childhood friendship grows into something so much more, what ensues is one of the greatest love stories of all time. Even as fate conspires against them and passion consumes them, nothing can keep Catherine and Heathcliff apart. Not even death . . . for their forbidden love is unlike any other.

Emily Brontë's masterpiece remains as compelling and thrilling as ever. Beautifully presented for a modern teen audience, this is the must-have edition of a timeless classic.

LanguageEnglish
PublisherHarperCollins
Release dateJun 8, 2010
ISBN9780062023308
Wuthering Heights Complete Text with Extras
Author

Emily Bronte

Emily Brontë (Thornton, Yorkshire, 30 de julio de 1818 - Haworth, Yorkshire, 19 de diciembre de 1848) fue una escritora británica. Su obra más importante es la novela Cumbres Borrascosas (1847), considerada un clásico de la literatura inglesa. Emily era la quinta de seis hermanos. En 1820 la familia se trasladó a Haworth, donde su padre fue nombrado párroco (anglicano). Su madre murió el 21 de septiembre de 1821 y, en agosto de 1824, Charlotte y Emily fueron enviadas con sus hermanas mayores, María y Elizabeth, al colegio de Clergy Daughters, en Cowan Bridge (Lancashire), donde cayeron enfermas de tuberculosis. En este colegio se inspiró Charlotte Brontë para describir el siniestro colegio Lowood que aparece en su novela Jane Eyre. María y Elizabeth volvieron enfermas a Haworth y murieron de tuberculosis en 1825. Durante su infancia y tras la muerte de su madre, las tres hermanas Brontë, Charlotte, Anne y Emily, junto a su hermano Branwell, inventaron un mundo de ficción formado por tres países imaginarios (Angria, Gondal y Glass Town) y solían jugar a inventarse historias ambientadas en él. En 1838, Emily empezó a trabajar como governess en Law Hill, cerca de Halifax. Más tarde, junto a su hermana Charlotte, fue alumna de un colegio privado en Bruselas, hasta que la muerte de su tía la hizo volver a Inglaterra. Emily se quedó a partir de entonces como administradora de la casa familiar. En 1846, Charlotte descubrió por casualidad las poesías que escribía su hermana Emily. Las tres hermanas Brontë decidieron entonces publicar un libro de poesía conjunto. Para evitar los prejuicios sobre las mujeres escritoras, las tres utilizaron seudónimos masculinos (los nombres que usaron fueron Currer Bell, Ellis Bell y Acton Bell). Las poesías de Emily son incomparablemente las mejores del tomo, no cabiendo duda de que es una de las mejores poetisas de Inglaterra. Sólo se vendieron dos ejemplares del libro, que pasó inadvertido; pero las Brontë no se desanimaron por ello y decidieron escribir una novela cada una. En 1846 se publicó Cumbres Borrascosas, que se ha convertido en un clásico de la literatura inglesa a pesar de que inicialmente, debido a su innovadora estructura, desconcertó a los críticos. Al igual que la de sus hermanas, la salud de Emily fue siempre muy delicada. Murió el 19 de diciembre de 1848 de tuberculosis a la temprana edad de 30 años, tras haber contraído un resfriado en septiembre en el funeral de su hermano. Cumbres borrascosas ha sido llevada varias veces al cine desde la época muda.

Read more from Emily Bronte

Related to Wuthering Heights Complete Text with Extras

Related ebooks

YA Classics For You

View More

Reviews for Wuthering Heights Complete Text with Extras

Rating: 3.8823862636397957 out of 5 stars
4/5

10,594 ratings334 reviews

What did you think?

Tap to rate

Review must be at least 10 words

  • Rating: 4 out of 5 stars
    4/5

    May 13, 2019

    An excellent novel, and I really enjoyed it! I highly recommend this book.
  • Rating: 5 out of 5 stars
    5/5

    May 13, 2019

    "Wuthering Heights" is a writer's novel. The twists and turns of its frame narrative style, along with the reincarnation of Heathcliff's love and vengeance on so many different (but similarly named) instantiations of their initial targets, leave the reader constantly wondering who is talking, who is being talked about, and why more of the characters don't just speak for themselves. In a masterful way, this confusion calls out the subjugation inherent in Brontë's own society. The author shrieks back at a world that relegated women to subservience, and that on occasion dismissed her own and her sister Anne's writing as likely the product of their sister Charlotte's imagination, by voicing the eternity of her characters' hearts through the words of others. This, metaphorically, is what her writing did for her, and what all great writing does for its author. On first reading, the narrative structure consumed all of my attention, but left me entranced by its power. On second reading, ten years later, I vowed to focus on the characterisation of the novel and discovered some of the most unlikeable and least relatable personalities that literature has ever produced. This is not a book club read for gabbing with your girlfriends, but a manifesto on the power of words to haunt the minds of generations. I linger on Brontë's writing, and wonder how any one could ever imagine quiet slumbers for an author who continues to speak so powerfully today.The Barnes and Noble edition of this book contains a selection of famous quotations, a timeline of Brontë's life, an introduction by Daphne Merkin, a note on the text and dialect, a genealogical chart of the characters, the original biography of Ellis and Acton Bell and the editor's preface to the 1850 edition of the book written by Currer Bell (Charlotte Brontë), footnotes (of dialect and translation) and endnotes, an exploration of works inspired by the novel, a set of critical opinions and questions for the reader, and a suggested bibliography for further reading.
  • Rating: 3 out of 5 stars
    3/5

    May 13, 2019

    Piecing my way through the narrative fog of Emily Bronte’s Wuthering Heights with its many layers of narrators, I was reminded of the found footage genre of films, in which the viewer’s entire understanding of the story is whatever is visually made apparent to them through the first person gaze of the whoever’s holding the camera in the fictional world and then the film’s editor, a figure who sits between that world and our reality. Everything we know about the love story is filtered through the recollections of Lockwood and Nelly and others, characters who Bronte employs to imply that Heathcliffe and Cathy and their decedents exist in a subjectively cruel, sadistic place cut off from a more benign reality. All are apparently reliable narrators, but throughout I couldn’t help a nagging suspicion, and that like The Blair Witch Project et al, there are multiple layers of fiction at play.
  • Rating: 3 out of 5 stars
    3/5

    May 13, 2019

    A man obsessed with his childhood friend spends his lifetime destroying her family.3/4 (Good).This is a wild ride. It's a continuous stream of Big, Dramatic Scenes. There's no protagonist, and consequently no satisfying story arc, which normally would be guaranteed to make me dislike a book. But in this case, it works somehow.
  • Rating: 4 out of 5 stars
    4/5

