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2019, Journal of D. H. Lawrence Studies
The cover of this number shows Piccadilly Circus in London in 1908, the year when D. H. Lawrence moved to its suburban outskirts. This famous site – close to the Royal Academy of Arts that he soon visited and the Café Royal later recreated in the ‘Crême de Menthe’ chapter of Women in Love – reflects the complexity of Lawrence’s experiences of the city as an exciting place of opportunity juxtaposed with a grimmer reality where, in the poetic voice of his ‘Piccadilly Circus at Night / Street-Walkers’: “Only we fard-faced creatures go round and round, and keep / The shores of this innermost ocean alive and illusory” (1Poems 39). London is the city to which Lawrence returned repeatedly until 1926 and which stands in contrast to what he called “the country of my heart” (5L 592) – the Nottinghamshire where he grew up. London features throughout Lawrence’s fiction, and in his earliest poems to his late essays, as the articles in this number examine. Introduced and co-curated by Catherine Brown (director of the 14th International D. H. Lawrence Conference held in London in 2017), this is the first collection of essays to interrogate Lawrence’s rich but conflicted relationship with the city that launched and influenced his literary career, and which provoked his ire at least as often as his admiration.
Etudes Lawrenciennes
Sensitive Awareness and Spurious Feeling: Lawrence the Reviser and Lady Chatterley's Lover2012 •
This volume of JDHLS is a special issue on the influence of Lawrence's time in Cornwall (1916-1917) on his life and writing. It is available to members of the D. H. Lawrence Society of Great Britain. Back numbers of JDHLS are posted on the Society's website at https://dhlawrencesociety.com/the-journal-of-d-h-lawrence-studies/
Research Journal of Aleppo University
Lawrence and the American Experience1994 •
ABSTRACT This paper offers a critical analysis of D.H. Lawrence's famous collection of essays on Classic American Literature. It is divided into thirteen parts. In "the Spirit of Place" Lawrence studies the relationship between American literature and Europe and the attempts of American artists to flee the old European parenthood. In part II, he looks at Benjamin Franklin's belief in the perfectibility of man and his list of virtues. In part III, he takes into analysis St. John de Crevecoeur's Letters from an American Farmer in which he gives a picture of the American farmer with his amiable spouse and infant son cooperating with the gentle purpose of nature. In part IV, Lawrence studies Fenimore Cooper's society novels called "White Novels" and in part V he looks at his other collection of novels called "Leatherstocking Novels" focusing on The Deerslayer, The Pioneer, The Last of the Mohicans. In part VI, he looks at the works of Edgar Allen Poe and he focuses on Ligeia and The Fall of the House of Usher. In part VII, he looks at The Scarlet Letter and in part VIII he focuses on Hawthorne's other famous novel Blithedale. In part IX, he studies Richard Henry Dana's Two Years Before the Mast and in part X he looks at the works of Herman Melville's Typee and Omoo. In part XI, he focuses on Melville's famous novel Moby Dick and in part XII he looks at the works of Walt Whitman. The final part gives an assessment of Lawrence's literary views and critical opinions and it shows the reception that he had among writers and critics of his time.This paper offers a critical analysis of D.H.
This paper aims at projecting D.H. Lawrence as a prolific writer who excelled in many fields and a versatile genius, a great poet, a great critic of remarkable insight and penetration, who has created such memorable characters as Lady Chatter ley, Miriam, Paul, Ursula as living creatures of blood and flesh to bring home the point that the individuals that are ultimately doomed are ‘life deniers’ and is neatly shown that restless search for some transcendent meeting between man and woman, search for a satisfying relationship between struggles of human pairs in hate-love relationship are touched upon rather beautifully in his novels. Key words: versatile genius, great insight, penetration, delineator,
Rupkatha Journal on Interdisciplinary Studies in Humanities
D. H. Lawrence’s Travel Writing: Concept of Nudity and Sexuality with a Difference2021 •
In that he spent most of his life outside Britain, D. H. Lawrence often seems the least British of the British Modernists. His interest in and willingness to be influenced by Italy, Sicily, the American Southwest, Mexico and Australia can be easily explored in his travel books. Whereas his novels are too didactic in nature, his philosophies get naturally matured as he travels and they are expressed very succinctly in his travel writing. In various parts of his four travel books, namely Twilight in Italy (1916), Sea and Sardinia (1921), Morning in Mexico (1927), Sketches of Etruscan Places (1932) Lawrence depicts the difference between nudity and nakedness and how they influence him. The other contrast here is between art and life, with the nude standing for art and nakedness for life with the section on Florence and the art there. The essay focuses on how Lawrence views art differently when actually experiencing these works himself during his travels. I show different phases in his ...
2015 •
St. Mawr (written 1924, published 1925) is usually addressed in terms of Lawrence’s encounters with otherness and difference, as well as his broader critique of industrialisation. This article argues for the significance of popular culture in the novella to show how it also participates in the discussion of issues – around the self, culture and society – usually associated with Lawrence’s final period in Europe. By offering a new reading of the Devil’s Chair scene, that explores the importance of a “new dance tune” (SM 75) and extends arguments about Rico as “representative of modern civilized ‘life’” and its damaging effects, I examine how Lawrence critiques popular art, music and film as limiting peoples’ capacities for independent thought. St. Mawr thus anticipates Lawrence’s claims about the effects of mass culture in Pornography and Obscenity (1929) and his exploration of the modern “psychological condition” in his 1927 ‘Review of The Social Basis of Consciousness, by Trigant Burrow’ (IR 332).
North East Journal of Legal Studies
OVERCOMING COGNITIVE BIASES: THE KEY TO REDUCING BIGOTRY AND VICTIMIZATION2024 •
The Abstract Book of the 46th ISHM Congress, September 3-7, 2018, Lisbon, Portugal
The Abstract Book of the 46th ISHM Congress, September 3-7, 2018, Lisbon, Portugal2010 •
ITALIAN JOURNAL OF PUBLIC LAW, VOL. 16
Transnational Acts between Environmental Protection and the Functioning of the Single Market. The Treaty Matters2024 •
2019 •
Новое литературное обозрение
Эпистолярные связи исследователей и производство антропологического знания [= Letters Between Researchers and the Production of Anthropological Knowledge] (Новое литературное обозрение; 189(5), 2024, co-edited with Laura Siragusa) [In Russian]2024 •
Journal of Nonverbal Behavior
Be Careful Where You Smile: Culture Shapes Judgments of Intelligence and Honesty of Smiling Individuals2015 •
2015 •
Bulletin of the American Meteorological Society
The Iceland Greenland Seas Project2019 •
TÜRK-İŞ'TE İŞÇİ KURULTAYLARI VE PARTİ KURMA TARTIŞMALARI
YILDIRIM KOÇ, TÜRK-İŞ’TE İŞÇİ KURULTAYLARI VE PARTİ KURMA TARTIŞMALARI