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I M PROV I NG
QUALI T Y OF
T H I N K- ALOU DS
THE
Molly Ness n MaryBeth Kenny
The power of effective teacher-generated think-alouds is indisputable.
However, teachers often struggle to plan and implement think-alouds in
routine classroom instruction. This article breaks down the process of
planning effective think-alouds into three easy-to-follow steps.
There are many steps between knowing what an
effective teaching strategy is and knowing how to do
it. The more I prepared and tried out think-alouds, the
more confident I became in my knowledge that this was
something I both should do and could do.
M
s. Hynes (pseudonym) was a thirdgrade classroom teacher enrolled in a
graduate-level literacy methods class.
The course focused on instructional
theories, strategies, and practices to improve K–6 students’ reading comprehension across content areas.
A significant component of the course was teachergenerated think-alouds as a tool to model effective
reading comprehension strategies. As the university
instructor (Molly, first author) and teaching assistant
(Mary Beth, second author), we assigned multiple readings on think-alouds, modeled think-alouds
across text genres, showcased video excerpts of exemplary think-alouds, and led small-group planning
sessions where teachers practiced thinking aloud
with their colleagues (see Table 1 for more information on the scope and sequence of think-alouds in the
graduate coursework).
We invited teachers to participate in a research
study to explore how to better prepare K–6 teachers
The Reading Teacher
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Issue 4
pp. 453–460
to conduct think-alouds in their future classrooms
(Ness, 2014). Over the course of the semester, teachers wrote and implemented multiple think-aloud
lesson plans. Teachers selected narrative or nonfiction texts appropriate for their students, listed their
Common Core State Standards (CCSS; National
Governors Association Center for Best Practices
[NGA Center] & Council of Chief State School
Officers [CCSSO], 2010) objectives, identified stopping points in their texts, and provided an exact script
of what they’d say to their students in modeling a
particular comprehension strategy. After conducting the think-aloud lesson, teachers then followed
Kucan’s (2007) suggestions to transcribe a short portion of their instruction for further reflection. We
closely examined questionnaires, lesson plans, transcripts of lessons, and written reflections; these data
sources indicated that participants made significant
growth in the quantity and quality of the reading
Molly Ness is an associate professor at Fordham University, New York,
New York, USA; e-mail mness@fordham.edu.
MaryBeth Kenny is the Director of Special Education and Literacy in the
Dover Free Union School District, Dover Plains, New York, USA; e-mail
mkenny8@fordham.edu.
DOI:10.1002/trtr.1397
© 2016 International Literacy Association
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Table 1 How Think-Alouds Were Incorporated Into a 15-Week Graduate Course
Overview
Background Readings
Completed by Teachers
Across the Semester
Weeks and Agenda
Weeks 2–5
● Teachers read several practitioner-appropriate journal articles about how,
when, and why to use think-alouds (Barrentine, 1996; Block & Israel,
2004; Oster, 2001; Walker, 2005).
Weeks 1–10
Teacher Modeling by
● Instructor modeled 10 weeks of read-alouds of both nonfiction text and
University Methods
Instructor
narrative text.
Collaborative Practice
Weeks 6–9
Between Teachers and ● During class sessions, teachers viewed video clips of teacher-generated
think-alouds and critically analyzed the lessons.
University Instruction
Guided Practice Among Weeks 10–12
● Teachers worked in small groups to plan lessons with assistance,
Teachers
feedback, and evaluation from instructor.
Independent Practice by Due in Weeks 12–15
● Teachers planned, implemented, and reflected upon three think-aloud
Teachers
lesson plans.
Note. This follows Pearson and Gallagher’s (1983) gradual release of responsibility model.
comprehension strategies that they
incorporated into teacher-generated
think-alouds. Across the semester,
teachers grew in their confidence in creating think-aloud lessons with logical
stopping points, a variety of relevant
comprehension strategies, and rich
monologues designed to help young
readers understand the metacognitive
processes of reading. When teachers received meaningful instruction on
why, how, and when to think aloud,
they increased their own self-efficacy
in creating well-prepared think-alouds.
We have used our findings from this
research (Ness, 2014) to devise a stepby-step process to plan and implement
Pause and Ponder
●
What role does thinking aloud play in your
classroom instruction?
●
What are some of the challenges that you
have encountered in thinking aloud in your
classroom?
●
How have you previously planned thinkaloud instruction in your teaching?
