About this ebook
Mars was a distant shore, and the men spread upon it in waves... Each wave different, and each wave stronger.
The Martian Chronicles
Ray Bradbury is a storyteller without peer, a poet of the possible, and, indisputably, one of America's most beloved authors. In a much celebrated literary career that has spanned six decades, he has produced an astonishing body of work: unforgettable novels, including Fahrenheit 451 and Something Wicked This Way Comes; essays, theatrical works, screenplays and teleplays; The Illustrated Man, Dandelion Wine, The October Country, and numerous other superb short story collections. But of all the dazzling stars in the vast Bradbury universe, none shines more luminous than these masterful chronicles of Earth's settlement of the fourth world from the sun.
Bradbury's Mars is a place of hope, dreams and metaphor-of crystal pillars and fossil seas-where a fine dust settles on the great, empty cities of a silently destroyed civilization. It is here the invaders have come to despoil and commercialize, to grow and to learn -first a trickle, then a torrent, rushing from a world with no future toward a promise of tomorrow. The Earthman conquers Mars ... and then is conquered by it, lulled by dangerous lies of comfort and familiarity, and enchanted by the lingering glamour of an ancient, mysterious native race.
Ray Bradbury's The Martian Chronicles is a classic work of twentieth-century literature whose extraordinary power and imagination remain undimmed by time's passage. In connected, chronological stories, a true grandmaster once again enthralls, delights and challenges us with his vision and his heart-starkly and stunningly exposing in brilliant spacelight our strength, our weakness, our folly, and our poignant humanity on a strange and breathtaking world where humanity does not belong.
Ray Bradbury
Ray Bradbury (1920–2012) was the author of more than three dozen books, including Fahrenheit 451, The Martian Chronicles, The Illustrated Man, and Something Wicked This Way Comes, as well as hundreds of short stories. He wrote for the theater, cinema, and TV, including the screenplay for John Huston’s Moby Dick and the Emmy Award–winning teleplay The Halloween Tree, and adapted for television sixty-five of his stories for The Ray Bradbury Theater. He was the recipient of the 2000 National Book Foundation’s Medal for Distinguished Contribution to American Letters, the 2007 Pulitzer Prize Special Citation, and numerous other honors.
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Reviews for The Martian Chronicles
5,848 ratings253 reviews
What our readers think
Readers find this title immersive and exciting, with a storytelling expertise that brings together a seemingly loosely connected group of narratives. It explores themes of greed, illusions, unfulfilled dreams, and different views of reality. While it may be disturbing at first, the book captivates readers and showcases Bradbury's skill as a writer.
- Rating: 5 out of 5 stars5/5
Nov 2, 2019
I give this five stars in my first encounter in my teens. Now that I've read a dozen or more books from this idiosyncratic, American, wild science fiction and mystery and Hollywood nostalgia author, I dig other books better. But, boy ... Boy. - Rating: 5 out of 5 stars5/5
Apr 1, 2019
I just love Ray Bradbury. He has a way of making you think about the subjects he writes in a different and unique way. Each story is packed with a multitude of underlying questions of ethics, revenge, and the definition of people. It's been a long time coming for me reading this book, as it was one of my blind spots. Excellent, fantastic, and well worth the wait. - Rating: 5 out of 5 stars5/5
Apr 1, 2019
A piercing - yet still loving in many ways - look at human nature through the idea of the colonization of Mars. Bradbury's writing is stunning, of course. - Rating: 4 out of 5 stars4/5
Apr 1, 2019
I loved this book. Each tale had its own melancholy. Mars was perhaps too believable but its destiny was also disappointingly believable. A bleak vision, beautifully written. - Rating: 4 out of 5 stars4/5
Apr 1, 2019
Another one read for my Coursera SF/F class. As usual when I've just finished a book, I have no idea what I'm going to write my essay about, but I have one day left to figure it out...The thing that interests me most, I guess, is that Mars colonises the colonisers. In different ways in different vignettes, but it's there -- particularly in that last chapter/section. In a sense it feels like a recent book: the commentary on the spoiling of the world, and on colonisation; in others it feels so dated -- the treatment of people of colour, women, the obsession with nuclear war (which is still an issue, but not the same kind of deep-seated fear, I think)... The science itself (how long it might take to fly to Mars, being the obvious example) isn't really important to the story/themes: it's there as a backdrop, not at all used in the way H.G. Wells used science.As with most of Bradbury's work which I've come across so far, there are some gorgeous sections of prose here, and it's all very well crafted and easy to read, as you'd expect. - Rating: 5 out of 5 stars5/5
Apr 1, 2019
I couldn't begin to tell you how many times I've read this book. No one else can write a short story quite like Bradbury. He has a dark insight into the worst part of humanity, and he can chill you to the bone in a mere two pages. There's a succinct quality to his work. In a single sentence, he can reveal human nature in a way that other writers struggle to do with 500 page tomes. There's a streak of horror in his work as well, and what makes it truly terrifying is that the thing he makes you fear is us. - Rating: 4 out of 5 stars4/5
Apr 1, 2019
Ray Bradbury tells an interesting story using a series of short stories. His ideas are creative and vivid. His story although not feasible is worth reading. His doomsday outlook on humankind is somewhat sad but possible. I tend to think some of mankind would survive a global nuclear war. Certainly escape to Mars is not feasible. - Rating: 3 out of 5 stars3/5
Apr 1, 2019
Stunning and original when it first came out, this book took us to another planet where almost anything could happen. "There will come soft rains" is my favorite. A series of stories loosely woven together. - Rating: 3 out of 5 stars3/5
Apr 1, 2019
This is a 1974 audio version read by Ray Bradbury. He gives a brief segment between each story telling a bit about why or how he wrote it. The chapters are short stories written in the 1940s and 50s and pulled together into the book.
