Never enough, greatest showman

This article tells the story of P. T. Barnum's pre-arrival promotional campaign for Jenny Lind's 1850 tour of America. I argue that Barnum developed a coherent and consistent "Lind brand" that featured three dominant characteristics: celebrity, artistry, and charity.

Early music, in all its breadth, and all its experimental dimensions, has been foundational to musicology as an academic discipline, and continues to play, in changing configurations, an essential role in the training courses and research programmes of musicologists. EarlyMuse aims to take this academic and artistic movement in new directions in both research and training by strengthening collaborative practices between all the stakeholders. Rethinking the scientific and experimental field, as well as the material and symbolic value of early music and its modes of promotion in the digital age and in the post-pandemic period, offers tremendous opportunities to revalorize a major part of European musical heritage. In order to address these challenges in all their complexity and diversity, the consortium brings together academic partners from several countries, with a network of music culture professionals and an industrial partner. EarlyMuse intends to chart new paths that will strengthen the unique place of early music in Europe, both in our intellectual and cultural practices and in its global appeal. Specifically, EarlyMuse will address six challenges: (1) scientific, (2) educational, (3) professional, (4) structural, (5) economic and (6) societal. The project will transform the scientific field, redraw the place of early music in higher education, attract original talent, deploy tools useful to emerging creative industries, and define public policy in the field of culture

Never Enough Words and Music by BENJI PASEK and JUSTIN PAUL Arr. by Hazel Mae  = 66-69  4    4 Jenny Lind   4      4   5 Jenny Lind           let                          I'm try in' to hold                                            stay this        breath   mo ment end      my     this     3        8 Pno.     Pno. Jenny Lind               44  Piano  Let it   way      Can't     3               set off a dream me in Get tin' You                       11 Jenny Lind Pno.       Can you er now loud                              14 Jenny Lind Pno.                 Jenny Lind      Pno.              it hear            Will you share this 17 2      with     All the shine      ech o ing?     Take my hand 'Cause dar ling with out            spot     a thou sand  you      of                       me             lights,         18 Jenny Lind all the stars           Pno. 20 Jenny Lind Pno. er be           Pno.       from the night   e nough          nev      er be       are still  too lit tle              Nev er be   e nough            3           e nough  Tow ers of gold         will      hands could hold the world but it' ll      sky         22 Jenny Lind we steal            Nev         These    42       44 Nev er be    2  4     42   e 4 4 44 3 Jenny Lind     44  Pno.      44  25     29                 Nev er, nev er          Nev er, nev er              for me,                                                          cresc.               Pno. 4 for me                     4  4  Jenny Lind Pno.  nough 27 Jenny Lind   Nev er,                            for me            Nev er e nough               31 Jenny Lind                   Nev er e nough Pno.          33 Jenny Lind                            for me,                        Ne ver e nough for me,       35 Pno.    for me                                     Pno. Jenny Lind                   All                  of a thou       sand               the shine           spot lights,          5 36 Jenny Lind      Pno.    37 Jenny Lind 6  all the       stars          er be         Tow            we  steal      ers  of  gold      the  night       sky   still     are        er be  too      e nough    will                       Nev   from     e nough                  39 Pno.  nev Pno. Jenny Lind            lit tle         These 3   40 Jenny Lind hands 42 Jenny Lind   could hold the world                 Nev     but it' ll Nev er be     er be    44                        e nough                     Nev er, nev er                                              for me e nough              Pno. Pno.                                Pno. Jenny Lind          Nev er, nev er                             7     46 Jenny Lind                 Pno.             50 Jenny Lind Pno. 8                          nev er, ne ver                              Nev er e nough  for me                                     Nev er e nough,    for me                            Nev er e nough, Pno. Nev er,    48 Jenny Lind    for me        nev er, nev er                  for me for me                          Jenny Lind Pno.                                                for me          rit.           52    9

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Never enough, greatest showman

Never enough, greatest showman

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