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SOCIAL MEDIA
Tanner Mirrlees
Introduction: Social Media Studies
In the early 21st century, Facebook, Twitter and YouTube are everywhere,
and their user base grows each year. In 2012, Facebook had over one billion
monthly active users, and by 2018, it had 2.25 billion (Statista, 2018a). In
2012, Twitter had just over 150 million “monthly active users”—the number
of unique visitors to a site for a 30-day period—yet by 2018, it had ballooned
to 326 million (Statista, 2018b). In 2012, YouTube had 800 million monthly
active users; by 2018, it had 1.8 billion (Gilbert, 2018).
As social media corporations expand, so too does the number of academics
who theorize, research and write about them. Previously a niche topic in Internet
and computer-mediated communication (CMC) studies, social media is now
a burgeoning area of inquiry across disciplines. Illustrative of social media studies’
growing academic prominence was the 2015 launch of a journal called Social
Media + Society mandated to advance “the understanding of social media and its
impact on societies past, present and future.” Over the past decade, social media
has captivated researchers in communications studies, cultural studies and political
science, and instigated a diversity of theoretical and methodological approaches.
Researchers have examined social media in a wide range of contexts and as related
to human psychology and interpersonal behavior, cultural identities and communities, capitalism and inequality, privacy, transparency, surveillance, democracy,
government law and policy, propaganda and public diplomacy, protest, revolution, warfare, and entertainment and celebrity (Bankler, Faris, and Roberts, 2018;
Baym, 2015; Brooking and Singer, 2018; Burgess, Marwick, and Poell, 2018;
Carr, 2011; Craig and Cunningham, 2019; Duffy, 2017; Elmer, Langlois, and
Redden, 2015; Fuchs, 2017; Gillespie, 2018; Lanier, 2018; Marwick, 2013;
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Mason, 2012; Mayer-Schönberger, 2011; Trottier and Fuchs, 2015; Turkle, 2017;
Vaidhyanathan, 2018; van Dijck, 2013; van Dijck, Poell, and de Waal, 2018).
While much research has been undertaken on the intricacies of social media
in an array of specific contexts, this chapter presents a broad and holistic overview of some key issues in the study of social media in society. It begins by
reviewing and assessing some prominent ways of conceptualizing “social
media” (with regard to the digital age and Web 2.0’s technological uses and
affordances) and then moves on to probing conceptualizations of social media
as a system, a tool and an agent. To emphasize the interdependent relations
between social media and society, the final section highlights how social media
is shaped by and is shaping capitalism (the economic sphere), the state (the
political sphere) and the entirety of how people live their lives (the cultural
sphere).
Social Media in the “Digital Age”: Web 2.0’s Uses and
Affordances
Social media can be defined broadly as “those digital platforms, services and
apps built around the convergence of content sharing, public communication
and interpersonal connection” (Burgess, Marwick, and Poell, 2018, p. 1).
Some of the world’s most prominent social media platforms, services and apps
encompass social media and networking services (Facebook), social and microblogging services (Twitter), video sharing services (YouTube), cross-platform
messaging and voiced over internet protocol (VoIP) services (WhatsApp),
photo-sharing services (Instagram), and content aggregation, rating and discussion services (Reddit). In addition to representing this convergence, social
media is associated with the “digital age.” But what does this connote? Some
common dictionary definitions of the “digital age” advance a noun for
a present in which more digital technologies are being used by more people
than ever before. For example, the Cambridge Dictionary (2018) defines the
“digital age” as “the present time, when most information is in a digital form,
especially when compared to the time when computers were not used.” Likewise, IGI Global (2018) describes the “digital age” as the “time frame in history that the use of digital technology became prevalent and of common use
throughout the world.”