In light of current knowledge, the stories are very much outdated. Many are still relevant regarding the nature and problems of humanity. - Rating: 4 out of 5 stars4/5
Apr 1, 2019
Ray Bradbury is lauded as one of the best science fiction writers of the 20th century. I've only read a couple of his books now (including the famous Fahrenheit 451), but I would have to agree. Put him and the dearly departed Asimov together in a room, and the very nature of reality might shift!This collection of short-stories is framed by the meta-narrative of humanity's first encounter with Mars. The stories are tragic and thoroughly human, laying bare the depravity that lies in the human soul.Bradbury covers a gamut of themes: racism (both human-martian, and human-human), government censorship, war, the transitory nature of human existence, and even environmentalism. The stories themselves are incredibly diverse. The only thing that remains constant is the quality and imagination that underpin each tale. Here's an example: one of the stories features an automated house as the main character—yet he makes it work, evoking pathos in the process!I found this book in a box of golden age science fiction reprints at a yard sale. It's reinforced an old adage: never judge a book by its cover—buy a book on the strength of the name. This won't be the last Bradbury book in my collection. - Rating: 5 out of 5 stars5/5
May 20, 2020
A a a a a a a a a a - Rating: 4 out of 5 stars4/5
Jan 17, 2016
A seemingly loosely connected group of narratives which the author brings together in an exciting manner. Full of greed, illusions, unfulfilled dreams and different views of reality. At first the book disturbed me but reading on I realized Bradbury's storytelling expertise. - Rating: 1 out of 5 stars1/5
Jun 4, 2025
Ugh! I realize this is a classic of scifi, but one has to wonder why. The stories don't flow that well together, and I found most that I read boring. I only made it halfway. - Rating: 4 out of 5 stars4/5
Jul 19, 2025
I wasn't sure what I was expecting, and I'm still not sure what I got. It's obvious why Bradbury's works have stayed relevant and endearing for decades; he's incredible at setting tone, mostly wistful and foreboding. I felt like I knew so much about the history and culture of Mars in a very short time. I didn't love every single story, but there was enough Twilight Zone and classic Science Fiction to hold my attention throughout. - Rating: 4 out of 5 stars4/5
Aug 25, 2025
Bradbury has written several great stories and this one is no exception. It is not thick and can be read in a few hours. I was assigned this book in a reading course in college and read it and wrote the report in a matter of a few hours.
The story is told over a series of short stories that all relate man trip to mars. He approaches the philosophy of mankind and the future of the human race told in entertaining four short stories. - Rating: 5 out of 5 stars5/5
Jan 23, 2025
This has been in my Kindle library for a while, this did not disappoint and was an amazing read. This has everything I enjoy in a read, quirky, poignant and thought-provoking. I have so many favourite stories but all of them have moments that stand out. I thought some stories were brave, and its light-hearted style was an invitation to just sit back, absorb and enjoy. And enjoy I did. - Rating: 5 out of 5 stars5/5
Aug 21, 2025
Bradbury is the master of the short story and this collection is one of his best. It follows multiple trips to Mars from earth. There are so many standouts, but Usher 2, depicting a horror house built to trap book banners, and There Will Come Soft Rains, about the fall out of nuclear disaster on Earth, are two of the most memorable. Other stories focus on Martians’ telepathic ability, humans’ fear of the unknown, Black people making a mass exodus for Mars (which parallels the real great migration), and a Martian who appears as whoever you have lost. Bradbury has a unique ability to capture fear, innocence, joy, and longing with a simple phrase. He will always be one of my favorites.