    May 13, 2019

    I read this in conjunction with Frankenstein, which provided a nice contrast in a study of the effects of rejection and cruelty.Even though I admire Bronte’s writing, and acknowledge that this is a powerfully emotional book, I don’t like it. This isn’t the passionate love story that it appears to be. Instead it’s a tale of sick obsession, revenge, and hatred. The ending, while fitting, is weak. And yet...would I read it again? Most likely. It’s a shame that Emily wrote only this one book. She had a very great talent.
  • Rating: 5 out of 5 stars
    5/5

    May 13, 2019

    I do not think that we can begin to fathom the strictures by which people lived then. Duty was more important than love. Religion was as important as money. Appearance meant not only hiding reality from neighbors, but also it from other family members. Flouting society's mores was dangerous. In such an atmosphere jealousy grew like mold on stale bread. If ever you knew someone raised in the tail end of the Victorian era - (as the grandparents of someone my age were) you could begin to understand how readily they placed their own wishes second to whatever they thought was expected of them.And they expected that of everybody.Heathcliff and Catherine were no doubt different - unable to tame their own spirits-- and willing to defy convention. But then that changed. Yes their actions defy human nature as we know it. But I do not think that human nature exists unrelated to the times in which we live.
  • Rating: 2 out of 5 stars
    2/5

    May 13, 2019

    I have read this book several times now and have always been disappointed with it. (I've read Jane Eyre several times as well, and have gone through hating it to quite liking it, so am always prepared to change my mind about a book).I simply dont understand why people love this book, and Heathcliff/Cathy relationship in particular. I think it's overrated and gets far to much attention, especially when considering there are other Bronte books out there that should be given more attention than they do currently.
  • Rating: 3 out of 5 stars
    3/5

    May 13, 2019

    Such a dark love story that started from two people but affected everyone around them. Filled with anger, obsession, revenge, and pride.
  • Rating: 2 out of 5 stars
    2/5

    May 13, 2019

    I listened to this book because I had read it when I was in school and thought I might get something new out of it by listening to it. This author writes a story that shakes my brain as much as driving a bike down a rough gravel road shakes the body. I found that I had to really force myself to pay attention because my mind really wanted to daydream. I did fall asleep twice and had to backtrack the next time I listened so I could figure out the plot of the story. I don't think I will be reading this book again.
  • Rating: 5 out of 5 stars
    5/5

    May 13, 2019

    A review.....still intriguing....still crazy after all these years.Don't forget the 1992 film adaptation (Ralph Fiennes and Juliette Binoche)A perfect adjunct to this classical read.It gives an extraordinary vitality to Heathcliff and Cathy
  • Rating: 4 out of 5 stars
    4/5

    May 13, 2019

    Apparently Wuthering Heights was initially thought to be such a publishing risk that Emily Brontë was asked to pay some of the publication costs. I can understand why I think. With the exception of Nelly, these characters are not very likable. I was surprised at how I could despise Cathy or Catherine at times and then feel sympathy a minute later. I did not like how spoiled the women were in this book but that is more a topic on how they are raised. I did not like Heathcliff’s demeanor. He is not the ‘bad boy’ that is misunderstood and can change if only loved. I did not like the manipulation that all the characters played against one another. And yet I did end up liking the book. I believe this is because of its audacity at what story it tells. This is not a romance story, this is a story full of pride and hate and resentment and vengefulness. It portrays the darker side of humanity, and also our fragility. I’m still taking this book in, as it is a sort of shock to the system. I certainly did not expect it.
  • Rating: 1 out of 5 stars
    1/5

    Aug 18, 2022

    Gah! This book is the most horrible thing I've read! Heathcliff is a horrible character! I didn't know I was ever suppose to root for him. He borders on crazy and even crazier. No one should be forced to read this dren. I'd rather be waterboardered than read this again...at least the psychological scars of waterboarding wouldn't last as long!
  • Rating: 3 out of 5 stars
    3/5

    Sep 11, 2025

    Well. I reread Wuthering Heights this year. I read it first as a 20-something year old and loved it. I loved the drama and the setting. My reread did not live up to those initial reactions.
    On rereading it, I found it almost intolerable. I really couldn't stand all of the characters. They are either miserable and vengeful, or whiny and irritating. I suppose the ending tries to redeem some of the misbehavior of the earlier generations, but it was too little too late for me. Cathy and Heathcliff just did not win my sympathy in anyway on this reading.
    Maybe if I try again in 25 years my opinion will again be different . . . .
    Note: star rating based on my most recent reading of the book
  • Rating: 4 out of 5 stars
    4/5

    Jul 8, 2025

    With some books, I'll read them and get the tiniest notion that I may be able to write a novel one day.
    Others, I marvel at and am impressed with the author's work.
    Books like Wuthering Heights make me feel that Emily Bronte and I are not of the same species. I can't get over she wrote this when she was 20 years old, living in borderline isolation with very little education.
    I liked this more than some other classics I've tried - it's weird, it's creepy, it's slow, it's a romance, it's a gothic horror, it's a lot of things that I'm not clever enough to analyze and put in a review here. Lines like "You said I killed you - haunt me, then" are a delight. I have no idea what to make of the narrators, but I felt as miserable, dreary and imprisoned as much as every character present, for better or worse.
  • Rating: 2 out of 5 stars
    2/5

    Nov 11, 2024

    Hate Cathy and Heathcliff was a fool.
  • Rating: 3 out of 5 stars
    3/5

    Oct 20, 2024

    Well. That was. Something. I can't say I hated it. There were parts that I found interesting, but on the whole I find myself wondering what so many people love about this book. Maybe they don't actually love it...

    I found it to be depressing, often distressing and hard to follow (which I blame on the structure of the story). I guess it's just another "classic" checked off my list.
  • Rating: 3 out of 5 stars
    3/5

    Jul 24, 2023

    It's an ok book. I do love a good vengeance story, but I never got the feeling like I should care about Heathcliff or his victims. The vengeance seemed overdone, without reason, and to people who didn't seem to deserve it. Maybe that was the point, but meh.
  • Rating: 4 out of 5 stars
    4/5

    Jul 4, 2023

    Definitely the more interesting book out of Jane Eyre and Wuthering Heights, and in my opinion, better in almost every way. The characters are much deeper and more interesting, the setting is better written, with a lot of mystique, the themes are more gray and I liked the prose more.

    Heathcliff is a fascinating villain. Utterly depraved and unpredictable, which made for good reading, but also empathetic. You get such a deep glimpse into his character by following him from a child, and the moments he opens up to Nelly are heartbreaking.

    This book is twisted. I wish Emily Bronte had more content to dig into because this one was fascinating. I haven't really read another book quite like it.
  • Rating: 4 out of 5 stars
    4/5

    Apr 24, 2024

    Emotional.