While most would agree that the digital age is a relatively recent period in
human history, defining when it began is far more questionable. Some might
argue that it began in: the 1940s, when the MIT graduate and Bell Labs
engineer Claude Shannon conceptualized digitization in “A Mathematical
Theory of Communication”; the 1950s and 1960s, following the invention of
the transistor and the military-corporate development of the Internet’s backbone; the 1970s and 1980s, with the rise of information and communication
technologies (ICT) corporations that produced and sold digital technologies
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such as personal computers and network services to individual buyers in the
civilian market; the 1990s, with the launch of the World Wide Web, the privatization of public Internet infrastructure, and the browser battles between
Netscape and Internet Explorer; or, perhaps in the first decade of the 21st century, when Facebook, Friendster, MySpace, Foursquare, Tumblr and Twitter
launched their social media platforms. The line dividing the end of the predigital age from the beginning of the digital age may be fuzzy, but the idea
that we are now living in a new “digital age” crystalized by the more recent
development and diffusion of social media platforms is pervasive. “Social
media” and “digital age” are frequently paired, as indicated by news story captions such as “How Social Media helps Digital Age” (Raut, 2018) and journal
article titles like “Leading in the Digital Age: A Study of How Social Media
Are Transforming the Work of Communication Professionals” (Jiang, Luo,
and Kulemeka, 2016).
In the early 1970s, the Internet, the laptop computer, the smartphone and
social media platforms did not exist, and the digital technologies that millions
of people now use and rely upon for work, leisure and politics was unimaginable. The US Department of Defense was still developing ARPANET, the
earliest packet switching network and prototype for the modern Internet. Tim
Berners-Lee, the British computer scientist who invented the World Wide
Web in 1989, was still an undergraduate student at the University of Oxford.
The IBM Personal Computer was about ten years away from being “consumer
friendly.” Martin Cooper, head of Motorola, had just used the first handheld
mobile phone to call Bell Labs, a rival firm. Chad Hurley, Steve Chen and
Jawed Karim, the founders of YouTube, had not yet been conceived, or born.
Facebook (launched in 2004) and Twitter (launched in 2006) were not technically possible or feasible business ventures. Jump ahead four decades: the
Internet, the laptop computer, the smartphone and social networking services
are part and product of society, and researchers describe the rise of a “digital
society” (Athique, 2013; Lindgren, 2017) or a “platform society” (van Dijck,
Poell, and de Waal, 2018).
In addition to being periodized as part and product of a new “digital age,”
social media sites are sometimes conceptualized with regard to what tasks they
enable people to perform with these technologies. Relatedly, the affordances
of social media have been attributed to a paradigm shift away from older
“mass” or transmissive communication systems (e.g. radio and TV broadcasting) and earlier Internet and computer-mediated communication models (e.g.,
Web 1.0), to “Web 2.0” (O’Reilly, 2005). At the 2004 O’Reilly Media Web
2.0 Conference for Internet entrepreneurs and Web enthusiasts, Tim O’Reilly
and Dale Dougherty popularized the idea that Web 2.0 equaled the advent of
a new Web amenable to user-generated content, interaction, participation and
interoperability. Since then, it has become commonplace to interpret social
media sites as “Web 2.0” writ large. As the story goes, unlike the passive
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consumer experience of broadcasting and Web 1.0, people are now interactive
producers and consumers of media content, or “prosumers” (Toffler, 1984), all
because of Web 2.0. Social media sites do enable a merger of consumer and
producer, as demonstrated by the glut of digital media content produced by
the same people that consume it. Social media sites support personalized
people-to-people and many-to-many communication, and these platforms
afford many interactive uses including: socializing (e.g., chatting with a friend
who lives many miles away on WhatsApp); lurking (e.g., watching or monitoring what a Reddit user is writing and posting, but without them ever
knowing); taking action in relation to existing content (e.g., tweeting, retweeting or commenting on a TV news story on Twitter); creating and circulating
original content (e.g., sharing “what’s on your mind” with the world, via
Facebook); remixing old content (e.g., making a music video “mash up” of
one’s favorite 80s songs on YouTube); and getting entrepreneurial (e.g., the
YouTuber PewDiePie became a multi-millionaire by monetizing his Let’s Play
video game commentary videos).