*There is an audio version of the book that is read by Bradbury himself. After each story he gives a little background information and reflections on it. I highly recommend it if you can find it! - Rating: 5 out of 5 stars5/5
Feb 24, 2025
Ray Bradbury's brilliant depiction of Earthlings coming to Mars and colonizing the planet. Not at all what you'd expect, a definite treat. - Rating: 1 out of 5 stars1/5
Dec 31, 2024
This book did not resonate with me. It is an anthology, and I do not care for anthologies. - Rating: 4 out of 5 stars4/5
Nov 18, 2024
When this collection of intertwined short stories was written in the 1940's, 1999-2026 was far in the future. The science fiction of the work may therefore seem dated, but the lovely writing more than makes up for our amusement of the imagined future. The pieces of varying lengths make the reader imagine how they are tied together and what message is intended. There is no doubt that Bradbury's vision is as relevant and prescient today as it ever was. - Rating: 4 out of 5 stars4/5
May 22, 2024
In linked short stories, Bradbury imagines that people from earth escape to Mars, where they make contact with the Martians and colonize the planet.
The original 1950 edition had the dates in the stories range from 1999-2026; I read the 1997 revised edition that had the dates 2030-2057. One short story ("The Fire Balloons") in my edition was not included in the original, and another ("Way in the Middle of the Air") was dropped, which confused me greatly at first, since I was also listening to the audiobook and it was different. Bradbury wrote an introduction in which he expressed surprise that this book is considered science fiction rather than fantasy because he generally does not use real science. This is true. In some ways, the book is a product of its time, as much of the stories are focused on the possibility of nuclear war. But it's also interesting to read in our present time when thinking about first contact and colonialism, as the first Americans on Mars get the Martians sick, which allows them to essentially take over. It's hard not to think of our own history with the indigenous population of North America, and the implications that still has in our present day. An interesting collection that I'm glad I've finally read. - Rating: 5 out of 5 stars5/5
May 5, 2024
I entered into The Martian Chronicles warily, as I hadn't enjoyed Fahrenheit 451, and here I was again, reading Bradbury. To my utmost surprise, I loved this book.
The Martian Chronicles is novel-esque, because the linked short stories, some of them only a page long, joined together to weave a tale of the history of human exploration of and settlement on Mars.
It's a saddening story. Having damaged our earth beyond the hope of repair thanks to constant warfare and atomic disasters, mankind heads for the heavens on rockets launched from the interstellar exploration labs in Ohio. Astronauts and soldiers are the first to arrive, then construction engineers, who build earth-like towns all over the face of this planet. Disaster after disaster takes place. The human race is soon in decline, as the towns on Mars shrivel first to shanty towns and then to small assortments of derelict buildings, without infrastructure.
I believe that Bradbury, all the way back in the 1940s, when some of these stories were first printed in magazines, was an environmentalist and anti-nuclear energy proponent long before these positions became fashionable. The Martian Chronicles warn of the dangers of atomic energy, of using land unwisely, and of the ruinous tendencies of mankind to spoil the dwelling places we have, whether on Earth or on other planets.
Summary: a great book ahead of its time, a visionary novel. I find it especially interesting that less than a year ago, we had our first look at Earth from the surface of Mars - and who knows what's next for our relationship with the red planet in the sky. - Rating: 4 out of 5 stars4/5
Jul 1, 2023
Reading classic science fiction usually devolves to a game of "spot the allegory". Bradbury doesn't disappoint in that respect - he tries to capture all of the fissures in American society by transplanting them to Mars. The main thrust of the narrative is a critique of manifest destiny, the American tendency to thoughtlessly expand its culture and values beyond its existing borders, like a virus that infected the continent and spread West. The Americans arrive on Mars like bulls in the proverbial china shop, although there are a few dryly comic examples of their false starts in attempting to interact with the native Martians.