    I now understand why this book is not only a classic but why Heathcliff is a much mentioned character in literature.

    Emily Brontë wrote an emotional story that while at time hard to read in today’s world, was heartbreaking. You could feel the torment of Heathcliff as the story goes and the sadness of his end.
  • Rating: 4 out of 5 stars
    4/5

    Feb 14, 2024

    Completely not what I expected. A dark and atmospheric book, with a detestable lead character in the form of Heathcliff. Thoroughly enjoyed the experience.
  • Rating: 3 out of 5 stars
    3/5

    Feb 9, 2024

    Good character development, but mostly characters that are despicable or pathetic. Not a lot of significance happens in the story but the author still manages to keep your attention most of the time.
  • Rating: 4 out of 5 stars
    4/5

    Sep 27, 2024

    wow...what a bunch of despicable characters, running around chasing their fanciful fancies without considering others (or their own personal histories), driving themselves and everyone around them to misery and more misery...i hated even the narrators.

    this is an argument to why we need netflix. i mean, c'mon, binge watch something instead of thinking up miserable means of revenge!

    beautifully written book! beautiful, beautiful language! (i say, swooning miserably...). Very evocative (mostly evoked misery). This is why i consider myself a Bronte girl, but I do feel right now that I need me some Jane Austen as a palate cleanser.
  • Rating: 3 out of 5 stars
    3/5

    Mar 1, 2024

    Years ago, I read and fell in love with Jane Eyre, and ever since then, I’ve wanted to read some of the Brontë sisters’ other works. Recently, I realized I could listen to the books, rather than try to find time to read them, so I downloaded a version of Wuthering Heights and had at it.

    I’m so glad I decided to listen, rather than read! I doubt I’d ever have gotten through it otherwise.

    I’ve decided that the draw for this book, if there is one, is the setting. I found many of the characters, and especially their actions, quite depressing, so that wasn’t a plus in my opinion. The setting itself, though, was fascinating—the moors’ bleakness and hopelessness was an interesting “character” in itself. This book is also an interesting study of human nature, as different characters act or react to others’ decisions.

    I doubt I’ll ever read the story again. I didn’t appreciate the language in the story, for one, but the violence and bitterness were the parts I really didn’t enjoy. I am grateful for that last chapter—if it weren’t for that, I’d have ended up a lot more depressed than I was, in the end! I appreciate dark stories at times, but this one was slightly too dark for me. In saying that, though, I’m glad to have had the chance to experience it, because it is the kind of book often referenced in literature. Recommended, if you don’t mind darker reads, and do want to check this classic off your list. Just be sure to have a lighthearted, happy book ready to follow up with after this one—you’ll need it!
  • Rating: 3 out of 5 stars
    3/5

    Dec 25, 2023

    What makes Heathcliff and Catherine a classic couple? He is diabolical and manipulative. He disappears for a few years without a word and then is upset to return and find out she married the neighbourhood gentleman in his absence. She is so nutty she dies of stress. Heathcliff proceeds to revenge on everyone he grew up with even after they are dead by torturi.g the next generation. Then he goes crazy himself and starves himself to death to be with her ghost. Romantic? No. Well-crafted gothic narrative, yes.
  • Rating: 4 out of 5 stars
    4/5

    Feb 18, 2024

    Emily Brontë's 1847 novel Wuthering Heights is set in Victorian England and the plot is limited to what happens at two rural houses in the Yorkshire moors, the eponymous Wuthering Heights and nearby Thrushcross Grange. Lockwood is a new tenant at Thrushcross Grange and forced to seek shelter at Wuthering Heights in inclement winter weather. There he meets Catherine Linton and Hareton Earnshaw as well as a servant, Joseph. The mood is gloomy and the tension in the room is palpable. When Lockwoowd is able to return to Thrushcross Grange he starts to inquire about the inhabitants of Wuthering Heights and this is where his servant's tale, that of Nelly Dean, begins. She relates the family history of the Earnshaws and the Lintons and how a young orphan, Heathcliff, enters their lives. Heathcliff is taken in by the Earnshaws and falls in love with Catherine, the Earnshaw's daughter. Catherine likes Heathcliff a lot, but she also likes Edgar Linton, whom she eventually marries. Heathcliff is highly upset and plots revenge on the lives of both Edgar and Catherine as well as on their families. The novel then relates Heathcliff's way to becoming the owner of Wuthering Heights and the intricate relations between the Linton and Earnshaw families.

    The overall story revolves around only few characters. However, because of their names - there are two Catherines (Linton and Earnshaw) in two generations, and there is also a Linton Linton - things can be confusing at times. The characters' lives are deeply interwoven and there are marriages between members of the families and even cousins. I really like the dark setting that is also expressed in the violence and doom that seems to be prevalent in every chapter. Heathcliff's character and his development throughout life are both despicable and relatable at the same time and he serves as a sort of anti-hero in the whole novel who is bent on destruction. Brontë superbly shows that you can craft an enthralling tale with only a small set of characters that have next to no contact to the outside world and never leave their own microcosm of the Heights and the Grange. 4 stars for an overall good read.
  • Rating: 5 out of 5 stars
    5/5

    Feb 18, 2023

    I'm honestly still trying to wrap my head around this thing.

    How can something –so teeming with detestable characters, nauseating abuses, and chilling justifications– win me over so definitely?

    It was the question to crowd my mind for the 24 hours after I finished this novel.

    Now, I don't usually grab for anything horror, or supernatural– or even fantasy. I'm a humanist. I always find those kinds of books focus too much on the "Monster of the Week", and it bores me immensely. But looking at my two tied-for-#1 books of all time, Frankenstein and The Picture of Dorian Gray, I'm beginning to come to a startling realization.

    I actually really like this shit.

    Looking at what these three have in common, I think it's what horror, supernatural, and fantasy are all supposed to have, but often lack: noting the extent of humanity when confronted with terrifying and otherwordly obstacles.

    Which brings me to back to this book. Wowee. The extent of the vindictiveness that is Heathcliff is chilling and hard to read at times. It made me physically sick at times, and I more than once had to shut the book and move on for a few hours. It was brilliant, it was sadistic, it was sad.

    Let's get this out of the way. Wuthering Heights is not a love story. Period. There's little to none mutual satisfaction, goodwill, or hope in the romances in the book. Instead, we're confronted with an obsessive, parasitic love as healthy as a terminal illness. It's been argued Heathcliff's redeeming aspect is his love, but I don't buy into it. If you want to read it as thus, be my guest, but I definitely took it as a byproduct of abuse.

