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Una riflessione sul Giorno del ricordo e sulla civiltà italica in Istria e Dalmazia
C. Sánchez Fernández – J. Tomás Garcia (eds), La cerámica ática fuera del Ática: contextos, usos y miradas, Studia Archaeologica (L’Erma di Bretschneider, Roma 2023), 119-141, 2023
This book brings together contributions that approach the study of Attic vases in peripheral places of the Mediterranean from different perspectives. This work was necessary since both the geographical and chronological areas, fundamentally the 4th century BC, have traditionally been poorly studied, so this publication represents an advance in the knowledge of Attic ceramics and its presence in non-Greek societies. The different chapters deal with the three life processes of the ceramic object, from its production in Attica, its commercialization and distribution, and amortization in its final contexts, where they find new uses and new perspectives.
IMAGO DEI. Forscher aus dem Osten und Westen Europas an den Quellen des gemeinsamen Glaubens (PRO ORIENTE BAND XLIII; WIENER PATRISTISCHE TAGUNGEN IX), 2021
The Byzantine theological tradition keeps a common trend that the image of God in human being is related to its intellectual abilities. Church Fathers like Athanasius of Alexandria, Gregory of Nyssa and John of Damascus made their points on ‘Image of God’ under the influence of the Epistle to the Colossians—the account on the Supremacy of Christ (Col 1:15–23) of Paul the Apostle. Theodore of Mopsuestia’s approach, however, is different and keeps closer to a common Antiochene tradition. Outstanding representatives of the Antiochene School like Diodore of Tarsus, John Chrysostom andTheodoret of Cyrus admit that image of God (Gen 1:26–28) is reflected by the whole human nature, not only by the rational soul. AccordingTheodore’s theological thought the first human being was created according to the image of Christ but not according to the image of the Divine Word. The bishop of Mopsuestia also explains his general view that the term ‘image’ (εἰκών) can be accepted just as a figurative image similar to the sculptures and nothing more. The human being serves as a figurative representation of God in creation. In such a way Theodore opens a perspective for the human salvation as an imitation of Christ’s mission on earth and His heroic fight on the Cross till a full identification and unification of the human will with the divine will. Nevertheless, in one of his earlier works, Theodore states that human is created according to the image of the triune God. He develops this idea through a specific term attached to Adam, it is ‘bond’ (σύνδεσμος). He proposed also an original idea that in the creation account God created the human being as containing potentially both genders and that God’s image is related to the human as an integral nature. In his later works, however, he appears much more conservative and follows the lines drawn by Diodore and supports that only man is an image of God. It appears that Theodore of Mopsuestia during his life shares two principally different concepts on image of God. Nevertheless, he appears an original thinker who keeps closer to the specific Antiochene heritage the Christian East.
2022
Foreword to D. Zampieri, "La valle dal cuore di Perla. Sulle orme di Giovanni Arduino nelle cave di marmo della Val Posina," Padua, CLEUP, 2022, pp. 13-19.
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