A section that deals with race relations is especially powerful. Bradbury did not see a solution to Jim Crow on earth - instead, African Americans leave the South en masse to move to Mars. He insightfully points out how much southern whites depend on having a black underclass to shore up their own status and identity. - Rating: 4 out of 5 stars4/5
Jun 30, 2023
Bradbury was the one science fiction author I read in the 1950s who had mainstream literary credentials. Though he was viewed differently from the other writers I loved, I could not understand what set him apart. - Rating: 4 out of 5 stars4/5
Dec 8, 2023
This was really fun. I haven't read any Bradbury before, so this was my first taste. The humor is just my brand, the plot is biting and interesting. Is Earth even real anymore? - Rating: 3 out of 5 stars3/5
Mar 30, 2023
There were many interesting takes on scifi that despite the age of the stories I have never heard before. I wound up not really enjoying it though. The changing length of stories didn't give me enough time to appreciate some of the more interesting stories and the longer ones bored me once the plot was revealed. - Rating: 5 out of 5 stars5/5
Apr 21, 2024
Possibly my favourite Bradbury work, this is a seriously transcendent piece of literature, that had a disproportionate impact on my writing and critical faculties. It's not perfect, certainly, int its elements of Bradbury's usual flaws as a writer and in its occasional sledgehammer subtlety yet... that's to request something of the book which it is not, which is surely bad criticism. This is wonderful. - Rating: 4 out of 5 stars4/5
Nov 9, 2023
A few weeks ago, fellow blogger Bormgans reviewed one of Ray Bradbury’s most famous novels, and that review piqued my curiosity to revisit one of the classics I read so long ago. These revisitations tend to be somewhat dangerous journeys, because when decades elapse and tastes change you risk being disappointed, but this was not the case with The Martian Chronicles.
The Mars depicted in the Chronicles is not the one we now know thanks to the various unmanned expeditions launched toward the Red Planet, but it’s rather an idealized version of it, with blue skies and canals where waters flow plentiful, where there is a breathable atmosphere - if not as rich in oxygen as the one on Earth - and rains and grass and trees. Where cities, mostly abandoned but still beautiful and whole, dot the landscape as testimonials of a flourishing civilization whose last denizens are either too shy to risk contact or subtly dangerous for the invading humans. Yes, invading, because Bradbury’s Mars is something of an idealized paradise free from the vices that plague humanity and therefore prone to the damaging influence of the new arrivals.
The Martian Chronicles is a collection of short stories rather than a cohesive novel, and these stories are the tiles of a mosaic through which the author delves into the shortcomings of human nature and the dangers of unthinking exploration: observing the attitude of the astronauts who reach Mars in successive waves it’s easy to draw the parallel with the behavior of the adventurers who touched the shores of the New World and proceeded to turn it into a copy of the Old one, while plundering its newfound riches. The most emblematic story in this regard is And the Moon Be Still as Bright, where some of the new arrivals act in a boorishly uncaring manner, breaking Martian artifacts and scattering their trash around: only one of them understands the value of the now-dead original civilization and goes to extremes to preserve its vestiges. The behavior of those uncouth astronauts reminded me of the ugliest form of tourist one can observe all around the world, those who are noisy and disrespectful and are unable to appreciate the beauty of what they are seeing.
Bradbury comes across as quite skeptical about the Earthers’ capacity to overcome their nature and the overall tone of the collection is one of sadness for the inevitabile, i.e. the progressive obliteration of any vestiges of Martian civilization and the “poisoning” of the Red Planet as it’s turned out into a carbon copy of Earth. This choice might have all too easily turned into a moralistic soapbox cautionary tale, but this does not happen (or if it does it’s only a light brush stroke) thanks to the evocative prose that’s able to summon quite vivid images - both in beauty and in ugliness. Humans are portrayed as incapable of learning from their mistakes, and the Chronicles are very far removed from the optimism that, a mere sixteen years after their publication, will inspire Star Trek with the hope that people of different cultures would be able to find some common ground beyond their differences, or that exploring new places might bring a form of mutual enlightening.
Revisiting the Chronicles turned out to be a journey into unexplored territory, because I hardly remembered any details of these stories (a few decades can play havoc with one’s memory…) and I’m glad I retraced my steps and re-discovered a work that, while dated in its outlook and social representation, still feels readable and applicable to many moderns considerations. - Rating: 4 out of 5 stars4/5
Apr 29, 2024
A classic that addresses themes such as individual freedom or the destruction of other races or the ecosystem itself for the simple sake of continuing with the current capitalist system. The early stories are sensational, with the first astronauts arriving on Mars and how they are eliminated by the Martians until the Earthlings arrive on the red planet and expand like a virus.
The author's imagination is overflowing; the different stories and themes covered in the book are sensational. Although the book is aimed at a young audience, the themes discussed are so profound that an adult can enjoy the book as if they were a child.
I recommend this classic to science fiction lovers who wish to read an original book about invasions. (Translated from Spanish) - Rating: 5 out of 5 stars5/5
Oct 2, 2023
The Martian Chronicles is one of those titles I saw listed again and again as one of science fiction’s key texts – it ranks sixth on the aggregate list Classics of Science Fiction. But because I thought Fahrenheit 451 was so awfully preachy, it took me 8 years to pick up this other Bradbury title. The lesson here is: never judge an author by one book – The Martian Chronicles indeed is a deserved, enduring classic.