The Reading Teacher
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Issue 4
think-alouds into K–6 teaching. The
goal of this article is to provide teachers
with a clear way to plan think-alouds so
that the process becomes clearer, more
explicit, and more rewarding.
Understanding TeacherGenerated Think-Alouds
The CCSS (NGA Center & CCSSO, 2010)
hold students accountable to sophisticated levels of reading comprehension;
students are asked to compare and contrast, to evaluate and analyze, to explain
their thinking with text evidence, and
to judge and interpret. One of the most
effective ways for students to learn these
higher-order thinking skills is through
teachers’ proficient modeling, often done
in a think-aloud. A think-aloud is a teaching strategy in which a proficient reader
(in this case, the teacher) verbally reports
or models his or her thinking as he or
she approaches the text. Think-alouds
require a reader to stop periodically, to
reflect on how a text is being processed
and understood, and to relate orally what
reading strategies are being employed
(Baumann, Jones, & Seifert-Kessell, 1993;
Block & Israel, 2004; see Table 2 for a list
January/February 2016
of common reading comprehension strategies). The ultimate goal of a think-aloud
is to help students independently engage
in similar cognitive processes (Davey,
1983). In the era of CCSS, teachers’ role
in scaffolding, modeling, and supporting students in close reading of text is
increasingly important. When teachers think aloud “in a conversational
manner of a text, in a way that illustrates and scaffolds for students how to
build the new knowledge and language
about a topic and about the features and
the structure of the text”, our students
are one step closer to being proficient
and independent comprehenders (Fisher,
Frey, & Lapp, 2011, p. 232).
The Power of TeacherGenerated Think-Alouds
Effective teacher think-alouds can positively impact student achievement
(Anderson & Roit, 1993; Bereiter & Bird,
1985; Caldwell & Leslie, 2010; Coiro
& Dobler, 2007; Fisher, Frey, & Lapp,
2011; Loxterman, Beck, & McKeown,
1994; Ortlieb & Norris, 2012; Schunk &
Rice, 1985; Silven & Vauras, 1992; Ward
& Traweek, 1993). While conducting
think-alouds in a science text with kindergartners, Ortlieb and Norris (2012)
found that students who received thinkaloud instruction outperformed their
peers in the control group on reading
comprehension scores. Think-alouds
are effective for children of all ages,
from preschool (Dorl, 2007) to secondary levels (Coiro, 2011; Lapp, Fisher, &
Grant, 2008). Think-aloud instruction
benefits students across text format and
genre: in online text (Coiro, 2011; Kymes,
2005), in narrative text (Dymock, 2007),
and in informational text (Coiro, 2011;
Lapp, Fisher, & Grant, 2008; Ortlieb &
Norris, 2012). Equally promising were
the effects of think-alouds on struggling readers (Anderson & Roit, 1993;
Migyanka, Policastro, & Lui, 2005;
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Table 2 Reading Comprehension Strategies Commonly Applied During Think-Alouds
Strategy
Overviewing the Text
Visualization
Activating Prior Knowledge
Asking Questions
Recognizing an Author’s Writing Style
Making Inferences
Making Connections
Brief Description
When a reader looks over the text before reading, paying
particular attention to the text features and how those features
are relevant to his or her purpose for reading
When a reader creates and adapts mental images to make
reading three-dimensional
When a reader thinks through what he or she already knows
about a topic to make sense of how the text connects to that
prior knowledge
When a reader constructs, revises, and questions the meanings
he or she makes during reading
When a reader recognizes an author’s vocabulary choice,
sentence complexity, connection between sentences and
paragraphs, length of paragraphs, and introduction of ideas
(Block & Israel, 2004, p. 160)
When a reader forms a best guess using evidence from the text
to make predictions and draw conclusions
When a reader makes personal connections with the text by
using his or her background knowledge. There are three types
of common connections:
●
●
●
Making and Revising Predictions
Determining the Most Important Ideas
Synthesizing Information
Monitoring Comprehension
Restatement
Determining Word Meanings
Backtracking or Rereading
Text-to-Self (T-S): Connections made between the text
and the reader’s personal experience
Text-to-Text (T-T): Connections made between a text
being read and a text that was previously read
Text-to-World (T-W): Connections made between a text
being read and something that occurs in the world
When a reader uses information from the text and from his or
her own personal experience to anticipate what he or she is
about to read
When a reader distinguishes between what information in a text
is most important and what information is interesting but not
necessary for understanding
When a reader not only restates the important points from a text, but
also combines ideas to allow for an evolving understanding of text
When a reader identifies what he or she does and does not
understand and applies appropriate strategies to resolve any
problems in comprehension
When a reader rephrases portions of the text in simpler terms
When a reader tries to determine the meaning of unfamiliar
words and/or concepts in a text to deal with inconsistencies or
gaps in knowledge
When a reader monitors his or her understanding and makes
adjustments in his or her reading as needed
Note. See Block and Israel (2004), Davey (1983), Duke and Pearson (2002), Maria and Hathaway (1993), Migyanka, Policastro, and Lui
(2005), and Zimmerman and Hutchins (2003).