    What is the central message of Wuthering Heights? Is it the dangers of cycles of abuse present even before Heathcliff falls in love with Catherine? Is it the dangerously passionate and immovable love that tears everyone apart with them? Is it the fate of the universe for his abuse, the jealousy of Hindley that begun it, or even the stagnancy and danger of seeing another as your own? I don't know yet. I don't know if I ever will. Perhaps it's all of those things, maybe it's none of them.

    Beyond the fact that Heathcliff has the "O.G. Severus Snape complex", the interactions of the other characters left me equally terrified. I wanted to shake the book until they realized they didn't have to fall to the level of their oppressors, but I was as powerless as the will for revenge woven into these characters minds. Living at Wuthering Heights was like an inescapable curse I couldn't pull them away from, and I have no idea how Nelly did it all those years.

    So thank God for the ending, honestly. I think I would have chucked this in the bin with tears down my face if Catherine and Hareton became the same miserable leeches their kin were, and I wish I were joking. The fact they're able to rebuild (The flower scene! That made me so warm inside!)
    and begin to love each other genuinely was a Godsend. I loved that Hareton was rebuilding himself as well, but that he was still slightly deficient from Heathcliff's neglect with his off mannerism and "roughness". It was real and poignant, as was the change with Catherine. They're both different people from this ordeal –but they're not broken– just a little scarred. There's a love story I can get into.

    I could go on about this book for days, but I have to stop somewhere. Read this. It will seriously question cycles of abuse and humanity, and probably your will to read about it. It's some scary, human stuff, and I'm damn sure it will sit with me for a long time.
  • Rating: 5 out of 5 stars
    5/5

    Apr 18, 2024

    Wuthering Heights is classic literature's crowning achievement about spiteful people doing spiteful things to each other, unrestrained vengefulness forever untamed from front to back. There isn't a friendly character in the funereal cast and there's nothing to love about anybody or anything, and it's absolutely brilliant. Brontë teases you with a flossy romance dipped in mud and mire and then turns it on its head and and plunges you down in the marshland until she drowns you in it. Heathcliff is a harrowing villain with whom the reader develops a love-hate relationship, much like Catherine Earnshaw's own emotional volatility, but can you really blame him for who he becomes? A novel full of gothic tragedy and morbid mystery, this is a tight and solid read which safeguards its standing amongst my most beloved novels.
  • Rating: 4 out of 5 stars
    4/5

    Jan 24, 2023

    Wow. Talk about your toxic masculinity. I first read this decades ago and I don't recall whether I felt this conflicted about it back then or not. It's certainly well-written and has a good plot, but the utter narcissism of ALL of the characters except Nelly and Lockwood is a bit much. I could manage to summon a modicum of sympathy for Hareton, but Heathcliff? Sure he was abused as a child, but he became a monster doling out far worse than he received. Blech.
  • Rating: 2 out of 5 stars
    2/5

    Dec 16, 2022

    God, everyone in this book is so insufferable.
  • Rating: 4 out of 5 stars
    4/5

    Oct 8, 2023

    What a wild read!

    I’ve been wanting to read this book for years. I’m such a fan of Charlotte Bronte’s Jane Eyre and I wanted to see how her sister’s book compared. I feel as though most people who read the Brontes’ work are either a Jane Eyre fan or a Wuthering Heights fan. After reading this book, I still prefer Jane Eyre, but I did enjoy Wuthering Heights.

    Going into the book, I had no idea it was narrated by the housekeeper (Nelly) to a tenant (Lockwood). I originally didn’t love that narration choice, but by the end of the book, I grew to appreciate it. Nelly and Lockwood are the only two “likable” characters, so having the story come from their points of view made sense.

    I was a little confused at the beginning, mainly because of the characters that are introduced all at once, but once I got into the story it all became much clearer.

    The plot of this book is just crazy and that’s the genius of it. I don’t know how Emily Bronte came up with this story but it’s insane. The more I read, the wilder it got. My mind is still reeling from it.

    Overall, if you’ve been thinking about reading this book, just go ahead and do it. You’ll either love it or hate, but it’s sure to be one heck of a ride.

Book preview

Wuthering Heights Complete Text with Extras - Emily Bronte

Chapter 1

1801—I have just returned from a visit to my landlord—the solitary neighbour that I shall be troubled with. This is certainly a beautiful country! In all England, I do not believe that I could have fixed on a situation so completely removed from the stir of society. A perfect misanthropist’s Heaven: and Mr. Heathcliff and I are such a suitable pair to divide the desolation between us. A capital fellow! He little imagined how my heart warmed towards him when I beheld his black eyes withdraw so suspiciously under their brows, as I rode up, and when his fingers sheltered themselves, with a jealous resolution, still further in his waistcoat, as I announced my name.

Mr. Heathcliff? I said.

A nod was the answer.

Mr. Lockwood your new tenant, sir. I do myself the honour of calling as soon as possible after my arrival, to express the hope that I have not inconvenienced you by my perseverance in soliciting the occupation of Thrushcross Grange: I heard yesterday you had had some thoughts—

Thrushcross Grange is my own, sir, he interrupted, wincing. I should not allow any one to inconvenience me, if I could hinder it—walk in!

The walk in was uttered with closed teeth, and expressed the sentiment, Go to the Deuce: even the gate over which he leant manifested no sympathizing movement to the words; and I think that circumstance determined me to accept the invitation: I felt interested in a man who seemed more exaggeratedly reserved than myself.

When he saw my horse’s breast fairly pushing the barrier, he did pull out his hand to unchain it, and then sullenly preceded me up the causeway, calling, as we entered the court,—Joseph, take Mr. Lockwood’s horse; and bring up some wine.

Here we have the whole establishment of domestics, I suppose, was the reflection, suggested by this compound order. No wonder the grass grows up between the flags, and cattle are the only hedge-cutters.

Joseph was an elderly, nay, an old man: very old, perhaps, though hale and sinewy. The Lord help us! he soliloquized in an undertone of peevish displeasure, while relieving me of my horse: looking, meantime, in my face so sourly that I charitably conjectured he must have need of divine aid to digest his dinner, and his pious ejaculation had no reference to my unexpected advent.

Wuthering Heights is the name of Mr. Heathcliff’s dwelling, Wuthering being a significant provincial adjective, descriptive of the atmospheric tumult to which its station is exposed in stormy weather. Pure, bracing ventilation they must have up there at all times, indeed: one may guess the power of the north wind blowing over the edge, by the excessive slant of a few stunted firs at the end of the house; and by a range of gaunt thorns all stretching their limbs one way, as if craving alms of the sun. Happily, the architect had foresight to build it strong: the narrow windows are deeply set in the wall, and the corners defended with large jutting stones.