While there is a certain naivety in the book – Earthlings just go and bang on an alien door and introduce themselves, unafraid of pathogens or possibly dangerous Martian mores – and Bradbury doesn’t seem too concerned with realism on that front, the book does manage to evoke a real enough image of certain crucial aspects of the human condition.
It will also delight certain readers The Martian Chronicles is critical of colonialism, American imperialism, consumerism and the nuclear arms race. It was published as The Silver Locusts in the UK, a title that clearly advocates a political interpretation. And yes, in a way, this early 50ies book is ‘woke’ indeed. But as Jesse pointed out on Speculiction, Bradbury does so without overtly preaching or easy dichotomies – is this really the same guy who wrote Fahrenheit 451?
Content aside, what struck me most was the book’s formal power.
(...)
Read the full review on Weighing A Pig Doesn't Fatten It
Book preview
The Martian Chronicles - Ray Bradbury
January 2030
Rocket Summer
One minute it was Ohio winter, with doors closed, windows locked, the panes blind with frost, icicles fringing every roof, children skiing on slopes, housewives lumbering like great black bears in their furs along the icy streets.
And then a long wave of warmth crossed the small town. A flooding sea of hot air; it seemed as if someone had left a bakery door open. The heat pulsed among the cottages and bushes and children. The icicles dropped, shattering, to melt. The doors flew open. The windows flew up. The children worked off their wool clothes. The housewives shed their bear disguises. The snow dissolved and showed last summer’s ancient green lawns.
Rocket summer. The words passed among the people in the open, airing houses. Rocket summer. The warm desert air changing the frost patterns on the windows, erasing the art work. The skis and sleds suddenly useless. The snow, falling from the cold sky upon the town, turned to a hot rain before it touched the ground.
Rocket summer. People leaned from their dripping porches and watched the reddening sky.
The rocket lay on the launching field, blowing out pink clouds of fire and oven heat. The rocket stood in the cold winter morning, making summer with every breath of its mighty exhausts. The rocket made climates, and summer lay for a brief moment upon the land....
February 2030
Ylla
They had a house of crystal pillars on the planet Mars by the edge of an empty sea, and every morning you could see Mrs. K eating the golden fruits that grew from the crystal walls, or cleaning the house with handfuls of magnetic dust which, taking all dirt with it, blew away on the hot wind. Afternoons, when the fossil sea was warm and motionless, and the wine trees stood stiff in the yard, and the little distant Martian bone town was all enclosed, and no one drifted out their doors, you could see Mr. K himself in his room, reading from a metal book with raised hieroglyphs over which he brushed his hand, as one might play a harp. And from the book, as his fingers stroked, a voice sang, a soft ancient voice, which told tales of when the sea was red steam on the shore and ancient men had carried clouds of metal insects and electric spiders into battle.
Mr. and Mrs. K had lived by the dead sea for twenty years, and their ancestors had lived in the same house, which turned and followed the sun, flower-like, for ten centuries.
Mr. and Mrs. K were not old. They had the fair, brownish skin of the true Martian, the yellow coin eyes, the soft musical voices. Once they had liked painting pictures with chemical fire, swimming in the canals in the seasons when the wine trees filled them with green liquors, and talking into the dawn together by the blue phosphorous portraits in the speaking room.
They were not happy now.
This morning Mrs. K stood between the pillars, listening to the desert sands heat, melt into yellow wax, and seemingly run on the horizon.
Something was going to happen.
She waited.
She watched the blue sky of Mars as if it might at any moment grip in on itself, contract, and expel a shining miracle down upon the sand.
Nothing happened.
Tired of waiting, she walked through the misting pillars. A gentle rain sprang from the fluted pillar tops, cooling the scorched air, falling gently on her. On hot days it was like walking in a creek. The floors of the house glittered with cool streams. In the distance she heard her husband playing his book steadily, his fingers never tired of the old songs. Quietly she wished he might one day again spend as much time holding and touching her like a little harp as he did his incredible books.
But no. She shook her head, an imperceptible, forgiving shrug. Her eyelids closed softly down upon her golden eyes. Marriage made people old and familiar, while still young.
She lay back in a chair that moved to take her shape even as she moved. She closed her eyes tightly and nervously.
The dream occurred.
Her brown fingers trembled, came up, grasped at the air. A moment later she sat up, startled, gasping.
She glanced about swiftly, as if expecting someone there before her. She seemed disappointed; the space between the pillars was empty.
Her husband appeared in a triangular door. Did you call?
he asked irritably.
No!
she cried.
I thought I heard you cry out.
Did I? I was almost asleep and had a dream!
In the daytime? You don’t often do that.
She sat as if struck in the face by the dream. How strange, how very strange,
she murmured. The dream.
