Quicksilver: The Baroque Cycle #1
4/5
()
Politics
Natural Philosophy
Power Dynamics
Alchemy
Power
Fish Out of Water
Rags to Riches
Reluctant Hero
Mentor
Power of Friendship
Chosen One
Femme Fatale
Mad Scientist
Forbidden Love
Prophecy
Adventure
Monarchy
Religion
17th Century
England
About this ebook
Quicksilver is the story of Daniel Waterhouse, fearless thinker and conflicted Puritan, pursuing knowledge in the company of the greatest minds of Baroque-era Europe, in a chaotic world where reason wars with the bloody ambitions of the mighty, and where catastrophe, natural or otherwise, can alter the political landscape overnight.
It is a chronicle of the breathtaking exploits of "Half-Cocked Jack" Shaftoe—London street urchin turned swashbuckling adventurer and legendary King of the Vagabonds—risking life and limb for fortune and love while slowly maddening from the pox.
And it is the tale of Eliza, rescued by Jack from a Turkish harem to become spy, confidante, and pawn of royals in order to reinvent Europe through the newborn power of finance.
A gloriously rich, entertaining, and endlessly inventive novel that brings a remarkable age and its momentous events to vivid life, Quicksilver is an extraordinary achievement from one of the most original and important literary talents of our time.
And it's just the beginning …
Neal Stephenson
Neal Stephenson is the #1 New York Times bestselling author of the novels Termination Shock, Fall; or, Dodge in Hell, The Rise and Fall of D.O.D.O. (with Nicole Galland), Seveneves, Reamde, Anathem, The System of the World, The Confusion, Quicksilver, Cryptonomicon, The Diamond Age, Snow Crash, Zodiac, and the groundbreaking nonfiction work In the Beginning . . .Was the Command Line. He lives in Seattle, Washington.
Other titles in Quicksilver Series (1)
Quicksilver: The Baroque Cycle #1 Rating: 4 out of 5 stars4/5
Read more from Neal Stephenson
Seveneves: A Novel Rating: 4 out of 5 stars4/5Cryptonomicon Rating: 4 out of 5 stars4/5Snow Crash: A Novel Rating: 4 out of 5 stars4/5The Rise and Fall of D.O.D.O.: A Novel Rating: 4 out of 5 stars4/5Termination Shock: A Novel Rating: 4 out of 5 stars4/5Reamde: A Novel Rating: 4 out of 5 stars4/5In the Beginning...Was the Command Line Rating: 4 out of 5 stars4/5The Baroque Cycle: Quicksilver, The Confusion, and The System of the World Rating: 4 out of 5 stars4/5The Diamond Age: Or, a Young Lady's Illustrated Primer Rating: 0 out of 5 stars0 ratingsZodiac Rating: 4 out of 5 stars4/5The Cobweb: A Novel Rating: 4 out of 5 stars4/5Hieroglyph: Stories & Visions for a Better Future Rating: 3 out of 5 stars3/5Interface: A Novel Rating: 0 out of 5 stars0 ratingsThe Big Book of Cyberpunk Rating: 4 out of 5 stars4/5Robot Artists & Black Swans: The Italian Fantascienza Stories Rating: 0 out of 5 stars0 ratings
Related to Quicksilver
Related ebooks
Stand on Zanzibar: The Hugo Award-Winning Novel Rating: 4 out of 5 stars4/5Zodiac Rating: 4 out of 5 stars4/5Rainbows End: A Novel with One Foot in the Future Rating: 4 out of 5 stars4/5Eon Rating: 4 out of 5 stars4/5Look to Windward Rating: 4 out of 5 stars4/5Way Station Rating: 4 out of 5 stars4/5Forever Free Rating: 3 out of 5 stars3/5The Corridors of Time Rating: 3 out of 5 stars3/5Robot Artists & Black Swans: The Italian Fantascienza Stories Rating: 0 out of 5 stars0 ratingsThe Best of Kim Stanley Robinson Rating: 4 out of 5 stars4/5Lord of Light Rating: 4 out of 5 stars4/5Worlds Rating: 3 out of 5 stars3/5The Eon Series: Legacy, Eon, and Eternity Rating: 4 out of 5 stars4/5Up the Line Rating: 3 out of 5 stars3/5Maelstrom Rating: 4 out of 5 stars4/5The Wanderer Rating: 3 out of 5 stars3/5Cyberpunk Rating: 3 out of 5 stars3/5Arslan Rating: 3 out of 5 stars3/5The Lathe Of Heaven Rating: 4 out of 5 stars4/5Riverworld: Including To Your Scattered Bodies Go & The Fabulous Riverboat Rating: 4 out of 5 stars4/5The Postman Rating: 4 out of 5 stars4/5A Deepness in the Sky Rating: 4 out of 5 stars4/5Oceanic Rating: 4 out of 5 stars4/5The Worlds Trilogy: Worlds, Worlds Apart, and Worlds Enough and Time Rating: 4 out of 5 stars4/5True Names and the Opening of the Cyberspace Frontier Rating: 4 out of 5 stars4/5Starfish Rating: 4 out of 5 stars4/5The Windup Girl Rating: 4 out of 5 stars4/5The Practice Effect Rating: 5 out of 5 stars5/5City Rating: 4 out of 5 stars4/5
Reviews for Quicksilver
2,560 ratings90 reviews
- Rating: 5 out of 5 stars5/5
Apr 1, 2019
This is the third time I have read this book, and it has become one of my favorites. As most other reviewers have noted, this is a very difficult book to review and categorize. I will keep this review short to say that I see it as a work of historical fiction, with a focus on the politics of England and France of the 1680s and the science/natural philosophy of the later stages of the Scientific Revolution. I think I enjoyed this book much more than the first two times I read it because at this point, I have a much great knowledge of the historical characters involved. I am going to continue on and read the next two books in order as most reviews say this only gets better.
I will close by saying that although this is a personal favorite, I could see how people might hate the book, and I would have a hard time recommending this to anyone who did not have a familiarity with the time period, and who did not like getting bogged down in details that do not move the plot forward in a story. I enjoyed these parts of the story, but could see how many may not. - Rating: 1 out of 5 stars1/5
Apr 1, 2019
"My research! Let me show you it!"
By which I mean, I wish Stephenson had taken the time to put some plot or characterization in there with all this info dumps. - Rating: 5 out of 5 stars5/5
Mar 11, 2025
Well, I've been pleasurably wading through this slab of witty exposition for what feels like most of the year now, re-reading it, to be exact, and finding comfort in the chaos, warfare, catastrophe and upheaval of the late 1600s. Daniel Waterhouse wends his way back to England beset by pirates and recalls his formative years attending Cambridge with a young Isaac Newton. Raised by a religious extremist who believed the world would end in 1666 (obviously) and wanted Daniel to stand on the Cliffs of Dover ready to great the returned Jesus in a variety of ancient languages, Daniel's education begins as a great revolution in science and philosophy takes hold, shaking the world to its core simply by explaining it. Then we have Half-Cocked Jack Shaftoe, who rescues Eliza from a seraglio at the Siege Of Vienna. Together they cross Europe as Vagabonds, ready to take the world of finance by storm.
These books aren't everybody's cup of tea: too big, bloated and clever-clever. I love 'em. I eat 'em up. They're epic, picaresque, hilarious celebrations of wild intelligence at war with crazed irrationality, and you're not always sure which of them are the good guys at any given time.
2021 - here comes the autumn and winter of yet another plague year, time for comfort reads.
Found my original review from 2004:
This vast, sprawling historical (actually an alternative history) novel is the first in a vast, sprawling historical trilogy that ambitiously sets out to chart the rise of the age of reason and enlightenment, which, it must be noted, marks no abatement in man’s eternal quest for new and interesting way to kills each other, but which certainly saw a marked increase in the numbers of obsessive scientists suffering from mercury poisoning.
1713, the story opens in the Colonies and the arrival of Enoch Root, Stephenson’s more sanguine immortal Melmoth figure (who also figures in Cryptonomicon, to which this trilogy is a prelude) searching for the now aged Daniel Waterhouse and prevailing upon him to return to England to mediate in a bitter, wildfire scientific feud that has riven the ranks of the Philosophical Society which Daniel helped found. Old Daniel then spends the rest of the nine hundred-odd pages on a ship trying to leave Boston Harbour. Unfortunately the ship is beset by a large fleet of pirates and is captained by a man with a real hard-on for buccaneers and whose idea of a good time is to send as many of them as possible to a watery grave. Lively and all as the ensuing maritime manoeuvres prove to be, the bulk of the actual book is thankfully filled with the tale of Daniel’s early career in the Philosophical Society and his friendships with various historical characters, most significantly one Isaac Newton. Against the backdrop of plague, fire, revolution and restoration, we are treated to debates, feuds, intrigues, dissections, theories, revelations and the whole cloistered, obsessive world of mad, venerable old scientists who can’t blow their nose without making new and awesome discoveries and then writing treatises of thousands of closely reasoned pages on the issue, and others who blunder down disastrous dead ends ruining their lives, fortunes and reputations.
Book One ends, and Old Daniel is finally making progress for England. But never mind about him, Book Two brings us the exciting adventures of the legendary Jack Shaftoe, King of the Vagabonds, and Eliza, rescued from a Turkish harem at the Siege of Venice. The two set out to make their fortune in the markets, courts and battlefields of war-torn Europe. ‘Half-Cocked’ Jack is slowly going mad from a fatal dose of the pox while Eliza has a gift for numbers, intrigue and networks which gets both of them into horrible amounts of trouble. Swashbucklingly stupid exploits and fiendishly clever stratagems which flounder and backfire keep the second book a lively read, and we even get to revisit young Daniel – well… getting on for middle-aged Daniel - in filthy, teeming bristling London.