Much fanfare surrounds the idea that billions of social media users, not just
a handful of big media conglomerates, are creating and sharing their own content with audiences, small and large. Yet, the idea that Web 2.0 and social
media represent a break with traditional media monopolies of the past overlooks significant continuities. In fact, the World Wide Web’s inventor, Tim
Berners-Lee, frames the very concept of “Web 2.0” as a “piece of jargon”
because “Web 1.0 was all about connecting people” and was designed as “an
interactive space” to enable “people to people” collaboration (cited in Laningham, 2006). If we go further back in time to the 1980s, Stewart Brand and
Larry Brilliant’s Whole Earth ’Lectronic Link (WELL) afforded users a wide
range of computer-mediated communication practices, personalized user-touser connections and interaction in virtual communities (Rheingold, 1994). In
this regard, the purportedly novel “ideas, values, media forms and technologies” associated “with Web 2.0 and social media had already been developed
for Web 1.0 in the 1990s or with earlier formers of networked computing
such as Bulletin Board Systems” (Stevenson, 2018, p. 69). “When we focus
only on ‘what’s going on now’ with social media at the expense of attention
to ‘what came before’, we fail to understand social media’s history, and this
erasure of the past is typical of ‘present-minded’ capitalist societies” (Jameson,
1990).
The anti-historicist idea that social media heralds a revolutionary break from
the Internet and World Wide Web’s past is sometimes coupled with the flawed
notion that social media sites are made for “users.” Facebook CEO Mark Zuckerberg recently declared that he “built Facebook to help people stay connected
and bring us closer together with the people that matter to us” and said that
“Facebook has always been about personal connections” (cited in Mosseri,
2018). Facebook may certainly help some distant friends and family members
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stay connected and feel virtually close, but Zuckerberg’s contention that his
social media platform exists solely for the benefit of the individuals who use it—
and user-centric conceptualizations of social media platforms, services and apps
more generally—overlooks how rather than simply a neutral tool through
which users exercise free will, Facebook and other online applications are carefully designed to enable and constrain user conduct as appropriate to their corporate owners’ objectives. To really understand what is “social” about social
media, we need to broaden narrow discussions of social media affordances and
users with a more holistic look at the social shaping of social media. What, then,
is society, and how does it shape social media?
Social Media and Society: System, Tool, Agent
In a 1987 interview with the magazine Women’s Own, the first female Prime
Minister of the UK, Margaret Thatcher, declared “there’s no such thing as
society. There are individual men and women and there are families” (cited in
Moore, 2010). Of course, as the poet John Donne reminds us, no “man (or
person) is ever an island” because people are social beings who thrive in
groups in communities, within larger countries—and, as our society shows, on
Facebook. For Marx (1845), the “first premise of all human history” is “the
existence of living human individuals” that are always “dependent” upon and
“belong[ing] to a larger [social] whole” and all societies entail “the cooperation of several individuals, no matter under what conditions, in what
manner and to what end” and are constituted by “productive forces and forms
of intercourse at any given time.” Williams (1976) conceptualizes society as
the total social world in which we exist, or, “the body of institutions and relationships within which a relatively large group of people live” (p. 291). To
make the point more simply, society cannot be reduced to a simple collection
of individuals pursuing their self-interests, as it is something much bigger than
any one individual and encompasses “structured relations and institutions
among a large community of people” (Giddens and Sutton, 2017, p. 1).
In a society of millions of customized Twitter handles and personalized
Facebook profiles, it is difficult to identify the “social” in social media. Frequently, social media is used for individualistic and self-directed ends. Nevertheless, even the most self-promoting handles and attention-seeking profiles
belong to and depend upon a much larger infrastructure and community for
their existence. It would therefore be erroneous to conceptualize social media
as auto-referential silos and stand-alone assemblages of hardware, software and
users. To capture how the use of one technology depends upon many relationships with and connections to many technologies, historians use the phrase
“technological system” (Hughes, 1983). Social media sites are no exception
and are indeed “technological systems.” The functionality of social media platforms, services and application assumes the existence of and relies upon other
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technologies and people. Social media is not yours or mine, nor is it about
any one individual, but rather it is part and product of a system.
Take the ostensibly simple act of picking up a smartphone, logging into
Facebook and posting what’s on your mind for the world to read. This quotidian practice relies upon pre-existing social conditions of possibility. For
example, child workers toil in the cobalt mines of the Democratic Republic
of Congo to extract the metal parts of the lithium-ion batteries that power
our smartphones (Siddharth, 2018). Engineers develop and maintain the cellular network that lets us use smartphones to communicate with distant
friends and loved ones through the messaging services of social media sites.