Oh?
He evidently wished to return to his book.
I dreamed about a man.
A man?
A tall man, six feet one inch tall.
How absurd; a giant, a misshapen giant.
Somehow
—she tried the words—"he looked all right. In spite of being tall. And he had—oh, I know you’ll think it silly—he had blue eyes!"
Blue eyes! Gods!
cried Mr. K. "What’ll you dream next? I suppose he had black hair?"
"How did you guess?" She was excited.
I picked the most unlikely color,
he replied coldly.
Well, black it was!
she cried. "And he had a very white skin; oh, he was most unusual! He was dressed in a strange uniform and he came down out of the sky and spoke pleasantly to me." She smiled.
Out of the sky; what nonsense!
He came in a metal thing that glittered in the sun,
she remembered. She closed her eyes to shape it again. I dreamed there was the sky and something sparkled like a coin thrown into the air, and suddenly it grew large and fell down softly to land, a long silver craft, round and alien. And a door opened in the side of the silver object and this tall man stepped out.
If you worked harder you wouldn’t have these silly dreams.
I rather enjoyed it,
she replied, lying back. I never suspected myself of such an imagination. Black hair, blue eyes, and white skin! What a strange man, and yet—quite handsome.
Wishful thinking.
You’re unkind. I didn’t think him up on purpose; he just came in my mind while I drowsed. It wasn’t like a dream. It was so unexpected and different. He looked at me and he said, ‘I’ve come from the third planet in my ship. My name is Nathaniel York—’
A stupid name; it’s no name at all,
objected the husband.
Of course it’s stupid, because it’s a dream,
she explained softly. And he said, ‘This is the first trip across space. There are only two of us in our ship, myself and my friend Bert.’
"Another stupid name."
"And he said, ‘We’re from a city on Earth; that’s the name of our planet,’ continued Mrs. K.
That’s what he said. ‘Earth’ was the name he spoke. And he used another language. Somehow I understood him. With my mind. Telepathy, I suppose."
Mr. K turned away. She stopped him with a word. Yll?
she called quietly. "Do you ever wonder if—well, if there are people living on the third planet?"
The third planet is incapable of supporting life,
stated the husband patiently. Our scientists have said there’s far too much oxygen in their atmosphere.
"But wouldn’t it be fascinating if there were people? And they traveled through space in some sort of ship?"
Really, Ylla, you know how I hate this emotional wailing. Let’s get on with our work.
It was late in the day when she began singing the song as she moved among the whispering pillars of rain. She sang it over and over again.
What’s that song?
snapped her husband at last, walking in to sit at the fire table.
I don’t know.
She looked up, surprised at herself. She put her hand to her mouth, unbelieving. The sun was setting. The house was closing itself in, like a giant flower, with the passing of light. A wind blew among the pillars; the fire table bubbled its fierce pool of silver lava. The wind stirred her russet hair, crooning softly in her ears. She stood silently looking out into the great sallow distances of sea bottom, as if recalling something, her yellow eyes soft and moist. ‘Drink to me only with thine eyes, and I will pledge with mine,’
she sang, softly, quietly, slowly. ‘Or leave a kiss within the cup, and I’ll not ask for wine.’
She hummed now, moving her hands in the wind ever so lightly, her eyes shut. She finished the song.
It was very beautiful.
Never heard that song before. Did you compose it?
he inquired, his eyes sharp.
No. Yes. No, I don’t know, really!
She hesitated wildly. I don’t even know what the words are; they’re another language!
What language?
She dropped portions of meat numbly into the simmering lava. I don’t know.
She drew the meat forth a moment later, cooked, served on a plate for him. It’s just a crazy thing I made up, I guess. I don’t know why.
He said nothing. He watched her drown meats in the hissing fire pool. The sun was gone. Slowly, slowly the night came in to fill the room, swallowing the pillars and both of them, like a dark wine poured to the ceiling. Only the silver lava’s glow lit their faces.
She hummed the strange song again.
Instantly he leaped from his chair and stalked angrily from the room.
Later, in isolation, he finished supper.
When he arose he stretched, glanced at her, and suggested, yawning, Let’s take the flame birds to town tonight to see an entertainment.
"You don’t mean it? she said.
Are you feeling well?"
What’s so strange about that?
But we haven’t gone for an entertainment in six months!
I think it’s a good idea.
Suddenly you’re so solicitous,
she said.
Don’t talk that way,
he replied peevishly. Do you or do you not want to go?
She looked out at the pale desert. The twin white moons were rising. Cool water ran softly about her toes. She began to tremble just the least bit. She wanted very much to sit quietly here, soundless, not moving until this thing occurred, this thing expected all day, this thing that could not occur but might. A drift of song brushed through her mind.