Personally, I love this sort of thing, and I’m also a fan of Stephenson anyway, so Quicksilver was never going to be a hard sell to this particular reviewer. The giddy sense of scientific discovery fuelling the progress of civilisation, for better and for worse, is all part of the pure bliss of science fiction, and the counterpart in historical fiction can be every bit as exhilarating. The work of the Philosophical Society does not occur in a vacuum, cannot be divorced from the cultural, political, religious and economic milieu in which it is set, which enables it far more than it hampers. The scientists are not innocently unaware of the personal dangers of questioning widely held beliefs of the nature of the universe, nor are they ignorant of the admittedly unpredictable, potentially catastrophic repercussions on the wider world (or, in the case of their work on cannon and gunpowder, very predictable) it is simply the nature of the world in which they live.
Tons of historical detail abound, but Stephenson makes no effort to capture much in the way of period dialect or idiom, though he does well in capturing the rhetorical rhythms of courtiers and Natural Philosophers. The ferment of scientific endeavour and extremes of thought and behaviour in the Philosophical Society allow for a great deal of high and low comedy, while unashamedly vicious behaviour can shock and the uncertainties of life in such tumultuous times leads to much tragedy and horror. One passage consists of an hilarious description of the outrageously flamboyant dress of a foppish young aristocrat, a patron of Isaac Newton and a deadly swordsman. In the very next paragraph amusement gives way to revulsion as the same fop horribly abuses an agent in his pay.
Ending with all the principal characters in assorted unpleasant if not downright disgusting circumstances and with two equally massive books to go, it’s clear Stephenson is just getting started. Reading the whole lot looks like as potentially exhausting experience: heck just lifting the damn things could leave you prostrate, but me, I’m a glutton for punishment. - Rating: 3 out of 5 stars3/5
May 26, 2022
A historical fiction surrounding scientists in the 1600-1700s UK. Like any typical Neal Stephenson novel, there is a good amount of technical information and humor. At moments this can be incredibly interesting and a great read. At other times it can be difficult to get through. The main issue I have with this book though is that there is no storyline. The characters were a bit basic and there was nothing holding me to them. - Rating: 4 out of 5 stars4/5
Oct 19, 2024
The timeframe is 1660 - 1688 and Europe is transforming itself into a culture of scientific thinkers. Alchemy and imagination. Burgeoning financial complexities and modernized social developments abound. [Side note: the experiments on dogs was really hard to read. And I'm not a dog person.] Quicksilver follows real-life historical figures in real-life events. The glint in a crow's eye. The cough of a cholera-infected child. Fine grains of dirt that cling to a man's boots as he strides across a courtyard. The tremble of a drop of water as it rolls down a soot-covered windowpane. The hair of a rat as it scurries under a table. The details of Quicksilver are even finer than this; an overabundance of details. I hope you stub your toes on the sly humor that pops up in between the verbose narrative.
Additional facts about Quicksilver: it is exactly one third of the Baroque Cycle, Stephenson's trilogy. Quicksilver in and of itself is in three separate parts. The second section follows the adventures of Jack Shaftoe. The third involves a slave who ties the characters of the first two sections together. As an aside, Eliza's story had me scratching my head. I felt that Stephenson had more to say about her than he was letting on. The writing of Cryptonomicon and the reading about Isaac Newton and Gottfried Leibniz inspired Stephenson to write Quicksilver. - Rating: 2 out of 5 stars2/5
Mar 1, 2023
I got bored with this book and took it back to the library unfinished. - Rating: 4 out of 5 stars4/5
Oct 18, 2023
I don't even know where to begin with this one, I just have some thoughts about it:
- I struggled a lot reading this.
- I really liked it.
- I don't know why.
- For some reason I think I liked this book more because I loved Cryptonomicon. - Rating: 5 out of 5 stars5/5
Jan 4, 2021
This is how you do historical fiction! A wide-ranging tale covering the history of royal families, court intrigue, early espionage and cryptography, scientific invention, finance, etc. Epic in every way. - Rating: 4 out of 5 stars4/5
Dec 29, 2020
Great historical fiction of Europe during the Age of Enlightenment. It was a little tough to get into at the start due to all of the characters and background that needed to be established, but it picks up quite a bit in the last two thirds. I also like that I learned something about the people and events of the time period, which is something I don't get from the usual sci-fi/fantasy books I read. It was fun looking up some of the characters and events and finding that they really did exist or happen.
I'll probably take a short break to read some shorter books that I have been putting off, but I am looking forward to reading the other two ~1000 page books in the series! - Rating: 4 out of 5 stars4/5
Dec 17, 2020
A charming tale of kidney stones, Vagabonds, and economics. - Rating: 3 out of 5 stars3/5
Jul 7, 2014
good - Rating: 4 out of 5 stars4/5
Oct 13, 2023
I am a very big fan of Stephenson. Coming to his work through Snowcrash and Reamde and the wonderful Cryptinomicron. This is just as great. And I get to journey a little through some fascinating history and science along the way. Really great. - Rating: 3 out of 5 stars3/5
Aug 5, 2023
This book has all the things I've come to expect from Stephenson in spades, and yet ended up only mildly enjoyable.
It's very dense. Even reading carefully sometimes it feels like you're skimming with all the little bits and bobs thrown in everywhere. And I'm sure if I had a better grasp of English history I'd have appreciated it more. The range of characters is very broad, and trying to relate who's doing what to whom is a challenge.
I love his humour, and the way you trip over it from time to time when you least expect it.
Probably my biggest beef with it is the completely helter skelter style of the thing. There's just too many different types of narrative all jammed in there, and it just doesn't hang together. When a novel this size has no flow, why the heck publish it all at once in one volume? Add the abrupt changes (or outright endings) scattered here and there, and it was just too unfinished feeling for me.
I loved chunks of it, and I can't decide if the rest just had to be separated out better for me to enjoy it, or dropped on the cutting room floor.
Don't read this as your first Stephenson novel. But if you like others his written by all means give this a try. To me, it wasn't up to part, but I suspect I'm in the minority. - Rating: 4 out of 5 stars4/5
Aug 11, 2020
First of the Baroque Cycle. Historical SF. Enjoyed this look at Science during the Baroque period. - Rating: 5 out of 5 stars5/5
Jun 22, 2019
Whew! This was quite an epic; a book this size is definitely a commitment, and this one is worth it. It's a fascinating look at the men who created England's Royal Society. Many of the brightest and most curious of men-including Sir Isaac Newton-formed the Society to further their scientific interests.
While all of the experimentation and writing of mathematical theory is going on, the political (and at times physical world, as in the case of the great Fire of London in 1666) world around them is changing. At times this endangers certain members of the Society. Politics, religion, love, and murder all swirl around them.
I cannot say enough about how wonderful this book is; let me just say I would certainly recommend it to anyone interested in history-especially the history of scientific knowledge. - Rating: 2 out of 5 stars2/5
Jan 14, 2013
This book is best summed up by the following quote from page 674:
"Occasionally one discovered correspondences between things in the real world and the figments of pure math. For example: Daniel's trajectory from London to Ipswich had run in nearly a straight line, but after every one of the Dissenters had been let out of gaol, Daniel had executed a mighty change in direction and the next morning began riding on a rented horse towards Cambridge, following a trajectory that became straighter the farther he went. He was, in other words, describing a hyperbolic sort of path across Essex, Suffolk and Cambridgeshire.
But he was not doing so because it was a hyperbola or (to look at it another way) it was not a hyperbola because he was doing so. This was simply the route that traders had always taken, going from market to market as they traveled up out of Ipswich with wagon-loads of imported or smuggled goods. He could have followed a zigzag course. That it looked like a hyperbola when plotted on a map of England was luck. It was a contingent truth.
It did not mean anything."1 person found this helpful
- Rating: 2 out of 5 stars2/5
Feb 5, 2020
Y'know, I love me some immersive historical fiction, and I've enjoyed some of the Stephenson I've read (I must set Anathem aside) ... but. I am going to inch forward with Quicksilver; however, I have found the "huge backstory database" dumps at the beginning to be so hamfistedly handled that I had an impulse to throw the book across the room.
C'mon, Neal -- NOT doing those things is one of the things that Heinlein taught. I know this isn't strictly speaking science fiction, but jeez. - Rating: 4 out of 5 stars4/5
May 27, 2019
I'd had it in the back of my mind to jump into this large trilogy sooner or later. It's pretty much what I expected - lots of adventure and detail and history and I enjoyed it quite a bit - enough to continue at least... - Rating: 4 out of 5 stars4/5
Feb 22, 2019
You can say any sort of nonsense in Latin, and our feeble university men will be stunned, or at least profoundly confused. That’s how the popes have gotten away with peddling bad religion for so long, they simply say it in Latin.
It is assuring to see Stephenson working and waxing so Pynchonian. The author is putting in the work, sketching the details, plumbing for the argot, inserting the puns.