Before passing the threshold, I paused to admire a quantity of grotesque carving lavished over the front, and especially about the principal door; above which, among a wilderness of crumbling griffins and shameless little boys, I detected the date 1500, and the name Hareton Earnshaw. I would have made a few comments, and requested a short history of the place from the surly owner; but his attitude at the door appeared to demand my speedy entrance, or complete departure, and I had no desire to aggravate his impatience previous to inspecting the penetralium.

One step brought us into the family sitting-room, without any introductory lobby or passage: they call it here the house pre-eminently. It includes kitchen and parlour, generally; but I believe at Wuthering Heights the kitchen is forced to retreat altogether into another quarter: at least I distinguished a chatter of tongues, and a clatter of culinary utensils, deep within; and I observed no signs of roasting, boiling, or baking, about the huge fireplace; nor any glitter of copper saucepans and tin cullenders on the walls. One end, indeed, reflected splendidly both light and heat from ranks of immense pewter dishes, interspersed with silver jugs and tankards, towering row after row, on a vast oak dresser, to the very roof. The latter had never been underdrawn: its entire anatomy lay bare to an inquiring eye, except where a frame of wood laden with oatcakes and clusters of legs of beef, mutton, and ham, concealed it. Above the chimney were sundry villainous old guns, and a couple of horse-pistols: and, by way of ornament, three gaudily painted canisters disposed along its ledge. The floor was of smooth, white stone; the chairs, high-backed, primitive structures, painted green: one or two heavy black ones lurking in the shade. In an arch under the dresser, reposed a huge, liver-coloured bitch pointer, surrounded by a swarm of squealing puppies; and other dogs haunted other recesses.

The apartment and furniture would have been nothing extraordinary as belonging to a homely, northern farmer, with a stubborn countenance, and stalwart limbs set out to advantage in knee-breeches and gaiters. Such an individual seated in his armchair, his mug of ale frothing on the round table before him, is to be seen in any circuit of five or six miles among these hills, if you go at the right time after dinner. But Mr. Heathcliff forms a singular contrast to his abode and style of living. He is a dark-skinned gypsy in aspect, in dress and manners a gentleman: that is, as much a gentleman as many a country squire: rather slovenly, perhaps, yet not looking amiss with his negligence, because he has an erect and handsome figure; and rather morose. Possibly, some people might suspect him of a degree of under-bred pride; I have a sympathetic chord within that tells me it is nothing of the sort: I know, by instinct, his reserve springs from an aversion to showy displays of feeling—to manifestations of mutual kindliness. He’ll love and hate equally under cover, and esteem it a species of impertinence to be loved or hated again. No, I’m running on too fast: I bestow my own attributes over liberally on him. Mr. Heathcliff may have entirely dissimilar reasons for keeping his hand out of the way when he meets a would-be acquaintance, to those which actuate me. Let me hope my constitution is almost peculiar: my dear mother used to say I should never have a comfortable home; and only last summer I proved myself perfectly unworthy of one.

While enjoying a month of fine weather at the sea-coast, I was thrown into the company of a most fascinating creature: a real goddess in my eyes, as long as she took no notice of me. I never told my love vocally; still, if looks have language, the merest idiot might have guessed I was over head and ears: she understood me at last, and looked a return—the sweetest of all imaginable looks. And what did I do? I confess it with shame—shrunk icily into myself, like a snail; at every glance retired colder and farther: till finally the poor innocent was led to doubt her own senses, and, overwhelmed with confusion at her supposed mistake, persuaded her mamma to decamp. By this curious turn of disposition I have gained the reputation of deliberate heartlessness; how undeserved, I alone can appreciate.

I took a seat at the end of the hearthstone opposite that towards which my landlord advanced, and filled up an interval of silence by attempting to caress the canine mother, who had left her nursery, and was sneaking wolfishly to the back of my legs, her lip curled up, and her white teeth watering for a snatch. My caress provoked a long, guttural gnarl.

You’d better let the dog alone, growled Mr. Heathcliff in unison, checking fiercer demonstrations with a punch of his foot. She’s not accustomed to be spoiled—not kept for a pet. Then, striding to a side door, he shouted again, Joseph!

Joseph mumbled indistinctly in the depths of the cellar, but gave no intimation of ascending; so his master dived down to him, leaving me vis-à-vis the ruffianly bitch and a pair of grim shaggy sheep-dogs, who shared with her a jealous guardianship over all my movements. Not anxious to come in contact with their fangs, I sat still; but, imagining they would scarcely understand tacit insults, I unfortunately indulged in winking and making faces at the trio, and some turn of my physiognomy so irritated madam, that she suddenly broke into a fury, and leapt on my knees. I flung her back, and hastened to interpose the table between us. This proceeding roused the whole hive. Half-a-dozen four-footed fiends, of various sizes and ages, issued from hidden dens to the common centre. I felt my heels and coat-laps peculiar subjects of assault; and, parrying off the larger combatants as effectually as I could with the poker, I was constrained to demand, aloud, assistance from some of the household in reestablishing peace.

Mr. Heathcliff and his man climbed the cellar steps with vexatious phlegm: I don’t think they moved one second faster than usual, though the hearth was an absolute tempest of worrying and yelping. Happily, an inhabitant of the kitchen made more dispatch: a lusty dame, with tucked-up gown, bare arms, and fire-flushed cheeks, rushed into the midst of us flourishing a frying-pan: and used that weapon, and her tongue, to such purpose, that the storm subsided magically, and she only remained, heaving like a sea after a high wind, when her master entered on the scene.

What the devil is the matter? he asked, eyeing me in a manner I could ill endure after this inhospitable treatment.

What the devil, indeed! I muttered. The herd of possessed swine could have had no worse spirits in them than those animals of yours, sir. You might as well leave a stranger with a brood of tigers!

They won’t meddle with persons who touch nothing, he remarked, putting the bottle before me, and restoring the displaced table. The dogs do right to be vigilant. Take a glass of wine?

No thank you.

Not bitten, are you?

If I had been, I would have set my signet on the biter.

Heathcliff’s countenance relaxed into a grin.

Come, come, he said, you are flurried, Mr. Lockwood. Here, take a little wine. Guests are so exceedingly rare in this house that I and my dogs, I am willing to own, hardly know how to receive them. Your health, sir!

I bowed and returned the pledge; beginning to perceive that it would be foolish to sit sulking for the misbehaviour of a pack of curs: besides, I felt loath to yield the fellow further amusement at my expense; since his humour took that turn. He—probably swayed by prudential considerations of the folly of offending a good tenant—relaxed a little in the laconic style of chipping off his pronouns and auxiliary verbs, and introduced what he supposed would be a subject of interest to me,—a discourse on the advantages and disadvantages of my present place of retirement. I found him very intelligent on the topics we touched; and before I went home, I was encouraged so far as to volunteer another visit to-morrow. He evidently wished no repetition of my intrusion. I shall go, notwithstanding. It is astonishing how sociable I feel myself compared with him.