Technicians maintain the electricity grid that we rely upon to charge up our
smartphone batteries each day, and energy powers the sprawling social media
data centers whose carbon dioxide emissions have a significant ecological
impact despite Silicon Valley’s “green and clean” image (Climate Home
News, 2017; Maxwell and Miller, 2012). Electricians wire homes, apartments
and buildings with the sockets we plug our smartphone chargers into when
our batteries die. Inside each social media corporation is a division of labor
comprised of computer engineers, app developers and content moderators.
Even though unwaged “digital labour” has been a key point of focus in critical studies of social media’s exploitative business model (Fuchs, 2017), and
Facebook, Twitter and YouTube’s combined workforce totals no more than
40,000 people, waged workers are integral to these companies’ mode of producing the “service” we use each day.
While social media services and our uses of them are part of a large system
constituted by many pre-existing technologies, and by many people that
extend across many institutions and organizations in society, the system of
social media is sometimes obscured by stories that center on social media uses
and impacts, positive and negative. For example, news headlines such as
“Using Social Media to Strengthen Your Marriage” (Focus on the Family,
2012) and “4 Ways You Can Protect Your Marriage from Social Media”
(First Things First, 2014) represent opposing perspectives on the power relationship between users and social media. In the former headline, social media
is a tool that couples use to strengthen marriage; in the latter, it is an agent
that threatens to ruin marriage. But which view is correct? Do we have power
over social media or does it have power over us (and the quality of our marriages)? Is social media just a tool that helps us achieve our goals, or, does it
do things to us (such as strengthen or threaten our relationships)? Do we use
social media to change society, or, does it have power to act upon and change
society, for better or worse? What is the most powerful agent of social
change? Humans or social media? These types of questions express a fault line
between two salient philosophical perspectives on social media in society:
technological instrumentalism and technological determinism.
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Technological instrumentalism is basically the idea that humans are rational
agents that have power over technology. From this perspective, any social
media platform is just a useful tool that humans rationally design, use and put
to ends they decide, for good or bad. From this premise, instrumentalism
maintains that social media sites are not essentially “good” or “bad”: they are
value-neutral. The Facebook platform does not care about good or evil or
right or wrong. For a technological instrumentalist, humans are moral and
technology is not, so any social media platform’s morality resides in its human
use, in the specific ends to which people put it. In itself, Twitter lacks a moral
compass, but the human uses of Twitter can be judged according to moral criteria, because Twitter exists in a society where laws, ethical frameworks and
notions of morality exist. For example, during the 2016 US election campaign,
white supremacists (mislabeled by some as the “alt-right”) rallied around
Trump, hoping that if elected he would use his power to “make America
great again” by turning it into a “white only” country. In the years following
Trump’s win, many alt-right propagandists used Twitter to spread hate speech
and attack Trump’s opponents. Twitter did not tweet hate: white supremacist
users did. As such, the technological instrumentalist invites us to pass judgement not on Twitter, but on the use of Twitter by hate mongers. We might
appeal to Twitter’s hate speech policies or the golden rule to determine that
the user’s tweet was morally repugnant. But Twitter should not be judged as
inherently good or bad because some bigoted user used it to tweet hate. The
racist user, however, can and should be judged for using Twitter in this way.
After all, Twitter did not form its own racist ideas and tweet them around.
Diametrically opposed to technological instrumentalism is technological
determinism, and this is the idea that humans are relatively powerless against
technology, and that any technological artifact is an agent that acts upon
humans and fundamentally changes them and society. From the perspective of
technological determinism, social media, not people or the social power relations between them, is the primary “cause” or “agent” driving major changes
across all of society’s institutions and organizations. The World Economic
Forum’s Global Agenda Council, for example, describes social media as transforming all existing institutions, from the news media to banks to public
healthcare to government (Guzman and Farida, 2016). Apropos determinism,
social media does not simply add something to society, but changes society.
After Facebook launched on February 4, 2004, one did not live in the same
old society plus Facebook; one was living in a different type of society. Yet,
a major problem with technological determinism is that it treats technology as
if it is human, with a heart and mind of its own, and a will to act upon society. It puts social media and algorithms, not people and the social relations
between them, in the driver’s seat of change. Yet, your Facebook page does
not in itself conspire to help or harm society. Your Twitter feed does not plot
to make the world a better or worse place than it was before. Or does it?