I've read it twice. the Waterhouse sections are divine, the others not so lofty. - Rating: 1 out of 5 stars1/5
Aug 15, 2017
Abandoned at the 25% mark. Too many anachronisms, too much history of science. I don't object to reading about the history of science, but in a novel I'm generally more interested in plot. There isn't enough of that in this work. - Rating: 2 out of 5 stars2/5
Nov 30, 2016
Nicht zum ersten Mal passiert mir das bei Neal Stephenson: Idee und Setting klingen spannend. Voller Vorfreude beginne ich zu lesen, doch die Freude weicht zunehmend der Ernüchterung, und schliesslich bricht der Spannungsbogen unter dem Übermass an Details und Beschreibungen krachend zusammen. Ist wohl einfach nicht mein Ding. - Rating: 4 out of 5 stars4/5
Nov 7, 2016
Good fun! I am fascinated by this period in history, the shift from religion to science, the birth of the modern age. Quicksilver is a kind of jolly romp through Western Europe mostly in the 1680s. We see an impossible number of key events - our protagonists seem to have been everywhere! But it works well enough and makes a nice thread from which to hang the events. - Rating: 5 out of 5 stars5/5
Aug 2, 2016
For this, my fourth (?) re-read I'm listening to the audio books. Simon Prebble did a remarkable job on this one, coveying the book's dry humor and sense of adventure (both intellectual and physical) perfectly. This book remains an all-time favorite! - Rating: 2 out of 5 stars2/5
Feb 9, 2016
Sadly, this trilogy did NOT live up to my expectations (which were high).
"Snow Crash" and "The Diamond Age" are still two of my favorite books of all time, but, I just found out from a friend that Neal Stephenson apparently changed publishers directly before Cryptonomicon. I think he also ditched his editor.
Stephenson is an excellent writer, but this book is badly in need of an editor.
According to Stephenson, the "Baroque Cycle" is actually 8 novels. The publisher is of the opinion that it is three. "Quicksilver" contains the first 3 (around 900 pages worth). The first book is kinda about Isaac Newton, math, and the state of scientific research in the 17th century. The second is about a ne'er-do-well type who inadvertently rescues a British harem slave who turns out to be a financial genius. The third book kinda brings all these characters sort-of-but-not-really together in a load of massively complicated political stuff, with tons of both historical figures and fictional characters involved.
More than the story, the book really has to do with Things That Stephenson Thinks are Funny/Interesting/Clever, etc. And some of them ARE very interesting, funny, and etc... But one gets the feeling that the author is self-consciously winking at you far too often. Too much cleverness. All the characters "correspond" to those in Cryptonomicon, too (which I read long enough ago that it needed to be pointed out to me.) I guess these are supposed to be their ancestors? In addition, it's very, umm... earthy. Fixated on unpleasant physical details, shall we say. And, it didn't really succeed in making mathematical proofs seem exciting, to me.
Stephenson apparently has tried to claim that this is a "science fiction" book, becase it contains a few fictional and unlikely elements - and it has to do with science. But it really is not.
Well, I'm going to continue with the series, but I'll consider myself lucky if I even finish it this month. It's been a slog so far. A not totally unrewarding one, but still. - Rating: 3 out of 5 stars3/5
Jan 21, 2016
A book that spans the events of the late 17th and early 18th centuries in England and America.
We go back and forth in time with a protagonist that seems to observe many of the great events and thinkers of a very momentous age.
Interesting and a very big undertaking. Can be a bit slow in spots. - Rating: 2 out of 5 stars2/5
Jan 8, 2016
OK, in fairness I think some folks will love this author and this story. Reading the reviews ahead of time, it seemed like historical fiction, which I love, and lots of folks do love what he's written here.
For me though, I needed more story, or maybe a story that felt more connected to me. I kept finding myself feeling a bit lost on the connection, and often found that the storytelling aspect just wasn't what I hoped for.
At any rate, I read about half this book, sticking with it in the hopes that it would come alive for me and I could enjoy the whole series. It never did. However, it's one of those I might go back to and pick up again in the hope that it will start to connect - maybe at a different point in my life? I hate giving it two stars, because I really do think it works for many people, it just didn't for me right now. - Rating: 5 out of 5 stars5/5
Mar 23, 2015
It was very good. I loved the way the stories weave together and the amount of detail. I found it hard to put down for most of the book. There were parts that I found a bit tedious, but they were a small part of the story. By the end I was exhausted and need a break before starting the next volume. - Rating: 3 out of 5 stars3/5
Mar 19, 2015
Excerpt: "What I do not understand is why you pretend to be interested in what happens to me. In the Hague, you saw me as a pretty girl who could skate, and would therefore catch Monmouth's eye, and make Mary unhappy, and create strife in William's house. And it all came to pass just as you intended. But what can I do for you now?"
"Live a beautiful and interesting life-and from time to time, talk to me."
Eliza laughed out loud, lustily, drawing glares from women who never laughed that way, or at all. "You want me to be your spy."
No mademoiselle, I want you to be my friend." D'Avaux said this simply, and almost sadly, and it caught Eliza up short.
End Excerpt.
Perhaps the most poignant part of the book.
This is divided in three parts and the style of the author is to relate the story within conversation back and forth between characters. The first character in part one is Daniel Waterhouse, a scientist, part two Jack Shaftoe, a vagabonding adventurer, and three back to Daniel with intervals of Eliza, Jack's woman for a time in part two. The middle about Jack is the the most interesting. Which was good because I was starting to get bored towards the end of part 1.
Overall not as good as I hoped. But book two starts off with the further adventures of Jack whose story ended with a cliff hanger in part two of vol one. - Rating: 4 out of 5 stars4/5
Dec 14, 2014
A wonderful ride, and great fun. I loved all three books of the Baroque Cycle _Cryptonomicon_. - Rating: 5 out of 5 stars5/5
Sep 26, 2014
While one could say that the saga of the Waterhouses and Shaftoes continues, it may be more appropriate to say that in Quicksilver, the saga begins. As in Cryptonomicon, we are introduced first to the Waterhouse - in the case, Daniel - the son of a Puritan troublemaker named Drake. We meet Daniel late in his childhood and follow his career up through the ranks of the newly formed Royal Society - a gathering of the intelligencia of England just prior to the great Fire of London. After spending some time following Daniel in his interactions with various notables of the time (Isaac Newton, Robert Hooke, James Wilkins and others), we jump onto the continent to get our fill of Shaftoes.
At this point, we follow the story of Half-cocked Jack Shaftoe - a vagabond by birth and inclination - hero by accident. As he's working on looting the battlefield at the end of the siege of Vienna, he finds himself with an ostrich, a stallion, a sword and a girl - none of which originally belonged to him. This poses no problem for our morally unencumbered Shaftoe, and the pair make their way from Vienna to Paris with the intent of selling the ostrich feathers for a profit in the Parisian markets. As usual, Shaftoe falls for the girl, but she ends up being way out of his league. Let's just say that shortly after the part company, she finds herself the center of attention at Louis XIV's court at Versailles. In the Shaftoe part of the story, we find ourselves introduced the the Sun King, William of Orange, various members of the French court and the Dutch mercantile exchanges.
This is an absolutely fascinating story. Of course, part of my interest comes from living in Paris and Versailles, so I can envision Shaftoe hiding out in Paris or crashing the masquerade ball at Versailles. I've visited Amsterdam, Vienna and London (three other major settings), and so the places are familiar to me and this brings to the story more alive. It's also fascinating to have the luminaries of the period (Newton, Leibniz, John Locke, Boyle, Huygens, etc) pop in and out of scenes.
And even though the book is absolutely chock full of historical and scientific minutia, it's still incredibly funny. It's a very dry humor, for the most part, but there are several guffaw-worthy passages. The only downside is that the book is voluminous AND dense. You can't read it if you're tired, but if you can stay alert, you can find some real gems.
Book preview
Quicksilver - Neal Stephenson
BOOK ONE
Quicksilver
Those who assume hypotheses as first principles of their speculations…may indeed form an ingenious romance, but a romance it will still be.
—ROGER COTES,
PREFACE TO SIR ISAAC NEWTON’S
Principia Mathematica,
SECOND EDITION, 1713
Boston Common
OCTOBER 12, 1713, 10:33:52 A.M.
ENOCH ROUNDS THE CORNER JUST as the executioner raises the noose above the woman’s head. The crowd on the Common stop praying and sobbing for just as long as Jack Ketch stands there, elbows locked, for all the world like a carpenter heaving a ridge-beam into place. The rope clutches a disk of blue New England sky. The Puritans gaze at it and, to all appearances, think. Enoch the Red reins in his borrowed horse as it nears the edge of the crowd, and sees that the executioner’s purpose is not to let them inspect his knotwork, but to give them all a narrow—and, to a Puritan, tantalizing—glimpse of the portal through which they all must pass one day.
Boston’s a dollop of hills in a spoon of marshes. The road up the spoon-handle is barred by a wall, with the usual gallows outside it, and victims, or parts of them, strung up or nailed to the city gates. Enoch has just come that way, and reckoned he had seen the last of such things—that thenceforth it would all be churches and taverns. But the dead men outside the gate were common robbers, killed for earthly crimes. What is happening now on the Common is of a more Sacramental nature.
The noose lies on the woman’s gray head like a crown. The executioner pushes it down. Her head forces it open like an infant’s dilating the birth canal. When it finds the widest part it drops suddenly onto her shoulders. Her knees pimple the front of her apron and her skirts telescope into the platform as she makes to collapse. The executioner hugs her with one arm, like a dancing-master, to keep her upright, and adjusts the knot while an official reads the death warrant. This is as bland as a lease. The crowd scratches and shuffles. There are none of the diversions of a London hanging: no catcalls, jugglers, or pickpockets. Down at the other end of the Common, a squadron of lobsterbacks drills and marches round the base of a hummock with a stone powder-house planted in its top. An Irish sergeant bellows—bored but indignant—in a voice that carries forever on the wind, like the smell of smoke.