I—
Do you good,
he urged. Come along now.
I’m tired,
she said. Some other night.
Here’s your scarf.
He handed her a phial. We haven’t gone anywhere in months.
Except you, twice a week to Xi City.
She wouldn’t look at him.
Business,
he said.
Oh?
she whispered to herself.
From the phial a liquid poured, turned to blue mist, settled about her neck, quivering.
The flame birds waited, like a bed of coals, glowing on the cool smooth sands. The white canopy ballooned on the night wind, flapping softly, tied by a thousand green ribbons to the birds.
Ylla laid herself back in the canopy and, at a word from her husband, the birds leaped, burning, toward the dark sky. The ribbons tautened, the canopy lifted. The sand slid whining under; the blue hills drifted by, drifted by, leaving their home behind, the raining pillars, the caged flowers, the singing books, the whispering floor creeks. She did not look at her husband. She heard him crying out to the birds as they rose higher, like ten thousand hot sparkles, so many red-yellow fireworks in the heavens, tugging the canopy like a flower petal, burning through the wind.
She didn’t watch the dead, ancient bone-chess cities slide under, or the old canals filled with emptiness and dreams. Past dry rivers and dry lakes they flew, like a shadow of the moon, like a torch burning.
She watched only the sky.
The husband spoke.
She watched the sky.
Did you hear what I said?
What?
He exhaled. You might pay attention.
I was thinking.
I never thought you were a nature lover, but you’re certainly interested in the sky tonight,
he said.
It’s very beautiful.
I was figuring,
said the husband slowly. I thought I’d call Hulle tonight. I’d like to talk to him about us spending some time, oh, only a week or so, in the Blue Mountains. It’s just an idea—
The Blue Mountains!
She held to the canopy rim with one hand, turning swiftly toward him.
Oh, it’s just a suggestion.
When do you want to go?
she asked, trembling.
I thought we might leave tomorrow morning. You know, an early start and all that,
he said very casually.
"But we never go this early in the year!"
Just this once, I thought—
He smiled. "Do us good to get away. Some peace and quiet. You know. You haven’t anything else planned? We’ll go, won’t we?"
She took a breath, waited, and then replied, No.
What?
His cry startled the birds. The canopy jerked.
No,
she said firmly. It’s settled. I won’t go.
He looked at her. They did not speak after that. She turned away.
The birds flew on, ten thousand firebrands down the wind.
In the dawn the sun, through the crystal pillars, melted the fog that supported Ylla as she slept. All night she had hung above the floor, buoyed by the soft carpeting of mist that poured from the walls when she lay down to rest. All night she had slept on this silent river, like a boat upon a soundless tide. Now the fog burned away, the mist level lowered until she was deposited upon the shore of wakening.
She opened her eyes.
Her husband stood over her. He looked as if he had stood there for hours, watching. She did not know why, but she could not look him in the face.
You’ve been dreaming again!
he said. "You spoke out and kept me awake. I really think you should see a doctor."
I’ll be all right.
You talked a lot in your sleep!
Did I?
She started up.
Dawn was cold in the room. A gray light filled her as she lay there.
What was your dream?
She had to think a moment to remember. The ship. It came from the sky again, landed, and the tall man stepped out and talked with me, telling me little jokes, laughing, and it was pleasant.
Mr. K touched a pillar. Founts of warm water leaped up, steaming; the chill vanished from the room. Mr. K’s face was impassive.
And then,
she said, this man, who said his strange name was Nathaniel York, told me I was beautiful and—and kissed me.
Ha!
cried the husband, turning violently away, his jaw working.
It’s only a dream.
She was amused.
Keep your silly, feminine dreams to yourself!
You’re acting like a child.
She lapsed back upon the few remaining remnants of chemical mist. After a moment she laughed softly. "I thought of some more of the dream," she confessed.
"Well, what is it, what is it?" he shouted.
Yll, you’re so bad-tempered.
Tell me!
he demanded. You can’t keep secrets from me!
His face was dark and rigid as he stood over her.
I’ve never seen you this way,
she replied, half shocked, half entertained. All that happened was this Nathaniel York person told me—well, he told me that he’d take me away into his ship, into the sky with him, and take me back to his planet with him. It’s really quite ridiculous.
Ridiculous, is it!
he almost screamed. "You should have heard yourself, fawning on him, talking to him, singing with him, oh gods, all night; you should have heard yourself!"
Yll!
When’s he landing? Where’s he coming down with his damned ship?
Yll, lower your voice.
Voice be damned!
He bent stiffly over her. "And in this dream—he seized her wrist—
didn’t the ship land over in Green Valley, didn’t it? Answer me!"
