Simmi Dullay
Simmi Dullay is scholar and a visual artist. She lectured in Art History, Visual Arts and Musicology at the University of South Africa (Unisa). She is currently a doctoral candidate. Her academic background covers a variety of fields, ranging from Critical Theory, Art History
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DECOLONIZING THE "COLD" WAR is the first Afropean performance showcase and was accompanied by roundtable discussions on the aesthetic legacy of the Black Power movement in the radical imagination of Diaspora artists. Parallel to this, its influence in liberation and decolonization struggles in the Global South during the so-called "Cold" War was approached from the continuities of coloniality. According to Enrique Dussel, a liberation philosopher and decolonial thinker, this war was never "cold" in the Global South.
We are witnessing a kind of global revivalism on documentary material on the Black Power movement (a good example is the release (2011) of Black Power Mixtape 1967-1975, by Göran Olsson) and dozens of seminars and conferences are mushrooming all over Europe on the so called "Cold" War. In these hegemonic narratives the global South is usually considered as a mere recipient of Western imperialism.
During this festival, the story was told from the perspective of the self-affirmation of Black Power. The emblematic figure of Angela Davis created a planetary movement of solidarity that went beyond the term "Black Internationalism". These narratives of re-existence were analyzed in relation to Frantz Fanon´s fundamental role in global South liberation struggles during that period. His interactions with Jean-Paul Sartre were the focus of some of these unprecedented debates. The worldwide solidarities resulting from the Black Power movement united people beyond racialization and political agendas. BE.BOP 2013 celebrated a paradigm shift that transformed the Black Body into a source of inspiration and beauty prevalent until today.
A Project of Art Labour Archives + Ballhaus Naunynstraße
In cooperation with AfricAvenir + Heinrich Böll Sitftung
Alanna Lockward + Curator
Walter Mignolo + Advisor
Artwell Cain (Netherlands+St. Vincent) + Vaginal Davis (Germany+USA) + Teresa María Díaz Nerio (Netherlands+Dominican Republic) + Simmi Dullay (South Africa+Denmark) + Moritz Ege (Germany) + Jeannette Ehlers (Denmark+Trinidad) + Jihan El Tahri (Egypt+South Africa+France) + Cecilia Gärding (Sweden+South Africa) + Quinsy Gario (Netherlands+Curazao) + Barbara Gray (England+Jamaica) + Adler Guerrier (USA+Haiti) + Neil Kenlock (England + Jamaica) + Grada Kilomba (Germany+Portugal+São Tomé e Principe) + Adetoun Küppers-Adebisi (Germany+Nigeria) + Raúl Moarquech Ferrera Balanquet (Cuba+Mexico+USA) + Karen McKinnon (England+USA) + Mekonnen Mesghena (Germany+Eritrea) + Dannys Montes de Oca (Cuba) + MwangiHutter (Germany+Kenya) + Pascale Obolo (France+Cameroon) + Horace Ové (England+Trinidad) + Robbie Shilliam (England) + Ovidiu Tichindeleanu (Rumania) + Caecilia Tripp (France+Germany) + Rolando Vázquez (Netherlands+Mexico)
Partners
Center for Global Studies and the Humanities + IDEA. Arts + Society
Transnational Decolonial Institute
Media Partners
AFROTAK TV cyberNomads + Reboot FM + Uprising Art + Afrikadaa
Photos by:
Clelia Coussonnet
Wagner Carvalho
http://www.wagnercarvalhophotographer...
Talks
Interview
Conference Presentations
Books
Is highly interdisciplinary, drawing on Anthropology, Sociology, Development Studies, Historical Studies, Political Science, Gender Studies and Childhood Studies
Adds value to the ongoing debate about 'liberation' and what it means to be 'South African'.
Makes a theoretical contribution to issues related to life course, childhood, gender and migration.
Will aid development practitioners seeking to protect and assist children confronted by violence and forced migration.
Challenges preconceived notions of victimhood, risk, resilience and trauma.
Introduction
This book examines the experiences of 49 second-generation exiles from South Africa. Using “generation” as an analytical concept, it investigates the relational, temporal and embodied nature of their childhoods in terms of kinship relations, life cycle, cohort development and memory-making. It reveals how child agents exploited the liminal nature of exile to negotiate their sense of identity, home and belonging, while also struggling over their position and power in formal Politics and informal politics of the everyday. It also reflects upon their political consciousness, identity and sense of civic duty on return to post-apartheid South Africa, and how this has led to the emergence of the Masupatsela generational cohort concerned with driving social and political change in South Africa.