He’s not come to watch witch-hangings, but now that Enoch’s blundered into one it would be bad form to leave. There is a drum-roll, and then a sudden awkward silence. He judges it very far from the worst hanging he’s ever seen—no kicking or writhing, no breaking of ropes or unraveling of knots—all in all, an unusually competent piece of work.
He hadn’t really known what to expect of America. But people here seem to do things—hangings included—with a blunt, blank efficiency that’s admirable and disappointing at the same time. Like jumping fish, they go about difficult matters with bloodless ease. As if they were all born knowing things that other people must absorb, along with færy-tales and superstitions, from their families and villages. Maybe it is because most of them came over on ships.
As they are cutting the limp witch down, a gust tumbles over the Common from the North. On Sir Isaac Newton’s temperature scale, where freezing is zero and the heat of the human body is twelve, it is probably four or five. If Herr Fahrenheit were here with one of his new quicksilver-filled, sealed-tube thermometers, he would probably observe something in the fifties. But this sort of wind, coming as it does from the North in the autumn, is more chilling than any mere instrument can tell. It reminds everyone here that if they don’t want to be dead in a few months’ time, they have firewood to stack and chinks to caulk. The wind is noticed by a hoarse preacher at the base of the gallows, who takes it to be Satan himself, come to carry the witch’s soul to hell, and who is not slow to share this opinion with his flock. The preacher is staring Enoch in the eye as he testifies.
Enoch feels the heightened, chafing self-consciousness that is the precursor to fear. What’s to prevent them from trying and hanging him as a witch?
How must he look to these people? A man of indefinable age but evidently broad experience, with silver hair queued down to the small of his back, a copper-red beard, pale gray eyes, and skin weathered and marred like a blacksmith’s ox-hide apron. Dressed in a long traveling-cloak, a walking-staff and an outmoded rapier strapped ‘longside the saddle of a notably fine black horse. Two pistols in his waistband, prominent enough that Indians, highwaymen, and French raiders can clearly see them from ambuscades (he’d like to move them out of view, but reaching for them at this moment seems like a bad idea). Saddlebags (should they be searched) filled with instruments, flasks of quicksilver, and stranger matters—some, as they’d learn, quite dangerous—books in Hebrew, Greek, and Latin pocked with the occult symbols of Alchemists and Kabalists. Things could go badly for him in Boston.
But the crowd takes the preacher’s ranting not as a call to arms but a signal to turn and disperse, muttering. The redcoats discharge their muskets with deep hissing booms, like handfuls of sand hurled against a kettledrum. Enoch dismounts into the midst of the colonists. He sweeps the robe round him, concealing the pistols, pulls the hood back from his head, and amounts to just another weary pilgrim. He does not meet any man’s eye but scans their faces sidelong, and is surprised by a general lack of self-righteousness.
God willing,
one man says, that’ll be the last one.
Do you mean, sir, the last witch?
Enoch asks.
I mean, sir, the last hanging.
Flowing like water round the bases of the steep hills, they migrate across a burying ground on the south edge of the Common, already full of lost Englishmen, and follow the witch’s corpse down the street. The houses are mostly of wood, and so are the churches. Spaniards would have built a single great cathedral here, of stone, with gold on the inside, but the colonists cannot agree on anything and so it is more like Amsterdam: small churches on every block, some barely distinguishable from barns, each no doubt preaching that all of the others have it wrong. But at least they can muster a consensus to kill a witch. She is borne off into a new burying ground, which for some reason they have situated hard by the granary. Enoch is at a loss to know whether this juxtaposition—that is, storing their Dead, and their Staff of Life, in the same place—is some sort of Message from the city’s elders, or simple bad taste.
Enoch, who has seen more than one city burn, recognizes the scars of a great fire along this main street. Houses and churches are being rebuilt with brick or stone. He comes to what must be the greatest intersection in the town, where this road from the city gate crosses a very broad street that runs straight down to salt water, and continues on a long wharf that projects far out into the harbor, thrusting across a ruined rampart of stones and logs: the rubble of a disused sea-wall. The long wharf is ridged with barracks. It reaches far enough out into the harbor that one of the Navy’s very largest men-of-war is able to moor at its end. Turning his head the other way, he sees artillery mounted up on a hillside, and blue-coated gunners tending to a vatlike mortar, ready to lob iron bombs onto the decks of any French or Spanish galleons that might trespass on the bay.
So, drawing a mental line from the dead criminals at the city gate, to the powder-house on the Common, to the witch-gallows, and finally to the harbor defenses, he has got one Cartesian number-line—what Leibniz would call the Ordinate—plotted out: he understands what people are afraid of in Boston, and how the churchmen and the generals keep the place in hand. But it remains to be seen what can be plotted in the space above and below. The hills of Boston are skirted by endless flat marshes that fade, slow as twilight, into Harbor or River, providing blank empty planes on which men with ropes and rulers can construct whatever strange curves they phant’sy.
Enoch knows where to find the Origin of this coordinate system, because he has talked to ship’s masters who have visited Boston. He goes down to where the long wharf grips the shore. Among fine stone sea-merchants’ houses, there is a brick-red door with a bunch of grapes dangling above it. Enoch goes through that door and finds himself in a good tavern. Men with swords and expensive clothes turn round to look at him. Slavers, merchants of rum and molasses and tea and tobacco, and captains of the ships that carry those things. It could be any place in the world, for the same tavern is in London, Cadiz, Smyrna, and Manila, and the same men are in it. None of them cares, supposing they even know, that witches are being hanged five minutes’ walk away. He is much more comfortable in here than out there; but he has not come to be comfortable. The particular sea-captain he’s looking for—van Hoek—is not here. He backs out before the tavern-keeper can tempt him.
Back in America and among Puritans, he enters into narrower streets and heads north, leading his horse over a rickety wooden bridge thrown over a little mill-creek. Flotillas of shavings from some carpenter’s block-plane sail down the stream like ships going off to war. Underneath them the weak current nudges turds and bits of slaughtered animals down towards the harbor. It smells accordingly. No denying there is a tallow-chandlery not far upwind, where beast-grease not fit for eating is made into candles and soap.
Did you come from Europe?
He had sensed someone was following him, but seen nothing whenever he looked back. Now he knows why: his doppelgänger is a lad, moving about like a drop of quicksilver that cannot be trapped under the thumb. Ten years old, Enoch guesses. Then the boy thinks about smiling and his lips part. His gums support a rubble of adult teeth shouldering their way into pink gaps, and deciduous ones flapping like tavern signs on skin hinges. He’s closer to eight. But cod and corn have made him big for his age—at least by London standards. And he is precocious in every respect save social graces.
Enoch might answer, Yes, I am from Europe, where a boy addresses an old man as sir,
if he addresses him at all. But he cannot get past the odd nomenclature. Europe,
he repeats, "is that what you name it here? Most people there say Christendom."
"But we have Christians here."
"So this is Christendom, you are saying, says Enoch,
but, obviously to you, I’ve come from somewhere else. Perhaps Europe is the better term, now that you mention it. Hmm."
What do other people call it?
Do I look like a schoolmaster to you?
No, but you talk like one.
You know something of schoolmasters, do you?
Yes, sir,
the boy says, faltering a bit as he sees the jaws of the trap swinging toward his leg.
Yet here it is the middle of Monday—
The place was empty ‘cause of the Hanging. I didn’t want to stay and—
And what?
Get more ahead of the others than I was already.
"If you are ahead, the correct thing is to get used to it—not to make yourself into an imbecile. Come, you belong in school."
School is where one learns,
says the boy. "If you’d be so kind as to answer my question, sir, then I should be learning something, which would mean I were in school."
The boy is obviously dangerous. So Enoch decides to accept the proposition. You may address me as Mr. Root. And you are—?
Ben. Son of Josiah. The tallow-chandler. Why do you laugh, Mr. Root?
Because in most parts of Christendom—or Europe—tallow-chandlers’ sons do not go to grammar school. It is a peculiarity of…your people.
Enoch almost let slip the word Puritans. Back in England, where Puritans are a memory of a bygone age, or at worst streetcorner nuisances, the term serves well enough to lampoon the backwoodsmen of Massachusetts Bay Colony. But as he keeps being reminded here, the truth of the matter is more complex. From a coffeehouse in London, one may speak blithely of Islam and the Mussulman, but in Cairo such terms are void. Here Enoch is in the Puritans’ Cairo. I shall answer your question,
Enoch says before Ben can let fly with any more. "What do people in other parts call the place I am from? Well, Islam—a larger, richer, and in most ways more sophisticated civilization that hems in the Christians of Europe to the east and the south—divides all the world into only three parts: their part, which is the dar al-Islam; the part with which they are friendly, which is the dar as-sulh, or House of Peace; and everything else, which is the dar al-harb, or House of War. The latter is, I’m sorry to say, a far more apt name than Christendom for the part of the world where most of the Christians live."
I know of the war,
Ben says coolly. It is at an end. A Peace has been signed at Utrecht. France gets Spain. Austria gets the Spanish Netherlands. We get Gibraltar, Newfoundland, St. Kitts, and—
lowering his voice —the slave trade.
"Yes—the Asiento."
Ssh! There are a few here, sir, opposed to it, and they are dangerous.
You have Barkers here?
Yes, sir.
Enoch studies the boy’s face now with some care, for the chap he is looking for is a sort of Barker, and it would be useful to know how such are regarded hereabouts by their less maniacal brethren. Ben seems cautious, rather than contemptuous.
"But you are speaking only of one war—"
The War of the Spanish Succession,
says Ben, whose cause was the death in Madrid of King Carlos the Sufferer.