Smith, 2006) and on English learners
(Ghaith & Obeid, 2004; McKeown &
Gentilucci, 2007). These positive findings
led Caldwell and Leslie (2009) to call
think-alouds “an effective instructional
tool” (p. 420).
Though think-alouds are widely
recommended, they may not yet be commonplace in today’s classrooms. Walker
(2005) wrote, “Seldom are the teachers
modeling the think-aloud process as
students read” (p. 688). Teachers may
struggle with modeling the complex
process of thinking aloud (Dowhower,
1999; Duffy & Roehler, 1989; El-Dinary,
Pressley, & Schuder, 1992; Jongsma, 2000;
Pressley, 2002). Though a text may be difficult for students, teachers often struggle
to see where and why students struggle
with a text that they interpret as easy.
Practice Makes Perfect:
Thoughtful Planning of
Think-Alouds
Effective think-alouds do not emerge
extemporaneously but rather require
diligent planning. To help the teachers in our literacy methods course
to effectively think aloud, we taught
our teachers to read a text three times
prior to lesson planning. The next sections describe this approach in more
detail.
First Reading
We begin planning our think-alouds
with a stack of sticky notes in hand. The
purpose of this first reading is to mark
the pages or paragraphs where we identified “juicy stopping spots.” A juicy
stopping spot offers a range of possibilities, either comprehension opportunities
or stumbling blocks. More specifically,
juicy stopping spots are the following
points in a text:
●
When the reader asks questions
about unknown things and wants
to try to find the answer
●
When the reader uses clues to make
educated guesses and predictions
about the text
●
When the reader stops because of
confusion
●
When the reader thinks about the
text in relation to his or her life, the
world, or other texts
●
When the reader gives himself or
herself an additional chance to
make sense of the text
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“The process of
condensing and
eliminating stopping
points also must be
purposeful.”
●
When the reader creates pictures in
his or her mind connected to the text
●
When the reader takes important
information from the text and puts
it into his or her own words
●
●
When the reader has a general
comment, a question, or a reaction,
or simply wants to say something
about the text
When the reader notices a
cliffhanger opportunity or a suspenseful or action-driven point in
the text to make a guess about what
happens next.
After this first reading, we have identified 12–15 juicy stopping spots in a
typical children’s picture book.
Second Reading
In our second reading, we examine each
stopping spot and critically reflect upon
the need for that particular spot. We ask
the following questions to determine the
usefulness of each juicy stopping spot:
●
What is my intent as a reader with
this particular stopping spot?
●
Does this stopping spot align to a
particular reading comprehension
strategy?
●
In what ways is this stopping spot
effective or ineffective for showing
young readers my metacognitive
processes?
●
What do young readers gain from
hearing my talk during this particular think-aloud?
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●
Is this stopping spot a necessary
and advantageous one?
Our objective is to narrow down
our original set of juicy stopping spots
to a more manageable number. These
questions help to identify the stopping
spots that are critical and those that
can be eliminated. Because the overarching goal of the think-aloud is to
model metacognitive processes, we do
not want to overwhelm our students by
stopping unnecessarily and detracting
from the comprehension process. The
process of condensing and eliminating
stopping points also must be purposeful. We must keep several factors in
mind as we make our decisions, including our overall purpose for selecting this
particular text, our learning objectives
in this lesson, and which comprehension strategies are familiar or unfamiliar
to students prior to this text. After our
second reading, we typically end up
with five to seven stopping spots; these
are the bare bones of the think-aloud
that we will model in front of students.