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Socially Structuring Social Media: The Economics, Politics and
Cultures of Social Media
Social media is part of a techno-social system, can be used as a tool and may
effect social changes, but what social structures and organizational and institutional actors possess the greatest power to design and engineer this system,
instrumentalize social media and bring about the changes to society they intend?
Society’s need for social media was never pre-given or universally apparent, but
something that was shaped by the large-scale organizations and institutions
within society that conceptualized, financed, researched, developed, produced,
distributed, administered and promoted it in society. Unfortunately, the organizational and institutional reality of social media is sometimes overlooked by
those who praise it for increasing “our ability to share, to co-operate with one
another, and to take collective action, all outside the framework of traditional
institutions and organizations” (Shirky, 2008, p. 20). There is no question that
social media enables individuals to partake in these practices, but what’s untenable is the notion that these practices happen outside of or apart from traditional
institutions and organizations. In light of this anti-social conceptualization of
social media, society’s prevailing social relations, institutions and organizations
shape, interact with and even use social media sites to do what they do. As we
will see, social media is interwoven with the economic structure of capitalism and
corporations, the political structure of the state and a variety of governmental
organizations, and the cultural structure of whole ways of life. These structured
relations—economic, political and cultural—shape and are shaped by social
media, dialectically and dynamically.
First, social media platforms are shaped by the economic structure of capitalism, a mode of production in which goods and services are produced for sale
(with the intention of making a profit) by private corporations using technology and human labour. In the early 21st century, social media companies are
paradigmatic of emerging business models connoted by appellations such as
“informational capitalism” (Fuchs, 2017), “communicative capitalism” (Dean,
2005) and “platform capitalism” (Srniceck, 2017). Srniceck (2017) documents
how 21st-century capitalism is “centered upon extracting and using
a particular kind of raw material: data” (p. 38). “Platform capitalism” refers to
capitalism’s “turn to data as one way to maintain economic growth and vitality
in the face of a sluggish production sector” and the “platform has emerged as
a new business model, capable of extracting and controlling immense amounts
of data” (p. 6) that user activity produces. In platform capitalism, platform corporations provide the “infrastructure to intermediate between different
groups” (Srniceck, 2017, p. 48) and collect, analyze, process, commoditize and
sell people’s private data, often to advertisers or other entities (Andrejevic,
2007). Whereas early 20th-century industrial capitalism was propelled by companies that extracted, refined and sold crude oil—apropos the metaphor that
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“data is the new oil”—the Silicon Valley giants of the 21st century produce,
refine, use and sell people’s data commodities (Fuchs, 2017).
Behind and beneath user-friendly interfaces, personalized profile pages and
prosumer content are platform capitalists that operate “sites and services that
host, organize, and circulate users’ shared content or social exchanges for
them” but “without having produced or commissioned [the bulk of] that content”; and these corporations run “an infrastructure for processing that data
(content, traces, patterns of social relations) for customer service and for
profit” (Gillespie, 2018, p. 254). While the owners of social media corporations sometimes represent their social media platforms as intermediaries that
bring together users, customers, advertisers and service providers (Srniceck,
2017), platforms are better conceptualized as mediators, not passive intermediaries, because they shape what uses are made of them, and what is done to
and with users (Jin, 2013, 2015; van Dijck, 2013). A few people, not all of us,
make and are responsible for platform design choices. For example, CEOs,
board members and shareholders are the ones who make the big decisions that
shape how social media sites are developed to turn a profit. The engineers and
programmers employed by social media firms make choices about the operations of the sites we “log in” to each day. They create and update the algorithms that make topics trend on Facebook, feed Twitter news feeds and
recommend YouTube videos to us. They build interfaces in anticipation of
uses by certain users. They monitor what users are up to and sometimes
redesign sites in response. As such, users can’t always do whatever they like
with social media. In fact, social media sites are made to proscribe and constrain our uses of them. The “Terms of Service” define many of these in the
fine print. On Twitter we can express ourselves—but within a 280-character
limit. To use Facebook, we must consent to have our information collected,
used and shared by it. And in response to social pressures, social media firms
have launched policies and content moderation protocols (e.g., “Facebook
Community Standards,” “The Twitter Rules,” “Instagram Community Guidelines”) that constrain uses and expressions.