"I should say that wretched man’s death was the pretext, not the cause, says Enoch.
The War of the Spanish Succession was only the second, and I pray the last, part of a great war that began a quarter of a century ago, at the time of—"
The Glorious Revolution!
"As some style it. You have been at your lessons, Ben, and I commend you. Perhaps you know that in that Revolution the King of England—a Catholic—was sent packing, and replaced by a Protestant King and Queen."
William and Mary!
"Indeed. But has it occurred to you to wonder why Protestants and Catholics were at war in the first place?"
"In our studies we more often speak of wars among Protestants."
Ah, yes—a phenomenon restricted to England. That is natural, for your parents came here because of such a conflict.
The Civil War,
says Ben.
Your side won the Civil War,
Enoch reminds him, but later came the Restoration, which was a grievous defeat for your folk, and sent them flocking hither.
You have hit the mark, Mr. Root,
says Ben, for that is just why my father Josiah quit England.
What about your mother?
Nantucket-born sir. But her father came here to escape from a wicked Bishop—a loud fellow, or so I have heard—
Finally, Ben, I have found a limit to your knowledge. You are speaking of Archbishop Laud—a terrible oppressor of Puritans—as some called your folk—under Charles the First. The Puritans paid him back by chopping off the head of that same Charles in Charing Cross, in the year of our lord sixteen hundred and forty-nine.
Cromwell,
says Ben.
Cromwell. Yes. He had something to do with it. Now, Ben. We have been standing by this millstream for rather a long while. I grow cold. My horse is restless. We have, as I said, found the place where your erudition gives way to ignorance. I shall be pleased to hold up my end of our agreement—that is, to teach you things, so that when you go home to-night you may claim to Josiah that you were in school the whole day. Though the schoolmaster may give him an account that shall conflict with yours. However, I do require certain minor services in return.
Only name them, Mr. Root.
I have come to Boston to find a certain man who at last report was living here. He is an old man.
Older than you?
"No, but he might seem older."
How old is he, then?
He watched the head of King Charles the First being chopped off.
At least threescore and four then.
Ah, I see you have been learning sums and differences.
And products and dividends, Mr. Root.
Work this into your reckonings, then: the one I seek had an excellent view of the beheading, for he was sitting upon his father’s shoulders.
Couldn’t have been more than a few years old then. Unless his father was a sturdy fellow indeed.
His father was sturdy in a sense,
says Enoch, for Archbishop Laud had caused his ears and his nose to be cut off in Star Chamber some two decades before, and yet he was not daunted, but kept up his agitation against the King. Against all Kings.
He was a Barker.
Again, this word brings no sign of contempt to Ben’s face. Shocking how different this place is from London.
But to answer your question, Ben: Drake was not an especially big or strong man.
So the son on his shoulders was small. By now he should be, perhaps, threescore and eight. But I do not know of a Mr. Drake here.
"Drake was the father’s Christian name."
Pray, what then is the name of the family?
I will not tell you that just now,
says Enoch. For the man he wants to find might have a very poor character among these people—might already have been hanged on Boston Common, for all Enoch knows.
How can I help you find him, sir, if you won’t let me know his name?
By guiding me to the Charlestown ferry,
Enoch says, for I know that he spends his days on the north side of the River Charles.
Follow me,
says Ben, but I hope you’ve silver.
Oh yes, I’ve silver,
says Enoch.
THEY ARE SKIRTING A KNOB of land at the north end of the city. Wharves, smaller and older than the big one, radiate from its shore. The sails and rigging, spars and masts to his starboard combine into a tangle vast and inextricable, as characters on a page must do in the eyes of an unlettered peasant. Enoch does not see van Hoek or Minerva. He begins to fear that he shall have to go into taverns and make inquiries, and spend time, and draw attention.
Ben takes him direct to the wharf where the Charlestown Ferry is ready to shove off. It is all crowded with hanging-watchers, and Enoch must pay the waterman extra to bring the horse aboard. Enoch pulls his purse open and peers into it. The King of Spain’s coat of arms stares back at him, stamped in silver, variously blurred, chopped, and mangled. The Christian name varies, depending on which king reigned when each of these coins was hammered out in New Spain, but after that they all say D. G. HISPAN ET IND REX. By the grace of God, of Spain and the Indies, King. The same sort of bluster that all kings stamp onto their coins.
Those words don’t matter to anyone—most people can’t read them anyway. What does matter is that a man standing in a cold breeze on the Boston waterfront, seeking to buy passage on a ferry run by an Englishman, cannot pay with the coins that are being stamped out by Sir Isaac Newton in the Royal Mint at the Tower of London. The only coinage here is Spanish—the same coins that are changing hands, at this moment, in Lima, Manila, Macao, Goa, Bandar Abbas, Mocha, Cairo, Smyrna, Malta, Madrid, the Canary Islands, Marseilles.
The man who saw Enoch down to the docks in London months ago said: Gold knows things that no man does.
Enoch churns his purse up and down, making the coins-fragments fly, hoping to spy a single pie-slice—one-eighth of a Piece of Eight, or a bit, as they are called. But he already knows he’s spent most of his bits for small necessaries along the road. The smallest piece he has in his purse right now is half of a coin—four bits.
He looks up the street and sees a blacksmith’s forge only a stone’s throw away. Some quick work with a hammer and that smith could make change for him.
The ferryman’s reading Enoch’s mind. He couldn’t see into the purse, but he could hear the massive gonging of whole coins colliding, without the clashing tinkle of bits. We’re shoving off,
he is pleased to say.
Enoch comes to his senses, remembers what he’s doing, and hands over a silver semicircle. But the boy comes with me,
he insists, and you’ll give him passage back.
Done,
says the ferryman.
This is more than Ben could have hoped for, and yet he was hoping for it. Though the boy is too self-possessed to say as much, this voyage is to him as good as a passage down to the Caribbean to go a-pirating on the Spanish Main. He goes from wharf to ferry without touching the gangplank.
Charlestown is less than a mile distant, across the mouth of a sluggish river. It is a low green hill shingled with long slender haymows limned by dry-stone fences. On the slope facing toward Boston, below the summit but above the endless tidal flats and cattail-filled marshes, a town has occurred: partly laid out by geometers, but partly growing like ivy.
The ferryman’s hefty Africans pace short reciprocating arcs on the deck, sweeping and shoveling the black water of the Charles Basin with long stanchion-mounted oars, minting systems of vortices that fall to aft, flailing about one another, tracing out fading and flattening conic sections that Sir Isaac could probably work out in his head. The Hypothesis of Vortices is pressed with many difficulties. The sky’s a matted reticule of taut jute and spokeshaved tree-trunks. Gusts make the anchored ships start and jostle like nervous horses hearing distant guns. Irregular waves slap curiously at the lapping clinkers of their hulls, which are infested with barefoot jacks paying pitch and oakum into troublesome seams. The ships appear to glide this way and that as the ferry’s movement plays with the parallax. Enoch, who has the good fortune to be a bit taller than most of the other passengers, hands the reins to Ben and excuses his way around the ferry’s deck trying to read the names.
He knows the ship he’s looking for, though, simply by recognizing the carved Lady mounted below the bowsprit: a gray-eyed woman in a gilded helmet, braving the North Atlantic seas with a snaky shield and nipples understandably erect. Minerva hasn’t weighed anchor yet—that’s lucky—but she is heavy-laden and gives every appearance of being just about to put to sea. Men are walking aboard hugging baskets of loaves so fresh they’re steaming. Enoch turns back toward the shore to read the level of the tide from a barnacled pile, then turns the other way to check the phase and altitude of the moon. Tide will be going out soon, and Minerva will probably want to ride it. Enoch finally spies van Hoek standing on the foredeck, doing some paperwork on the top of a barrel, and through some kind of action-at-a-distance wills him to look up and notice him, down on the ferry.
Van Hoek looks his way and stiffens.
Enoch makes no outward sign, but stares him in the eye long enough to give him second thoughts about pushing for a hasty departure.
A colonist in a black hat is attempting to make friends with one of the Africans, who doesn’t speak much English—but this is no hindrance, the white man has taught himself a few words of some African tongue. The slave is very dark, and the arms of the King of Spain are branded into his left shoulder, and so he is probably Angolan. Life has been strange to him: abducted by Africans fiercer than he, chained up in a hole in Luanda, marked with a hot iron to indicate that duty had been paid on him, loaded onto a ship, and sent to a cold place full of pale men. After all of that, you’d think that nothing could possibly surprise him. But he’s astonished by whatever this Barker is telling him. The Barker’s punching at the air and becoming quite exercised, and not just because he is inarticulate. Assuming that he has been in touch with his brethren in London (and that is a very good assumption), he is probably telling the Angolan that he, and all of the other slaves, are perfectly justified in taking up arms and mounting a violent rebellion.
Your mount is very fine. Did you bring him from Europe?
"No, Ben. Borrowed him in New Amsterdam. New York, I mean."
Why’d you sail to New York if the man you seek’s in Boston?
The next America-bound ship from the Pool of London happened to be headed thither.
You’re in a terrible hurry, then!
I shall be in a terrible hurry to toss you over the side if you continue to draw such inferences.
This quiets Ben, but only long enough for him to circle round and probe Enoch’s defenses from another quarter: The owner of this horse must be a very dear friend of yours, to lend you such a mount.
Enoch must now be a bit careful. The owner’s a gentleman of quality in New York. If Enoch claims his friendship, then proceeds to make a bloody hash of things in Boston, it could deal damage to the gentleman’s repute. It is not so much that he is a friend. I’d never met him until I showed up at his door a few days ago.