Third Reading
The goal of our third reading is to identify the script of exactly what we will say
in front of students. We find it very helpful to actually write out what we will
say on a sticky note, then put that sticky
note on the back cover of the book so it
is easily viewable (but only to us!). These
sticky notes serve as a crutch so that we
know exactly what to say at the right
point. Too many times, we vowed that
we would remember what we intended
to say, but in the hectic nature of classroom instruction, we lost our train of
thought or had to ad-lib. Our scripts
typically incorporate the following
prompts:
●
I wonder…
●
I predict…
●
I don’t understand…
January/February 2016
●
This reminds me of…
●
When I read this, I think…
●
This does not make sense to me
because…
●
I already know something about…
●
I think I will learn…
●
I wonder what it means when…
●
I can picture…
●
I think…because it said…
●
The most important thing I have
learned so far is…
●
It was interesting to me because…
●
I really like how the author…
●
I think/I bet…
●
Now that I reread, I…
●
I am confused by this, so…
We find it helpful to use the thinkaloud blank chart in Table 3 to write a
script of our think-alouds; this script
helps us to identify exactly what we
will say to model our comprehension
and metacognitive strategies. In the
first column, we write the text exactly
as it appears. The last sentence in each
row indicates a stopping point. In
the second column, we write a firstperson narrative of exactly what we
say to students. In the third column,
we identify which comprehension
strategy (or strategies!) our thinkaloud evokes. Though this process
may be time-consuming initially, the
explicit nature of writing think-alouds
increases our confidence in implementing these lessons. We equate
this process of writing the script of a
think-aloud to teaching a young child
to ride a bike with training wheels.
Just as training wheels provide stability and confidence in learning a new
skill, so does the word-by-word script
of a think-aloud. Our end goal is to be
able to think aloud with comfort, ease,
and skill, just as a young child hopes
to ride a bike independently.
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Table 3 Think-Aloud Blank Chart
What the Text Says
(Write out the last few words of the sentence
before you will think aloud.)
Sample Think-Aloud
To demonstrate this process, we
planned a think-aloud lesson for a
fifth-grade class. Our intent was to
align this lesson with the Common
Core reading anchor standard of
“reading closely to determine what
the text says explicitly and to make
logical inferences from it.” Because
our students were wrapping up a unit
on fables, we selected a fable available in the public domain. We used
our three-step process to plan this
think-aloud:
Teacher Think-Aloud Script
(Write exactly what you will say, in
first-person narrative.)
●
Step 1: Peruse the text to
identify any potential juicy
stopping points.
●
Step 2: Reduce the number of
stopping points to a manageable
number.
●
Step 3: Write the corresponding
script aligning with each stopping
point.
Associated Reading Comprehension Strategy
(Name the comprehension strategy you are
employing in this think-aloud.)
Table 4 shows our think-aloud plan
for the fable The Lion and the Spider. In
the first reading, we identified 11 potential stopping points. In the second
reading, we narrowed them down to
five. It was more important that our
selections were appropriate in relation to
our Common Core standard rather than
meeting a predetermined number of
selections. For example, we eliminated
the first stopping point we initially identified, which came at the conclusion of
the first paragraph. In the first reading,
this point seemed to be an appropriate place to make a mental image, or use
visualization as a reading comprehension strategy. The first paragraph paints
a rich image of a tired lion lying in the
Table 4 Sample Think-Aloud for The Lion and the Spider
Stopping Point and Corresponding Text
(1) “How clever you are,” it said to the
spider.
Teacher Think-Aloud Script
“I’m not familiar with the word clever, so I’m going to use
context clues to try to figure out what it means. The spider
can jump from plant to plant, and it leaves string to make a
web. That’s tricky to do, and something that can do that must
be skilled and smart. I’m guessing that clever means smart
or bright.”
“The lion here is watching the spider do things that he cannot
(2) “But why do you do that when you
could just grab your food, the way I do?” do. He’s questioning why the spider is doing things. It seems
like the author is indicating the lion is unfamiliar with how a
spider survives.”
(5) “And you could not live by eating flies.” “I remember that lions are carnivores, meaning they eat meat.
I know that the lion’s plan will not work.”
(6) And it bit the lion.
“I wonder why the spider bit the lion here. Was it out of revenge
for ruining his web? I’ll have to read on to find out.”
(7) “And some of us may be small but
“I know that fables have a moral, or a lesson for the reader to
very smart.”
learn. What the spider says here gives me a hint about the lesson
to the reader here. The lion was lazy and unkind to the spider, but
the spider teaches the lion about hard work and cleverness. The
author is telling me here that hard work pays off and that I should
not be unkind to others.”
Associated Reading Comprehension Strategy
Using context clues for unknown vocabulary
Recognizing an author’s writing style
Activating prior knowledge
Asking questions
Recognizing an author’s style
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“Think-alouds are
a complex skill for
teachers to master.”
sunny grass. In the second reading, we
eliminated this point because we were
already confident in our fifth graders’
ability to visualize and because visualization did not closely align with our
objective of making inferences.