DECOLONIZING THE "COLD" WAR is the first Afropean performance showcase and was accompanied by roundtable discussions on the aesthetic legacy of the Black Power movement in the radical imagination of Diaspora artists. Parallel to this, its influence in liberation and decolonization struggles in the Global South during the so-called "Cold" War was approached from the continuities of coloniality. According to Enrique Dussel, a liberation philosopher and decolonial thinker, this war was never "cold" in the Global South.
We are witnessing a kind of global revivalism on documentary material on the Black Power movement (a good example is the release (2011) of Black Power Mixtape 1967-1975, by Göran Olsson) and dozens of seminars and conferences are mushrooming all over Europe on the so called "Cold" War. In these hegemonic narratives the global South is usually considered as a mere recipient of Western imperialism.
During this festival, the story was told from the perspective of the self-affirmation of Black Power. The emblematic figure of Angela Davis created a planetary movement of solidarity that went beyond the term "Black Internationalism". These narratives of re-existence were analyzed in relation to Frantz Fanon´s fundamental role in global South liberation struggles during that period. His interactions with Jean-Paul Sartre were the focus of some of these unprecedented debates. The worldwide solidarities resulting from the Black Power movement united people beyond racialization and political agendas. BE.BOP 2013 celebrated a paradigm shift that transformed the Black Body into a source of inspiration and beauty prevalent until today.
A Project of Art Labour Archives + Ballhaus Naunynstraße
In cooperation with AfricAvenir + Heinrich Böll Sitftung
Alanna Lockward + Curator
Walter Mignolo + Advisor
Artwell Cain (Netherlands+St. Vincent) + Vaginal Davis (Germany+USA) + Teresa María Díaz Nerio (Netherlands+Dominican Republic) + Simmi Dullay (South Africa+Denmark) + Moritz Ege (Germany) + Jeannette Ehlers (Denmark+Trinidad) + Jihan El Tahri (Egypt+South Africa+France) + Cecilia Gärding (Sweden+South Africa) + Quinsy Gario (Netherlands+Curazao) + Barbara Gray (England+Jamaica) + Adler Guerrier (USA+Haiti) + Neil Kenlock (England + Jamaica) + Grada Kilomba (Germany+Portugal+São Tomé e Principe) + Adetoun Küppers-Adebisi (Germany+Nigeria) + Raúl Moarquech Ferrera Balanquet (Cuba+Mexico+USA) + Karen McKinnon (England+USA) + Mekonnen Mesghena (Germany+Eritrea) + Dannys Montes de Oca (Cuba) + MwangiHutter (Germany+Kenya) + Pascale Obolo (France+Cameroon) + Horace Ové (England+Trinidad) + Robbie Shilliam (England) + Ovidiu Tichindeleanu (Rumania) + Caecilia Tripp (France+Germany) + Rolando Vázquez (Netherlands+Mexico)
Partners
Center for Global Studies and the Humanities + IDEA. Arts + Society
Transnational Decolonial Institute
Media Partners
AFROTAK TV cyberNomads + Reboot FM + Uprising Art + Afrikadaa
Photos by:
Clelia Coussonnet
Wagner Carvalho
http://www.wagnercarvalhophotographer...
Is highly interdisciplinary, drawing on Anthropology, Sociology, Development Studies, Historical Studies, Political Science, Gender Studies and Childhood Studies
Adds value to the ongoing debate about 'liberation' and what it means to be 'South African'.
Makes a theoretical contribution to issues related to life course, childhood, gender and migration.
Will aid development practitioners seeking to protect and assist children confronted by violence and forced migration.
Challenges preconceived notions of victimhood, risk, resilience and trauma.
Introduction
This book examines the experiences of 49 second-generation exiles from South Africa. Using “generation” as an analytical concept, it investigates the relational, temporal and embodied nature of their childhoods in terms of kinship relations, life cycle, cohort development and memory-making. It reveals how child agents exploited the liminal nature of exile to negotiate their sense of identity, home and belonging, while also struggling over their position and power in formal Politics and informal politics of the everyday. It also reflects upon their political consciousness, identity and sense of civic duty on return to post-apartheid South Africa, and how this has led to the emergence of the Masupatsela generational cohort concerned with driving social and political change in South Africa.