Ben can’t fathom it. Then why’d he even admit you to his house? By your leave, sir, looking as you do, and armed. Why’d he lend you such a worthy stallion?
He let me in to his house because there was a riot underway, and I requested sanctuary.
Enoch gazes over at the Barker, then sidles closer to Ben. "Here is a wonder for you: When my ship reached New York, we were greeted by the spectacle of thousands of slaves—some Irish, the rest Angolan—running through the streets with pitchforks and firebrands. Lobsterbacks tromping after them in leapfrogging blocks, firing volleys. The white smoke of their muskets rose and mingled with the black smoke of burning warehouses to turn the sky into a blazing, spark-shot melting-pot, wondrous to look at but, as we supposed, unfit to support life. Our pilot had us stand a-loof until the tide forced his hand. We put in at a pier that seemed to be under the sway of the redcoats.
Anyway,
Enoch continues—for his discourse is beginning to draw unwanted notice—that’s how I got in the door. He lent me the horse because he and I are Fellows in the same Society, and I am here, in a way, to do an errand for that Society.
Is it a Society of Barkers, like?
asks Ben, stepping in close to whisper, and glancing at the one who’s proselytizing the slave. For by now Ben has taken note of Enoch’s various pistols and blades, and matched him with tales his folk have probably told him concerning that fell Sect during their halcyon days of Cathedral-sacking and King-killing.
No, it is a society of philosophers,
Enoch says, before the boy’s phant’sies wax any wilder.
Philosophers, sir!
Enoch had supposed the boy should be disappointed. Instead he’s thrilled. So Enoch was correct: the boy’s dangerous.
"Natural Philosophers. Not, mind you, the other sort—"
Unnatural?
"An apt coinage. Some would say it’s the unnatural philosophers that are to blame for Protestants fighting Protestants in England and Catholics everywhere else."
What, then, is a Natural Philosopher?
One who tries to prevent his ruminations from straying, by hewing to what can be observed, and proving things, when possible, by rules of logic.
This gets him nowhere with Ben. Rather like a Judge in a Court, who insists on facts, and scorns rumor, hearsay, and appeals to sentiment. As when your own Judges finally went up to Salem and pointed out that the people there were going crazy.
Ben nods. Good. What is the name of your Clubb?
The Royal Society of London.
One day I shall be a Fellow of it, and a Judge of such things.
I shall nominate you the moment I get back, Ben.
Is it a part of your code that members must lend each other horses in time of need?
"No, but it is a rule that they must pay dues—for which there is ever a need—and this chap had not paid his dues in many a year. Sir Isaac—who is the President of the Royal Society—looks with disfavor on such. I explained to the gentleman in New York why it was a Bad Idea to land on Sir Isaac’s Shit List—by your leave, by your leave—and he was so convinced by my arguments that he lent me his best riding-horse without further suasion."
He’s a beauty,
Ben says, and strokes the animal’s nose. The stallion mistrusted Ben at first for being small, darting, and smelling of long-dead beasts. Now he has accepted the boy as an animated hitching-post, capable of performing a few services such as nose-scratching and fly-shooing.
The ferryman is more amused than angry when he discovers a Barker conspiring with his slave, and shoos him away. The Barker identifies Enoch as fresh meat, and begins trying to catch his eye. Enoch moves away from him and pretends to study the approaching shore. The ferry is maneuvering around a raft of immense logs drifting out of the estuary, each marked with the King’s Arrow—going to build ships for the Navy.
Inland of Charlestown spreads a loose agglomeration of hamlets conjoined by a network of cowpaths. The largest cowpath goes all the way to Newtowne, where Harvard College is. But most of it just looks like a forest, smoking without being burned, spattered with muffled whacks of axes and hammers. Occasional musket shots boom in the distance and are echoed from hamlet to hamlet—some kind of system for relaying information across the countryside. Enoch wonders how he’s ever going to find Daniel in all that.
He moves toward a talkative group that has formed on the center of the ferry’s deck, allowing the less erudite (for these must be Harvard men) to break the wind for them. It is a mix of pompous sots and peering quick-faced men basting their sentences together with bad Latin. Some of them have a dour Puritan look about them, others are dressed in something closer to last year’s London mode. A pear-shaped, red-nosed man in a tall gray wig seems to be the Don of this jury-rigged College. Enoch catches this one’s eye and lets him see that he’s bearing a sword. This is not a threat, but an assertion of status.
A gentleman traveler from abroad joins us. Welcome, sir, to our humble Colony!
Enoch goes through the requisite polite movements and utterances. They show a great deal of interest in him, a sure sign that not much new and interesting is going on at Harvard College. But the place is only some three-quarters of a century old, so how much can really be happening there? They want to know if he’s from a Germanic land; he says not really. They guess that he has come on some Alchemical errand, which is an excellent guess, but wrong. When it is polite to do so, he tells them the name of the man he has come to see.
He’s never heard such scoffing. They are, to a man, pained that a gentleman should’ve crossed the North Atlantic, and now the Charles Basin, only to spoil the journey by meeting with that fellow.
I know him not,
Enoch lies.
Then let us prepare you, sir!
one of them says. Daniel Waterhouse is a man advanced in years, but the years have been less kind to him than you.
He is correctly addressed as Dr. Waterhouse, is he not?
Silence ruined by stifled gurgles.
I do not presume to correct any man,
Enoch says, only to be sure that I give no offense when I encounter the fellow in person.
Indeed, he is accounted a Doctor,
says the pear-shaped Don, but—
Of what?
someone asks.
Gears,
someone suggests, to great hilarity.
Nay, nay!
says the Don, shouting them down, in a show of false goodwill. "For all of his gears are to no purpose without a primum mobile, a source of motive power—"
The Franklin boy!
and all turn to look at Ben.
"Today it might be young Ben, tomorrow perhaps little Godfrey Waterhouse will step into Ben’s shoes. Later perhaps a rodent on a tread-mill. But in any case, the vis viva is conducted into Dr. Waterhouse’s gear-boxes by—what? Anyone?" The Don cups a hand to an ear Socratically.
Shafts?
someone guesses.
Cranks!
another shouts.
Ah, excellent! Our colleague Waterhouse is, then, a Doctor of—what?
Cranks!
says the entire College in unison.
And so devoted is our Doctor of Cranks to his work that he quite sacrifices himself,
says the Don admiringly. Going many days uncovered—
Shaking the gear-filings from his sleeves when he sits down to break bread—
Better than pepper—
And cheaper!
Are you, perhaps, coming to join his Institute, then?
Or foreclose on’t?
Too hilarious.
I have heard of his Institute, but know little of it,
Enoch Root says. He looks over at Ben, who has gone red in the neck and ears, and turned his back on all to nuzzle the horse.
Many learned scholars are in the same state of ignorance—be not ashamed.
Since he came to America, Dr. Waterhouse has been infected with the local influenza, whose chief symptom is causing men to found new projects and endeavours, rather than going to the trouble of remedying the old ones.
He’s not entirely satisfied with Harvard College then!?
Enoch says wonderingly.
Oh, no! He has founded—
"—and personally endowed—"
—and laid the cornerstone—
—corner-log, if truth be told—
—of—what does he call it?
The Massachusetts Bay Colony Institute of Technologickal Arts.
Where might I find Dr. Waterhouse’s Institute?
Enoch inquires.
Midway from Charlestown to Harvard. Follow the sound of grinding gears ‘til you come to America’s smallest and smokiest dwelling—
Sir, you are a learned and clear-minded gentleman,
says the Don. If your errand has aught to do with Philosophy, then is not Harvard College a more fitting destination?
Mr. Root is a Natural Philosopher of note, sir!
blurts Ben, only as a way to prevent himself bursting into tears. The way he says it makes it clear he thinks the Harvard men are of the Unnatural type. He is a Fellow of the Royal Society!
Oh, dear.
The Don steps forward and hunches his shoulders like a conspirator. I beg your pardon, sir, I did not know.
It is quite all right, really.
Dr. Waterhouse, you must be warned, has fallen quite under the spell of Herr Leibniz—
—him that stole the calculus from Sir Isaac—
someone footnotes.
—yes, and, like Leibniz, is infected with Metaphysickal thinking—
—a throwback to the Scholastics, sir—notwithstanding Sir Isaac’s having exploded the old ways through very clear demonstrations—
"—and labors now, like a possessed man, on a Mill—designed after Leibniz’s principles—that he imagines will discover new truths through computation!"
Perhaps our visitor has come to exorcise him of Leibniz’s daemons!
some very drunk fellow hypothesizes.
Enoch clears his throat irritably, hacking loose a small accumulation of yellow bile—the humour of anger and ill-temper. He says, It does Dr. Leibniz an injustice to call him a mere metaphysician.
This challenge produces momentary silence, followed by tremendous excitement and gaiety. The Don smiles thinly and squares off. I know of a small tavern on Harvard Square, a suitable venue in which I could disabuse the gentleman of any misconceptions—
The offer to sit down in front of a crock of beer and edify these wags is dangerously tempting. But the Charlestown waterfront is drawing near, the slaves already shortening their strokes; Minerva is fairly straining at her hawsers in eagerness to catch the tide, and he must have results. He’d rather get this done discreetly. But that is hopeless now that Ben has unmasked him. More important is to get it done quickly.
Besides, Enoch has lost his temper.
He draws a folded and sealed Letter from his breast pocket and, for lack of a better term, brandishes it.