Chapter 2

Yesterday afternoon set in misty and cold. I had half a mind to spend it by my study fire, instead of wading through heath and mud to Wuthering Heights. On coming up from dinner, however, (N.B.—I dine between twelve and one o’clock; the housekeeper, a matronly lady, taken as a fixture along with the house, could not, or would not, comprehend my request that I might be served at five.) On mounting the stairs with this lazy intention, and stepping into the room, I saw a servant-girl on her knees, surrounded by brushes, and coalscuttles; and raising an infernal dust as she extinguished the flames with heaps of cinders. This spectacle drove me back immediately; I took my hat, and, after a four miles walk, arrived at Heathcliff’s garden gate just in time to escape the first feathery flakes of a snow-shower.

On that bleak hill-top the earth was hard with a black frost, and the air made me shiver through every limb. Being unable to remove the chain, I jumped over, and, running up the flagged causeway bordered with straggling gooseberry bushes, knocked vainly for admittance, till my knuckles tingled, and the dogs howled.

Wretched inmates! I ejaculated, mentally, you deserve perpetual isolation from your species for your churlish inhospitality. At least, I would not keep my doors barred in the day-time. I don’t care—I will get in! So resolved, I grasped the latch and shook it vehemently. Vinegar-faced Joseph projected his head from a round window of the barn.

Whet are ye for? he shouted. T’ maister’s dahn i’ t’ fowld. Goa rahnd by th’ end ut’ laith, if yah went tuh spake tull him.

Is there nobody inside to open the door? I hallooed, responsively.

They’s nobbut t’ missis; and shoo ’il nut oppen ’t an ye mak yer flaysome dins till neeght.

Why? cannot you tell her who I am, eh, Joseph?

Nor-ne me! Aw’ll hae noa hend wi’t, muttered the head vanishing.

The snow began to drive thickly. I seized the handle to essay another trial; when a young man without coat, and shouldering a pitchfork, appeared in the yard behind. He hailed me to follow him, and, after marching through a washhouse, and a paved area containing a coal-shed, pump, and pigeon-cote, we at length arrived in the huge, warm, cheerful apartment, where I was formerly received. It glowed delightfully in the radiance of an immense fire, compounded of coal, peat, and wood; and near the table, laid for a plentiful evening meal, I was pleased to observe the missis, an individual whose existence I had never previously suspected. I bowed and waited, thinking she would bid me take a seat. She looked at me, leaning back in her chair, and remained motionless and mute.

Rough weather! I remarked. I’m afraid, Mrs. Heathcliff, the door must bear the consequence of your servants’ leisure attendance: I had hard work to make them hear me!

She never opened her mouth. I stared—she stared also. At any rate, she kept her eyes on me in a cool, regardless manner, exceedingly embarrassing and disagreeable.

Sit down, said the young man, gruffly. He’ll be in soon.

I obeyed; and hemmed, and called the villain Juno, who deigned, at this second interview, to move the extreme tip of her tail, in token of owning my acquaintance.

A beautiful animal! I commenced again. Do you intend parting with the little ones, madam?

They are not mine, said the amiable hostess, more repellingly than Heathcliff himself could have replied.

Ah, your favourites are among these! I continued, turning to an obscure cushion full of something like cats.

A strange choice of favourites! she observed scornfully.

Unluckily, it was a heap of dead rabbits. I hemmed once more, and drew closer to the hearth, repeating my comment on the wildness of the evening.

You should not have come out, she said, rising and reaching from the chimney-piece two of the painted canisters.

Her position before was sheltered from the light; now, I had a distinct view of her whole figure and countenance. She was slender, and apparently scarcely past girlhood: an admirable form, and the most exquisite little face that I have ever had the pleasure of beholding: small features, very fair; flaxen ringlets, or rather golden, hanging loose on her delicate neck; and eyes, had they been agreeable in expression, they would have been irresistible; fortunately for my susceptible heart, the only sentiment they evinced hovered between scorn and a kind of desperation, singularly unnatural to be detected there.

The canisters were almost out of her reach; I made a motion to aid her; she turned upon me as a miser might turn if any one attempted to assist him in counting his gold.

I don’t want your help, she snapped; I can get them for myself.

I beg your pardon, I hastened to reply.

Were you asked to tea? she demanded, tying an apron over her neat black frock, and standing with a spoonful of the leaf poised over the pot.

I shall be glad to have a cup, I answered.

Were you asked? she repeated.

No, I said, half smiling. You are the proper person to ask me.

She flung the tea back, spoon and all; and resumed her chair in a pet, her forehead corrugated, and her red under-lip pushed out, like a child’s, ready to cry.

Meanwhile, the young man had slung onto his person a decidedly shabby upper garment, and, erecting himself before the blaze, looked down on me, from the corner of his eyes, for all the world as if there were some mortal feud unavenged between us. I began to doubt whether he were a servant or not: his dress and speech were both rude, entirely devoid of the superiority observable in Mr. and Mrs. Heathcliff; his thick, brown curls were rough and uncultivated, his whiskers encroached bearishly over his cheeks, and his hands were embrowned like those of the common labourer: still his bearing was free, almost haughty, and he showed none of a domestic’s assiduity in attending on the lady of the house. In the absence of clear proofs of his condition, I deemed it best to abstain from noticing his curious conduct; and, five minutes afterwards, the entrance of Heathcliff relieved me, in some measure, from my uncomfortable state.

You see, sir, I am come, according to promise! I exclaimed, assuming the cheerful; and I fear I shall be weather-bound for half an hour, if you can afford me shelter during that space.

Half an hour? he said, shaking the white flakes from his clothes; I wonder you should select the thick of a snowstorm to ramble about in. Do you know that you run a risk of being lost in the marshes? People familiar with these moors often miss their road on such evenings; and, I can tell you, there is no chance of a change at present.

Perhaps I can get a guide among your lads, and he might stay at the Grange till morning—could you spare me one?

No, I could not.

Oh, indeed! Well, then, I must trust to my own sagacity.

Umph!

Are you going to mak’ th’ tea? demanded he of the shabby coat, shifting his ferocious gaze from me to the young lady.

Is he to have any? she asked, appealing to Heathcliff.

Get it ready, will you? was the answer, uttered so savagely that I started. The tone in which the words were said, revealed a genuine bad nature. I no longer felt inclined to call Heathcliff a capital fellow. When the preparations were finished, he invited me with—Now, sir, bring forward your chair. And we all, including the rustic youth, drew round the table: an austere silence prevailing while we discussed our meal.