Why, yes—
And it landed this afternoon, didn’t it?
he kept at her.
Yes, yes, I think so, yes, but only in a dream!
Well
—he flung her hand away stiffly—it’s good you’re truthful! I heard every word you said in your sleep. You mentioned the valley and the time.
Breathing hard, he walked between the pillars like a man blinded by a lightning bolt. Slowly his breath returned. She watched him as if he were quite insane. She arose finally and went to him. Yll,
she whispered.
I’m all right.
You’re sick.
No.
He forced a tired smile. Just childish. Forgive me, darling.
He gave her a rough pat. Too much work lately. I’m sorry. I think I’ll lie down awhile—
You were so excited.
I’m all right now. Fine.
He exhaled. Let’s forget it. Say, I heard a joke about Uel yesterday, I meant to tell you. What do you say you fix breakfast, I’ll tell the joke, and let’s not talk about all this.
It was only a dream.
Of course.
He kissed her cheek mechanically. Only a dream.
At noon the sun was high and hot and the hills shimmered in the light.
Aren’t you going to town?
asked Ylla.
Town?
He raised his brows faintly.
"This is the day you always go." She adjusted a flower cage on its pedestal. The flowers stirred, opening their hungry yellow mouths.
He closed his book. No. It’s too hot, and it’s late.
Oh.
She finished her task and moved toward the door. Well, I’ll be back soon.
Wait a minute! Where are you going?
She was in the door swiftly. Over to Pao’s. She invited me!
Today?
I haven’t seen her in a long time. It’s only a little way.
Over in Green Valley, isn’t it?
Yes, just a walk, not far, I thought I’d—
She hurried.
I’m sorry, really sorry,
he said, running to fetch her back, looking very concerned about his forgetfulness. It slipped my mind. I invited Dr. Nlle out this afternoon.
Dr. Nlle!
She edged toward the door.
He caught her elbow and drew her steadily in. Yes.
But Pao—
Pao can wait, Ylla. We must entertain Nlle.
Just for a few minutes—
No, Ylla.
No?
He shook his head. No. Besides, it’s a terribly long walk to Pao’s. All the way over through Green Valley and then past the big canal and down, isn’t it? And it’ll be very, very hot, and Dr. Nlle would be delighted to see you. Well?
She did not answer. She wanted to break and run. She wanted to cry out. But she only sat in the chair, turning her fingers over slowly, staring at them expressionlessly, trapped.
Ylla?
he murmured. "You will be here, won’t you?"
Yes,
she said after a long time. I’ll be here.
All afternoon?
Her voice was dull. All afternoon.
Late in the day Dr. Nlle had not put in an appearance. Ylla’s husband did not seem overly surprised. When it was quite late he murmured something, went to a closet, and drew forth an evil weapon, a long yellowish tube ending in a bellows and a trigger. He turned, and upon his face was a mask, hammered from silver metal, expressionless, the mask that he always wore when he wished to hide his feelings, the mask which curved and hollowed so exquisitely to his thin cheeks and chin and brow. The mask glinted, and he held the evil weapon in his hands, considering it. It hummed constantly, an insect hum. From it hordes of golden bees could be flung out with a high shriek. Golden, horrid bees that stung, poisoned, and fell lifeless, like seeds on the sand.
Where are you going?
she asked.
What?
He listened to the bellows, to the evil hum. If Dr. Nlle is late, I’ll be damned if I’ll wait I’m going out to hunt a bit. I’ll be back. You be sure to stay right here now, won’t you?
The silver mask glimmered.
Yes.
And tell Dr. Nlle I’ll return. Just hunting.
The triangular door closed. His footsteps faded down the hill.
She watched him walking through the sunlight until he was gone. Then she resumed her tasks with the magnetic dusts and the new fruits to be plucked from the crystal walls. She worked with energy and dispatch, but on occasion a numbness took hold of her and she caught herself singing that odd and memorable song and looking out beyond the crystal pillars at the sky.
She held her breath and stood very still, waiting.
It was coming nearer.
At any moment it might happen.
It was like those days when you heard a thunderstorm coming and there was the waiting silence and then the faintest pressure of the atmosphere as the climate blew over the land in shifts and shadows and vapors. And the change pressed at your ears and you were suspended in the waiting time of the coming storm. You began to tremble. The sky was stained and coloured; the clouds were thickened; the mountains took on an iron taint. The caged flowers blew with faint sighs of warning. You felt your hair stir softly. Somewhere in the house the voice-clock sang, Time, time, time, time …
ever so gently, no more than water tapping on velvet.
And then the storm. The electric illumination, the engulfments of dark wash and