The Letter is borrowed, scrutinized—one side is inscribed Doktor Waterhouse—Newtowne—Massachusetts
—and flipped over. Monocles are quarried from velvet-lined pockets for the Examination of the Seal: a lump of red wax the size of Ben’s fist. Lips move and strange mutterings occur as parched throats attempt German.
All of the Professors seem to realize it at once. They jump back as if the letter were a specimen of white phosphorus that had suddenly burst into flame. The Don is left holding it. He extends it towards Enoch the Red with a certain desperate pleading look. Enoch punishes him by being slow to accept the burden.
Bitte, mein herr…
English is perfectly sufficient,
Enoch says. Preferable, in fact.
At the fringes of the robed and hooded mob, certain nearsighted faculty members are frantic with indignation over not having been able to read the seal. Their colleagues are muttering to them words like Hanover
and Ansbach.
A man removes his hat and bows to Enoch. Then another.
They have not even set foot in Charlestown before the dons have begun to make a commotion. Porters and would-be passengers stare quizzically at the approaching ferry as they are assailed with shouts of Make way!
and broad waving motions. The ferry’s become a floating stage packed with bad actors. Enoch wonders whether any of these men really supposes that word of their diligence will actually make its way back to court in Hanover, and be heard by their future Queen. It is ghoulish—they are behaving as if Queen Anne were already dead and buried, and the Hanovers on the throne.
"Sir, if you’d only told me ‘twas Daniel Waterhouse you sought, I’d have taken you to him without delay—and without all of this bother."
I erred by not confiding in you, Ben,
Enoch says.
Indeed. In retrospect, it’s obvious that in such a small town, Daniel would have noticed a lad like Ben, or Ben would have been drawn to Daniel, or both. Do you know the way?
Of course!
Mount up,
Enoch commands, and nods at the horse. Ben needn’t be asked twice. He’s up like a spider. Enoch follows as soon as dignity and inertia will allow. They share the saddle, Ben on Enoch’s lap with his legs thrust back and wedged between Enoch’s knees and the horse’s rib-cage. The horse has, overall, taken a dim view of the Ferry and the Faculty, and bangs across the plank as soon as it has been thrown down. They’re pursued through the streets of Charlestown by some of the more nimble Doctors. But Charlestown doesn’t have that many streets and so the chase is brief. Then they break out into the mephitic bog on its western flank. It puts Enoch strongly in mind of another swampy, dirty, miasma-ridden burg full of savants: Cambridge, England.
INTO YONDER COPPICE, then ford the creek,
Ben suggests. We shall lose the Professors, and perhaps find Godfrey. When we were on the ferry, I spied him going thither with a pail.
Is Godfrey the son of Dr. Waterhouse?
Indeed, sir. Two years younger than I.
Would his middle name, perchance, be William?
How’d you know that, Mr. Root?
He is very likely named after Gottfried Wilhelm Leibniz.
A friend of yours and Sir Isaac’s?
Of mine, yes. Of Sir Isaac’s, no—and therein lies a tale too long to tell now.
Would it fill a book?
"In truth, ‘twould fill several—and it is not even finished yet."
When shall it be finished?
"At times, I fear never. But you and I shall hurry it to its final act to-day, Ben. How much farther to the Massachusetts Bay Colony Institute of Technologickal Arts?"
Ben shrugs. It is halfway between Charlestown and Harvard. But close to the river. More than a mile. Perhaps less than two.
The horse is disinclined to enter the coppice, so Ben tumbles off and goes in there afoot to flush out little Godfrey. Enoch finds a place to ford the creek that runs through it, and works his way round to the other side of the little wood to find Ben engaged in an apple-fight with a smaller, paler lad.
Enoch dismounts and brokers a peace, then hurries the boys on by offering them a ride on the horse. Enoch walks ahead, leading it; but soon enough the horse divines that they are bound for a timber building in the distance. For it is the only building, and a faint path leads to it. Thenceforth Enoch need only walk alongside, and feed him the odd apple.
The sight of you two lads scuffling over apples in this bleak gusty place full of Puritans puts me in mind of something remarkable I saw a long time ago.
Where?
asks Godfrey.
Grantham, Lincolnshire. Which is part of England.
How long ago, to be exact?
Ben demands, taking the empiricist bit in his teeth.
That is a harder question than it sounds, for the way I remember such things is most disorderly.
Why were you journeying to that bleak place?
asks Godfrey.
To stop being pestered. In Grantham lived an apothecary, name of Clarke, an indefatigable pesterer.
"Then why’d you go to him?"
He’d been pestering me with letters, wanting me to deliver certain necessaries of his trade. He’d been doing it for years—ever since sending letters had become possible again.
What made it possible?
In my neck of the woods—for I was living in a town in Saxony, called Leipzig—the peace of Westphalia did.
1648!
Ben says donnishly to the younger boy. The end of the Thirty Years’ War.
"At his end, Enoch continues,
it was the removal of the King’s head from the rest of the King, which settled the Civil War and brought a kind of peace to England."
1649,
Godfrey murmurs before Ben can get it out. Enoch wonders whether Daniel has been so indiscreet as to regale his son with decapitation yarns.
"If Mr. Clarke had been pestering you for years, then you must have gone to Grantham in the middle of the 1650s," Ben says.
How can you be that old?
Godfrey asks.
Ask your father,
Enoch returns. "I am still endeavouring to answer the question of when exactly. Ben is correct. I couldn’t have been so rash as to make the attempt before, let us say, 1652; for, regicide notwithstanding, the Civil War did not really wind up for another couple of years. Cromwell smashed the Royalists for the umpteenth and final time at Worcester. Charles the Second ran off to Paris with as many of his noble supporters as had not been slain yet. Come to think of it, I saw him, and them, at Paris."
"Why Paris? That were a dreadful way to get from Leipzig to Lincolnshire!" says Ben.
"Your geography is stronger than your history. What do you phant’sy would be a good way to make that journey?"
Through the Dutch Republic, of course.
"And indeed I did stop there, to look in on a Mr. Huygens in the Hague. But I did not sail from any Dutch port."
Why not? The Dutch are ever so much better at sailing than the French!
But what was the first thing that Cromwell did after winning the Civil War?
Granted all men, even Jews, the right to worship wheresoever they pleased,
says Godfrey, as if reciting a catechism.
"Well, naturally—that was the whole point, wasn’t it? But other than that—?"
Killed a great many Irishmen,
Ben tries.
"True, too true—but it’s not the answer I was looking for. The answer is: the Navigation Act. And a sea-war against the Dutch. So you see, Ben, journeying via Paris might have been roundabout, but it was infinitely safer. Besides, people in Paris had been pestering me, too, and they had more money than Mr. Clarke. So Mr. Clarke had to get in line, as they say in New York."
Why were so many pestering you?
asks Godfrey.
Rich Tories, no less!
adds Ben.
We did not begin calling such people Tories until a good bit later,
Enoch corrects him. "But your question is apt: what did I have in Leipzig that was wanted so badly, alike by an apothecary in Grantham and a lot of Cavalier courtiers sitting in Paris waiting for Cromwell to grow old and die of natural causes?"
Something to do with the Royal Society?
guesses Ben.
Shrewd try. Very close to the mark. But this was in the days before the Royal Society, indeed before Natural Philosophy as we know it. Oh, there were a few—Francis Bacon, Galileo, Descartes—who’d seen the light, and had done all that they could to get everyone else to attend to it. But in those days, most of the chaps who were curious about how the world worked were captivated by a rather different approach called Alchemy.
My daddy hates Alchemists!
Godfrey announces—very proud of his daddy.
"I believe I know why. But this is 1713. Rather a lot has changed. In the æra I am speaking of, it was Alchemy, or nothing. I knew a lot of Alchemists. I peddled them the stuff they needed. Some of those English cavaliers had dabbled in the Art. It was the gentlemanly thing to do. Even the King-in-Exile had a laboratory. After Cromwell had beaten them like kettledrums and sent them packing to France, they found themselves with nothing to pass the years except—" and here, if he’d been telling the story to adults, Enoch would’ve listed a few of the ways they had spent their time.
Except what, Mr. Root?
Studying the hidden laws of God’s creation. Some of them—in particular John Comstock and Thomas More Anglesey—fell in with Monsieur LeFebure, who was the apothecary to the French Court. They spent rather a lot of time on Alchemy.
But wasn’t it all stupid nonsense, rot, gibberish, and criminally fraudulent nincompoopery?
Godfrey, you are living proof that the apple does not fall far from the tree. Who am I to dispute such matters with your father? Yes. ‘Twas all rubbish.
Then why’d you go to Paris?
Partly, if truth be told, I wished to see the coronation of the French King.
Which one?
asks Godfrey.
The same one as now!
says Ben, outraged that they are having to waste their time on such questions.
The big one,
Enoch says, "the King. Louis the Fourteenth. His formal coronation was in 1654. They anointed him with angel-balm, a thousand years old."
Eeeyew, it must have stunk to high heaven!
Hard to say, in France.
Where would they’ve gotten such a thing?
"Never mind. I am drawing closer to answering the question of when. But that was not my whole reason. Really it was that something was happening. Huygens—a brilliant youth, of a great family in the Hague—was at work on a pendulum-clock there that was astonishing. Of course, pendulums were an old idea—but he did something simple and beautiful that fixed them so that they would actually tell time! I saw a prototype, ticking away there in that magnificent house, where the afternoon light streamed in off the Plein—that’s a sort of square hard by the palace of the Dutch Court. Then down to Paris, where Comstock and Anglesey were toiling away on—you’re correct—stupid nonsense. They truly wanted to learn. But they wanted the brilliance of a Huygens, the audacity to invent a whole new discipline. Alchemy was the only way they knew of."