I thought, if I had caused the cloud, it was my duty to make an effort to dispel it. They could not every day sit so grim and taciturn; and it was impossible, however ill-tempered they might be, that the universal scowl they wore was their everyday countenance.

It is strange, I began, in the interval of swallowing one cup of tea and receiving another—it is strange how custom can mould our tastes and ideas; many could not imagine the existence of happiness in a life of such complete exile from the world as you spend, Mr. Heathcliff; yet, I’ll venture to say, that, surrounded by your family, and with your amiable lady as the presiding genius over your home and heart—

My amiable lady! he interrupted, with an almost diabolical sneer on his face. Where is she—my amiable lady?

Mrs. Heathcliff, your wife, I mean.

Well, yes—Oh! you would intimate that her spirit has taken the post of ministering angel, and guards the fortunes of Wuthering Heights, even when her body is gone. Is that it?

Perceiving myself in a blunder, I attempted to correct it. I might have seen that there was too great a disparity between the ages of the parties to make it likely that they were man and wife. One was about forty; a period of mental vigour at which men seldom cherish the delusion of being married for love, by girls: that dream is reserved for the solace of our declining years. The other did not look seventeen.

Then it flashed upon me—The clown at my elbow, who is drinking his tea out of a basin and eating his bread with unwashed hands, may be her husband. Heathcliff, junior, of course. Here is the consequence of being buried alive: she has thrown herself away upon that boor, from sheer ignorance that better individuals existed! A sad pity—I must beware how I cause her to regret her choice. The last reflection may seem conceited; it was not. My neighbour struck me as bordering on repulsive; I knew, through experience, that I was tolerably attractive.

Mrs. Heathcliff is my daughter-in-law, said Heathcliff, corroborating my surmise. He turned, as he spoke, a peculiar look in her direction, a look of hatred unless he has a most perverse set of facial muscles that will not, like those of other people, interpret the language of his soul.

Ah, certainly—I see now: you are the favoured possessor of the beneficent fairy, I remarked, turning to my neighbour.

This was worse than before: the youth grew crimson, and clenched his fist, with every appearance of a meditated assault. But he seemed to recollect himself, presently; and smothered the storm in a brutal curse, muttered on my behalf: which, however, I took care not to notice.

Unhappy in your conjectures, sir! observed my host; we neither of us have the privilege of owning your good fairy; her mate is dead. I said she was my daughter-in-law, therefore, she must have married my son.

And this young man is—

Not my son, assuredly!

Heathcliff smiled again, as if it were rather too bold a jest to attribute the paternity of that bear to him.

My name is Hareton Earnshaw, growled the other; and I’d counsel you to respect it!

I’ve shown no disrespect, was my reply, laughing internally at the dignity with which he announced himself.

He fixed his eye on me longer than I cared to return the stare, for fear I might be tempted either to box his ears, or render my hilarity audible. I began to feel unmistakably out of place in that pleasant family circle. The dismal spiritual atmosphere overcame, and more than neutralized the glowing physical comforts round me; and I resolved to be cautious how I ventured under those rafters a third time.

The business of eating being concluded, and no one uttering a word of sociable conversation, I approached a window to examine the weather. A sorrowful sight I saw: dark night coming down prematurely, and sky and hills mingled in one bitter whirl of wind and suffocating snow.

I don’t think it possible for me to get home now, without a guide, I could not help exclaiming. The roads will be buried already; and, if they were bare, I could scarcely distinguish a foot in advance.

Hareton, drive those dozen sheep into the barn porch. They’ll be covered if left in the fold all night: and put a plank before them, said Heathcliff.

How must I do? I continued, with rising irritation.

There was no reply to my question; and on looking round I saw only Joseph bringing in a pail of porridge for the dogs, and Mrs. Heathcliff leaning over the fire, diverting herself with burning a bundle of matches which had fallen from the chimney-piece as she restored the tea-canister to its place. The former, when he had deposited his burden, took a critical survey of the room; and, in cracked tones, grated out—

Aw woonder hagh yah can faishion tuh stand thear i’ idleness un war, when all on ’em’s goan aght! Bud yah’re a nowt, and it’s noa use talking—yah’ll niver mend uh yer ill ways; bud, goa raight tuh t’ divil, like yer mother afore ye!

I imagined, for a moment, that this piece of eloquence was addressed to me; and, sufficiently enraged, stepped towards the aged rascal with an intention of kicking him out of the door. Mrs. Heathcliff, however, checked me by her answer.

You scandalous old hypocrite! she replied. Are you not afraid of being carried away bodily, whenever you mention the devil’s name? I warn you to refrain from provoking me, or I’ll ask your abduction as a special favour. Stop, look here, Joseph, she continued, taking a long, dark book from a shelf. I’ll show you how far I’ve progressed in the Black Art: I shall soon be competent to make a clear house of it. The red cow didn’t die by chance; and your rheumatism can hardly be reckoned among providential visitations!

Oh, wicked, wicked! gasped the elder; may the Lord deliver us from evil!

No, reprobate! you are a castaway—be off, or I’ll hurt you seriously! I’ll have you all modelled in wax and clay; and the first who passes the limits I fix, shall—I’ll not say what he shall be done to—but, you’ll see! Go, I’m looking at you!

The little witch put a mock malignity into her beautiful eyes, and Joseph, trembling with sincere horror, hurried out praying and ejaculating wicked as he went. I thought her conduct must be prompted by a species of dreary fun; and, now that we were alone, I endeavoured to interest her in my distress.

Mrs. Heathcliff, I said, earnestly, you must excuse me for troubling you—I presume, because, with that face, I’m sure you cannot help being good-hearted. Do point out some landmarks by which I may know my way home: I have no more idea how to get there than you would have how to get to London!

Take the road you came, she answered, ensconcing herself in a chair, with a candle, and the long book open before her. It is brief advice, but as sound as I can give.

Then, if you hear of me being discovered dead in a bog or a pit full of snow, your conscience won’t whisper that it is partly your fault?

How so? I cannot escort you. They wouldn’t let me go to the end of the garden-wall.

You! I should be very sorry to ask you to cross the threshold, for my convenience, on such a night, I cried. I want you to tell me my way, not to show it; or else to persuade Mr. Heathcliff to give me a guide.

Who? There is himself, Earnshaw, Zillah, Joseph, and I. Which would you have?

Are there no boys at the farm?

No, those are all.

Then, it follows that I am compelled to stay.

That you may settle with your host. I have nothing to do with it.

I hope it will be a lesson to you, to make no more rash journeys on these hills, cried Heathcliff’s stern voice from the kitchen entrance. As to staying here. I don’t keep accommodations for visitors: you must share a bed with Hareton, or Joseph, if you do.

