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2023, Course Syllabus
Course Description: In this course, we will travel through historical moments guided by the stories that map our worlds and our political imaginations. We will seek to unsettle conventional categories of “world” as we carefully reorient ourselves in relation to the texts under study—novels, stories, and poems that demand a rearticulation of the so-called “archetype.” As we travel across continents, guided by Imbolo Mbue or Helena María Viramontes, we will consider the trajectories of power that they map and the aesthetic forms that are neither universal nor derivative, but persistently and indignantly local—that is, materially and historically situated. We will begin with a consideration of the political stakes of “worlding” literature before embarking on a three-pronged journey: texts that map empire; stories that illuminate the sacrifice zones of our contemporary petrosphere; and narratives that demand a consideration of the role of energy in the construction, dissemination, and interpretation of aesthetic form. Required texts: Aimé Césaire, Discourse on Colonialism, ISBN-13: 978-1583670255 Patrick Chamoiseau, Slave Old Man, ISBN-13: 978-1-62097-588-6 Amitav Ghosh, Sea of Poppies, ISBN-13: 978-0312428594 Shailja Patel, Migritude, ISBN-13: 978-1885030054 Helena María Viramontes, Under the Feet of Jesus ISBN-13: 978-0452273870 *All readings appended with an asterisk (*) will be made available on Canvas.
Journal of World Literature, 2020
French Studies, 2013
European Journal of English Studies, 2019
The basic premises of Pheng Cheah's book are encapsulated in its title: first, that any consideration of world literature requires a return to theorizing " world " beyond its spatial dimensions, and second, that postcolonial literature bears a unique relationship to world literature in its ability to challenge hegemonic understandings of what that world is. As a field, World Literature is often criticized for being apolitical—for performing a disingenuous depoliticization rooted in the logic of equivalency, where one text from the Global South is easily substituted for another, and for turning a blind eye to the structures of power that postcolonial theory brings to critical attention. Where inequalities are acknowledged, it is often done with a center-periphery model of a world system in mind, applying an evolutionary logic that has at its core a notion of Eurocentric teleological progress. Cheah is certainly no stranger to these debates, and his contribution critically considers the positionality of world literature vis-à-vis histories of imperialism, global capital, and modes of cosmopolitan belonging. Cheah's stated aim is to rethink " world " as a temporal category, and, in the process, to reorient critical thought toward the relationship of literature to the world—a question wholly different from the ways in which literature circulates within that world. He rightly notes that the
Dear Colleagues, we are pulling together an Edited Collection titled A 21st Century Look at Postcolonial Literature, and we would like to invite you to consider submitting one or more chapters. The submission deadline for chapter proposal abstracts is February 25, 2024. The submission deadline for full chapters is May 31, 2024.
PMLA, 2016
This essay explores the meanings and effects of postcolonial authors’ recent refashioning of classical historical fiction. That refashioning has two aims: a materialist cartography that counters the nationalist vocation of classical historical fiction by revealing the supra-national, global aspirations of colonial capitalism as a system; and an effort to retrieve from colonial modernity the residues of premodern, often presecular modes of solidarity that persist within yet lie “athwart” the colonial-modern. The analysis focuses on novels by Barry Unsworth and Amitav Ghosh. It engages with work on the Atlantic and Indian Ocean worlds; with theoretical critiques of utopia; and with the Lukácsian concept of typification (and Ian Baucom’s critique thereof). The essay concludes by linking the birth of postcolonial historical fiction to the form of finance capital undergirding our contemporary moment—a form of capital that reprises while intensifying that which held sway at the moment of historical fiction’s first emergence. Published in PMLA 131.5 (October 2016): 1328-1343.
The Journal of Postcolonial Writing is an academic journal devoted to the study of literary and cultural texts produced in various postcolonial locations around the world. It explores the interface between postcolonial writing, postcolonial and related critical theories, and the economic, political and cultural forces that shape contemporary global developments. In addition to criticism focused on literary fiction, drama and poetry, we publish theoretically-informed articles on a variety of genres and media, including film, performance and other cultural practices, which address issues of relevance to postcolonial studies. In particular we seek to promote diasporic voices, as well as creative and critical texts from various national or global margins. The Journal of Postcolonial Writing also publishes • Special issues with a particular thematic or regional focus • Interviews with and profiles of postcolonial writers and theorists • Reviews of critical studies of contemporary writing • Selections of creative writing: poetry and short prose fiction • Archival material relevant to critical articles accepted for publication Our ambition is to foster a creative dialogue among theories and texts influenced by postcolonial preoccupations and debates, and a larger engagement of contemporary literary criticism with regional and local forces (ethnicities, alternative cultural practices, diffuse points of resistance etc). Our concern is thus not only with exploring contemporary forms of imperialism (political, financial, technological, ecological), but also – and especially – with promoting cultural texts and practices which successfully challenge these. The Journal of Postcolonial Writing is listed in the Thomson Reuters Arts & Humanities Citation Index.® All peer review is double blind and submissions are typically reviewed by two referees.
El inframundo de Teotihuacan. I, 2023
Journal of Biology, Agriculture and Healthcare, 2020
SCRUM MASTER, 2019
Published in The Pastoral Review 2012
International Journal of Social Economics, 2019
Social Change Review, 2014
Vecher eBooks, 2022
Gabriel Cholette et Jacob Pyne : Carnet de bal d’un enfant du siècle (Les Carnets de l’Underground), 2023
Jurnal Pendidikan Dasar, 2020
learningfromexperience.com
Diabetes Research and Clinical Practice, 1999
Studia Rossica Gedanensia, 2019