How’d you cross over to England if there was a sea-war on?
French salt-smugglers,
says Enoch, as if this were self-evident. "Now, many an English gentleman had made up his mind that staying in London and dabbling with Alchemy was safer than riding ‘round the island making war against Cromwell and his New Model Army. So I’d no difficulty lightening my load, and stuffing my purse, in London. Then I nipped up to Oxford, meaning only to pay a call on John Wilkins and pick up some copies of Cryptonomicon."
What is that?
Ben wants to know.
A very queer old book, dreadfully thick, and full of nonsense,
says Godfrey. Papa uses it to keep the door from blowing shut.
It is a compendium of secret codes and cyphers that this chap Wilkins had written some years earlier,
says Enoch. In those days, he was Warden of Wadham College, which is part of the University of Oxford. When I arrived, he was steeling himself to make the ultimate sacrifice in the name of Natural Philosophy.
He was beheaded?
Ben asks
Godfrey: Tortured?
Ben: Mutilated, like?
No: he married Cromwell’s sister.
"But I thought you said there was no Natural Philosophy in those days," Godfrey complains.
"There was—once a week, in John Wilkins’s chambers at Wad-ham College, says Enoch.
For that is where the Experimental Philosophical Clubb met. Christopher Wren, Robert Boyle, Robert Hooke, and others you ought to have heard of. By the time I got there, they’d run out of space and moved to an apothecary’s shop—a less flammable environment. It was that apothecary, come to think of it, who exhorted me to make the journey north and pay a call on Mr. Clarke in Grantham."
Have we settled on a year yet?
"I’ll settle on one now, Ben. By the time I reached Oxford, that pendulum-clock I’d seen on the table of Huygens’s house in the Hague had been perfected, and set into motion. The first clock worthy of the name. Galileo had timed his experiments by counting his pulse or listening to musicians; but after Huygens we used clocks, which—according to some—told absolute time, fixed and invariant. God’s time. Huygens published a book about it later; but the clock first began to tick, and the Time of Natural Philosophy began, in the year of Our Lord—"
1655
For between true science and erroneous doctrines, ignorance is in the middle.
—HOBBES, Leviathan
IN EVERY KINGDOM, empire, principality, archbishopric, duchy, and electorate Enoch had ever visited, the penalty for transmuting base metals into gold—or trying to—or, in some places, even thinking about it—was death. This did not worry him especially. It was only one of a thousand excuses that rulers kept handy to kill inconvenient persons, and to carry it off in a way that made them look good. For example, if you were in Frankfurt-on-Main, where the Archbishop-Elector von Schönborn and his minister and sidekick Boyneburg were both avid practitioners of the Art, you were probably safe.
Cromwell’s England was another matter. Since the Puritans had killed the king and taken the place over, Enoch didn’t go around that Commonwealth (as they styled it now) in a pointy hat with stars and moons. Not that Enoch the Red had ever been that kind of alchemist anyway. The old stars-and-moons act was a good way to farm the unduly trusting. But the need to raise money in the first place seemed to call into question one’s own ability to turn lead into gold.
Enoch had made himself something of an expert on longevity. It was only a couple of decades since a Dr. John Lambe had been killed by the mobile in the streets of London. Lambe was a self-styled sorcerer with high connections at Court. The Mobb had convinced themselves that Lambe had conjured up a recent thunderstorm and tornado that had scraped the dirt from graves of some chaps who had perished in the last round of Plague. Not wishing to end up in Lambe’s position, Enoch had tried to develop the knack of edging around people’s perceptions like one of those dreams that does not set itself firmly in memory, and is flushed into oblivion by the first thoughts and sensations of the day.
He’d stayed a week or two in Wilkins’s chambers, and attended meetings of the Experimental Philosophical Clubb. This had been a revelation to him, for during the Civil War, practically nothing had been heard out of England. The savants of Leipzig, Paris, and Amsterdam had begun to think of it as a rock in the high Atlantic, overrun by heavily armed preachers.
Gazing out Wilkins’s windows, studying the northbound traffic, Enoch had been surprised by the number of private traders: adventuresome merchants, taking advantage of the cessation of the Civil War to travel into the country and deal with farmers in the country, buying their produce for less than what it would bring in a city market. They mostly had a Puritan look about them, and Enoch did not especially want to ride in their company. So he’d waited for a full moon and a cloudless night and ridden up to Grantham in the night, arriving before daybreak.
THE FRONT OF CLARKE’S HOUSE was tidy, which told Enoch that Mrs. Clarke was still alive. He led his horse round into the stable-yard. Scattered about were cracked mortars and crucibles, stained yellow and vermilion and silver. A columnar furnace, smoke-stained, reigned over coal-piles. It was littered with rinds of hardened dross raked off the tops of crucibles—the fœces of certain alchemical processes, mingled on this ground with the softer excrement of horses and geese.
Clarke backed out his side-door embracing a brimming chamber-pot.
Save it up,
Enoch said, his voice croaky from not having been used in a day or two, you can extract much that’s interesting from urine.
The apothecary startled, and upon recognizing Enoch he nearly dropped the pot, then caught it, then wished he had dropped it, since these evolutions had set up a complex and dangerous sloshing that must be countervailed by gliding about in a bent-knee gait, melting foot-shaped holes in the frost on the grass, and, as a last resort, tilting the pot when whitecaps were observed. The roosters of Grantham, Lincolnshire, who had slept through Enoch’s arrival, came awake and began to celebrate Clarke’s performance.
The sun had been rolling along the horizon for hours, like a fat waterfowl making its takeoff run. Well before full daylight, Enoch was inside the apothecary’s shop, brewing up a potion from boiled water and an exotic Eastern herb. Take an amount that will fill the cup of your palm, and throw it in—
The water turns brown already!
—remove it from the fire or it will be intolerably bitter. I’ll require a strainer.
Do you mean to suggest I’m expected to taste it?
"Not just taste but drink. Don’t look so condemned. I’ve done it for months with no effect."
"Other than addiction, t’would seem."
You are too suspicious. The Mahrattas drink it to the exclusion of all else.
So I’m right about the addiction!
It is nothing more than a mild stimulant.
Mmm…not all that bad,
Clarke said later, sipping cautiously. What ailments does it cure?
None whatsoever.
Ah. That’s different, then…what’s it called?
"Cha, or chai, or the, or tay. I know a Dutch merchant who has several tons of it sitting in a warehouse in Amsterdam…"
Clarke chuckled. Oh, no, Enoch, I’ll not be drawn into some foreign trading scheme. This tay is inoffensive enough, but I don’t think Englishmen will ever take to anything so outlandish.
Very well, then—we’ll speak of other commodities.
And, setting down his tay-cup, Enoch reached into his saddle-bags and brought out bags of yellow sulfur he’d collected from a burning mountain in Italy, finger-sized ingots of antimony, heavy flasks of quicksilver, tiny clay crucibles and melting-pots, retorts, spirit-burners, and books with woodcuts showing the design of diverse furnaces. He set them up on the deal tables and counters of the apothecary shop, saying a few words about each one. Clarke stood to one side with his fingers laced together, partly for warmth, and partly just to contain himself from lunging toward the goods. Years had gone by, a Civil War had been prosecuted, and a King’s head had rolled in Charing Cross since Clarke had touched some of these items. He imagined that the Continental adepts had been penetrating the innermost secrets of God’s creation the entire time. But Enoch knew that the alchemists of Europe were men just like Clarke—hoping, and dreading, that Enoch would return with the news that some English savant, working in isolation, had found the trick of refining, from the base, dark, cold, essentially fœcal matter of which the World was made, the Philosophick Mercury—the pure living essence of God’s power and presence in the world—the key to the transmutation of metals, the attainment of immortal life and perfect wisdom.
Enoch was less a merchant than a messenger. The sulfur and antimony he brought as favors. He accepted money in order to pay for his expenses. The important cargo was in his mind. He and Clarke talked for hours.
Sleepy thumping, footfalls, and piping voices sounded from the attic. The staircase boomed and groaned like a ship in a squall. A maid lit a fire and cooked porridge. Mrs. Clarke roused herself and served it to children—too many of them. Has it been that long?
Enoch asked, listening to their chatter from the next room, trying to tally the voices.
Clarke said, They’re not ours.
Boarders?
Some of the local yeomen send their young ones to my brother’s school. We have room upstairs, and my wife is fond of children.
Are you?
Some more than others.
The young boarders dispatched their porridge and mobbed the exit. Enoch drifted over to a window: a lattice of hand-sized, diamond-shaped panes, each pane greenish, warped, and bubbled. Each pane was a prism, so the sun showered the room with rainbows. The children showed as pink mottles, sliding and leaping from one pane to another, sometimes breaking up and recombining like beads of mercury on a tabletop. But this was simply an exaggeration of how children normally looked to Enoch.
One of them, slight and fair-haired, stopped squarely before the window and turned to peer through it. He must have had more acute senses than the others, because he knew that Mr. Clarke had a visitor this morning. Perhaps he’d heard the low murmur of their conversation, or detected an unfamiliar whinny from the stable. Perhaps he was an insomniac who had been studying Enoch through a chink in the wall as Enoch had strolled around the stable-yard before dawn. The boy cupped his hands around his face to block out peripheral sunlight. It seemed that those hands were splashed with colors. From one of them dangled some kind of little project, a toy or weapon made of string.
Then another boy called to him and he spun about, too eagerly, and darted away like a sparrow.
"I’d