Apropos the logics of platform capitalism, social media owners and their
workers develop social media sites to aggregate user data. These platforms are
produced to enable their owners to sell services to users and sell the data that
users generate as commodities to other firms (Fuchs, 2017; Jin, 2013, 2015).
Social media users leave long data trails behind their day-to-day digital interactions with smartphones, search engines, apps and social media sites, and platform capitalists efficiently aggregate and sort data about these users (e.g., the
sites they visit, the products they buy, the places they go, the posts they
create, the searches they conduct, the stories they like, click and share) and
then assemble this information into an approximation of a person, a data self.
They then put a price tag on these data selves (and often large sets of data
selves). In 2017, Facebook’s average user was worth about $20.21 (Glum,
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2018). Having produced and put a price tag on a user’s data profile, social
media firms then sell access to user profiles, (and attention) to advertising
firms, and match their users with digital ads for products the ad firms want
them to buy. As Cohen (2012) explains, “as we spend time on online, we
generate information that is instantly collected, analyzed, sold, and then presented back to us in the form of targeted advertisements that reflect our online
behavior and consumption patterns” (p. 179). The online advertising market is
nearly monopolized by Google (which towers over 80 percent of the total
online search market and generated $95.38 billion in advertising revenue in
2017) and Facebook (which dominates social networking and accumulated
$39.94 billion in ad revenue in 2017). These Big Two data aggregation firms
take in more than half of the world’s total online advertising revenue.
Second, in addition to being shaped by capitalist economics, social media
corporations are shaped by the structure of the modern state. In the early 21st
century, states still define the “national interest” inside and outside of their
respective territories and pursue it, using instruments of coercion and persuasion, and sometimes they do so with help from private social media platforms.
Because states are “in the midst of a historic (and frequently wrenching) transformation” from analog to digital systems (Eggers and Bellman, 2015), social
media companies were for a time able to evade the communication law,
policy and regulatory frameworks that states applied to older media firms. But
over the past few years, states—particularly across the European Union—have
tried to territorialize and exert some governmental powers over social media
firms on behalf of public values and interests (van Dijck, Poell, and de Waal,
2018). At the same time, states are rapidly integrating social media into their
governmental operations. After all, in the United States, the White House, the
US Congress, the Department of Homeland Security and the Department of
Defense run their own Facebook pages; American President Donald Trump
uses Twitter to speak directly to his fans and followers; the Republican and
Democratic political parties communicate with their constituents through
social media sites; citizens spread political information and disinformation on
Facebook; and YouTube influencers for the Right (e.g., the white supremacist
Richard Spencer) and for the Left (e.g., the democratic socialist Natalie
Wynn, or, ContraPoints) try to shape what and how the subscribers to their
channels think and act.
In addition to being objects of state governance, as well as integral to their
bureaucratic, administrative and political practices, social media platforms have
become significant to the geopolitics of states. For example, the US national
security state conducts surveillance of populations in almost every country on
the planet through the Internet with help from the social media corporations
that monitor, collect, process, commoditize and sell people’s private data and
content. Since 2007, the US National Security Agency (NSA) has used its
PRISM surveillance program to collect messages, videos, posts and photos of
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non-US Facebook and YouTube users (Savage, Wyatt and Baker, 2013). The
US Central Intelligence Agency’s (CIA) Open Source Center also monitors
social media sites to gauge global public opinion about America so as to help
public diplomacy and propaganda officials to manage it. “From Arabic to
Mandarin Chinese, from an angry tweet to a thoughtful blog, the [CIA] analysts gather the information” and “they build a picture sought by the highest
levels at the White House, giving a real-time peek, for example, at the mood
of a region” (Keller, 2011). In conjunction with serving as a privatized conduit
for global state surveillance, social media sites are also being enlisted into staterun transnational persuasion campaigns. During Barack Obama’s first term as
US president, the US State Department’s Office of Public Diplomacy started
mobilizing social media platforms to spread positive images and messages about
America, counter anti-Americanism and engage citizen-users all over the
world (Comor and Bean, 2012). State military forces have also embedded
themselves in social media platforms, and they are waging “information warfare” through them (Brooking and Singer, 2018). As Rand Waltzman (2015),
the former program manager for a $50 million Defense Advanced Research
Projects Agency (DARPA) study of “Social Media in Strategic Communication,” points out, “the use of social media and the Internet is rapidly becoming
a powerful weapon for information warfare and changing the nature of conflict
worldwide.”