We followed this protocol with an
end result of five stopping points (noted
by numbers in Table 4) that challenged
students to make inferences about
vocabulary words, about text genre, and
about the author’s message. In the third
step of the protocol, we transcribed the
exact script we planned to use with our
students. The Appendix shows samples
of the think-aloud scripts submitted by
teacher participants. These scripts are
powerful in the explicit nature of the
think-alouds employed and their associated comprehension strategies.
Honing Your Skills in
Thinking Aloud
Think-alouds are a complex skill for
teachers to master. It is particularly
important to practice thinking aloud
in a greater variety of text. Though we
made efforts to model thinking aloud
with nonfiction text, the majority of our
teachers thought aloud with narrative
text. Perhaps they were not as comfortable thinking aloud in less familiar text
genres. It is also possible that some were
unsure of how to apply comprehension
strategies to nonfiction text. Whatever
the case, teachers must be supported in
thinking aloud in nonfiction text, especially as this text genre carries so much
weight in the CCSS.
We also suggest that teachers think
through differentiation of think-alouds.
In our graduate course, we intentionally
The Reading Teacher
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Issue 4
modeled think-alouds for a variety of
grade levels in K–6, but our teachers
only planned lessons for their current
teaching placement. We see the need for
an examination of how to differentiate
think-alouds to meet the diverse needs
of students of different grade levels,
diverse language backgrounds, and various levels and learning needs.
Teachers may also benefit from
thinking aloud with frustrational text.
As many teachers are avid and proficient readers themselves, they may not
understand or remember how it feels to
struggle during reading and the nature
of that struggle. To simulate this experience, we incorporated thinking aloud
through a college statistics textbook,
a medical dictionary, and legal documents. As teachers understood how
their lack of background knowledge and
their limited vocabulary impeded their
comprehension of these domain-specific
texts, they felt what it was like to be a
struggling reader.
Our goal in this article was to provide a clear method for teachers to
implement and plan think-alouds. We
cannot understate the value of teachers
who effectively and confidently think
aloud. We encourage teachers to reflect
upon how these think-alouds impact
student performance. Perhaps you might
collaborate with your colleagues and
begin a focus group to conduct informal
case studies or inquiry projects around
think-alouds. Such work might lend us
the compelling evidence that the hard
work and thoughtful preparation of
think-alouds translates to a difference in
students’ comprehension. Until teachers
gain the confidence and skill to effectively think aloud, think-alouds may be
one more task on our mounting to-do
lists. We hope that, with the three-step
planning process and the other ideas we
have presented here, you will grow in
your skill and confidence to think aloud.
January/February 2016
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of comprehension strategies: Effects on
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TA K E AC T I O N !
Our three-step process to planning
think-alouds is as follows:
●
Step 1: Peruse the text to identify juicy
stopping spots. Use sticky notes to mark
up to 15 potential stopping spots.
●
Step 2: Examine each stopping spot and
critically reflect upon the need for that
particular spot. Use the reflective questions provided to determine the usefulness of each stopping spot. Reduce the
number of stopping spots to 5–7.
●
Step 3: Use the Think-Aloud Blank Chart
(Table 3) to write the corresponding script
aligning with each stopping point. Write out
your script on a sticky note, then put that
sticky note on the back cover of the book. Use
the prompts provided to write your script.
Zimmerman, S., & Hutchins, C. (2003). 7 Keys to
comprehension. How to help your kids read it
and get it! New York, NY: Crown Publishing.
L I T E R AT U R E C I T E D
The lion and the spider. (2009). Adapted from
public domain Anansi fables by CUE.
Penn, A. (1993). The kissing hand. Washington,
DC: Child Welfare League of America.
Van Dusen, C. (2009). The circus ship. Somerville,
MA: Candlewick Press.
Willems, M. (2010). Knuffle Bunny free: An unexpected diversion. New York, NY: Balzer + Bray.
Appendix
Selected Portions of Effective Think-Alouds
Sample Text 1: Knuffle Bunny Free: An Unexpected Diversion by Mo Willems (Conducted in a Second-Grade Classroom)
What The Text Says
Trixie was sure that she wouldn’t be able
to sleep another night in a strange bed
without her Knuffle Bunny.
Right there, on that very plane, Trixie
noticed something… “KNUFFLE
BUNNY!!!” Trixie was so happy to have
Knuffle Bunny back in her arms.