I can sleep on a chair in this room, I replied.

No, no! A stranger is a stranger, be he rich or poor: it will not suit me to permit any one the range of the place while I am off guard! said the unmannerly wretch.

With this insult, my patience was at an end. I uttered an expression of disgust, and pushed past him into the yard, running against Earnshaw in my haste. It was so dark that I could not see the means of exit; and, as I wandered round, I heard another specimen of their civil behaviour amongst each other. At first, the young man appeared about to befriend me.

I’ll go with him as far as the park, he said.

You’ll go with him to hell! exclaimed his master, or whatever relation he bore. And who is to look after the horses, eh?

A man’s life is of more consequence than one evening’s neglect of the horses: somebody must go, murmured Mrs. Heathcliff, more kindly than I expected.

Not at your command! retorted Hareton. If you set store on him, you’d better be quiet.

Then I hope his ghost will haunt you; and I hope Mr. Heathcliff will never get another tenant, till the Grange is a ruin! she answered sharply.

Hearken, hearken, shoo’s cursing on em! muttered Joseph, towards whom I had been steering.

He sat within earshot, milking the cows by the light of a lantern, which I seized unceremoniously, and, calling out that I would send it back on the morrow, rushed to the nearest postern.

Maister, maister, he’s staling t’ lantern! shouted the ancient, pursuing my retreat. Hey, Gnasher! Hey, dog! Hey, Wolf, holld him, holld him!

On opening the little door, two hairy monsters flew at my throat, bearing me down and extinguishing the light; while a mingled guffaw, from Heathcliff and Hareton, put the copestone on my rage and humiliation. Fortunately, the beasts seemed more bent on stretching their paws, and yawning, and flourishing their tails, than devouring me alive; but they would suffer no resurrection, and I was forced to lie till their malignant masters pleased to deliver me: then hatless, and trembling with wrath, I ordered the miscreants to let me out—on their peril to keep me one minute longer—with several incoherent threats of retaliation that, in their indefinite depth of virulency, smacked of King Lear.

The vehemence of my agitation brought on a copious bleeding at the nose, and still Heathcliff laughed, and still I scolded. I don’t know what would have concluded the scene, had there not been one person at hand rather more rational than myself, and more benevolent than my entertainer. This was Zillah, the stout housewife; who at length issued forth to inquire into the nature of the uproar. She thought that some of them had been laying violent hands on me; and, not daring to attack her master, she turned her vocal artillery against the younger scoundrel.

Well, Mr. Earnshaw, she cried, I wonder what you’ll have agait next! Are we going to murder folk on our very door-stones? I see this house will never do for me—look at t’ poor lad, he’s fair choking! Wisht, wisht! you mun’n’t go on so. Come in, and I’ll cure that. There now, hold ye still.

With these words she suddenly splashed a pint of icy water down my neck, and pulled me into the kitchen. Mr. Heathcliff followed, his accidental merriment expiring quickly in his habitual moroseness.

I was sick exceedingly, and dizzy and faint; and thus compelled, perforce, to accept lodgings under his roof. He told Zillah to give me a glass of brandy, and then passed on to the inner room; while she condoled with me on my sorry predicament, and having obeyed his orders, whereby I was somewhat revived, ushered me to bed.

Chapter 3

While leading the way upstairs, she recommended that I should hide the candle, and not make a noise; for her master had an odd notion about the chamber she would put me in, and never let anybody lodge there willingly. I asked the reason. She did not know, she answered: she had only lived there a year or two; and they had so many queer goings on, she could not begin to be curious.

Too stupified to be curious myself, I fastened my door and glanced round for the bed. The whole furniture consisted of a chair, a clothes-press, and a large oak case, with squares cut out near the top, resembling coach windows. Having approached this structure, I looked inside, and perceived it to be a singular sort of old-fashioned couch, very conveniently designed to obviate the necessity for every member of the family having a room to himself. In fact, it formed a little closet, and the ledge of a window, which it enclosed, served as a table. I slid back the panelled sides, got in with my light, pulled them together again, and felt secure against the vigilance of Heathcliff, and every one else.

The ledge, where I placed my candle, had a few mildewed books piled up in one corner; and it was covered with writing scratched on the paint. This writing, however, was nothing but a name repeated in all kinds of characters, large and small—Catherine Earnshaw, here and there varied to Catherine Heathcliff, and then again to Catherine Linton.

In vapid listlessness I leant my head against the window, and continued spelling over Catherine Earnshaw—Heathcliff—Linton, till my eyes closed; but they had not rested five minutes when a glare of white letters started from the dark, as vivid as spectres—the air swarmed with Catherines; and rousing myself to dispel the obtrusive name, I discovered my candle wick reclining on one of the antique volumes, and perfuming the place with an odour of roasted calfskin. I snuffed it off, and, very ill at ease under the influence of cold and lingering nausea, sat up and spread open the injured tome on my knee. It was a Testament, in lean type, and smelling dreadfully musty: a fly-leaf bore the inscription—Catherine Earnshaw, her book, and a date some quarter of a century back. I shut it, and took up another, and another, till I had examined all. Catherine’s library was select, and its state of dilapidation proved it to have been well used; though not altogether for a legitimate purpose: scarcely one chapter had escaped a pen-and-ink commentary—at least, the appearance of one—covering every morsel of blank that the printer had left. Some were detached sentences; other parts took the form of a regular diary, scrawled in an unformed, childish hand. At the top of an extra page (quite a treasure, probably, when first lighted on) I was greatly amused to behold an excellent caricature of my friend Joseph,—rudely yet powerfully sketched. An immediate interest kindled within me for the unknown Catherine, and I began, forthwith, to decypher her faded hieroglyphics.

An awful Sunday! commenced the paragraph beneath. "I wish my father were back again. Hindley is a detestable substitute—his conduct to Heathcliff is atrocious—H. and I are going to rebel—we took our initiatory step this evening.

All day had been flooding with rain; we could not go to church, so Joseph must needs get up a congregation in the garret; and, while Hindley and his wife basked down stairs before a comfortable fire—doing anything but reading their Bibles, I’ll answer for it—Heathcliff, myself, and the unhappy plough-boy were commanded to take our Prayer-books, and mount: we were ranged in a row, on a sack of corn, groaning and shivering, and hoping that Joseph would shiver too, so that he might give us a short homily for his own sake. A vain idea! The service lasted precisely three hours; and yet my brother had the face to exclaim, when he saw us descending, What, done already?" On Sunday evenings we used to be permitted to play, if we did not make much noise; now a mere

Enjoying the preview?
Page 1 of 1