Further to being shaped by society’s dominant economic and political structures, organizations and institutions, social media is part of culture, or, the customs and norms, practices and discourses which constitute whole ways of life
for a large number of people in society. Social media sites (and the devices
people rely upon to access them) are increasingly customary, and they represent a norm that guides the day-to-day conduct of individual subjects. While
social media had zero value to people who came of age in a previous generation, in the digital age it now appears to be a necessity, as it is interwoven
with how millions of people communicate, socialize, work, play, consume and
vote. For some, the absence of social media seems unthinkable, even frightening. Read the polls: 73 percent of Americans cannot imagine life without the
Internet (McCarthy, 2017) and teenagers are framed as unable to “imagine
a world without social media” (Devon, 2015). As the imperative to use social
media grows ever more widespread and intense, mass use of social media
seems less like a free choice and more of a prerequisite or compulsion for
living in the modern world. Unfortunately, failure to heed social media’s customary and normative prescriptions can result in stigmatization (being disapproved of or condemned by the group) and exclusion (being kept out or
marginalized from group activities). Unsurprisingly, a majority of Americans
now use Facebook and YouTube (Smith and Anderson, 2018).
While all individuals are social beings that interact with and live amongst
larger groupings of other individuals, in the digital age individuals are
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interacting more and more via social media. But to participate in mediatized
rituals of social interaction, one must follow a procedural script. Too often, we
focus on what people are communicating about through social media as
opposed to probing what people are actually doing with it and, by extension,
telling people what to do. All technologies—including social media—“express
larger sequences of actions and ideas,” and the meaning of each and every tool
“is inseparable from the stories that surround it” (Nye, 2007, p. 2). Social
media proscribes specific practices, and it tells us a story about what to do
with our time, our bodies and our minds. Twitter and Facebook, for example,
convey a procedural story about how to use them and what’s to be done with
them; this story may get people to perceive the world and act in it using social
media in ways it prescribes. Twitter: log in using fingers to touch a virtual
keyboard on a smartphone screen; flick the graphical interface of the screen up
and down, scanning tweets with eyes; “like” tweet by touching a heart
symbol, “comment” on tweet by touching text box symbol, “retweet” by tapping the retweet symbol; if inclined, tweet your mind using no more than 280
characters. Facebook also immerses users in a procedural script: log on; check
notifications; accept or reject friend requests; do the “happy birthday” ritual;
go to homepage; scroll down and review recent posts; like a few posts; lurk
around friend homepages and see what they are posting; comment on or like
a few of these; check notifications again; sign out; log in again; repeat. These
procedural scripts are performed by billions.
Further to being part of the social structure—customary, normative and
encoded with procedural scripts that demand certain practices—social media is
something that large numbers of people hold ideas and beliefs about, and
increasingly people are communicating these through social media platforms.
On Facebook, users can search for and read posts that convey diametrically
opposed views about social media such as “7 ways Facebook is bad for your
mental health” and “How you can use social media to improve your mental
health,” as well as participate in debates about whether or not they should stay
on or quit Facebook because of how it is affecting their mental health. Basically, the billions of people currently using social media will often hold
a variety of sometimes clashing ideas and beliefs about social media’s impacts
upon them, and upon broader society. When making and sharing rhetorical
claims about social media’s uses and effects, social media users construct meaning about social media and add to a societal discourse about it.
Conclusion
This chapter has presented a holistic overview of the social shaping of social
media. Social media are sometimes framed as discontinuous with the past and
heralding a “new” digital age for users, “new” Web 2.0 affordances, but the
system, set of tools, agencies and effects of “social media” arose within older
Social Media 189
social structures that continue to exert influence upon their present and future.
The economics of capitalism and the politics of territorial nation-states interact
to shape the development, diffusion, uses and impacts of social media, and the
broader cultures or whole ways of life of billions of people. By undertaking
research that sheds light on how particular economic (corporate) and political
(state) organizations try to shape social media and their users for ends they
decide, and identifying instances when the users of social media try to reshape
these structures in pursuit of different ends, we render social media intelligible
in human rather than in anti-human terms, and remind ourselves that social
relations between people still catalyze social change.
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