Teacher Think-Aloud Script
“So even though I was right that Trixie really does miss Knuffle
Bunny, I was wrong in predicting that her Oma and Opa would take
her on many adventures to help her forget. I think that even though
the new bunny Trixie’s Oma and Opa bought for her was really cool
and could do lots of fun things, she just wants her doll back.”
“I can’t believe it! Trixie must have the best luck in the world!
On her flight home, she was on the very same plane and in the
very same seat and Knuffle Bunny was still there! Thumbs up if
you lost something and then forgot about it. Now keep your thumb
up if you finally found what you had lost, and even though you
forgot about it, you were so happy to have it back!”
Associated Reading Comprehension Strategies
Making and clarifying predictions
Clarification, making connections
(continued)
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I M P ROV I NG T H E QUA L I T Y OF T H I N K- A L OU D S
(continued)
What The Text Says
Happy enough to make a decision…
Trixie turned around and said: “Would
your baby like my Knuffle Bunny?”
Teacher Think-Aloud Script
“What? I’m going to go back and read that again. I thought I read
that Trixie gave up Knuffle Bunny. I’m not sure if that’s right. Let
me go back and reread.”
Associated Reading Comprehension Strategies
Clarification, making connections, rereading to
clarify confusion
Sample Text 2: The Kissing Hand by Audrey Penn (Conducted in a First-Grade Classroom)
What The Text Says
“I don’t want to go to school,” he told his
mother. “I want to stay home with you. I want
to play with my friends. And play with my
boys. And read my books. And swing on my
swing. Please, may I stay home with you?”
Mrs. Raccoon took Chester by the hand and
nuzzled him on the ear.
“You’ll make new friends. And play with
new toys. Read new books. And swing on
new swings. Besides,” she added, “I know a
wonderful secret that will make your nights at
school seem as warm and cozy as your days at
home.”
That night, Chester stood in front of his
school and looked thoughtful. Suddenly, he
turned to his mother and grinned. “Give me
your hand,” he told her. Chester took his
mother’s hand in his own and unfolded her
large, familiar fingers into a fan.
Teacher Think-Aloud Script
“In my mind’s eye, I see a nice, loving mom who is trying
to comfort her child. This reminds me of how my mom used
to comfort me when I was sad and did not want to go to
school. I bet she will have a great idea to make Chester
feel better and stop crying.”
Associated Reading Comprehension Strategies
Visualization, making predictions, making
connections
“I am curious to find out what her secret might
be to make Chester feel better while they are apart
during school.”
Clarifying, setting a purpose
“I wonder, is Chester going to give her a kiss on her
hand, too?”
Asking a question
Sample Text 3: The Circus Ship by Chris van Dusen (Conducted in a Fourth-Grade Classroom)
What The Text Says
Teacher Think-Aloud Script
“Wow, there are a lot of big words that I need to take a
look at again. Bedraggled seems to talk about how the
animals are feeling. If they were swimming all night long, I
would think bedraggled must mean really, really tired. Now,
staggered is an action word. If they ‘staggered to the village
on weary, wobbly feet,’ they must have been walking but in a
way that seemed like they would fall over at any minute. And
lastly, weary is used to talk about the animals’ feet that were
wobbly and also probably very tired.”
Associated Reading Comprehension Strategies
Through chilly water, all night long, the
animals swam on, until they reached an island
beach just before the dawn. They pulled
themselves up on the shore—bedraggled,
cold, and beat—then staggered to the village
on weary, wobbly feet.
His face was red. He scratched his head.
He stood there with a frown. Mr. Paine looked
high and low, but still he couldn’t see the
fifteen circus animals of his menagerie.
“I wonder if I can find all of the animals in this picture. How can
he not recognize some of them? If he can’t find the animals,
what will he do?”
Asking questions
He ran off in a fit of rage. His ship was
leaving sight, so he jumped into a rowboat and
he rowed with all his might. And from that day
they like to say their lives were free of “Paine.”
It was a happy, peaceful place upon that isle
in Maine.
“The animals were free from their mean old boss! I was a
little nervous when he first came back in the story, but I
am so happy he left empty-handed. I wonder what it would
be like to live on an island with a bunch of circus animals.
This book showed me a lot about how it is better to be kind
to others instead of being afraid if maybe they are a little
different.”
The Reading Teacher
Vol. 69
Issue 4
January/February 2016
Activating prior knowledge, determining word
meanings
Revisiting and checking previous predictions,
summarizing